I’m Suren, a professional urbexer who has turned his passion into a career, guiding tourists through abandoned places and supporting a unique lifestyle. I do this full-time and, over the years, have become a specialist in this field. In recent years, urbex (urban exploration) has gained massive popularity, especially on social media. Soviet-era sites across post-Soviet countries have become hotspots for adventurers, photographers, and history enthusiasts. One of the most popular destinations in Armenia is the ROT54 Radio-Optical Telescope, perched at 1,700 meters above sea level on the southern slopes of Mount Aragats — the country’s highest peak. This tour invites you to join me as your private guide to explore this Soviet-era scientific marvel. < Back Urbex Tour to ROT54 – Explore Armenia’s Most Fascinating Abandoned Place I’m Suren, a professional urbexer who has turned his passion into a career, guiding tourists through abandoned places and supporting a unique lifestyle. I do this full-time and, over the years, have become a specialist in this field. In recent years, urbex (urban exploration) has gained massive popularity, especially on social media. Soviet-era sites across post-Soviet countries have become hotspots for adventurers, photographers, and history enthusiasts. One of the most popular destinations in Armenia is the ROT54 Radio-Optical Telescope, perched at 1,700 meters above sea level on the southern slopes of Mount Aragats — the country’s highest peak. This tour invites you to join me as your private guide to explore this Soviet-era scientific marvel. ROT54 and the Tour Experience This urban explorer tour gives you a rare chance to visit one of the most popular and mysterious scientific sites of the Soviet legacy: the Herouni United Space Center in the village of Orgov. Hidden in the peaceful hills of Orgov lies ROT54 , an enormous and now-abandoned scientific structure. Built between 1975 and 1985 , this telescope features a massive 54-meter (177 ft) dish and was once among the most advanced radio-optical telescopes in the world. The project was the brainchild of Paris Herouni — a radio astronomer, physicist, and engineer — a determined Armenian scientist who spent years convincing Soviet authorities to approve its construction in Armenia. Aerial photo of ROT54 The telescope operated from 1986 until it stopped in 1990. In the mid-1990s, plans were made to restore it. From 1995 to 2010, it was partially modernized with new control computers and equipment, and observations resumed with help from the Astronomical Society of Russia and the National Technical University of Athens. But in 2012, a control arm failed, disabling the secondary mirror and stopping operations again. The Armenian government couldn’t afford repairs, and the facility was mothballed. To restart it, the control systems need major upgrades, old analog sensors must be replaced with digital ones, and the data systems must be modernized. Experts estimate the cost at around $25 million. In the control room of ROT54 Today, the dish stands silent. Inside the control room, everything remains as if time simply froze — a perfect set piece for any urban explorer. Arev: The Forgotten Solar Power Station Just a short walk from ROT54 lies Arev , an unfinished solar thermal power station designed by Paris Herouni during Armenia’s 1990s energy and economic crisis, when even the country’s most important strategic facility, the Metsamor Nuclear Power Plant, was shut down. It was protected by nine patents and boasted higher efficiency than similar international projects. Despite attracting interest from foreign investors, particularly from Great Britain, the project was never completed. When construction was close to completion, the investors attempted to acquire Herouni’s patents, which ultimately brought the project to a halt. Now, the skeletal remains of Arev resemble something from a science fiction film — a raw monument to Soviet ambition, lost in time. A visit to "Orbita" antenna During this tour, we will also have a unique opportunity to see the massive “Orbita” antenna. The Orbita (Орбита) system was the world’s first national satellite television network, launched by the Soviet Union in 1967. Covering the vast territory of the USSR, laying cables to every remote region was impractical. Instead, a network of ground stations equipped with large, iconic parabolic antennas was built to receive signals from Molniya satellites. In 1967, the first 20 Orbita stations were put into operation. The system expanded rapidly. By 1970, there were already more than 50 stations, and by 1984, the network had grown to over 100 stations, including more than 10 transmit-and-receive stations. Armenia was also part of this network and had several Orbita antennas. According to available information, the Orbita station in Armenia became operational in November 1977, although it is unclear whether this date refers to this specific station or another antenna; further verification is required. The launch of this station coincided with the construction of the 311.7-meter Yerevan TV Tower, which allowed Armenia to receive the Second Program of Central Television from Moscow via the Molniya and Raduga satellite constellations. Tour Highlights Walk around the legendary ROT-54 antenna Explore the iconic control room with its original panels, perfectly preserved Visit abandoned buildings, including a unique anechoic chamber Get up close to — or even climb — the futuristic Arev solar power station Climb the observation tower for stunning panoramic views of the area See the giant "Orbita" antenna More details… For groups larger than 4, please contact me via Telegram or WhatsApp. The number is listed at the bottom of the website. Transfer to and from your address in Yerevan Guide services Flexible schedule: time for photos, rest, and exploration Distance from Yerevan — about 40 km (approximately 50 minutes by car) Total tour duration — 4 to 5 hours The tour is conducted in a well-maintained Mitsubishi Pajero 4 P.S. This tour can be combined with a visit to the Byurakan Astrophysical Observatory, where you can see either the iconic ZTA‑2.6 telescope or the 1‑meter Schmidt telescope , a true scientific landmark. For more details, feel free to contact me directly via WhatsApp or Telegram for a quick response! Project Gallery You May Also Like A Unique Tour to Armenia’s Hidden Cold War Radio Center From Yerevan to Mount Aragats Tour to Armenia’s Particle Accelerator Climb Mount Artanish & Explore Sevanavank Monastery Urbex Tour to the Trophy 1m Schmidt Telescope at Byurakan Observatory Hiking from Lake Parz to Gosh Village Urbex Tour to ROT54 – Explore Armenia’s Most Fascinating Abandoned Place Hike Armenia by choosing the popular Smbataberd trail Previous Next

During this urbex mission, we explored a massive Soviet-era refractory brick factory. The site was so big it took hours to cover — and even then, some sections remained unexplored. This article aims to document our exploration and offer a glimpse into how this industrial giant, rich with history, stands today. < Back We Explored a Giant Refractory Brick Factory During this urbex mission, we explored a massive Soviet-era refractory brick factory. The site was so big it took hours to cover — and even then, some sections remained unexplored. This article aims to document our exploration and offer a glimpse into how this industrial giant, rich with history, stands today. Tucked deep in a gorge, on the bank of a river and surrounded by lush forests, lie the remains of a once-thriving Soviet factory. This abandoned industrial colossus, hidden in the Armenian wilderness, was once a major site for producing refractory bricks — specialized heat-resistant blocks used in furnaces, kilns, and heavy industry. Lots of old Soviet trucks, excavators, and other machines were scattered across the territory Built in 1951, the factory was strategically located near a rich deposit of clay, essential for high-quality brick production. At its peak, it employed over 600 workers, forming the backbone of the local economy and supporting surrounding villages and towns. Each day, 7 to 8 railway wagons transported bricks to Russia, feeding the Soviet Union’s insatiable industrial demand. Walking inside today feels like entering a time capsule. Rusting machinery, heavy-duty tools, and even Soviet-era trucks sit silently across the factory floor. Strange metal equipment, the use of which I couldn’t identify, is still scattered throughout — industrial relics of a forgotten era. In this part of the factory, I saw hearths where bricks were hardened in high heat After the collapse of the USSR, the factory’s fate took a downturn. In 1995, it was privatized and continued low-scale brick production. However, poor economic conditions, bad logistics, and weak management sped up its decline. By the mid-2000s, the plant had ceased operations entirely. I also came across lathe machines that looked almost brand new — as if they were just waiting for someone to press the button and bring them back to life Now, nature is slowly reclaiming the site. Trees push through cracks in the concrete and grow around machinery. As I walked by, I saw old Soviet trucks buried in bushes. Surprisingly, the place is still well-preserved. It’s guarded and doesn’t appear looted —the machines haven't been scrapped for metal. Today, the factory still stands — a haunting yet beautiful reminder of a time when this quiet river valley echoed with the roar of Soviet industry. It’s a perfect location for urban exploration. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Previous Next

Shifts in ideological paradigms, political caprice, the desire to break away from a totalitarian past, and acts of vandalism led to the dismantling or destruction of many monuments associated with communist ideology and beyond. This process accelerated after the collapse of the Soviet Union in 1991. In this article, we will explore the statues that once adorned Armenia, only to be lost to history. < Back The Destroyed Statues of Armenia Shifts in ideological paradigms, political caprice, the desire to break away from a totalitarian past, and acts of vandalism led to the dismantling or destruction of many monuments associated with communist ideology and beyond. This process accelerated after the collapse of the Soviet Union in 1991. In this article, we will explore the statues that once adorned Armenia, only to be lost to history. The practice of dismantling monuments is not unique to the post-Soviet space. After the October Revolution of 1917, the Bolsheviks actively demolished monuments tied to the tsarist regime as part of the so-called "Lenin's Plan of Monumental Propaganda." This underscores that a change in political systems is often accompanied by a revision of the symbolic landscape and the removal of monuments from the previous era. Thus, the destruction of monuments during and after the collapse of the USSR was driven by a mix of ideological shifts, a desire to reevaluate historical heritage, and public sentiment, often expressed through acts of vandalism, particularly as many statues were made of valuable materials like bronze, copper, and others. Joseph Stalin's statue was considered a masterpiece by the sculptor Sergey Merkurov. The pedestal was designed by architect Rafayel Israyelian. The statue of Stalin was unveiled in Yerevan on October 29, 1950. Designed by architect Rafael Israelyan and sculpted by Sergey Merkurov, the bronze figure stood 17 meters tall. With its imposing 33-meter pedestal, the monument reached a total height of 50 meters, making it the tallest Stalin statue of its time. In 1952, a monumental statue of Joseph Stalin, standing 24 meters tall, was erected at the Volga–Don Canal in Stalingrad (now Volgograd). The pedestal added an additional 30 meters, bringing the total height to 54 meters. As a result, it became the tallest Stalin statue in the Soviet Union, a record that was never surpassed. Yesterday... today... In 1962, the statue was dismantled, and in 1967, the "Mother Armenia" monument, created by sculptor Ara Harutyunyan, was erected in its place, utilizing the original pedestal. The statue of Joseph Stalin by Ara Sargsyan Another notable statue dedicated to Joseph Stalin was created by renowned artist Ara Sargsyan and was once located in Gavar (formerly Nor Bayazet until 1994). The statue's current fate remains unknown. Lenin's Statue in the Republic Square (Lenin Square in Soviet times) of Yerevan! Its body now resides in the courtyard of the National Gallery of Armenia, while the head is kept in storage Lenin’s image was omnipresent during Soviet times, dominating central squares, schools, cultural halls, and workplaces. The most iconic of these was the Lenin statue in Yerevan, erected in Republic Square—then known as Lenin Square—in 1940 to mark the 20th anniversary of Soviet rule in Armenia. Crafted by renowned sculptor Sergey Merkurov, with artistic contributions from architects Natalya Paremuzova and Levon Vardanov, the monument depicted Lenin addressing a crowd, symbolizing his leadership and revolutionary ideals. It served as the focal point for public events, military parades, and political gatherings for decades. Following Armenia’s independence in 1991, the statue was dismantled. Today, its body rests in the courtyard of the National Gallery of Armenia, while the head remains in storage. The pedestal was removed in 1996 and is currently housed in a Yerevan Municipality warehouse in Charbakh. For now, I will refrain from publishing additional photos of the destroyed statues of Lenin and Stalin, as there are countless examples, particularly in the case of Lenin. Instead, I plan to publish separate articles on this subject in the future. Sasuntsi Davit (David of Sassoun) Statue by Yervand Kochar In 1939, Yerevan was preparing to celebrate the 1000th anniversary of the epic poem Sasna Tsrer (Daredevils of Sassoun) with grand festivities. The celebrations were set for October, and during the summer months, it was decided that the event would be incomplete without a statue of the epic's central hero. A competition was announced, inviting Armenian artists to submit designs for a statue of David of Sassoun. However, some sculptors argued that the task would take 1–2 years, while others were preoccupied with other commissions. At this juncture, Yervand Kochar, who had recently returned from Paris, took on the challenge. He required only a few assistants to complete the work. Kochar’s plaster statue of David of Sassoun, mounted on a wooden pedestal several meters high, was completed in just 18 days. The statue was installed in the square near the station and stood there for about two years until Kochar’s arrest. One of the charges leveled against him was that the figure of the rider, with a drawn sword, appeared to be rushing toward "friendly" Turkey. He was accused of formalism, a charge that equated to being labeled an “enemy of the people.” As a result, he was imprisoned, and the statue was destroyed. After spending 2 years and 2 months in prison, Kochar was released due to a lack of evidence. In 1957, by then recognized and respected by artists, art lovers, and both the public and the ruling elite, he was commissioned once again by the Supreme Soviet to create a statue of David of Sassoun. The statue Kochar crafted remains on display in the same square today and is one of the most beloved and renowned monuments in the country. Glory to Labor or Worker's statue by Ara Harutyunyan The "Glory to Labor" monument (better known as the "Worker's Statue") is located in the Shengavit administrative district of Yerevan. It is one of the notable works by Ara Harutyunyan, a People's Artist of the Armenian SSR, Honored Artist of the Arts, and a renowned sculptor. This monument represents one of Harutyunyan's last monumental works. Unveiled in 1982, it was positioned in the square adjacent to the "Gortsaranayin" metro station in the Shengavit district. Over time, the square became popularly known as "Worker's Statue Square," and even after the statue was dismantled, it continued to carry this name. The cast iron statue was designed to portray an Armenian worker walking towards Western Armenia. Its artistic and volumetric solutions were unique for the time. In 1997, the 11-meter statue, widely known as the "worker's statue," was dismantled and dismembered. Seven years later, in 2004, a group of individuals began searching for the statue, which had gone missing. After some time, the dismembered statue was discovered at one of the factories in Shengavit. Subsequently, the statue's parts were moved to private property under unclear circumstances. The head, hands, fist, legs, shoes, and the back of the torso were all preserved from the original statue. On June 1, 2022, the "Worker's Statue: Post Scriptum" exhibition opened at the National Gallery of Armenia, where the head and fist of the statue were displayed for the first time. Sergei Kirov by Ara Sargsyan The statue of Bolshevik leader Sergei Kirov, created by sculptor Ara Sargsyan in 1942 from basalt, was installed in 1950 at Kirov Square in Kirovakan, now known as Vanadzor. Not long after the collapse of the Soviet Union, the statue was removed, and its fate remains unknown. The bust of Kirov in Yerevan The bust of Sergei Kirov, created in 1936, was displayed in the courtyard of the Kirov Chemical Factory, now Nairit, in Yerevan. Ara Sargsyan’s "Lightning" Among Armenia’s vanished artistic treasures, one of the most striking is "Lightning", a decorative sculpture by renowned sculptor Ara Sargsyan, created in 1934. This three-meter-high masterpiece, crafted from concrete, once adorned the facade of the Yerevan Central Post Office. Characterized by expressive classicist forms, "Lightning" was a bold and dynamic addition to the architectural landscape of Yerevan. Unfortunately, during a later renovation of the building, the sculpture was removed and was not preserved. Size: Height: 300 cm Width: 250 cm Depth: 60 cm The statue of Ghukas Ghukasyan The monument to Bolshevik revolutionary Ghukas Ghukasyan was located in the Student Park, at the heart of Yerevan, between Abovyan and Teryan streets. Created from basalt, the statue was designed by sculptor Suren Stepanyan, with architectural contributions by Hayk Asatryan. In 1990, under cover of night, unknown individuals detonated the statue of the Bolshevik revolutionary and party figure. In December 2009, a new sculpture of the renowned astronomer Viktor Hambardzumyan was installed in the same park, where Ghukasyan’s statue once stood. The Stocking Woman by Frid Soghoyan The Monument to the Stocking Woman, created in 1964 by artist Frid Soghoyan, stood 5 meters tall and was made of aluminum. Located in Gyumri (formerly Leninakan), Armenia, the statue was an iconic piece of public art. Unfortunately, it was either destroyed or stolen under unknown circumstances during the 1990s. Harvest Festival by Suren Nazaryan The "Harvest Festival" statue, created in 1968 by sculptor Suren Nazaryan, was located in Yerevan. Sometime in 2011, a part of the statue—a man—was stolen, most likely by metal scavengers looking to sell it as scrap. While I was writing this article, G. Mattu reached out to Suren Nazaryan's son Arshak Nazaryan for more information about the statue. Here’s what he said: "I took this picture myself in 2011. It was vandalized sometime after—one of the figures was broken and stolen. The rest of the statue was taken down and stored in the Nor Nork city storage. I don’t know its current status!" While researching old Soviet Armenian magazines, G. Mattu came across a page featuring a statue that remains unidentified. To this day, its creator, location, and fate remain a mystery. The small image depicts Akhtamar, perched high on the cliffs above the Sevan highway. While reviewing old Soviet magazines, G. Mattu uncovered another intriguing monument that was previously unknown to us and for which we have been unable to find any information. The article mentions, accompanied by an image, that a monument dedicated to bakers was unveiled at the Yerevan Bread Factory No. 3. The fate of this monument remains unclear. The bust of Karl Marx. Sculptor: Artashes Hovsepyan, 1962 The bust of Karl Marx stood in front of the Polytechnic Institute in Yerevan named after him. After the collapse of the Soviet Union, the bust was removed, and the university was renamed the State Engineering University of Armenia. In November 2014, by decision of the Armenian government, it was renamed the National Polytechnic University of Armenia. In 1968, at the entrance of Vardenis city, Armenia, a unique monument was erected. It consisted of a bull statue and a sculptured monument. The authors of the monument were the sculptor Rafael Yekmalyan and architect Rafael Israelyan. Unfortunately, the monument has not survived. According to sculptor Harutyun Yekmalyan, son of Rafael Yekmalyan, it was destroyed by Azerbaijanis. The bull statue was severely damaged and, by some accounts, buried by Azerbaijanis in the 1980s. Efforts to restore the monument were once blocked under the pretext of avoiding heightened tensions with Azerbaijan. The remnants of the monument today Another lost masterpiece is Ruzan Kyurkchyan's statue "Family." Once standing at the intersection of Sayat-Nova and Abovyan streets in Yerevan, the sculpture has since disappeared, and its fate remains unknown. "Family" by Ruzan Kyurkchyan Another statue that did not withstand the test of time was located in Yerevan's Youth Palace, which was demolished in 2006. Spring by Tadevos Gevorgyan Before the Youth Palace was demolished in 2006, Tadevos Gevorgian's statue Spring disappeared, and its fate remains unknown. An unrecognized statue in front of the former 'October' Cinema in Yerevan Another statue once stood in front of the former "October" Cinema in Yerevan, right where the Komitas Pantheon is now. What happened to that monument—and even who created it—remains a mystery to this day. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

After exploring the Gagarin statue in Gagarin village and the local culture house (strangely inside I found no artworks), we delved into nearby abandoned factories. Experience our journey through photos, with a focus on Soviet warning posters that provide a captivating glimpse into the historical context of these industrial spaces. < Back Exploring the Gagarin Statue and Nearby Abandoned Factories After exploring the Gagarin statue in Gagarin village and the local culture house (strangely inside I found no artworks), we delved into nearby abandoned factories. Experience our journey through photos, with a focus on Soviet warning posters that provide a captivating glimpse into the historical context of these industrial spaces. Together with G. Mattu, we are on our way to Gagarin village! First, we visited the Gagarin statue in the center of the village and then moved on to explore nearby abandoned factories! Yuri Gagarin was a Soviet pilot and cosmonaut who, aboard the first successful crewed spaceflight, became the first human to journey into outer space. Traveling on Vostok 1, Gagarin completed one orbit of Earth on April 12, 1961, with his flight lasting 108 minutes. A monument in Gagarin Village dedicated to Yuri Gagarin and his historic first spaceflight Gagarin became a national hero in the Soviet Union, and his flight inspired kids so much that almost every kid started to dream of becoming a cosmonaut when growing up. It is no coincidence that in Armenia, there is a town named Gagarin (Armenian Գագարին, formerly Tsaghkunk), which has now become part of the city of Sevan. In 1961, this town became the first object in the USSR named in honor of the first cosmonaut. The residents of the village personally insisted on this decision, several months after Gagarin’s flight. A Soviet anti-alcohol poster! Behind the Gagarin statue, there is an abandoned railway station, but there was nothing interesting inside! We moved forward exploring and found ourselves inside a building with lots of warning posters! I love posters, but up to this point, I am still not sure what that factory was producing! It may be that it was even a cargo loading facility, but not sure! Anyways, below are lots of photos from our trip! I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

The Soviet Union, known for its rigorous and systematic approach to education and training, established a comprehensive network of driving schools to equip its citizens with the necessary skills to navigate the country’s extensive road network. These driving schools were not merely institutions for learning how to operate a vehicle; they were an integral part of the Soviet education system and preparation for army service, reflecting the values and priorities of the era. This article will provide a brief overview of what driving classes and posters looked like in the USSR. < Back Exploring an Abandoned Soviet Driving School The Soviet Union, known for its rigorous and systematic approach to education and training, established a comprehensive network of driving schools to equip its citizens with the necessary skills to navigate the country’s extensive road network. These driving schools were not merely institutions for learning how to operate a vehicle; they were an integral part of the Soviet education system and preparation for army service, reflecting the values and priorities of the era. This article will provide a brief overview of what driving classes and posters looked like in the USSR. Earlier, this place was discovered by G. Mattu, who guided me there. A lot has changed since then; the place was being renovated and soon it will vanish forever. However, with my camera, I tried to immortalize as much as I could during the brief time the guard allowed us to stay inside. During the Soviet era, the expansion of road infrastructure and the growing number of vehicles necessitated a well-organized system for driver education. The state recognized the importance of safe and efficient transportation for both civilian and military purposes. As a result, driving schools were established across the Soviet Union, often operated by state-owned organizations and deeply integrated into the broader educational framework. The journey to a Soviet driver's license began in classrooms. Here, students spent countless hours immersed in the theoretical aspects of driving. Posters, filled with diagrams and traffic regulations, were gospel. Instructors, often veterans of the road themselves, drilled students on traffic signs, vehicle mechanics, and the intricate rules of the road. All driving schools in the USSR were state-owned and operated under the auspices of DOSAAF (Volunteer Society for Cooperation with the Army, Aviation, and Fleet), district military commissariats, or centralized automotive training complexes (TsAUK) for the training or retraining of professional drivers. Driver training was also included in the school curriculum for senior grades, either within the secondary school itself or in vocational training centers. Any willing member of DOSAAF could attend a driving school affiliated with this military-sport organization. The district military commissariats trained future recruits in driving motor vehicles, preparing them for compulsory military service, such as in motorized troops. Automotive training complexes were typically located in large or capital cities, where employers would send professional drivers to obtain a license for a different vehicle category or to receive training or retraining for handling vehicles carrying hazardous loads. In addition to learning traffic regulations, driving theory, and practical driving skills, students in driving schools studied vehicle mechanics and the elimination of minor malfunctions. Posters were scattered everywhere... However, the fall of the Soviet Union brought significant changes. Many driving schools were privatized or closed, and the rigorous standards of the past gave way to more varied approaches in the newly independent states. Despite these changes, the legacy of Soviet driving schools remains evident in the continued emphasis on thorough driver education in many former Soviet republics. Posters, such as these I saw in this abandoned driving school, were common. They illustrated traffic signs, driving techniques, and safety measures, serving as visual aids to reinforce the theoretical knowledge imparted in the classroom. One can only imagine how cool this place looked in those times... Soviet driving schools were more than just places to learn how to drive; they were institutions that embodied the values of discipline, thoroughness, and public safety. While the Soviet Union is now a part of history, the impact of its driving education system continues to be felt, reminding us of an era when the journey to becoming a driver was a path marked by rigorous training and high standards. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Explore the abandoned Culture Palace of Jermuk, an architectural masterpiece by Martin Mikayelyan. A haven for urbexers and urban photographers, this ghostly building with its rich history, intricate sculptures, and vast interiors offers a glimpse into a bygone era. < Back The Abandoned Culture Palace of Jermuk City Explore the abandoned Culture Palace of Jermuk, an architectural masterpiece by Martin Mikayelyan. A haven for urbexers and urban photographers, this ghostly building with its rich history, intricate sculptures, and vast interiors offers a glimpse into a bygone era. In the Ajapniak district of Jermuk, home to the city's spas and hotels, the construction of the Palace of Culture began in 1969, designed by the renowned architect Martin Mikayelyan. The original plan included an 800-seat hall, a swimming pool, a club-library complex, and a cafe. Locally, it became known as "КурЗал" ("KURZAL")б an abbreviation of the Russian name "Курортный Зал" (Resort Hall). A few more steps and we will enter the abandoned culture palace Boasting rich interiors, sculptures, and decorative pools, the building took 17 years to complete, finally being finished in 1986. This facility, designed as a cohesive unit, includes an 800-seat theater, a swimming pool, a club-library complex, and a cafe. It aims to create not only a complete inner world around a giant winter garden but also a different kind of an atmosphere this time on the roof of the building, which is heated in winter. The roof features a large yacht deck with an outdoor swimming pool, sun decks, a cafe, and an outdoor movie theater. Inside the culture palace On the second floor, clay busts of six renowned Armenians were displayed, but sadly, these were destroyed by vandals approximately three years ago. Today, this vast building with its ghostly interior stands as a reminder of the glorious past and the remarkable architectural style of Martin Mikayelyan. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

This article provides a glimpse into an extraordinary urban explorer tour I led in Armenia with Damien, a talented French photographer. We spent an unforgettable week together, discovering the remnants of Armenia’s Soviet-era past, and his creative perspective left a lasting impression on me. < Back Urban Explorer Tour with a French Photographer This article provides a glimpse into an extraordinary urban explorer tour I led in Armenia with Damien, a talented French photographer. We spent an unforgettable week together, discovering the remnants of Armenia’s Soviet-era past, and his creative perspective left a lasting impression on me. In the summer of 2024, Damien and I embarked on a journey across Armenia, visiting urban and rural locations that embodied echoes of a bygone Soviet era. Following our adventure, Damien published a captivating photo series titled "Echoes of the Future" on his website, damienaubin.fr . His work explores the connection between Soviet past and contemporary Armenian life. As Damien describes it: " Echoes of a Future is a photo series that allows me to explore the deep connection between the Soviet Union and Armenia today. I aim to capture the lingering echoes of Soviet ideals within contemporary Armenian life, while acknowledging that this reality is also a kind of fiction shaped by Soviet dreams ." When Damien learned about my intention to write an article about our tour, he strongly requested that I avoid publishing any photos of him, especially those of him in the act of photographing. So, in this article, you will see only the photos taken by him. Throughout the tour, Damien’s unique approach to photography stood out. He was far from ordinary, with a distinctive and unconventional approach to photography. I could never predict when he would pull out his impressive, oversized camera to capture a shot. Often, while driving, he would ask me to stop abruptly, leaving me curious about what had caught his attention. Mother Armenia in Victory Park, sculpted by Ara Harutyunyan Over time, however, his unique perspective became something I came to appreciate and expect. To better understand his creative vision, allow me to reference another passage from his article, which offers insight into his stream of consciousness: " Each photograph I take is an attempt to reveal how these echoes of a Soviet-imagined future appear today. I strive to show how the structures and ideas of the past, partially realized, have given life to a fiction where the dreams of a bright future are both present and altered. Capturing these images, I sense a kind of dialogue between past and present—a silent conversation between past projects and current realities, colored by the unfinished ideals of Soviet dreams ." King Trdat Defeats the Bull, created in 1977 by sculptor Karlen Nurijanyan. Saralanj district of Abovyan city No surprise, then, that his photo series beautifully captures the essence of Armenia’s Soviet legacy. As Damien wrote: " As I walk through Armenia’s streets, I’m struck by how visions and plans from the Soviet past continue to resonate in the present. The imposing buildings, monuments marked by that era’s seal, and even elements of daily culture still carry traces of Soviet dreams and aspirations. Yet, this reality, though tangible, is infused with the imagined future the Soviets once held for Armenia ." Beyond photography, Damien's preferences and personality made this trip even more memorable. For one, he had a profound love for espresso, which became a challenge to find in Armenia's more remote regions—sometimes even harder than sneaking into abandoned buildings! MiG-21 Fishbed on display outside Mikoyan Brothers' Museum in Sanahin village Damien was not just a passenger but a true co-pilot on this adventure. Unlike some travelers who are indifferent to the journey's details, Damien actively engaged, offering helpful advice while navigating rough roads, tight parking spots, tricky overtakes, website SEO tips and photography secrets. His input was always welcome and genuinely useful. He also coined a term for my driving style: "Suren style," which referred to my sharp turns without slowing down! Damien’s humor and camaraderie added a unique dynamic to the journey, making it one I will always cherish. Thank you, Damien, for an incredible and inspiring week filled with discovery, creativity, and unforgettable moments! Below are photos of Damien captured during his travels in Armenia. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Join a guided hiking tour in Armenia and explore the enchanting fairy-tale haven of Lastiver, hidden deep within the forested banks of the Khachaghbyur River, just 3 kilometers from Yenokavan village. This easy, year-round hike offers a perfect blend of natural beauty, history, and adventure. < Back 1-Day Hiking Tour to Lastiver from Yerevan Join a guided hiking tour in Armenia and explore the enchanting fairy-tale haven of Lastiver, hidden deep within the forested banks of the Khachaghbyur River, just 3 kilometers from Yenokavan village. This easy, year-round hike offers a perfect blend of natural beauty, history, and adventure. A Journey into Lastiver’s Mystique Lastiver is home to a two-story cave perched on a steep canyon slope near the Khachaghbyur River’s majestic gorge. Surrounded by towering trees, rugged cliffs, and the serene roar of the river, the area feels like stepping into a fairy tale. Historically, the caves of Lastiver provided refuge to locals during the Mongol invasions of the 13th and 14th centuries. To access the caves, people built log staircases resembling rafts, inspiring the site’s name—"Lastiver," derived from Armenian. Scattered across the area are huts perched on 'chicken legs,' further enhancing the magical atmosphere Artistry and Mystery In the 1970s, Soviet-Armenian sculptor Benik Petrosyan adorned the cave walls with striking bas-reliefs, enhancing its enigmatic aura. Many visitors mistakenly believe these carvings date back to ancient times, adding to the sense of wonder. At the base of the gorge, a breathtaking waterfall cascades, an inseparable part of Lastiver’s vibrant wildlife. The area’s pristine environment attracts ecotourists and nature lovers alike. From Hidden Gem to Popular Destination Lastiver gained broader recognition in the early 2000s when ecotourism enthusiasts began organizing regular trips to this magical destination. Today, it is a must-visit for foreign travelers and locals alike, prominently featured in the hiking tour packages of various travel agencies. Join this unforgettable private tour to experience the allure of Lastiver, where nature, history, and art come together to create an unparalleled adventure. ----------------------- Tour Details: Start: 7:30-8.00 AM from Yerevan Finish: Around 7 PM in Yerevan Hiking Distance: 3.5 km (One way) Distance of the starting point from Yerevan: 145km Duration: 2 hours (One way) Start point: Apaga Resort End point: Apaga Resort Difficulty: Easy Trail Type: Out-and-Back Transportation: Sedan --------------- Tour Price to Lastiver Total price for 1-4 participants (the whole group): 90.000 AMD Entrance to Lastiver territory costs 1000 AMD per person! For larger groups, please consider contacting for more details! -------------- The price includes: Pick up & drop off (In Yerevan) Transportation in air conditioned vehicle Service of a guide --------- The Price Does Not Include: Airport transfers Insurance Lunch (Lunchboxes can be added in case of an extra payment) -------------- List of things you should consider taking: 1. Backpack: A sturdy backpack to carry all your essentials. 2. Water: Sufficient water to stay hydrated throughout the hike. At least 1.5 liters… 3. Food: Pack lightweight, high-energy snacks or meals to keep your energy levels up. 4. Clothing: Dress in layers, including a waterproof/windproof outer layer, and choose moisture-wicking materials. Having extra socks and boots always welcomed… 5. Hiking Shoes/Boots: Wear comfortable and supportive footwear suitable for the terrain. 6. First Aid Kit: I have mine but in case you are using specific medicaments take with you! 7. Sun Protection: Sunscreen, sunglasses, and a hat to protect yourself from harmful UV rays. 9. Headlamp/Flashlight: Essential for hiking in low light conditions or during overnight trips. 10. Whistle: A loud whistle for attracting attention in case of emergencies. 11. Trekking Poles: Optional but helpful for stability, especially on challenging terrains. 12. Rain Gear: A lightweight, waterproof jacket or poncho to stay dry during rain showers. 13. Trash Bag: Carry a small bag to pack out your trash and keep the trail clean. Remember, this list may vary depending on the length and difficulty of the hike, weather conditions, and personal needs. But this were the basic things I decided to emphasize! For the best one-day hiking tours, check out this link Project Gallery You May Also Like Suren, the hiking guide in Armenia 1-Day Hiking Tour to Lastiver from Yerevan Best One-Day Hiking Tours from Yerevan A Hiking Adventure to Mount Tesilk and its Mysterious Cave 2-Day Hiking and Sightseeing Tour in Armenia's Lori Region Aparan Reservoir Loop Trail 1-Day Hike to Mount Ara Hiking tour to mount Yeranos

Are you someone who has seen photos or videos of abandoned buildings on the internet and wishes to witness them firsthand? Then welcome to the urbex community! This article can serve as a useful guide to those who want to start urbexing! Here we jump over the wall. < Back How to Urbex – A Beginner’s Guide Are you someone who has seen photos or videos of abandoned buildings on the internet and wishes to witness them firsthand? Then welcome to the urbex community! This article can serve as a useful guide to those who want to start urbexing! Here we jump over the wall. Urban exploration, commonly known as "urbex," is a thrilling yet controversial pastime centered around exploring abandoned or restricted buildings and areas. It's an activity that delves into the mystery of the unknown, uncovering hidden stories and overlooked spaces. For beginners eager to start an urbex journey, here are some basic tips to get you started. I am exploring an abandoned culture house with wonderful frescoes Research and Plan Your Exploration Before embarking on your urbex journey, conduct thorough research on potential locations. Look through online forums, social media groups, and urbex websites where enthusiasts share information about accessible sites. Pay attention to the legal status of locations and any potential hazards. Create a plan detailing how to reach the site, which entry points to use, the site's history, and the best times to visit. Next step: Google Earth! Google Earth is an excellent tool for locating and exploring buildings. It requires time and careful research. For instance, if we know that Village X once housed top sanatoriums, we open Google Earth and begin searching through buildings. Compared to regular houses, large sanatoriums are easily spotted. Pay attention to nearby parked cars. No cars? It's likely abandoned! A rusty and damaged roof can also indicate the building's condition. Via Google Earth, you can determine if any windows are intact. Recently, I stumbled upon this building (see image below) situated high on a hill. Exploring an abandoned building via Google Earth No nearby cars, no windows! Though it appeared spacious, upon exploration, I found it looted, devoid of artworks, with only bare walls. Sometimes, things don't go as planned. At least the hilltop view was picturesque! Via Google Earth, you can also identify entry points and plan your route. Simply copy the coordinates (I prefer researching on desktop), paste them into your preferred mapping application (like Yandex Maps or Mapsme), and you're ready to go! 2. Choose the right location For beginners, it is advisable to start exploring easy and accessible locations. Common starting points include abandoned culture houses, hotels, or hospitals. Avoid high-security or dangerous areas initially. As you gain experience, you can gradually explore more challenging sites like abandoned factories or abandoned military bases. However, be cautious as these locations may still be guarded or off-limits. Prioritize safety and legality in your choices. When approaching a building, conduct thorough research if you're unsure about how to enter. Drones can be helpful, providing a better view of the surroundings and ongoing activities. Only enter a building after careful consideration and assessing potential risks. My Panasonic Lumix G7. It's not good for low light conditions but that's all I have for now 3. Safety First Safety should be your top priority during urbex adventures. Be aware of potential hazards, especially unstable structures and treacherous stairs. Avoid stepping on stairs with a group. Always inform someone about your whereabouts and explore with a buddy when possible. Carry a charged phone for emergencies or better have a power bank with you! 4. Be Mindful of Legalities Respect the law and private property. Urbex exists in a legal gray area, and trespassing can lead to fines or legal consequences. Seek permission whenever possible or explore sites where access is allowed. Remember that preserving the location's integrity is crucial for the urbex community's reputation. The stun gun helps to scare off the dogs 5. Right Gear Urbex requires some essential gear to ensure a safe and enjoyable experience. These may include: Flashlights: Flashlights are crucial as buildings often lack natural light. Consider using a headlamp or camera light for better shots. Camera: Capture the beauty of abandoned places. Be respectful and avoid vandalism. Comfortable Clothing: Wear comfortable clothing, including sturdy shoes and gloves. Avoid wearing colorful clothing to avoid drawing attention. First Aid Kit: Accidents can happen, so it's wise to be prepared with a basic first aid kit. Food: You never know how long your exploration will take. Take enough food and water with you. Tools: Consider carrying a multitool and an electric shocker to scare off dogs. My GoPro Hero 9 with a head strap 6. Follow the Urbex Code of Ethics Respect for the places you explore is paramount. Follow the urbex code of ethics, which generally includes: "Take only photos, leave only footprints." Leave everything as you found it. Do not take or disturb items. Avoid any form of graffiti or destruction. Preserve the site's authenticity. 7. Develop Navigation Skills Many urbex locations are vast and maze-like, and it's easy to get disoriented. Improve your navigation skills by marking key points, taking note of landmarks, and having a reliable map or GPS device. This will help you navigate through complex structures and ensure a safe return. 8. Stay Stealthy While urbex is legal in some places, it's not universally accepted. Stay unnoticed to avoid unwanted attention. Avoid colorful clothing, park your vehicle away from the site, and enter and exit quietly. Whenever I see a local looking at me from afar, I always greet and initiate a friendly chat! This makes me approachable and avoids raising suspicions that I might be a thief or something else. I always keep my camera hanging from my neck to give the impression that I am a photographer and do not have bad intentions. Greetings from an abandoned sanatorium built by German war prisoners 9. Document Your Experience Responsibly Documenting your urbex adventures is part of the thrill. However, do so responsibly and without compromising the site's integrity. Share your experiences through photography or blogging, but avoid revealing specific locations to prevent unwanted visitors or vandals. 10. Learn from Experienced Urbexers Connect with experienced urbexers to gain insights and tips. Join online forums, attend meet-ups, and learn from the community's collective knowledge. Experienced explorers can provide valuable advice on safety, locations, and ethical urbex practices. Embarking on your urbex journey as a beginner is an exciting yet daunting step into the unknown. Remember, any initial anxiety will likely fade once you jump over the wall! With careful planning, safety measures, and respect for the locations you visit, you can revel in the excitement of urban exploration while also preserving the integrity of these abandoned treasures. Safe and memorable explorations await! I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Carlus, a traveler from Spain, joined my urban exploration tour in Armenia, during which we explored abandoned places and iconic Soviet-era locations in a Lada Niva he rented locally. This tour was especially nostalgic for me, as our family car was a red Niva, bringing back fond memories. Our journey took us from an abandoned cultural house to the Byurakan Observatory, the ROT54 telescope, abandoned pioneer camp, other Soviet-era sites, and eerie, abandoned copper tunnels, uncovering some of Armenia’s most hidden gems. Here is a brief overview of our tour. < Back Urban Exploration Tour with Carlus in a Lada Niva Carlus, a traveler from Spain, joined my urban exploration tour in Armenia, during which we explored abandoned places and iconic Soviet-era locations in a Lada Niva he rented locally. This tour was especially nostalgic for me, as our family car was a red Niva, bringing back fond memories. Our journey took us from an abandoned cultural house to the Byurakan Observatory, the ROT54 telescope, abandoned pioneer camp, other Soviet-era sites, and eerie, abandoned copper tunnels, uncovering some of Armenia’s most hidden gems. Here is a brief overview of our tour. Carlus, a traveler from Spain, reached out to me before his trip to Armenia to join one of my urban exploration tours. Being a big fan of the Lada Niva, he rented that iconic car in Armenia to explore the country and dedicated two days to our urbex adventures. So, instead of my usual Volkswagen Jetta, the tour took place in the legendary Niva! On the first day, we met in Yerevan for a beer, and the next day he picked me up from our yard! I liked him right from the first handshake, and we instantly found a lot in common to talk about. He shared stories about his travels in his Toyota and how he navigated the roads of the Paris-Dakar rally, roaming Africa’s wild landscapes on his trusty iron horse! With Carlus at the Byurakan Observatory, behind us is an iconic building designed by Sargis Gurzadyan, which houses the ZTA-2.6 telescope, the largest observational instrument at the BAO. After the Byurakan Observatory, we headed to the nearby village of Ogov to see the legendary ROT54 telescope! Carlus is sitting in the control room of ROT54 Then we headed to the Lori Region! Of course, we made a pit stop at the Gntuniq food court to fuel up with some local food before exploring a Soviet-era pioneer camp called "Fairy Tale." For the night, we stayed near village of Odzun, where an old Soviet-era hotel is located. It was built in 1971 for the managers of the Alaverdi copper factory. I really enjoy this place, and it's where I usually suggest my guests stay! The view from Odzun hotel Situated at the foot of a mountain high above Odzun village, it offers a peaceful retreat away from the city buzz—no noise, just the whisper of nature and a beautiful view of Odzun village and the surrounding landscapes. Across an old and rusty bridge we are heading towards a tunnels of the copper mine to capture unearthly photos! Crossing over this bridge is raising some adrenaline! Our primary destination was the tunnels of the abandoned copper mine, which we explored the following day after visiting several other sites. We concluded the day with a visit to an abandoned plane in Hrazdan! Night urbex... lol. During our trip, Carlus shared many fascinating stories. Among them, he told me about an incredible location called Pozo Sotón. A quick note: Pozo Sotón is a historical coal mine situated in Asturias, Spain, near the town of San Martín del Rey Aurelio. It stands as a significant part of Spain's industrial heritage and has been repurposed into a captivating tourist destination. Visitors can delve into its underground chambers, gaining a profound understanding of miners' lives and the rich history of coal mining in the region. By the time I was writing this article, Carlus had sent me photos showing that he had finally visited Pozo Sotón. I couldn't be happier for him! I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Discover the history of the 1-meter Schmidt telescope, originally commissioned by Adolf Hitler as a gift to Mussolini. After World War II, it was seized by the Soviets and later installed at Armenia's Byurakan Observatory in 1960. This telescope played a key role in the discovery of Markarian galaxies and contributed to significant astrophysical research until its decommissioning in 1991. A modern reconstruction project is now in progress. < Back This Trophy 1m Schmidt Telescope Was Hitler's Gift to Mussolini Discover the history of the 1-meter Schmidt telescope, originally commissioned by Adolf Hitler as a gift to Mussolini. After World War II, it was seized by the Soviets and later installed at Armenia's Byurakan Observatory in 1960. This telescope played a key role in the discovery of Markarian galaxies and contributed to significant astrophysical research until its decommissioning in 1991. A modern reconstruction project is now in progress. In 1938, Adolf Hitler visited Italy to meet Benito Mussolini. During the visit, Mussolini took Hitler to several Italian observatories, proudly highlighting that Italy had numerous observatories and enjoyed more clear days compared to rainy Germany. Surprised and perhaps a bit challenged, Hitler reportedly responded, “I will show you who makes the best telescopes in the world, and I will even gift you one!” Upon his return to Germany, Hitler commissioned the production of a one-meter Schmidt telescope at the Carl Zeiss factory, renowned for its precision optics. This telescope, which up to these days remains one of the largest of its kind, was under construction when World War II broke out, delaying its completion. After the war, Soviet troops seized the telescope as a trophy during the occupation of Germany. Here is a brief historical overview of how the trophy seizures occurred after the Allied forces won the war. After World War II, both the Allied and Soviet forces (The Soviet Union was indeed one of the Allied powers during World War II, aligning with the United States, the United Kingdom, and others to defeat the Axis powers. However, when discussing postwar efforts like the exploitation of German science and technology, it often makes sense to separate the Soviet actions from those of the Western Allies. This is because their methods, objectives, and geopolitical contexts were quite different.) actively sought to extract German scientific knowledge and technology. This effort was one of the largest technological transfers in history, targeting advancements in fields like aerospace, atomic energy, chemical engineering, and more. The 1-meter Schmidt telescope in Byurakan observatory Allied Efforts: The U.S., through initiatives like Operation Paperclip, relocated over 1,600 German scientists, engineers, and technicians to the United States, including Wernher von Braun, who later played a key role in NASA's space program. The British and French also targeted German expertise, often focusing on "in-place" exploitation by incorporating German scientists into their own programs or allowing them to assist with rebuilding academic and industrial sectors in Allied-occupied zones Soviet Strategy: The Soviets used "trophy brigades" to seize machinery, documentation, and entire scientific teams from Germany. For example, they relocated entire factories and laboratories, along with their personnel, to the Soviet Union to bolster their own technological development. Teams under the NKVD were tasked with identifying and transferring scientists and equipment related to nuclear and missile technologies. They required specialists capable of deciphering documents, assessing the significance of complex machinery, and tackling intricate tasks. No surprise, that in 1948, the renowned Armenian astrophysicist Viktor Hambardzumyan also visited Germany, including the Carl Zeiss factory where several unfinished telescopes were stored. These telescopes were later transferred to the LOMO (Leningrad Optical-Mechanical Association) in Leningrad for final adjustments and assembly. Among them was the 1m Schmidt telescope, a gift from Hitler to Mussolini, which, however, had a different fate and was eventually destined to be installed at the Byurakan Observatory in Armenia. By the late 1950s, preparations were underway to transport the telescope to Armenia. Due to its delicate optics, it could not be transported by plane, as even the slightest shock could damage its components. Instead, it was carefully transported by truck at a speed of no more than 15 km/h. The telescope was installed and began operations in 1960, but the official inauguration took place on May 8, 1961. This grand opening was attended by Soviet leader Nikita Khrushchev during his visit to Armenia—a rare instance of a national leader participating in the unveiling of a scientific instrument. Benjamin Markarian and the iconic 1m Schmidt telescope In 1965, Benjamin Markarian conducted the First Byurakan Survey (FBS) using the 1-meter Schmidt telescope. As a result of these observations, he discovered a large number of faint galaxies (ranging from 13th to 17th magnitude) that belong to a special class with an excess of radiation in the ultraviolet spectrum. These galaxies were subsequently named Markarian galaxies in his honor. The December 2021 issue of the French magazine Le Mouvement tells the story of the glorious past of the Byurakan Astrophysical Observatory, reflecting on Margaryan's galaxies, the history of the 1m Schmidt telescope, as well as talking about the current activities of the facility and young staff. The back cover features the 1m Schmidt telescope with BAO lead engineer Henrik Sargsyan sitting beneath it The continuation of the FBS is the Second Byurakan Survey (SBS), also carried out with the 1-meter Schmidt telescope. A total of approximately 3,000 peculiar objects were discovered, including about 1,600 stellar objects and 1,400 non-stellar objects. The SBS is one of the most effective surveys for discovering bright quasars (QSOs). Since 1969, more than 500 flare stars have been discovered, and detailed colorimetric studies of bright galaxies were also performed. One of the 7,500 photographic plates taken by the Schmidt telescope. The Byurakan Astrophysical Observatory (BAO) archive holds around 37,500 photographic plates and films from all its telescopes, including the 1 m and 0.5 m Schmidt telescopes and other smaller ones during 1947-1991. The plates from the two Schmidt telescopes break down as follows: 1 m Schmidt telescope: About 7,500 plates. The famous First Byurakan Survey (FBS, or Markarian Survey) accounts for over 2,000 of these, and the Second Byurakan Survey (SBS) also used this telescope. 0.5 m (21-inch) Schmidt telescope: Approximately 12,000 plates. In 2011, the First Byurakan Survey (FBS or Markarian survey, Armenia), containing the records of a unique astronomical survey carried out by the Byurakan Astrophysical Observatory (BAO) from 1965-1980 were added to UNESCO’s “Memory of the World Register”. It represents the largest-ever astronomical exploration of the nearby universe and is considered one of the most important achievements in 20th-century astrophysics. In 1991, the 1m Schmidt telescope was stopped and since then no observations have been carried out. Recently, a project for reconstruction of this telescope was put forward in collaboration with the Russian Special Astrophysical Observatory (SAO), including equipping it with a contemporary detector and advanced controlling system. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

In this article, you’ll discover a little-known Soviet-era amphitheater, now abandoned. Explore how these spaces evolved over centuries while preserving classical architectural traditions. A hidden gem for urban explorers and enthusiasts of forgotten Soviet-era architecture, this site offers a rare glimpse into Armenia’s theatrical past. < Back An abandoned amphitheater in Armenia In this article, you’ll discover a little-known Soviet-era amphitheater, now abandoned. Explore how these spaces evolved over centuries while preserving classical architectural traditions. A hidden gem for urban explorers and enthusiasts of forgotten Soviet-era architecture, this site offers a rare glimpse into Armenia’s theatrical past. An amphitheatre (American English: amphitheater) is an open-air venue designed for entertainment, performances, and sports. The term comes from the ancient Greek ἀμφιθέατρον (amphitheatron), formed from ἀμφί (“around” or “on both sides”) and θέατρον (“place for viewing”). Armenian theatre is among the oldest in the world. Along with the Greek tradition, it belonged to the European theatrical type and emerged in the 1st millennium BC. Even then, it was divided into familiar genres such as tragedy and comedy. According to Plutarch, in 69 BC King Tigran II the Great built a Hellenistic-style amphitheatre in Tigranakert, the capital of Greater Armenia. Historian Gevorg Goyan believed this structure was large, richly decorated, and comparable to the grandest Greek amphitheatres of the period. Later, during the reign of Artavazd (55–34 BC), the son of Tigran the Great, the Artashat Theatre was established in Armenia’s northern capital. Artavazd himself earned a reputation as a playwright and director and once staged Euripides’ tragedy The Bacchae . After Christianity became the state religion in 301 AD, the Armenian Church began opposing theatrical arts. One example is the sermons of Catholicos Hovhannes Mandakuni (5th century), who sharply criticized theatrical performances and the gusans. This complicated the development of theatre but did not bring it to an end. The earliest amphitheatres of antiquity were built entirely without roofs. Over the centuries, as architectural needs and acoustic expectations changed—especially for concerts and modern performances—open-air theatres began to evolve. By the 20th century many venues adopted permanent or semi-permanent roofs to provide weather protection and improve sound quality. Today, it’s common to see hybrid amphitheatres that combine classical open-air layouts with modern roofing systems. However, even in Soviet times architects often followed older traditions. Many cinemas and amphitheatres were built completely open to the sky, preserving the historical aesthetic. One famous example is the open-air hall of Moscow Cinema in Yerevan, constructed between 1964 and 1966 by architects Spartak Kndeghtsyan and Telman Gevorgyan — a topic I’ll cover in a separate article. For now, here’s another example: a little-known abandoned open-air amphitheatre that almost no one today is aware of. Information about it is practically nonexistent online. We discovered it by accident during one of our urban exploration trips — a genuinely pleasant surprise. Once I gather more historical data, I’ll share it. Until then, let the photos speak for this once-glorious place. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next