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Discover the rich history and vibrant culture of Armenian wine, from the ancient winery in Areni 1 cave to modern vineyards producing world-class wines. Learn about traditional winemaking, diverse wine types, popular brands, and the annual Areni Wine Festival that attracts wine enthusiasts from around the globe. < Back Ultimate Guide to Armenian Wine Discover the rich history and vibrant culture of Armenian wine, from the ancient winery in Areni 1 cave to modern vineyards producing world-class wines. Learn about traditional winemaking, diverse wine types, popular brands, and the annual Areni Wine Festival that attracts wine enthusiasts from around the globe. Armenia, a country rich in history and culture, is also home to one of the oldest winemaking traditions in the world. The discovery of an ancient winery in the Areni 1 cave has solidified Armenia's place on the global wine map, highlighting the deep roots and enduring legacy of Armenian viticulture. This article delves into the fascinating history, diverse wine types, and the vibrant wine culture that continues to thrive in Armenia today. Ready to taste Armenian wine? Ancient Winemaking in Areni 1 Cave In 2007, archaeologists uncovered an astonishing find in the Areni 1 cave in the Vayots Dzor region of Armenia: the world's oldest known winery, dating back over 6,100 years. This ancient facility included a wine press, fermentation vats, storage jars, and even drinking cups. The discovery provided concrete evidence that Armenians have been producing wine for millennia, making wine an integral part of their heritage and culture. Winemaking Tradition in Armenia Armenian winemaking tradition is deeply intertwined with the country's history and religion. Wine has been produced in the region since the times of Noah, who, according to legend, planted the first vineyard on the slopes of Mount Ararat. Throughout centuries, wine has played a vital role in religious ceremonies, social gatherings, and everyday life. Armenian winemakers have honed their craft over generations, combining ancient techniques with modern innovations. The result is a unique blend of tradition and modernity that produces some of the world's most distinctive wines. Types of Armenian Wine Armenia is home to a variety of wine types, each with its unique characteristics and flavors. The most famous is the Areni Noir, a red wine grape indigenous to Armenia, known for its deep, rich flavors and excellent aging potential. Other notable grape varieties include Voskehat, a white wine grape with a fruity and floral profile, and Kangun, used to produce both dry and sweet wines. In addition to grape wine, Armenians also produce wine from other fruits. Pomegranate wine is particularly popular, offering a unique taste that reflects the country's rich agricultural heritage. Apricot and cherry wines are also enjoyed, each bringing a distinct flavor and aroma to the Armenian wine landscape. Wine aging takes place in clay vessels The Wine Aging Process Aging is a crucial part of the winemaking process that significantly influences the flavor, aroma, and overall quality of the wine. In Armenia, traditional and modern methods are employed to age wines to perfection. Oak Barrels: Many Armenian winemakers use oak barrels to age their wines. The oak imparts unique flavors and aromas, such as vanilla, spice, and caramel, while also allowing for slow oxygenation, which helps to soften tannins and enhance the wine's complexity. Karas: Some winemakers still use traditional clay vessels known as karas for aging wine. This ancient method, which dates back thousands of years, allows the wine to breathe while retaining a more natural and earthy character. Stainless Steel Tanks: For certain types of wine, particularly whites and rosés, stainless steel tanks are used to preserve the fresh, fruity flavors and prevent oxidation. Oak barrels filled with wine Armenian Wine Festival One of the highlights of Armenia's wine culture is the annual Areni Wine Festival. Held in the picturesque village of Areni, this festival attracts wine enthusiasts from around the world. Visitors have the opportunity to taste a wide variety of wines, enjoy traditional Armenian music and dance, and participate in grape stomping—a fun and interactive way to experience the winemaking process. The festival not only showcases the best of Armenian wines but also promotes local tourism and cultural exchange. It has become a must-visit event for anyone interested in exploring the rich traditions and flavors of Armenian wine. Popular Armenian Wine Brands Armenia's winemaking tradition has produced several renowned brands that have gained both national and international acclaim. Here are some of the most famous Armenian wine brands: Armenia Wine Company: Known for its innovative approach and high-quality wines, Armenia Wine Company produces a wide range of wines, including the popular Karas and Takar labels. Their wines are known for their rich flavors and consistent quality, making them a favorite among wine enthusiasts. Zorah Wines: This boutique winery has received international acclaim for its Zorah Karasi Areni Noir, a wine praised for its depth, complexity, and adherence to traditional winemaking methods. Zorah Wines focuses on producing wines that reflect the unique terroir of Armenia. Voskevaz Winery: With a history dating back to 1932, Voskevaz Winery combines ancient traditions with modern technology to produce award-winning wines. Notable labels include Voskevaz Karasi Collection and Voskevaz Heritage, both of which showcase the rich flavors and heritage of Armenian wine. Trinity Canyon Vineyards: Founded by three friends with a passion for winemaking, Trinity Canyon Vineyards produces organic wines that reflect the unique terroir of the Armenian highlands. Their wines, such as the Trinity Eh Areni Noir, have gained a loyal following among wine enthusiasts for their distinct and expressive flavors. Tushpa Wine Cellar: Located in the historic winemaking region of Vayots Dzor, Tushpa Wine Cellar produces a variety of wines, including their signature Tushpa Areni Noir. This family-owned winery emphasizes traditional winemaking techniques and the unique characteristics of local grape varieties. Old Bridge Winery: Situated in the Ararat Valley, Old Bridge Winery is known for its diverse range of wines, including both red and white varieties. Their Old Bridge Areni Noir is particularly popular, showcasing the robust flavors of this indigenous grape. Kataro Winery: Initially based in Artsakh (Nagorno-Karabakh), the winery relocated to Armenia after the 2020 Karabakh War, during which its original facility was captured by Azerbaijani forces. Kataro Winery specializes in producing high-quality wines from the indigenous Khndoghni grape. Kataro Reserve and Kataro Estate are among their well-known labels, offering a unique taste of this lesser-known wine region. Hin Areni: A relatively new but rapidly growing winery, Hin Areni focuses on producing premium wines from the Areni and Voskehat grape varieties. Their wines are noted for their elegance and balance, making them a popular choice among wine connoisseurs. These brands represent the best of Armenian winemaking, combining traditional methods with modern techniques to produce wines that are both unique and of exceptional quality. Their growing popularity among both locals and foreigners is a testament to the rich heritage and bright future of Armenian wine. Popularity Among Foreigners Armenian wines have been gaining popularity among foreigners, thanks in part to the country's growing reputation as a travel destination. Tourists who visit Armenia are often delighted to discover the country's rich winemaking heritage and the quality of its wines. The unique flavors and stories behind Armenian wines resonate with wine lovers worldwide, leading to increased interest and demand. Additionally, international wine competitions and expos have provided a platform for Armenian wines to shine, earning accolades and recognition from wine experts and critics. This exposure has helped to elevate Armenia's profile in the global wine market, attracting new fans and customers from around the world. Conclusion Armenian wine is more than just a beverage; it is a testament to the country's ancient heritage, cultural richness, and enduring traditions. From the ancient winery in Areni 1 cave to the modern vineyards producing world-class wines, Armenia's winemaking story is one of passion, resilience, and innovation. Whether you are a seasoned wine connoisseur or a curious traveler, exploring Armenian wine offers a journey through history, tradition, and the unique flavors of this remarkable land. Gallery You May Also Like Modernist architecture in the Soviet Union The movie Seven Years in Tibet is based on Heinrich Harrer’s eponymous book The Tallest Stalin Statue Ever Erected The Biggest Bank Robbery in the Soviet Union The Real Story Behind the Movie The Lost City of Z On Reinhold Messner’s book “The Crystal Horizon: Everest – The First Solo Ascent” Hiking Guide to Climbing Mount Azhdahak Molokans in Armenia

Explore Sevanavank Monastery, a top touristic destination in Armenia. Located on the Sevan Peninsula, this ancient monastery offers a glimpse into Armenia's rich religious heritage. Join my guided tours in Armenia and uncover its historical and cultural treasures. < Back Sevanavank Monastery Explore Sevanavank Monastery, a top touristic destination in Armenia. Located on the Sevan Peninsula, this ancient monastery offers a glimpse into Armenia's rich religious heritage. Join my guided tours in Armenia and uncover its historical and cultural treasures. Sevanavank Monastery, founded by Saint Gregory the Illuminator in 305, is a significant historical site located on the Sevan Peninsula, which was once an island. The area was fortified as early as the Bronze Age, serving as a strategic stronghold throughout history. By the 9th century, the monastery had become a key fortress for the Syunyats princes. Tourists are enjoying the view! The Church of St. Arakelots (Holy Apostles) and lake Sevan In 874, Princess Mariam, daughter of King Ashot Bagratuni and wife of Prince Vasak Gabur of Syunik, financed the construction of two churches on the peninsula: Surb Arakelots and Surb Astvatsatsin. The construction record from 874 is still visible on the eastern wall of Surb Arakelots Church. Both churches were restored in 1956-1957 and share a similar architectural style. Sevanavank was known for its strict monastic discipline, primarily housing monks from Etchmiadzin who had fallen out of favor. The Church of St. Arakelots (Holy Apostles) as seen from the trail leading up from the Sevan Writers' Rest House Notable visitors, including French explorer Jean-Marie Chopin, documented the rigorous lifestyle of the monks in the 19th century, noting their abstention from meat, wine, and other indulgences. Another explorer visited the monastery in 1850 and documented that manuscripts were still being copied by hand. A painting by Hovhannes Aivazovsky titled "Sevan Lake, Sunrise," 1869. In the painting, you can see Sevan Island and the Sevanavank Monastery Notice that the painting shows the Sevan Peninsula while it was still an island. Sevan Island became a peninsula because of Soviet-era water mismanagement. Full-scale water withdrawal started in 1937 with the launch of the Sevan–Hrazdan hydro-irrigation complex, boosting Armenia’s Soviet-era economy. By the end of that year, the lake had already dropped 10 meters. By the mid-20th century, the water level had fallen by approximately 20 meters, causing the island to become connected to the mainland and thus forming a peninsula. Gallery You May Also Like Modernist architecture in the Soviet Union The movie Seven Years in Tibet is based on Heinrich Harrer’s eponymous book The Tallest Stalin Statue Ever Erected The Biggest Bank Robbery in the Soviet Union The Real Story Behind the Movie The Lost City of Z On Reinhold Messner’s book “The Crystal Horizon: Everest – The First Solo Ascent” Hiking Guide to Climbing Mount Azhdahak Molokans in Armenia

Lake Sevan and the iconic Sevanavank Monastery are not just picturesque sights—they are among the top tourist attractions in Armenia and a reflection of the country’s deep cultural and natural heritage. Nestled on the Sevan Peninsula, Sevanavank Monastery combines breathtaking views, ancient architecture, and spiritual significance, making it a must-visit stop on any Armenia travel itinerary. Before you visit Lake Sevan, take a moment to explore the rich history behind this iconic destination in Armenia. < Back Lake Sevan and Sevanavank Monastery Lake Sevan and the iconic Sevanavank Monastery are not just picturesque sights—they are among the top tourist attractions in Armenia and a reflection of the country’s deep cultural and natural heritage. Nestled on the Sevan Peninsula, Sevanavank Monastery combines breathtaking views, ancient architecture, and spiritual significance, making it a must-visit stop on any Armenia travel itinerary. Before you visit Lake Sevan, take a moment to explore the rich history behind this iconic destination in Armenia. Lake Sevan: The Blue Pearl Lake Sevan, often referred to as the "Blue Pearl of Armenia," is one of the largest freshwater high-altitude lakes in the world. Situated at an altitude of about 1,900 meters above sea level, it covers an area of approximately 1,240 square kilometers, making it the largest lake in the Caucasus region. Elevation above sea level: 1,898 meters Dimensions: 74 km long × 32 km wide Surface area: 1,240 km² Water volume: 36.1 km³ Maximum depth: 79.7 meters Average depth: 26.8 meters Since 1923, Soviet authorities developed plans to use Lake Sevan's water for irrigation and energy. In 1926–1930, a scientific commission studied the lake basin. At the time (1927), the lake stood at an elevation of 1,935 meters. In 1931, a plan proposed lowering the lake level by 55 meters over 50 years—shrinking it to a 299 km² body known as "Little Sevan." The exposed land was to be used for agriculture and forestry. Work began in 1933, including the deepening of the Hrazdan River bed and construction of drainage tunnels 40 meters below the lake. Full-scale water withdrawal started in 1937 with the launch of the Sevan–Hrazdan hydro-irrigation complex, boosting Armenia’s Soviet-era economy. By the end of that year, the lake had already dropped 10 meters. World War II delayed further work until 1949. After that, the lake level fell by over 1 meter annually, triggering serious ecological consequences. Combined with rising wastewater discharge, this led to eutrophication—an explosion in organic matter from 25,000 tons in the 1930s to 150,000 tons by 1999. Lake Sevan began to “bloom” with algae, threatening its water quality and making it unsuitable for drinking or agriculture. Sevanavank monastic complex in winter By the late 1950s, the project to lower the lake was reconsidered. The exposed land turned out to be infertile, and Sevan remained Armenia’s only major freshwater reserve. A 1961 report by the Armenian Academy of Sciences urged halting the decline. At that point, the lake had dropped 13.7 meters. Plans were set in motion to divert water from the Vorotan and Arpa rivers back into the lake. Implementation began in 1981 with the construction of a 48.3 km tunnel from the Kechut reservoir. The second tunnel, 21.6 km long, connecting Vorotan and Arpa, began in the late 1980s but stalled during the economic crisis and was only completed in 2003. Water flow officially resumed in 2004. Since then, the lake has been recovering. In 2006, its level rose by 41 cm compared to the previous year. Between 2006 and 2010, annual increases ranged from 25 to 35 cm. However, Lake Sevan remains vulnerable. Any drop in water level poses a serious threat to its fragile ecosystem, water quality, and long-term role as Armenia’s key freshwater reserve. Lake Sevan and Artanish Peninsula The lake is a popular destination for both locals and tourists. Its shores are dotted with beaches, resorts, and recreational facilities. Visitors can enjoy various water activities such as swimming, boating, hiking, and fishing. The surrounding area also offers opportunities for hiking, camping, and exploring the natural beauty of Armenia. Lake Sevan is not only a natural beauty but also an ecological treasure. It supports a diverse range of flora and fauna, some of which are endemic to the region. The lake's ecosystem is crucial for the local environment, providing habitat for numerous species of fish, birds, and plants. Fishes Lake Sevan is home to several endemic fish species: Sevan beghlou (or barbel, Barbus goktschaicus ) Sevan khramulya ( Varicorhinus capoeta sevangi ) Sevan trout , also known as ishkhan ( Salmo ischchan ) Sevan trout, also known as ishkhan (Salmo ischchan) Historically, the ishkhan included four subspecies. Today, two of them — the winter bakhtak and the bodzhak — are extinct. The remaining subspecies are critically endangered. Birds Lake Sevan is a key habitat for the Armenian gull ( Larus armenicus ), with an estimated 4,000–5,000 breeding pairs. Armenian gull (Larus armenicus) Other bird species that frequent the lake include: Tundra swan ( Cygnus columbianus ) Lesser white-fronted goose ( Anser erythropus ) Red-crested pochard ( Netta rufina ) Ferruginous duck ( Aythya nyroca ) Great black-headed gull ( Larus ichthyaetus ) A painting by Hovhannes Aivazovsky titled "Sevan Lake, Sunrise," 1869. Notice that the painting shows the Sevan Peninsula while it was still an island Sevanavank Monastery: A Spiritual Haven Perched on a peninsula that juts into the northwestern part of Sevan Lake is the Sevanavank Monastery, one of Armenia's most iconic religious sites. The monastery, which dates back to the 9th century, was founded by Princess Mariam, the daughter of King Ashot I. Originally, the complex included three churches, but only two have survived to the present day: the Church of St. Arakelots (Holy Apostles) and the Church of St. Astvatsatsin (Holy Mother of God). The Church of St. Arakelots (Holy Apostles) The architecture of Sevanavank is a fine example of medieval Armenian design. The churches are constructed from black tuff, a volcanic rock that gives the buildings their distinctive dark appearance. The simplicity and solidity of the structures, combined with their stunning location overlooking the lake, create a sense of tranquility and reverence. Sevanavank has played a significant role in Armenian history. During the medieval period, it served as an important center for learning and spiritual growth. Sevan Writers' Rest House Located on the Sevan Peninsula, the Sevan Writers’ Rest House is an architectural gem and a landmark of Soviet Modernist design. Conceived by prominent Armenian architects Gevorg Kochar and Mikayel Mazmanyan, the complex was built in two phases: first came the Residence Hall, followed by the now-iconic Lounge building. The earliest sketches of the Residence Hall date back to 1932, and archival materials confirm that construction was completed by 1935. Tragically, the political repression of the era did not spare the architects. During the Great Purge of 1937, both Kochar and Mazmanyan were arrested at their workplace, and their lives turned into a struggle for survival. In 1963, decades after the original construction—and following his release from imprisonment—Gevorg Kochar was invited to lead the resort’s reconstruction and expansion. As part of the redesign, he added an additional floor to the Residence Hall, introducing a broad terrace that organically extended the logic and aesthetics of the original concept. Kochar also introduced a new Lounge building during the reconstruction. Though stylistically distinct from the Residence Hall, the two structures formed a strikingly harmonious ensemble, blending with the surrounding landscape and visually incorporating the medieval Sevan Monastery churches perched atop the peninsula. Gallery You May Also Like Modernist architecture in the Soviet Union The movie Seven Years in Tibet is based on Heinrich Harrer’s eponymous book The Tallest Stalin Statue Ever Erected The Biggest Bank Robbery in the Soviet Union The Real Story Behind the Movie The Lost City of Z On Reinhold Messner’s book “The Crystal Horizon: Everest – The First Solo Ascent” Hiking Guide to Climbing Mount Azhdahak Molokans in Armenia

Explore the rich tapestry of Soviet art with this guide to Soviet monuments and statues in Armenia. From the statue of Hayk Nahapet to the statue of Vladimir Lenin, discover how these landmarks reflect the artistic and ideological spirit of their time. Journey through history with iconic Soviet monuments and experience a unique blend of cultural heritage and artistic expression. Perfect for anyone interested in tours in Armenia and exploring its remarkable artistic history. < Back Iconic Soviet Statues and Monuments in Armenia Explore the rich tapestry of Soviet art with this guide to Soviet monuments and statues in Armenia. From the statue of Hayk Nahapet to the statue of Vladimir Lenin, discover how these landmarks reflect the artistic and ideological spirit of their time. Journey through history with iconic Soviet monuments and experience a unique blend of cultural heritage and artistic expression. Perfect for anyone interested in tours in Armenia and exploring its remarkable artistic history. When Armenia became part of the Soviet Union in 1920, the Soviet education system profoundly impacted the development of the arts in the country. The Soviet regime closely intertwined art and education, emphasizing the creation of works that reflected socialist ideals and the collective spirit. Beginning in 1921-22, the Leninist program of monumental propaganda was implemented in Soviet Armenia, marking the initial phase of Armenian Soviet sculpture. Sculpture as a professional art form flourished in Soviet Armenia, largely thanks to the pioneering efforts of Ara Sargsyan, Suren Stepanyan, Stepan Taryan, Aitsemnik Urartu, and Yervand Kochar, who later relocated to Armenia. These artists enriched Armenian sculpture with numerous monumental, mechanical, and decorative works, securing its place in Soviet multinational art. Prominent Armenian sculptors based in Moscow and Leningrad, such as Sergey Merkurov, Grigor Kepinov, Tigran Davtyan, and A. Stepanyan, also made significant contributions. Many Armenian artists often took creative risks, producing works that reflected their national history—a bold move that could be perceived as nationalistic by the Kremlin. Despite this, the Soviet government heavily invested in arts education, establishing specialized schools and institutes that trained a new generation of Armenian artists, sculptors, and architects. Yervand Kochar was a prominent sculptor and modern artist of the twentieth century, celebrated for his innovative contributions to art and his role as the founder of the Painting in Space movement. The development of Armenian sculpture in the Soviet union is closely associated with prominent artists like Ara Sargsyan, Aitsemnik Urartu, Stepan Taryan, Sergey Merkurov, and Yervand Kochar, who returned to Armenia in 1936. Inspired by the revival of their young country, these artists aimed to capture the distinctive character and atmosphere of the new historical period in their work. Their commitment and creativity during the 1920s and 30s helped shape the key characteristics of national sculpture—simplicity, restraint, and meaningful forms. Their monumental works were installed in Yerevan and other Armenian cities, while their significant pieces are preserved and exhibited in galleries. Armenian sculpture reached a new level of artistic expression in the post-war years, as artists began to celebrate new peacetime heroes. Leading figures, alongside a new generation of sculptors like Nikolay Nikoghosyan, Ara Harutyunyan, Sargis Ayvazyan, Ghukas Chubaryan and Karlen Nurijanyan continued to create sculptures ranging from monumental works to fine plastic art. They crafted images of their contemporaries, national heroes, and notable figures using stone, wood, and bronze, contributing lasting pieces to Armenian sculptural heritage. Ara Harutyunyan is another renowned sculptor of the 20th century, known for his impactful contributions to Armenian and Soviet art In the 1960s and 70s, Armenian sculpture gained new dimensions as younger sculptors like Levon Tokmajyan, Serzh Mehrabyan, Yuri Minassian, Vladimir Antashyan, Artashes Hovsepyan, Benik Petrosyan and Ara Shiraz began working alongside established masters. This generation sought to reinterpret ancient traditions and develop diverse and bold plastic expressions, enriching Armenian sculpture with fresh artistic visions. The legacy of Armenian sculpture continued to evolve through the works of talented sculptors of the 1980s and 1990s who introduced new concepts into the art form. Mother Armenia in Yerevan The current Mother Armenia statue replaced a monumental statue of Joseph Stalin, originally erected as a World War II victory memorial and considered a masterpiece by sculptor Sergey Merkurov. Following Stalin's death, his statue was secretly removed in 1962. In 1967, Ara Harutyunyan's Mother Armenia statue was installed, modeled after 17-year-old Zhenya Muradian. The statue stands 22 meters tall, with the entire monument reaching 55 meters atop its tuff stone pedestal. In 1970, the pedestal was converted into the Museum of Armenia in the Great Patriotic War 1941-1945, marking the 25th anniversary of the victory. Mother Armenia in Gyumri Unveiled on May 9, 1975, the Mother Armenia statue in Gyumri commemorates the 30th anniversary of the victory in the Great Patriotic War and honors the memory of Gyumri's wartime participants. Created by sculptor Ara Sargsyan and architect Rafael Yeghoyan, the monument stands as a harmonious blend of architecture and sculpture, consisting of a 21-meter-high pedestal and a 20-meter-high statue. Mother Armenia in Ijevan The "Mother Armenia" monument, located in Ijevan, Tavush region, Armenia, is a significant historical and cultural landmark created in 1971 by sculptor Serzh Mehrabyan. Mother Armenia in the Tavush region, on the Armenia-Azerbaijan border In 1976, the 10-meter (some say 17-meter) aluminum sculpture of Mother Armenia, or Arevik, was created by Adibek Grigoryan and placed near Aygehovit village in Armenia's Tavush region, along the road to Azerbaijan. Originally intended for Central Asia, it was rejected for allegedly overemphasizing the female form. Later revised, the statue was installed at the border, symbolizing Armenia’s welcoming spirit to visitors from Russia, Georgia, and Azerbaijan. Today, the area where it stands is part of the village of Aygehovit in Tavush region. Unfortunately, on the night of September 28-29, 2014, a strong wind caused the edging frame, resembling the 'rays of the sun,' to fall from the statue, but Mother Armenia remains standing tall. The monument was initially named "Let the Sun Always Shine," dedicated to the memory of the residents of Akhuryan who died in World War II. However, it later became known as the "Mother Armenia" monument. Let the Sun Always Shine. 1967. Aluminum. Height: 9 meters. Author: Fridrikh Soghoyan. A monument at the entrance of Martuni city, sculptor Rafael Ekmalyan, 1965 The statue of Alexander Tamanyan The Alexander Tamanyan Monument stands prominently in the heart of Yerevan, directly in front of the iconic Cascade Complex. It was unveiled in 1974 as a tribute to the chief architect behind Yerevan’s modern master plan. Designed by architect Seda Petrosyan and sculpted by Artashes Hovsepyan, the monument is made of basalt and granite, and stands 3 meters tall. The Statue of Martiros Saryan in Yerevan The Martiros Saryan Monument stands in the heart of Yerevan, nestled within the leafy Martiros Saryan Park—bounded by Mashtots Avenue, Marshal Baghramyan Avenue, and Zoryan Street. It’s just a short walk from the street that also bears the name of the iconic Armenian artist. Unveiled in 1986, the monument is crafted from marble and rises 6 meters tall. Saryan’s own autograph is delicately engraved on the lower left corner of the pedestal, adding a personal touch to the tribute. Authors: Architect: Artur Tarkhanyan Sculptor: Levon Tokmajyan The Statue of Komitas (Yerevan) The statue of Komitas was unveiled on January 8, 1988, in the park adjacent to the Yerevan State Conservatory that bears his name. The monument, made of bronze and granite, stands 3 meters tall and immortalizes the legacy of the talented Armenian composer, musicologist, singer, and spiritual figure. Authors: Sculptor: Ara Harutyunyan Architect: Fenix Darbinyan The Weaver's Statue in Gyumri city The Weaver's Statue, sculpted by Tereza Mirzoyan in 1964, is a notable monument in Gyumri, Armenia, capturing the spirit of the city’s weaving and textile traditions. Tsovinar: The Iconic Soviet Monument of Hrazdan This striking Soviet monument, officially named "Long Live the Blue and Clear Sky," stands on the shores of Aghbyurak Reservoir in Hrazdan city. Dedicated to the 40th anniversary of victory in the Great Patriotic War (1941-1945), it stands as a powerful reminder of the Armenian nation's active participation in the war. Sculpted in 1985 by the artist Khachatur Hakobyan (1951-2015), the monument is also referred to as "Parvana" in certain documents. However, it is more widely known by its unofficial name, "Tsovinar." When the reservoir level rises, the statue is partially submerged, creating a striking visual effect that further emphasizes its connection to the water and its mythological significance. "Strip of Eternity," sculpted by David Bejanyan in 1979, is a prominent monument located along the Yerevan-Sevan Highway. The monument in Gyumri titled "Научно-техническому прогрессу широкий размах" (translated as "A Broad Sweep to Scientific and Technical Progress") is a tribute to the spirit of innovation and technological advancement. Muse of Cybernetics by Yervand Kochar The Muse of Cybernetics sculpture stands on the grounds of the Yerevan Research Institute of Mathematical Machines (commonly known as the Mergelyan Institute). Created in 1972 by renowned sculptor Yervand Kochar, it embodies a striking fusion of technology and mythology. The sculpture—a muse—is depicted in a relaxed, almost meditative pose, half-reclining. Its form is partially veiled, yet mechanical fragments—wires, springs, and structural elements—protrude from within. It appears to be in a state of transformation: either shedding its skin or slowly taking shape. What remains constant is the skeletal axis at its core. Resting against a tangible, familiar object—an Armenian clay jug once meant to release a gentle stream of water—the cybernetic muse once symbolized both life and movement. Today, however, the sculpture stands dry and silent, the flow long since halted, lending it an eerie, contemplative stillness. "The Sun Giver" or "Welcome" by Karlen Nurijanyan, engraved aluminum, Tsaghkadzor, 1968 Took this photo in the end of March, 2025 The statue of Hayk Nahapet in Yerevan The statue of Hayk Nahapet is located in Yerevan, in the 2nd district of the Nor Nork administrative region, near Gai Avenue. The statue was initially installed near the "Moscow" Cinema (in 1970) and was later moved to its current location in 1975. The statue is made of forged copper and has a height of 3.5 meters. Sculptor: Karlen Nurijanyan, 1970 The statue of Tork Angegh in Yerevan The statue of Tork Angegh, created in 1982 by sculptor Karlen Nurijanyan, is located in Yerevan, Armenia. Tork Angegh is a deity of strength, courage in Armenian mythology. Known for his immense strength and power, Tork Angegh is considered one of the great-grandsons of Hayk Nahapet, the legendary patriarch of the Armenian nation. "King Trdat Defeats the Bull" in Abovyan city "King Trdat Defeats the Bull," created in 1977 by sculptor Karlen Nurijanyan, is a cast copper monument located in the Saralanj district of Abovyan city. Vahagn the Dragon Slayer by Karlen Nurijanyan, 1969 Vahagn is the supreme god of military victory and thunder in ancient Armenian mythology. A central figure in ancient Armenian beliefs, he was worshipped in pre-Christian Armenia alongside Aramazd, the chief deity akin to Zeus, and Anahit, the goddess of fertility and wisdom. He was the most revered and bore the title "Dragon Slayer" for his legendary battles against the dragons of darkness. This striking copper sculpture, mounted on a rough-hewn basalt block, portrays Vahagn locked in battle with a dragon. It symbolizes the timeless clash between life and death, and the ultimate triumph of good over evil. Originally unveiled in 1969 in Yerevan on Lenin Avenue (now Mashtots Avenue), the sculpture was relocated in the 1970s to the courtyard of the Union of Artists of Armenia. In the 1980s, it was moved again, this time to the Echmiadzin Highway. During the 1990s, a powerful gust of wind toppled the statue, and a passing car inflicted additional damage. In 2001, the broken monument was entrusted to renowned sculptor and painter Nerses Charkhchyan. Following its meticulous restoration, it remained for several years in Jrvezh, near the artist’s home. On December 19, 2004, the sculpture found a permanent home on Admiral Isakov Avenue. Vahagn the Dragonslayer in Armavir village This statue is a replica of Vahagn the Dragonslayer by Karlen Nurijanyan, with the original monument currently standing in Yerevan on Admiral Isakov Avenue. The replica was installed in 1971 in front of the House of Culture in the village of Armavir, Armenia. Vahagn the Dragonslayer in Yerevan This statue of Vahagn the Dragon Slayer (Vishapakagh) stands in Yerevan’s Arabkir district, in the courtyard of Building No. 12 on Vagharshyan Street. Erected in 1985, the monument was crafted by sculptor Vahe Harutyunyan and designed by architects Armen Aghalyan and Grigori Grigoryan. The iconic "Chayka" at the entrance to Yerevan This monument at the entrance to Yerevan from the Abovyan side was designed by Van Khachatur in 1960 and is commonly known by its Russian name, “Чайка (Chayka),” meaning “Seagull.” Uniquely, the monument displays the word Чайка (Chayka) written in Armenian script (Չայկա), rather than the Armenian equivalent “Ճայ.” Initially, the design faced criticism, with some doubting its structural integrity and predicting it would collapse. However, the monument's ingenious engineering—a narrow, elongated form on one side balanced by a thicker, shorter section on the other—provides perfect stability. More than six decades later, it stands as a testament to innovative design and enduring craftsmanship. "Rebirth" memorial complex in Charentsavan city "Rebirth" memorial complex, 1980 at the entrance of Charentsavan city, architect Henrik Arakelyan, sculptor: Khachik Miridjanyan Stepan Shahumyan Monument in Stepanavan The statue of Stepan Shahumyan, located in the center of Stepanavan city in Lori Marz, was installed in 1982. Created by sculptor Ara Harutyunyan, this monument is an important cultural and historical landmark. It is listed among the immovable monuments of history and culture in Stepanavan, commemorating the significant contributions of Shahumyan to Armenian history. Stepan Shahumyan Monument in Yerevan The Stepan Shahumyan Monument, located in Yerevan, was erected in 1931 in Stepan Shahumyan Square, named after the prominent figure of the Communist Party, the USSR, and the international labor movement, Marxist theorist, sociologist, journalist, and publicist Stepan Shahumyan. The monument is made of granite and stands at 3.5 meters tall. The architect was Ivan Zholtovsky, and the sculptor was Sergey Merkurov, a People's Artist of both the USSR and Armenian SSR, and a full member of the USSR Academy of Arts. Previously, the site where the Shahumyan statue stands was occupied by the Russian church of St. Nicholas, which was demolished in the late 1920s, along with several other churches in old Yerevan. Alexander Myasnikyan Monument The Alexander Myasnikyan Monument, located in Yerevan, was erected in 1980 in honor of the Armenian party, political, and public figure Alexander Myasnikyan. The monument is made of granite and basalt and stands at a height of 8.6 meters. On one of the walls of the monument, the first line of a quatrain written by Yeghishe Charents on April 16, 1936, in memory of Myasnikyan, is engraved: «Նայիրյան արևն էր քո մեջ՝ լենինյան հրով ճառագած»: "The sun of Nairi was within you, shining with Lenin's fire." Bust of Nelson Stepanyan Nelson Stepanyan was a Soviet-Armenian flying ace, Il-2 pilot, and regimental commander in the Soviet Air Force who was twice awarded the title of Hero of the Soviet Union. The bust of Nelson Stepanyan is located in the center of Yerevan, in a children's park between Movses Khorenatsi, Grigor Lusavorich, Beirut, and Zakyan Streets. It was installed in 1950. Authors: Architect: Grigor Aghababyan Sculptor: Ara Sargsyan The bust is made of basalt and bronze, with a height of 4 meters. The pedestal displays Nelson Stepanyan's awards, including two stars of the Hero of the Soviet Union and the Order of Lenin. Additionally, it is inscribed with the March 6, 1945 decision of the Presidium of the Supreme Soviet of the USSR to award Nelson Stepanyan a second Gold Medal of the Hero of the Soviet Union and to install a bronze bust in his birthplace. On the back of the bust, the name of the sculptor, Ara Sargsyan, and the year the sculpture was created (1950) are engraved. World War II monument in Vanadzor This World War II monument was erected in 1973 through donations from the workers of the Kirovakan (now Vandzor) chemical factory. Architects: Rafik Boshyan, Boris Kocharyan, and Ashot Kanayan. Sculptors: Zhirayr Ketikyan, Ara Sargsyan, Mehrab Mirzakhanyan (Master Mehrab) The Statue of Mesrop Mashtots and Koryun by Ghukas Chubaryan, 1962 This statue, created by sculptor Ghukas Chubaryan in 1962, depicts Mesrop Mashtots, the creator of the Armenian alphabet, with Armenian letters positioned behind his right hand. Kneeling beside Mashtots' left leg is his devoted student, Koryun. To the left of the Armenian letters, on the wall, is the first sentence written in the Armenian script: "Ճանաչել զիմաստութիւն եւ զխրատ իմանալ զբանս հանճարոյ". On the right side of Koryun, an eagle holding a sword and shield is depicted, symbolizing strength and protection. The ceremonial unveiling of the monument took place on May 26, 1962, in honor of the 1600th anniversary of Mashtots' birth, celebrating his monumental contribution to Armenian culture and language. Lenin in Armenia During Soviet times, statues of Lenin were ubiquitous across Armenia, but things changed rapidly after the collapse of the Soviet Union. While many of these statues have been removed or relocated, only a few remain in their original locations. Here is one of them. A monument in Gagarin village dedicated to Yuri Gagarin and his historic first spaceflight Yeghishe Charents Monument in Yerevan The Yeghishe Charents Monument, erected in 1985, stands in Yerevan's Circular Park, opposite the Radio House. This 18.5-meter-tall bronze monument, created by architect Jim Torosyan and sculptor Nikoghayos Nikoghosyan, is a multi-figure composition. On the other side, a memorial column rises, crowned with an eternal flame. On the second column, there is an inscription with lines from Charents' poem, «Անկումների սարսափից» ('From the horror of falling')." «Ես եկել եմ դարերից ու գնում եմ հաղթական Դեպի դարերը նորից՝ դեպի վառվող Ապագան…»։ ("I have come from centuries and I am moving forward victoriously Toward the centuries again—toward the blazing Future..."). Architect: Jim Torosyan Sculptor: Nikoghayos Nikoghosyan Arshaluys Statue The Arshaluys statue, located along the Yerevan-Sevan highway and created by renowned sculptor Ara Harutyunyan, is one of the most iconic Soviet-era monuments. The statue gained international recognition when famed photographer Norman Parkinson captured a striking image of model Jerry Hall posing on it, which was featured in Vogue magazine. This photograph was later republished in color in the Sunday Times Magazine in 1982, further cementing the statue's cultural significance. King of the Forest Statue in Dilijan In 1966, while staying at Aghasi Khanjyan’s summer house in Dilijan, sculptor Ara Sargsyan was inspired by a giant tree. This led to the creation of his 1968 statue "King of the Forest," a reimagined version of his earlier work, "Goatman." The statue now stands near Khanjyan’s former residence, embodying the spirit of the forest. The Monument to the 50th Anniversary of Soviet Armenia This monument was installed in 1970 to mark the 50th anniversary of Soviet Armenia and can undoubtedly be called the most recognizable landmark of Dilijan, a unique symbol of the city. It is visible from nearly every part of Dilijan. The five edges of the monument represent each decade of those 50 years. The monument was designed by Seyran Avetisyan, Khoren Vatinyan, and Artur Tarkhanyan. Musa Dagh Heroic Battle Monument The Musa Dagh Heroic Battle Monument built in 1976 stands on a hill in the village of Musaler, Armavir region. Designed to resemble an impregnable fortress, the monument embodies the unwavering will, indomitable spirit of resistance, and extraordinary courage of the participants in the historic Musa Dagh Heroic Battle. Authors Architect: Rafael Israelyan Sculptor: Ara Harutyunyan The Arch of Charents or The Temple Of Ararat The Arch of Charents, also known as the Temple of Ararat, is a monument situated in the village of Voghjaberd, Kotayk region, on the right side of the Yerevan-Garni road, at an altitude of 1500 meters. The memorial was erected in 1957, and originally, the architect intended to pay tribute to mount Ararat, naming it "The Temple of Ararat." Several flights of stairs lead to the top of the hill, where the temple is located. Upon reaching it, on a clear day, Mount Ararat emerges in all its majesty, perfectly framed within the arch's opening. The arch is constructed externally of basalt and internally lined with orange tuff. The composition of the arch is rectangular in plan: 10 x 5.5 m, with a height of 5 m. Sculptor: Rafael Israelyan Monument to the Armenian Hayduks The Monument to the Armenian hayduks (hayduk or fedayi is a type of irregular infantry) is situated in the village of Ujan, in the Aragatsotn Province of Armenia. It is listed as an immovable historical and cultural monument of Ujan. Erected in 1989, the monument honors Armenian fedayis and is crafted from wrought copper. The monument features busts of Garegin Nzhdeh, Arabo, Makhluto, Gevorg Chavush, Aghbyur Serob, Sose Mayrik, and Soghomon Tehlirian. The sculptor behind this work is Yuri Minasyan. Arus or the "Armenian Sphinx" - A double-sided statue by sculptor Arto Chakmakchyan, 1963 The name "Arus (Арус in Russian)" is both a common Armenian woman’s name and an acronym for Armenian Accelerator (Армянский Ускоритель). It is said that the title "Armenian Sphinx" was coined by Artem Alikhanyan, founder of the Institute of Physics. Created by sculptor Arto Chakmakchyan , Arus is more than art—it’s a tribute to the dreams and determination behind Armenia’s scientific rise. And it guards the entrance to the underground halls where science once roared. Melody – Statue by Sargis Baghdasaryan, Yerevan, 1965 The monument is made of aluminum and granite and stands 1.4 meters tall. It was unveiled in 1965 and is located next to Swan Lake. "Worker and Kolkhoz Woman" – A Statue by Ervand Kochar (1951-1952 or 1956) Worker and Kolkhoz Woman by Ervand Kochar was intended for installation in the courtyard of the Building of the Book Chamber in Yerevan. However, for years, the statue stood largely unnoticed—placed behind the building, in a pond, away from public view. Over time, the sculpture’s compositional integrity has deteriorated. Several key elements, including two trays once held by the figures—designed to channel water into the pond—have disappeared, leaving the original concept incomplete and partially forgotten. “The Builder Eagle” on the Western Entrance to Yerevan This striking monument is located along the Yerevan–Etchmiadzin highway, built in 1960. Marking the southern gateway to the capital, it’s a landmark easily spotted by those driving in from the airport—standing proudly on the right side of the road. The composition features three 15-meter-tall tuff stone columns with triangular cross-sections and arched bases, arranged in parallel on a modest platform. Atop them soars a dramatic bronze eagle sculpture with outstretched wings. The eagle’s gaze is fixed on the horizon, its wings finely detailed. A sunbeam crowns its head, and a grape leaf—a national symbol of Armenia—adorns its chest. (The same symbol appears on the “Vahagn the Dragon Slayer” monument at the northern entrance to Yerevan, also designed by Israelyan and Harutyunyan.) In its talons, the eagle holds a ruler and hammer—symbols of strength, craftsmanship, and creative labor. Architect: Rafael Israelyan Sculptor: Ara Harutyunyan Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Armenia’s Particle Accelerator Urban Exploration Tour with Carlus in a Lada Niva The Cemetery of German POWs in Gyumri This Trophy 1m Schmidt Telescope Was Hitler's Gift to Mussolini Destroyed Bas-Reliefs of Armenia Exploring the Unfinished Depths of Yerevan Metro The Destroyed Statues of Armenia KANAZ: The Cultural Heart of Kanaker’s Aluminium Factory Previous Next

Armenia offers a diverse landscape where ancient history and breathtaking natural beauty come together. From the architectural grandeur of Yerevan Cascade and the spiritual significance of Ejmiatsin Cathedral to the majestic peaks of Mount Aragats and Azhdahak, Armenia is a treasure trove of scenic wonders. This article explores the most beautiful places in Armenia, including iconic monasteries like Sanahin and Haghpat, the serene Dimats Mountain, and the astronomical marvel ROT 54 telescope, offering a journey through the country's rich cultural and natural heritage. < Back Beautiful places in Armenia Armenia offers a diverse landscape where ancient history and breathtaking natural beauty come together. From the architectural grandeur of Yerevan Cascade and the spiritual significance of Ejmiatsin Cathedral to the majestic peaks of Mount Aragats and Azhdahak, Armenia is a treasure trove of scenic wonders. This article explores the most beautiful places in Armenia, including iconic monasteries like Sanahin and Haghpat, the serene Dimats Mountain, and the astronomical marvel ROT 54 telescope, offering a journey through the country's rich cultural and natural heritage. Armenia known for its mountainous landscapes, ancient monasteries, and vibrant cultural heritage, is a destination that captivates visitors with its diverse attractions. Whether you're drawn to the bustling streets of Yerevan or the serene, untouched corners of the countryside, Armenia offers a unique blend of history, culture, and natural wonders. In this article, we will explore the most beautiful places in Armenia, each offering a glimpse into the country’s rich past and its stunning natural scenery. Yerevan Cascade The Yerevan Cascade is one of the most iconic landmarks in Armenia's capital city, Yerevan. This massive stairway connects the city center with the Victory Park, offering panoramic views of the city and Mount Ararat in the distance. The Cascade is not only a feat of architectural design but also a cultural hub, housing the Cafesjian Center for the Arts, where modern art exhibitions are regularly held. Visitors can explore the various levels of the Cascade, adorned with sculptures, fountains, and gardens, making it a perfect blend of art, architecture, and nature. Ejmiatsin Cathedral The Ejmiatsin Cathedral, also known as the Mother Cathedral of Holy Ejmiatsin, is the spiritual center of the Armenian Apostolic Church. Located in the city of Vagharshapat, this UNESCO World Heritage site is the oldest cathedral in Armenia, dating back to 301 AD. The cathedral is a symbol of Armenian Christianity and a masterpiece of Armenian architecture, with its intricate carvings, frescoes, and religious significance. Pilgrims and tourists alike visit Ejmiatsin to witness its historical and spiritual grandeur. Dimats Mountain Dimats Mountain, located in the Tavush region, is a haven for nature lovers and hikers. The mountain is covered in dense forests and offers spectacular views of the surrounding landscape. The hike to the summit of Dimats is relatively easy, making it accessible to most visitors. Along the way, hikers can enjoy the diverse flora and fauna of the region, as well as the peace and quiet of the Armenian wilderness. Dimats Mountain is an ideal destination for those seeking to connect with nature and escape the hustle and bustle of city life. On your way you can see Armenia’s highest waterfall “Shaghot”. Sanahin Monastery Perched on a plateau amidst lush green forests, Sanahin Monastery is one of Armenia's most treasured religious sites. Established in the 10th century, this UNESCO World Heritage site is a stunning example of medieval Armenian architecture. Sanahin, which means "older than that one" in Armenian, is often mentioned alongside its sister monastery, Haghpat, as they share a similar architectural style and historical significance. Haghpat Monastery Haghpat Monastery, another UNESCO World Heritage site, is located near the town of Alaverdi in Haghpat Village. Like Sanahin, Haghpat was built in the 10th century and is renowned for its unique blend of Byzantine and Armenian architectural styles. The monastery complex includes several churches, a library, and a dining hall, all of which are set against the backdrop of the Debed Canyon. The serene and mystical atmosphere of Haghpat makes it a must-visit destination for those exploring Armenia's religious heritage. Lori Gorge Horomayr Monastery is a hidden gem nestled in the cliffs of the Lori region. This 7th-century monastery is accessible only by a short hike, but the effort is well worth it. The monastery's isolated location and stunning views of the surrounding canyons create a sense of tranquility and spiritual seclusion. Horomayr's main church, partially carved into the rock, is a remarkable example of Armenian monastic architecture. For adventure seekers and history enthusiasts, Horomayr offers a unique and rewarding experience. Azhdahak Azhdahak, the highest peak of the Gegham Mountains, stands at an elevation of 3,597 meters. This extinct volcano is a popular destination for hikers and adventure seekers. The trek to the summit of Azhdahak offers breathtaking views of the surrounding mountains, including Mount Ararat and Lake Sevan (visible from the summit). At the summit, hikers are rewarded with a stunning crater lake, formed by the accumulation of rainwater in the volcanic crater. Azhdahak is a place where nature’s raw beauty is on full display, making it a must-visit destination for outdoor enthusiasts. ROT 54 Telescope in Orgov village Located in Orgov village, this ROT54telescope is one of the largest radio-optical telescopes globally. It has been instrumental in advancing our understanding of the universe, contributing to numerous astronomical discoveries. The visionary behind this remarkable space center is the esteemed Armenian scientist, Paris Herouni. Herouni dedicated 17 years to securing permission from Soviet authorities to build this observatory in Armenia rather than Crimea. Constructed between 1975 and 1985, the telescope was operational from 1986 until around 1990. In the mid-1990s, a proposal emerged for the telescope's restoration. Between 1995 and 2010, the ROT 54 underwent modernization, including new control systems and feeds, and resumed observations in collaboration with the Astronomical Society of Russia and the National Technical University of Athens. However, in 2012, operations ceased once more when a control arm malfunctioned, immobilizing the secondary mirror. The Armenian state was unable to cover the repair costs, resulting in the research complex being mothballed. Odzun Church The Odzun Church is a prominent early medieval Armenian basilica located in the village of Odzun, in the Lori region. Built in the 5th-7th centuries, the church is an excellent example of Armenian basilica architecture, with its distinctive rectangular shape and intricate stone carvings. The church's location on a plateau provides stunning views of the surrounding mountains and valleys. The Odzun Church is not only a place of worship but also a historical monument that reflects the rich cultural heritage of Armenia. Lake Kari and Mount Aragats Mount Aragats, the highest peak in Armenia, is a majestic mountain located in the Aragatsotn province. With its four distinct peaks, Aragats offers a variety of hiking opportunities, ranging from easy treks to challenging climbs. The southern peak, standing at 3,888 meters, is the most accessible, while the northern peak, at 4,090 meters, is the highest point in Armenia. In addition to its natural beauty, Mount Aragats is home to countless high altitude lakes, cultural monuments and scientific institutions. Sevanavank Monastery and Lake Sevan Lake Sevan, often referred to as the "Blue Pearl of Armenia," is one of the largest freshwater high-altitude lakes in the world. Located in the Gegharkunik province, Lake Sevan is a popular destination for both locals and tourists. The lake is surrounded by picturesque mountains and offers a variety of recreational activities, including swimming, boating, and hiking. The Sevanavank Monastery, located on a peninsula overlooking the lake, is a must-visit site, offering panoramic views of the crystal-clear waters and the surrounding landscape. Noravank Monastery Noravank Monastery is one of Armenia's most picturesque religious sites. Built in the 13th century, the monastery is known for its stunning red rock cliffs and intricate stone carvings. The Surb Astvatsatsin Church, the main structure of the monastery, is a masterpiece of medieval Armenian architecture. The dramatic landscape surrounding Noravank, with its towering cliffs and deep gorges, adds to the mystical atmosphere of the site, making it a favorite destination for photographers and history enthusiasts. Garni Temple The Garni Temple, located in the Kotayk province, is the only standing Greco-Roman colonnaded building in Armenia and the former Soviet Union. Built in the 1st century AD, this pagan temple is dedicated to the sun god Mihr and is a remarkable example of ancient Armenian architecture. The temple is situated on a cliff overlooking the Azat River Gorge, offering stunning views of the surrounding landscape. Nearby, visitors can also explore the Garni Gorge, known for its "Symphony of Stones" basalt column formations, which add to the area's natural beauty. Khor Virap Khor Virap, located in the Ararat province, is one of the most important religious sites in Armenia. The monastery is situated at the foot of Mount Ararat, offering stunning views of the biblical mountain. Khor Virap is famous for being the site where Saint Gregory the Illuminator, the patron saint of Armenia, was imprisoned for 13 years before converting King Tiridates III to Christianity, leading to Armenia becoming the first Christian nation. The monastery's location, combined with its historical and religious significance, makes it a popular pilgrimage site. Lake Parz and the Dilijan National Park Dilijan National Park, located in the Tavush region, is often referred to as the "Armenian Switzerland" due to its lush forests, clear rivers, and alpine meadows. The park is home to a rich diversity of flora and fauna, making it a haven for nature lovers and outdoor enthusiasts. Visitors can explore the park's numerous hiking trails, which lead to picturesque lakes, ancient monasteries, and stunning viewpoints. The town of Dilijan, located within the park, is also worth exploring for its charming architecture and cultural heritage. Armenia is a land of unparalleled beauty, where history, culture, and nature come together to create a truly unique destination. From the bustling capital of Yerevan to the remote mountain monasteries, Armenia offers a diverse array of attractions that cater to all interests. Whether you are a history buff, a nature lover, or simply seeking to explore a new and fascinating destination, Armenia's beautiful places will leave you with memories that last a lifetime. 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Nestled amidst the rugged beauty of Armenia's Aragatsotn region, where snow-capped peaks seemingly pierce the heavens, lies a gem of astronomical exploration: the Byurakan Astrophysical Observatory. This article offers brief insights for those eager to delve into the observatory's wonders or planning an upcoming visit. < Back Byurakan Astrophysical Observatory Nestled amidst the rugged beauty of Armenia's Aragatsotn region, where snow-capped peaks seemingly pierce the heavens, lies a gem of astronomical exploration: the Byurakan Astrophysical Observatory. This article offers brief insights for those eager to delve into the observatory's wonders or planning an upcoming visit. Perched at an altitude of 1500 meters, just 50 km north of Yerevan, Byurakan benefits from crystal-clear skies and minimal light pollution, providing an unparalleled vantage point for cosmic scrutiny. This unique setting played a pivotal role in the establishment of an observatory here! Founded in 1946 by Viktor Hambardzumyan, the Byurakan Astrophysical Observatory, or simply Byurakan Observatory, is situated in the village of Byurakan. Viktor Hambardzumyan was a Soviet-Armenian astrophysicist and science administrator, one of the 20th century's top astronomers, he is widely regarded as the founder of theoretical astrophysics in the Soviet Union. The architectural brilliance of the buildings was orchestrated by Samvel Safarian. The observatory encompasses two main sections: a residential area and an operational segment, featuring observation towers, administrative and laboratory buildings, an assembly hall, and a guest house. Spring in Byurakan Astrophysical Observatory! The ZTA-2.6 telescope is the largest observational instrument of BAO. The building was designed by Sargis Gurzadyan, 1975 Below is a list of telescopes at the Byurakan Astrophysical Observatory. ZTA-2.6: The 2.6-meter Cassegrain reflector in operation since 1975. 103/136/213 cm Schmidt system telescope, in operation since 1960. 53/53/180 cm Schmidt binoculars. Small telescopes: 50 cm reflector. 40 cm reflector. 20 cm reflector. Radio-optical telescope: PDS-1010A, a microdensitometer for measuring density. The First Byurakan Survey, initiated in 1965 using the Schmidt telescope, unveiled 1500 galaxies with ultraviolet excess, famously known as the Markarian galaxies. These celestial bodies are designated "Markarian" or "Mrk," followed by a number, such as Mrk 501. The Byurakan spectral survey of Markarian's sky has earned its place in the international register of the UNESCO Memory of the World program. The Second Byurakan Survey, conducted from 1974 to 1991, focused on identifying emission line and ultraviolet excess galaxies, along with quasars. The observatory boasts numerous discoveries, including special star clusters (stellar associations since 1947), over 1,000 flare stars, dozens of supernovae, hundreds of Herbig–Haro objects and cometary nebulae, as well as hundreds of galaxies. Inside Viktor Hambardzumyan's house-museum! Notably, Hambardzumyan's house-museum is also situated within the grounds of the Byurakan Observatory, providing a glimpse into the life and work of this influential figure in Armenian astronomy. Check out this article as well to learn about the Trophy 1m Schmidt Telescope , which was Hitler's gift to Mussolini and is located at the Byurakan Astrophysical Observatory. Gallery You May Also Like Modernist architecture in the Soviet Union The movie Seven Years in Tibet is based on Heinrich Harrer’s eponymous book The Tallest Stalin Statue Ever Erected The Biggest Bank Robbery in the Soviet Union The Real Story Behind the Movie The Lost City of Z On Reinhold Messner’s book “The Crystal Horizon: Everest – The First Solo Ascent” Hiking Guide to Climbing Mount Azhdahak Molokans in Armenia

Armenia, a mountainous country blessed with an abundance of pure and fresh drinking water, has a unique and ingenious way of providing free water to its inhabitants - the Pulpulak. Pulpulak is a distinctive feature of Armenia that leaves a lasting impression on everyone who visits the country. < Back Pulpulak - Water fountain in Armenia Armenia, a mountainous country blessed with an abundance of pure and fresh drinking water, has a unique and ingenious way of providing free water to its inhabitants - the Pulpulak. Pulpulak is a distinctive feature of Armenia that leaves a lasting impression on everyone who visits the country. What is a Pulpulak? A Pulpulak, translating to the ‘murmuring of water’, is a public drinking water fountain that is common in Armenia and is an integral part of Armenian culture. These fountains are typically built with stone and stand approximately one meter tall, providing cold mountain spring water. In some cases, they can have a unique design, thus becoming a piece of art. They first appeared in the streets of Yerevan in the 1920s and have since become extremely popular. Not long ago it was very strange for Armenians to understand the idea of “buying water” because water has always been ever-flowing and free in the country. Moreover, tap water is also safe to drink in Armenia, however, for those not accustomed to tap water, it is recommended to drink bottled water instead. Interestingly, when travelers are asked about their experiences in Armenia, they almost always mention the Pulpulaks. A very beautiful Pulpulak in Yerevan's 2800th Anniversary Park. More Than Just Fountains Pulpulaks serve more than just a utilitarian purpose. They are often erected to honor someone who has passed away or achieved something remarkable. When you drink from a memorial Pulpulak, you have to bow down to sip the water, symbolizing a way of paying respects to the deceased person. Yotnaghbyur (Յոթնաղբյուր, meaning "seven springs") is the name of the famous Pulpulak in Yerevan's Republic Square. It was erected by Spartak Knteghtsyan in 1965. The fountain was restored in 2008 by Moscow-based Armenian designer Nur. Gallery You May Also Like Modernist architecture in the Soviet Union The movie Seven Years in Tibet is based on Heinrich Harrer’s eponymous book The Tallest Stalin Statue Ever Erected The Biggest Bank Robbery in the Soviet Union The Real Story Behind the Movie The Lost City of Z On Reinhold Messner’s book “The Crystal Horizon: Everest – The First Solo Ascent” Hiking Guide to Climbing Mount Azhdahak Molokans in Armenia

Just a short drive from the center of Yerevan, in what used to be the city’s outskirts in 1960s, stands something few would expect from a small mountainous country better known for ancient monasteries and volcanic peaks: a particle accelerator. Yes, Armenia has its own chapter in the history of high-energy physics. Welcome to the Yerevan Physics Institute Synchrotron, also known as YerPhI (ЕРФИ - Ереванский физический институт) or officially, the A.I. Alikhanyan National Science Laboratory—a quiet but powerful remnant of Soviet science. < Back Armenia’s Particle Accelerator Just a short drive from the center of Yerevan, in what used to be the city’s outskirts in 1960s, stands something few would expect from a small mountainous country better known for ancient monasteries and volcanic peaks: a particle accelerator. Yes, Armenia has its own chapter in the history of high-energy physics. Welcome to the Yerevan Physics Institute Synchrotron, also known as YerPhI (ЕРФИ - Ереванский физический институт) or officially, the A.I. Alikhanyan National Science Laboratory—a quiet but powerful remnant of Soviet science. How it started? Founded in 1943 as a branch of Yerevan State University by renowned physicists Abraham Alikhanov and Artem Alikhanyan, YerPhI quickly became a cornerstone of Armenia’s scientific ambition. Just two years later, high-altitude cosmic ray stations were built on the slopes of Mount Aragats — Nor Amberd at 2000m and Aragats Station at 3200m. A government delegation led by Brezhnev at the Armenian SSR pavilion at VDNKh, near the particle accelerator model By the 1960s, the dream went underground—literally. YerPhI’s team began construction on a major accelerator complex, designed for cutting-edge research in nuclear and high-energy physics. The symbol named "Arus" As you approach YerPhI, you’ll notice a striking sculpture on your right—a mysterious double-sided figure made of red tuff, standing three meters tall. This is Arus, also known as the "Armenian Sphinx." The name "Arus" is both a common Armenian woman’s name and an acronym for Armenian Accelerator (Армянский Ускоритель). It is said that the title "Armenian Sphinx" was coined by Artem Alikhanyan, founder of the Institute of Physics. Created by sculptor Arto Chakmakchyan , Arus is more than art—it’s a tribute to the dreams and determination behind Armenia’s scientific rise. And it guards the entrance to the underground halls where science once roared. Into the Depths: A Fortress of Concrete and Basalt Next, you’ll spot a large sign in Russian on top of the building to your left: “ЕрФИ.” In 1965, the LU-75 linear accelerator was completed. Two years later, it was joined by a 6 GeV synchrotron . Though its raw power can’t compete with modern giants like CERN, this facility was once among the most advanced in the USSR, delivering over 5,000 operational hours annually at its peak. The Arus synchrotron, with a diameter of approximately 70 meters and a circumference of about 220 meters, was designed to accelerate electrons to an energy of 6 GeV. The accelerator also produced a beam of linearly polarized photons in the 0.9–1.8 GeV range, enabling precise experiments in particle interactions. Key specifications include: Diameter: 70 m Commissioning Year: 1967 Electron Energy: Up to 6 GeV (designed), 4.15–4.5 GeV (operational) Photon Beam: 0.9–1.8 GeV (linearly polarized) Experimental Setup: Included magnetic spectrometers and neutron hodoscopes for detailed measurements Scientific Contributions Arus facilitated a range of groundbreaking experiments in particle physics. One significant study measured the asymmetry of deuteron photodisintegration at photon energies up to 1.8 GeV, using a 90° centre-of-mass angle. This experiment, conducted with a magnetic spectrometer for protons and a neutron hodoscope, challenged existing models of quark interactions by highlighting discrepancies in constituent quark counting rules. Other research explored: Hadronic properties of photons via π-meson photoproduction on nuclei. Structures of nucleon resonances through multi-polarization experiments. Characteristics of nuclear matter under high-energy conditions. A notable achievement was the 1970 discovery of X-ray transition radiation, a phenomenon now widely used in particle identification detectors worldwide. Collaborations with scientists from the Joint Institute for Nuclear Research in Dubna underscored Arus’s role in fostering international scientific exchange. The last full run of the circular accelerator took place in 1998. Operations resumed in May of that year, shifting focus to photodisintegration studies and the investigation of quasi-deuteron disintegration in light nuclei such as helium-4 and lithium-6. These efforts aimed to deepen our understanding of nuclear interactions using the synchrotron’s polarized photon beam. From Electrons to Isotopes: What Happened Inside Put simply, a particle accelerator speeds up electrons or protons to near light-speed and smashes them into targets. This lets scientists study the tiniest building blocks of matter. Think of it as an atomic microscope—on steroids. As I stepped out of the elevator and saw the particle accelerator, a pleasant shiver ran down my spine At YerPhI, researchers focused on: Electron-photonuclear interactions Production of medical radioisotopes like technetium-99m Transition radiation in monocrystals Nuclear resonance structures Hadronic properties of photons Thanks to the synchrotron’s precision beamline —designed to eliminate electromagnetic noise and enable low-background experiments—researchers were able to carry out delicate, world-class physics investigations. I took a photo of Mr. Hakobyan as he explained how the accelerator worked Many of these experiments, including the development of wide-gap spark chambers and transition radiation detectors, positioned YerPhI as a serious contributor to international scientific collaborations from the mid-1980s onward. Back to our visit After passing through the gates, you’re guided to a large round building, where an elevator takes you four floors underground where the accelerator is located. Every instrument sits on a single elevation surface , with zero tolerance for millimeter error. That’s how precise things had to be. Massive half-meter-thick, lead-lined doors shield the lab—and the outside world—from potential radiation and other hazards. Inside these heavily reinforced corridors lies what was once a state-of-the-art research machine. Even today, its foundations are solid—scientifically and structurally. Where It Stands Today After the collapse of the Soviet Union, YerPhI faced tough times—lack of funding, scarce resources, and a brain drain of specialists. However, it managed to adapt to the changing global scientific landscape, continuing its research and contributing to the broader field of physics. While large-scale acceleration has stopped, the facility remains partially operational. It’s used for training, detector development, and even international research collaborations. Behind thick glass, we observed the work in the laboratory The building may carry the weight of the past, but the minds inside are very much focused on the future. The display boards told the rich history of the Physics Institute For the Curious Traveler YerPhI isn’t your average tourist stop, but it’s a goldmine for those who enjoy science with a twist of Soviet nostalgia . So if you're a traveler looking for more than just churches and khachkars—if you want to touch the edge of atoms and ambition—put YerPhI on your radar. Because Armenia isn’t just old; it’s also brilliant. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. 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This article provides a glimpse into an extraordinary urban explorer tour I led in Armenia with Damien, a talented French photographer. We spent an unforgettable week together, discovering the remnants of Armenia’s Soviet-era past, and his creative perspective left a lasting impression on me. < Back Urban Explorer Tour with a French Photographer This article provides a glimpse into an extraordinary urban explorer tour I led in Armenia with Damien, a talented French photographer. We spent an unforgettable week together, discovering the remnants of Armenia’s Soviet-era past, and his creative perspective left a lasting impression on me. In the summer of 2024, Damien and I embarked on a journey across Armenia, visiting urban and rural locations that embodied echoes of a bygone Soviet era. Following our adventure, Damien published a captivating photo series titled "Echoes of the Future" on his website, damienaubin.fr . His work explores the connection between Soviet past and contemporary Armenian life. As Damien describes it: " Echoes of a Future is a photo series that allows me to explore the deep connection between the Soviet Union and Armenia today. I aim to capture the lingering echoes of Soviet ideals within contemporary Armenian life, while acknowledging that this reality is also a kind of fiction shaped by Soviet dreams ." When Damien learned about my intention to write an article about our tour, he strongly requested that I avoid publishing any photos of him, especially those of him in the act of photographing. So, in this article, you will see only the photos taken by him. Throughout the tour, Damien’s unique approach to photography stood out. He was far from ordinary, with a distinctive and unconventional approach to photography. I could never predict when he would pull out his impressive, oversized camera to capture a shot. Often, while driving, he would ask me to stop abruptly, leaving me curious about what had caught his attention. Mother Armenia in Victory Park, sculpted by Ara Harutyunyan Over time, however, his unique perspective became something I came to appreciate and expect. To better understand his creative vision, allow me to reference another passage from his article, which offers insight into his stream of consciousness: " Each photograph I take is an attempt to reveal how these echoes of a Soviet-imagined future appear today. I strive to show how the structures and ideas of the past, partially realized, have given life to a fiction where the dreams of a bright future are both present and altered. Capturing these images, I sense a kind of dialogue between past and present—a silent conversation between past projects and current realities, colored by the unfinished ideals of Soviet dreams ." King Trdat Defeats the Bull, created in 1977 by sculptor Karlen Nurijanyan. Saralanj district of Abovyan city No surprise, then, that his photo series beautifully captures the essence of Armenia’s Soviet legacy. As Damien wrote: " As I walk through Armenia’s streets, I’m struck by how visions and plans from the Soviet past continue to resonate in the present. The imposing buildings, monuments marked by that era’s seal, and even elements of daily culture still carry traces of Soviet dreams and aspirations. Yet, this reality, though tangible, is infused with the imagined future the Soviets once held for Armenia ." Beyond photography, Damien's preferences and personality made this trip even more memorable. For one, he had a profound love for espresso, which became a challenge to find in Armenia's more remote regions—sometimes even harder than sneaking into abandoned buildings! MiG-21 Fishbed on display outside Mikoyan Brothers' Museum in Sanahin village Damien was not just a passenger but a true co-pilot on this adventure. Unlike some travelers who are indifferent to the journey's details, Damien actively engaged, offering helpful advice while navigating rough roads, tight parking spots, tricky overtakes, website SEO tips and photography secrets. His input was always welcome and genuinely useful. He also coined a term for my driving style: "Suren style," which referred to my sharp turns without slowing down! Damien’s humor and camaraderie added a unique dynamic to the journey, making it one I will always cherish. Thank you, Damien, for an incredible and inspiring week filled with discovery, creativity, and unforgettable moments! Below are photos of Damien captured during his travels in Armenia. Project Gallery You May Also Like Armenia’s Particle Accelerator Urban Exploration Tour with Carlus in a Lada Niva The Cemetery of German POWs in Gyumri This Trophy 1m Schmidt Telescope Was Hitler's Gift to Mussolini Destroyed Bas-Reliefs of Armenia Exploring the Unfinished Depths of Yerevan Metro The Destroyed Statues of Armenia KANAZ: The Cultural Heart of Kanaker’s Aluminium Factory Previous Next

The Kanaz Cultural House, built in 1958, served as a vibrant hub for the Kanaker Aluminium Factory. Designed by architects Sos Manukyan and Vilen Tonikyan, it features Armenian architectural elements, sculptures by Grigor Badalyan, and striking Armavir tuff stone. Despite its rich heritage, the building has faced decades of neglect. Although restoration plans were announced in 2019, as of 2024, it remains closed and untouched, awaiting revival. < Back KANAZ: The Cultural Heart of Kanaker’s Aluminium Factory The Kanaz Cultural House, built in 1958, served as a vibrant hub for the Kanaker Aluminium Factory. Designed by architects Sos Manukyan and Vilen Tonikyan, it features Armenian architectural elements, sculptures by Grigor Badalyan, and striking Armavir tuff stone. Despite its rich heritage, the building has faced decades of neglect. Although restoration plans were announced in 2019, as of 2024, it remains closed and untouched, awaiting revival. The Kanaz Cultural House, built in 1958, was designed by architects Sos Manukyan and Vilen Tonikyan as a cultural hub for the Kanaker Aluminium Plant (abbreviated as "Kanaz" from the Russian Канакерский алюминиевый завод ). Architects : Sos Manukyan, Vilen Tonikyan Sculptor : Grigor Badalyan Client : Kanaker Aluminium Factory ("Kanaz") Construction Organization : Ministry of Construction of the Armenian SSR The four-story building features a near-rectangular layout with its main axis dedicated to a grand lobby, corner staircases, and a 600-seat auditorium complete with a stage and side boxes. Adjacent to the hall, an open, arched summer foyer extends to the left, while club rooms are situated on the fourth floor to the right. The architectural design incorporates elements of Armenian national heritage. The main façade is dominated by a decorative archway supported by columns with sculpted capitals. Flanking the archway are statues of a worker and a collective farmer, created by sculptor Grigor Badalyan. The façade is crowned with a pediment adorned with a dentil cornice. The structure is crafted from Armavir tuff stone, showcasing a striking palette of pink, light orange, brown, and dark red hues. Post-Soviet History and Transformation After the dissolution of the Soviet Union and the sale of the Kanaz aluminium factory, the cultural house fell into disrepair. It was repurposed sporadically, serving as a sewing workshop, brick factory, taxi service, and tire assembly facility. The deteriorating state of the building led to its partial use over time. In 2007, the Armenian Ministry of Economy acquired the building. Renamed the "Art Kanaz" Cultural House, it began a new chapter. In 2017, the Yerevan Council of Elders transferred the property free of charge to the "Art Alphabet" Cultural Foundation, led by People's Artist of Armenia, Hrant Tokhatyan. The foundation initiated plans to establish a children's cultural center, including a school and theater. Restoration Efforts In 2019, restoration work commenced under the supervision of the Research Center for Historical and Cultural Heritage SNCO. This initiative aims to revitalize the Kanaz Cultural House as a significant historical and cultural landmark, preserving its architectural legacy and ensuring its functional relevance for future generations. However, as of 2024, when I had the opportunity to enter the building, it remained closed, with no restoration work undertaken to revive it. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Armenia’s Particle Accelerator Urban Exploration Tour with Carlus in a Lada Niva The Cemetery of German POWs in Gyumri This Trophy 1m Schmidt Telescope Was Hitler's Gift to Mussolini Destroyed Bas-Reliefs of Armenia Exploring the Unfinished Depths of Yerevan Metro The Destroyed Statues of Armenia KANAZ: The Cultural Heart of Kanaker’s Aluminium Factory Previous Next

In this article, you will learn about the cemetery of German war prisoners in the Slabotka district of Gyumri, where their memory is honored by visitors from Armenia, Germany, and beyond. < Back The Cemetery of German POWs in Gyumri In this article, you will learn about the cemetery of German war prisoners in the Slabotka district of Gyumri, where their memory is honored by visitors from Armenia, Germany, and beyond. During and after World War II, thousands of German prisoners of war were transported to Armenia, where they participated in various labor projects. The total number of prisoners of war in Armenia amounted to around 16,160. Among them was the renowned Austrian zoologist, ethologist, and ornithologist Konrad Lorenz, who later shared the 1973 Nobel Prize in Physiology or Medicine with Nikolaas Tinbergen and Karl von Frisch. I previously wrote an article titled " Konrad Lorenz's Life as a Prisoner of War in Armenia "—feel free to check it out! As in other parts of Armenia, in Gyumri—known as Leninakan during Soviet times—German prisoners of war primarily worked on construction projects in the "Nor Avan" neighborhood. Their labor was also used for road building, and it was these prisoners who laid the stone-paved streets that still adorn the city center today. Sadly, many of these prisoners did not survive long enough to return to their homeland and passed away in Armenia. Today, several cemeteries in Armenia remain preserved where these prisoners were buried. One such cemetery is located in the "Slabotka" district of Gyumri, next to the former prison. Here, 369 German prisoners of war are buried. From time to time, German tourists visit this site to pay their respects to their compatriots. Modest crosses can be seen covering the cemetery, along with an information board and an inscription in German and Russian: 'Here lie the prisoners of war—victims of the Second World War.'" Years ago, the graves were numbered to help relatives from Germany locate the resting places of their loved ones. In the 1970s, the body of a German colonel was taken back to Germany by his family. According to some accounts, one of the former prisoners, after returning to Germany, provided financial support to help establish this cemetery for his fellow countrymen. The cemetery was maintained until the 1988 earthquake. Before the earthquake, the cemetery caretaker was a man named Spiridon. Despite having fought in the Great Patriotic War and being wounded by Germans, Spiridon took care of the prisoners' cemetery and ensured its upkeep. Neighbors testify that after Spiridon's passing, no one has taken over the responsibility of looking after the cemetery. When I visited the cemetery, it looked neat and well-preserved. From the top of the hillside where it's located, there was a beautiful view opening up toward the city of Gyumri. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Armenia’s Particle Accelerator Urban Exploration Tour with Carlus in a Lada Niva The Cemetery of German POWs in Gyumri This Trophy 1m Schmidt Telescope Was Hitler's Gift to Mussolini Destroyed Bas-Reliefs of Armenia Exploring the Unfinished Depths of Yerevan Metro The Destroyed Statues of Armenia KANAZ: The Cultural Heart of Kanaker’s Aluminium Factory Previous Next

Shifts in ideological paradigms, political caprice, the desire to break away from a totalitarian past, and acts of vandalism led to the dismantling or destruction of many monuments associated with communist ideology and beyond. This process accelerated after the collapse of the Soviet Union in 1991. In this article, we will explore the statues that once adorned Armenia, only to be lost to history. < Back The Destroyed Statues of Armenia Shifts in ideological paradigms, political caprice, the desire to break away from a totalitarian past, and acts of vandalism led to the dismantling or destruction of many monuments associated with communist ideology and beyond. This process accelerated after the collapse of the Soviet Union in 1991. In this article, we will explore the statues that once adorned Armenia, only to be lost to history. The practice of dismantling monuments is not unique to the post-Soviet space. After the October Revolution of 1917, the Bolsheviks actively demolished monuments tied to the tsarist regime as part of the so-called "Lenin's Plan of Monumental Propaganda." This underscores that a change in political systems is often accompanied by a revision of the symbolic landscape and the removal of monuments from the previous era. Thus, the destruction of monuments during and after the collapse of the USSR was driven by a mix of ideological shifts, a desire to reevaluate historical heritage, and public sentiment, often expressed through acts of vandalism, particularly as many statues were made of valuable materials like bronze, copper, and others. Joseph Stalin's statue was considered a masterpiece by the sculptor Sergey Merkurov. The pedestal was designed by architect Rafayel Israyelian. The statue of Stalin was unveiled in Yerevan on October 29, 1950. Designed by architect Rafael Israelyan and sculpted by Sergey Merkurov, the bronze figure stood 17 meters tall. With its imposing 33-meter pedestal, the monument reached a total height of 50 meters, making it the tallest Stalin statue of its time. In 1952, a monumental statue of Joseph Stalin, standing 24 meters tall, was erected at the Volga–Don Canal in Stalingrad (now Volgograd). The pedestal added an additional 30 meters, bringing the total height to 54 meters. As a result, it became the tallest Stalin statue in the Soviet Union, a record that was never surpassed. Yesterday... today... In 1962, the statue was dismantled, and in 1967, the "Mother Armenia" monument, created by sculptor Ara Harutyunyan, was erected in its place, utilizing the original pedestal. The statue of Joseph Stalin by Ara Sargsyan Another notable statue dedicated to Joseph Stalin was created by renowned artist Ara Sargsyan and was once located in Gavar (formerly Nor Bayazet until 1994). The statue's current fate remains unknown. Lenin's Statue in the Republic Square (Lenin Square in Soviet times) of Yerevan! Its body now resides in the courtyard of the National Gallery of Armenia, while the head is kept in storage Lenin’s image was omnipresent during Soviet times, dominating central squares, schools, cultural halls, and workplaces. The most iconic of these was the Lenin statue in Yerevan, erected in Republic Square—then known as Lenin Square—in 1940 to mark the 20th anniversary of Soviet rule in Armenia. Crafted by renowned sculptor Sergey Merkurov, with artistic contributions from architects Natalya Paremuzova and Levon Vardanov, the monument depicted Lenin addressing a crowd, symbolizing his leadership and revolutionary ideals. It served as the focal point for public events, military parades, and political gatherings for decades. Following Armenia’s independence in 1991, the statue was dismantled. Today, its body rests in the courtyard of the National Gallery of Armenia, while the head remains in storage. The pedestal was removed in 1996 and is currently housed in a Yerevan Municipality warehouse in Charbakh. For now, I will refrain from publishing additional photos of the destroyed statues of Lenin and Stalin, as there are countless examples, particularly in the case of Lenin. Instead, I plan to publish separate articles on this subject in the future. Sasuntsi Davit (David of Sassoun) Statue by Yervand Kochar In 1939, Yerevan was preparing to celebrate the 1000th anniversary of the epic poem Sasna Tsrer (Daredevils of Sassoun) with grand festivities. The celebrations were set for October, and during the summer months, it was decided that the event would be incomplete without a statue of the epic's central hero. A competition was announced, inviting Armenian artists to submit designs for a statue of David of Sassoun. However, some sculptors argued that the task would take 1–2 years, while others were preoccupied with other commissions. At this juncture, Yervand Kochar, who had recently returned from Paris, took on the challenge. He required only a few assistants to complete the work. Kochar’s plaster statue of David of Sassoun, mounted on a wooden pedestal several meters high, was completed in just 18 days. The statue was installed in the square near the station and stood there for about two years until Kochar’s arrest. One of the charges leveled against him was that the figure of the rider, with a drawn sword, appeared to be rushing toward "friendly" Turkey. He was accused of formalism, a charge that equated to being labeled an “enemy of the people.” As a result, he was imprisoned, and the statue was destroyed. After spending 2 years and 2 months in prison, Kochar was released due to a lack of evidence. In 1957, by then recognized and respected by artists, art lovers, and both the public and the ruling elite, he was commissioned once again by the Supreme Soviet to create a statue of David of Sassoun. The statue Kochar crafted remains on display in the same square today and is one of the most beloved and renowned monuments in the country. Glory to Labor or Worker's statue by Ara Harutyunyan The "Glory to Labor" monument (better known as the "Worker's Statue") is located in the Shengavit administrative district of Yerevan. It is one of the notable works by Ara Harutyunyan, a People's Artist of the Armenian SSR, Honored Artist of the Arts, and a renowned sculptor. This monument represents one of Harutyunyan's last monumental works. Unveiled in 1982, it was positioned in the square adjacent to the "Gortsaranayin" metro station in the Shengavit district. Over time, the square became popularly known as "Worker's Statue Square," and even after the statue was dismantled, it continued to carry this name. The cast iron statue was designed to portray an Armenian worker walking towards Western Armenia. Its artistic and volumetric solutions were unique for the time. In 1997, the 11-meter statue, widely known as the "worker's statue," was dismantled and dismembered. Seven years later, in 2004, a group of individuals began searching for the statue, which had gone missing. After some time, the dismembered statue was discovered at one of the factories in Shengavit. Subsequently, the statue's parts were moved to private property under unclear circumstances. The head, hands, fist, legs, shoes, and the back of the torso were all preserved from the original statue. On June 1, 2022, the "Worker's Statue: Post Scriptum" exhibition opened at the National Gallery of Armenia, where the head and fist of the statue were displayed for the first time. Sergei Kirov by Ara Sargsyan The statue of Bolshevik leader Sergei Kirov, created by sculptor Ara Sargsyan in 1942 from basalt, was installed in 1950 at Kirov Square in Kirovakan, now known as Vanadzor. Not long after the collapse of the Soviet Union, the statue was removed, and its fate remains unknown. The bust of Kirov in Yerevan The bust of Sergei Kirov, created in 1936, was displayed in the courtyard of the Kirov Chemical Factory, now Nairit, in Yerevan. Ara Sargsyan’s "Lightning" Among Armenia’s vanished artistic treasures, one of the most striking is "Lightning", a decorative sculpture by renowned sculptor Ara Sargsyan, created in 1934. This three-meter-high masterpiece, crafted from concrete, once adorned the facade of the Yerevan Central Post Office. Characterized by expressive classicist forms, "Lightning" was a bold and dynamic addition to the architectural landscape of Yerevan. Unfortunately, during a later renovation of the building, the sculpture was removed and was not preserved. Size: Height: 300 cm Width: 250 cm Depth: 60 cm The statue of Ghukas Ghukasyan The monument to Bolshevik revolutionary Ghukas Ghukasyan was located in the Student Park, at the heart of Yerevan, between Abovyan and Teryan streets. Created from basalt, the statue was designed by sculptor Suren Stepanyan, with architectural contributions by Hayk Asatryan. In 1990, under cover of night, unknown individuals detonated the statue of the Bolshevik revolutionary and party figure. In December 2009, a new sculpture of the renowned astronomer Viktor Hambardzumyan was installed in the same park, where Ghukasyan’s statue once stood. The Stocking Woman by Frid Soghoyan The Monument to the Stocking Woman, created in 1964 by artist Frid Soghoyan, stood 5 meters tall and was made of aluminum. Located in Gyumri (formerly Leninakan), Armenia, the statue was an iconic piece of public art. Unfortunately, it was either destroyed or stolen under unknown circumstances during the 1990s. Harvest Festival by Suren Nazaryan The "Harvest Festival" statue, created in 1968 by sculptor Suren Nazaryan, was located in Yerevan. Sometime in 2011, a part of the statue—a man—was stolen, most likely by metal scavengers looking to sell it as scrap. While I was writing this article, G. Mattu reached out to Suren Nazaryan's son Arshak Nazaryan for more information about the statue. Here’s what he said: "I took this picture myself in 2011. It was vandalized sometime after—one of the figures was broken and stolen. The rest of the statue was taken down and stored in the Nor Nork city storage. I don’t know its current status!" While researching old Soviet Armenian magazines, G. Mattu came across a page featuring a statue that remains unidentified. To this day, its creator, location, and fate remain a mystery. The small image depicts Akhtamar, perched high on the cliffs above the Sevan highway. While reviewing old Soviet magazines, G. Mattu uncovered another intriguing monument that was previously unknown to us and for which we have been unable to find any information. The article mentions, accompanied by an image, that a monument dedicated to bakers was unveiled at the Yerevan Bread Factory No. 3. The fate of this monument remains unclear. The bust of Karl Marx. Sculptor: Artashes Hovsepyan, 1962 The bust of Karl Marx stood in front of the Polytechnic Institute in Yerevan named after him. After the collapse of the Soviet Union, the bust was removed, and the university was renamed the State Engineering University of Armenia. In November 2014, by decision of the Armenian government, it was renamed the National Polytechnic University of Armenia. In 1968, at the entrance of Vardenis city, Armenia, a unique monument was erected. It consisted of a bull statue and a sculptured monument. The authors of the monument were the sculptor Rafael Yekmalyan and architect Rafael Israelyan. Unfortunately, the monument has not survived. According to sculptor Harutyun Yekmalyan, son of Rafael Yekmalyan, it was destroyed by Azerbaijanis. The bull statue was severely damaged and, by some accounts, buried by Azerbaijanis in the 1980s. Efforts to restore the monument were once blocked under the pretext of avoiding heightened tensions with Azerbaijan. The remnants of the monument today Another lost masterpiece is Ruzan Kyurkchyan's statue "Family." Once standing at the intersection of Sayat-Nova and Abovyan streets in Yerevan, the sculpture has since disappeared, and its fate remains unknown. "Family" by Ruzan Kyurkchyan Another statue that did not withstand the test of time was located in Yerevan's Youth Palace, which was demolished in 2006. Spring by Tadevos Gevorgyan Before the Youth Palace was demolished in 2006, Tadevos Gevorgian's statue Spring disappeared, and its fate remains unknown. An unrecognized statue in front of the former 'October' Cinema in Yerevan Another statue once stood in front of the former "October" Cinema in Yerevan, right where the Komitas Pantheon is now. What happened to that monument—and even who created it—remains a mystery to this day. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Armenia’s Particle Accelerator Urban Exploration Tour with Carlus in a Lada Niva The Cemetery of German POWs in Gyumri This Trophy 1m Schmidt Telescope Was Hitler's Gift to Mussolini Destroyed Bas-Reliefs of Armenia Exploring the Unfinished Depths of Yerevan Metro The Destroyed Statues of Armenia KANAZ: The Cultural Heart of Kanaker’s Aluminium Factory Previous Next