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While it’s possible to explore Armenia on your own, hiring a local guide can significantly enhance your travel experience. Whether you're interested in hiking in Armenia, visiting historical sites, or simply soaking in the local culture, here are the top five reasons to consider hiring a local guide in Armenia. < Back Top 5 Reasons to Hire a Local Guide in Armenia While it’s possible to explore Armenia on your own, hiring a local guide can significantly enhance your travel experience. Whether you're interested in hiking in Armenia, visiting historical sites, or simply soaking in the local culture, here are the top five reasons to consider hiring a local guide in Armenia. 1. In-Depth Local Knowledge One of the most compelling reasons to hire a local guide in Armenia is their in-depth knowledge of the region. A local guide is well-versed in the history, culture, and traditions of Armenia. They can provide you with insights that you might not find in guidebooks or online resources. From the ancient churches and monasteries to the stories behind Armenia’s most famous landmarks, a local guide can offer you a deeper understanding of the places you visit. Since I offer urban exploration tours, I can answer from my own experience. For urbexers, finding abandoned places can be very challenging. However, by joining my tours in Armenia, they discover a lot of cool spots. We are climbing the southern summit of mount Aragats 2. Personalized Itineraries When you hire a local guide in Armenia, you have the opportunity to create a personalized itinerary that suits your interests and travel preferences. Whether you're an avid hiker looking to explore Armenia's stunning mountain trails or a history enthusiast eager to visit ancient sites, a local guide can tailor your trip to meet your specific needs. For instance, if hiking in Armenia is your passion, your guide can recommend the best trails that suit your physical condition and expectations. With a personalized itinerary, you can make the most of your time in Armenia, focusing on the activities and sites that interest you the most. A tourist enjoys the view of Lori Gorge 3. Access to Hidden Gems Armenia is full of hidden gems that are often off the beaten path. These are the places that locals cherish but are not always included in standard tour packages. A local guide can take you to these lesser-known sites, offering a more authentic and intimate experience of Armenia. From abandoned buildings, secluded waterfalls and remote monasteries to hidden hiking trails and charming villages, a local guide knows where to find the best-kept secrets of Armenia. These hidden gems often provide a more peaceful and personal experience, away from the crowds of more popular tourist destinations. 4. Language and Cultural Bridge While many Armenians speak English, especially in urban areas, there can still be language barriers in more rural parts of the country. A local guide acts as a bridge, helping you communicate with locals, understand cultural nuances, and navigate unfamiliar situations. For example when guiding tourists in rural areas, I often find that they love taking photos of old Soviet vehicles. Initially, the owners may get upset, but once I explain that they are just tourists, mean no harm and are simply interested, they become friendly and hospitable. This can be particularly valuable when doing urbex tours, visiting rural villages, markets, or traditional festivals where the experience is enriched by interacting with locals. A guide can help you engage with the community, ask questions, and gain a deeper appreciation of Armenia’s cultural heritage. I love to stand in significant places, show historical photos, and explain what happened there. For example, with this photo, I show that this spot in Sanahin Monastery was where a scene from Parajanov's "The Color of Pomegranates" was filmed. 5. Safety and Convenience Traveling in a foreign country can come with its own set of challenges, from navigating unfamiliar roads to understanding local customs and safety concerns. A local guide ensures that your journey is as smooth and safe as possible. They are familiar with the terrain, weather conditions, and any potential risks associated with certain activities, such as hiking in Armenia's mountainous regions. In addition, a guide can handle logistics like transportation, accommodation, and meal arrangements, allowing you to relax and enjoy your trip without worrying about the details. Their local expertise ensures that you can focus on enjoying your adventure, confident that all the practicalities are being taken care of. Conclusion Hiring a local guide in Armenia is an investment in a richer, more meaningful travel experience. Many prefer to save money by renting a car and traveling on their own, but in some cases, due to poor planning, the expenses end up being higher than if they had hired a guide. So, as you plan your journey to Armenia, consider the many benefits of exploring this beautiful country with a local expert by your side. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

On my urbex tours in Armenia, I often take travelers to one particular Soviet sanatorium — a place that feels like a true time capsule. Remarkably, it is still operating today, combining striking architectural design with a range of healing procedures. While we usually focus on the exploration side and don’t take part in the treatments, those who are curious can certainly arrange to experience them. < Back The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War On my urbex tours in Armenia, I often take travelers to one particular Soviet sanatorium — a place that feels like a true time capsule. Remarkably, it is still operating today, combining striking architectural design with a range of healing procedures. While we usually focus on the exploration side and don’t take part in the treatments, those who are curious can certainly arrange to experience them. The history of this sanatorium is closely tied to World War II. During and after the war, thousands of German prisoners of war were brought to Armenia to take part in labor projects. At their peak, around 16,160 POWs from 18 different nations were held in ten camps across the country. Among them was the Austrian zoologist, ethologist, and ornithologist Konrad Lorenz , who would later win the 1973 Nobel Prize in Physiology or Medicine together with Nikolaas Tinbergen and Karl von Frisch. The facade of the building... The prisoners’ work was grueling: they built bridges, tunnels, apartment blocks, hydroelectric stations, and sanatoriums. The very sanatorium featured here was one of their projects. The workers were housed just across the gorge, directly opposite the building they were constructing. What makes this sanatorium stand out is not just its history, but its interior design. Massive columns give the impression of holding the building on their shoulders, an image of strength and endurance. Though the structure has undergone renovations, it has preserved its original Soviet charm. On the floor, visitors can notice an intriguing ornament resembling a swastika. With a closer look, and by rotating its “wings,” one can see how it could transform into the infamous symbol — a subtle, almost hidden trace of history embedded in the design. Another striking feature is a statue of a woman pouring water over herself from a jar. Before the era of modern plumbing, this was a symbolic representation of cleansing, and it remains one of the sanatorium’s most eye-catching details. The stained-glass arched window leading to the balcony adds a special charm to the façade, often making travelers pause for a while to take a closer look. Beyond architecture and history, the sanatorium continues to function as a health center. It offers a variety of treatments ranging from mineral baths and massages to hydrotherapy and physiotherapy, attracting both locals and visitors seeking rest and recovery. Below is a list of treatments offered at the sanatorium. Treatment of Diseases at the Sanatorium · Cardiovascular diseases · Gastrointestinal disorders · Musculoskeletal disorders · Nervous system disorders Procedures · General mineral baths · Four-chamber galvanic baths · Intestinal irrigation · Gum irrigation · Inhalation therapy · Light therapy (electro-light treatment) · Paraffin therapy · Peat therapy · Gynecological irrigation · Underwater shower massage · ECG (electrocardiogram) · Massage · Micro-enema · Consultation with a specialist · Hydrotherapy · Acupuncture · Hirudotherapy / leech treatment · Apitherapy · Clinical blood test · Biochemical blood test · Sonography I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Discover Quba Mere Diwane, the world's largest Yazidi temple, located in Aknalich, Armenia. Built by businessman Mirza Sloyan and designed by Artak Ghulyan, this stunning 25-meter-high temple features seven domes and a museum. Learn about its dedication to Yazidi angels and its cultural significance. < Back The Largest Yazidi Temple in the World – Quba Mere Diwane Discover Quba Mere Diwane, the world's largest Yazidi temple, located in Aknalich, Armenia. Built by businessman Mirza Sloyan and designed by Artak Ghulyan, this stunning 25-meter-high temple features seven domes and a museum. Learn about its dedication to Yazidi angels and its cultural significance. Quba Mere Diwane, opened in September 2019, is the largest Yazidi temple in the world. Located in the village of Aknalich in the Armavir region of Armenia, it was built at the expense of an Armenian Yazidi living in Russia, businessman Mirza Sloyan. The new temple is situated just a few meters from Ziarat, the first Yazidi temple in Armenia, built in 2012. The temple was designed by Artak Ghulyan, one of the most prolific architects of religious buildings in Armenia. Quba Mere Diwane The temple is 25 meters high and consists of seven domes surrounding a central arched roof. It also houses a seminary and a museum. The temple is dedicated to the angel Malak Tavus and the seven angels of Yazidi theology. The highest dome and the surrounding domes symbolize angels and are decorated with golden suns. The design is largely inspired by the Lalesh Temple in northern Iraq, the main Yazidi shrine and place of pilgrimage. In the adjacent park opposite the temple, one can see numerous statues dedicated to renowned Yazidi and Armenian historical figures and saints. Yazidis are one of the largest ethnic minorities in Armenia, practicing an ancient, monotheistic belief that has similarities to Christianity, Hinduism, Judaism, Sufism, and Zoroastrianism, along with elements of Iranian paganism. A monument dedicated to the Genocide of Shangali Yazidis Yazidis are a national minority and according to the Armenian census, 35,000 Yazidis lived in Armenia in 2011. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

Experience the unique traditions of Armenia through this captivating article. Explore the intriguing Red Apple ritual, revealing a cultural perspective on virginity. Delve into the Salty Cookie tradition of St. Sargis feast day, intertwining hope and culinary art. Immerse yourself in Trndez, a festival marking the end of winter with fire rituals and communal celebrations. Lastly, discover Vardavar, Armenia's vibrant water festival rooted in pagan history. Gain insight into Armenia's rich cultural heritage with these engaging narratives. < Back Strange Armenian Traditions Experience the unique traditions of Armenia through this captivating article. Explore the intriguing Red Apple ritual, revealing a cultural perspective on virginity. Delve into the Salty Cookie tradition of St. Sargis feast day, intertwining hope and culinary art. Immerse yourself in Trndez, a festival marking the end of winter with fire rituals and communal celebrations. Lastly, discover Vardavar, Armenia's vibrant water festival rooted in pagan history. Gain insight into Armenia's rich cultural heritage with these engaging narratives. The Red Apple: The Symbol of Purity The Red Apple, or “Karmir Khndzor” in Armenian, is a centuries-old tradition that has its roots in the cultural fabric of Armenia. This tradition, while not as widely practiced today, continues to be a topic of interest due to its unique and somewhat controversial nature. The Red Apple tradition is a ritual that aims to confirm a woman’s virginity on her wedding night. After the wedding night if the bride’s virginity is confirmed, a ceremony is performed. Several married women from the groom’s relatives prepare a bowl of red apples and take it to the bride’s parents’ house. This visit is a sign of respect towards the bride’s parents for raising a dignified daughter! While it may seem controversial from a modern perspective, understanding such traditions provides valuable insights into the evolution of societal norms and values. As Armenia continues to evolve, so too will its traditions, reflecting the dynamic nature of culture and society. An AI generated image of Red Apple Aghi Blit: The Salty Cookie of Armenia Aghi Blit, also known as the Salty Cookie, is a unique Armenian tradition that is deeply intertwined with the celebration of St. Sargis feast day. This tradition, while intriguing, is not widely known outside of Armenia. The tradition of Aghi Blit revolves around the feast day of St. Sargis, the patron saint of youth and love in the Armenian Apostolic Church. On the eve of the feast, young people eat salty cookies, hoping that their future bride or groom will appear in their dreams to offer them water. The process of making Aghi Blit is simple yet meaningful. The ingredients needed are flour, salt, and water. The flour and salt are mixed together, and then water is added to form a solid dough. The dough is then shaped into pellets, flattened with a rolling pin, and baked in the oven until they turn pink. The consumption of Aghi Blit is more than just a culinary tradition; it’s a ritual filled with symbolism and hope. The saltiness of the cookies is believed to induce thirst, which in turn triggers dreams of water. It is believed that the person who offers water in the dream is destined to be the dreamer’s future spouse. In conclusion, Aghi Blit is a fascinating tradition that offers a glimpse into the cultural practices of Armenia. Whether you’re an Armenian youth awaiting a dream or a curious outsider, the Salty Cookie tradition is sure to leave a lasting impression. This is how AI sees Armenian girl making salty cookie Trndez: A Celebration of Purification and Renewal Trndez, a significant celebration in the Armenian Apostolic Church, is observed 40 days after the birth of Jesus Christ, marking it as a feast of purification. The festival has its origins in sun and fire worship in ancient pre-Christian Armenia. The term ‘Trndez’ translates to “towards God”. This celebration symbolizes the end of the cold season and the arrival of spring and fertility. On February 13, communities across Armenia celebrate Trndez. The festival begins with church ceremonies, followed by the lighting of a fire. Newlyweds receive blessings and, along with other members of the community, jump over the lit fire. This act is believed to bring good luck and is a highlight of the festival. In addition to the fire rituals, candles play a significant role in the Trndez celebrations. The clergyman lights the candles on the church table, symbolizing the welcoming of Joseph, Mary, and baby Jesus. Despite its ancient origins, Trndez remains a vibrant part of Armenian culture. It not only marks a religious event but also brings communities together in a joyful celebration of life and renewal. As such, Trndez serves as a powerful reminder of Armenia’s rich cultural heritage and the enduring appeal of its traditions. This is how AI imagines Trndez Vardavar: Armenia’s Joyous Water Festival Vardavar is a unique and vibrant festival celebrated in Armenia, where people drench each other with water. This tradition, which dates back to pagan times, is deeply rooted in Armenian culture and continues to be a significant event today. Vardavar’s history is intertwined with the worship of Astghik, the ancient Armenian goddess of water, beauty, love, and fertility. The festival was originally associated with Astghik and was named “Vardavar” because Armenians offered her roses as a celebration (in Armenian, ‘vard’ means ‘rose’ and ‘var’ means ‘to burn/be burning’). Celebration of Vardavar. Image: Yuri Semenkov After the Christianization of Armenia, the Armenian Apostolic Church linked the rose with the transfiguration of Jesus, and Vardavar continued to be celebrated along with the Feast of the Transfiguration. Some believe the tradition dates back to Noah, who commanded his descendants to sprinkle water on each other and release doves as a symbol of remembrance of the Flood. Vardavar is celebrated 98 days (14 weeks) after Easter. The festival begins with church ceremonies, followed by the main event where people of all ages drench each other with water. It is common to see people pouring buckets of water from balconies onto unsuspecting passersby below. This water festival is particularly popular among children, as it is one day where they can get away with pulling pranks. Vardavar It is not just a religious event, but also a community celebration that brings people together in a joyous and refreshing way, especially during the hot and dry summer days of July or late June. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

The Yerevan Cascade is a monumental architectural landmark in the heart of Armenia’s vibrant capital. This massive stairway is one of the city’s top tourist attractions and a must-see for visitors to Armenia. Offering panoramic views from its summit, the Cascade combines striking architecture with outdoor sculpture gardens, capturing the unique spirit of Yerevan. < Back Yerevan Cascade - A Stairway to Art and History The Yerevan Cascade is a monumental architectural landmark in the heart of Armenia’s vibrant capital. This massive stairway is one of the city’s top tourist attractions and a must-see for visitors to Armenia. Offering panoramic views from its summit, the Cascade combines striking architecture with outdoor sculpture gardens, capturing the unique spirit of Yerevan. Architect Alexander Tamanyan conceived the idea for the Cascade complex, aiming to connect the northern and central parts of the city—the historical residential and cultural centers—by creating an expansive green space adorned with waterfalls and gardens that would "enthrone" from one of the highest hills in the city. Although the project was initially forgotten, it was revived in the late 1970s by Yerevan's chief architect, Jim Torosyan. The Alexander Tamanyan Monument stands in front of the Cascade Complex in Yerevan. Unveiled in 1974, it honors the city’s chief architect. Made of basalt and granite, it was designed by Seda Petrosyan and sculpted by Artashes Hovsepyan. Construction of Torosyan's Cascade complex began in the 1980s during the Soviet era but faced interruptions due to the earthquake in Armenia in 1988 and the subsequent collapse of the Soviet Union in 1991. As Armenia transitioned to independence and democracy, the country also grappled with severe economic challenges, leading the Cascade complex to remain a neglected relic of the Soviet era for over a decade. Kiwi by Peter Wojtuk In 2002, philanthropist Gerard L. Cafesjian, in collaboration with Yerevan Municipality and the Government of the Republic of Armenia, initiated the restoration of the Cascade Complex. Over the following seven years, extensive renovations transformed much of the memorial into an arts center, now bearing the legacy of its founder, Gerard L. Cafesjian. The entrance to the Cafesjian Center for the Arts The structure is constructed from white travertine stone, chosen for its ample availability suitable for such a large-scale construction. The Cascade comprises five hillside terraces connected by 572 steps. The building stands 302 meters high (excluding the 40th Anniversary of Soviet Armenia monument), spans 50 meters in width, and encompasses a total area of 13 hectares with a 15-degree slope. Interactive Learning Center (Library) and Museum Store in Cafesjian Art Center Established in 2009, the museum has gained significant popularity in Yerevan. The entire architectural heritage site serves as an open-air museum of modern art, nestled within lush green surroundings. Within the Cascade complex, the Cafesjian Center for the Arts is situated, hosting exhibition halls for both permanent and temporary displays. These exhibitions showcase outstanding examples of contemporary art and sculpture. The museum is divided into two distinct sections: the external "Cafesjian Sculpture Garden" and the internal "Cafesjian Art Galleries." In the "Khanjian" Gallery, there is a monumental mural by the renowned Armenian artist Grigor Khanjyan (1926-2000). The three main scenes of this monument, commissioned during the Soviet period and left unfinished after Khanjyan's death, depict the key pages of Armenian history: "Armenian Alphabet" (1992-1994), "Vardanank" (1995-1998), and "Resurrected Armenia" (1998-2000). The majority of the museum's collection is derived from the private collection of the founder, Gerard L. Cafesjian. With over 5,000 works, the center exhibits one of the most comprehensive glass collections globally, highlighting the groundbreaking works of the Czech couple Stanislav Libenský and Jaroslava Brychtová, who revolutionized the use of glass as an artistic medium. Other noteworthy glass artists in the collection include Dale Chihuly, Bohumil Elias, Pavel Hlava, Jaromír Rybák, Ivana Šrámková, Bertil Vallien, Lino Tagliapietra, Mark Peiser, and Hiroshi Yamano. The collection also boasts significant holdings in drawing, painting, and sculpture by numerous influential artists, including Fernando Botero, Arshile Gorky, Jennifer Bartlett, Lynn Chadwick, Barry Flanagan, Jaume Plensa, and François-Xavier Lalanne. The Cafesjian Sculpture Garden, located in the front gardens of the cascade, features numerous exhibited sculptures. Additionally, sculptures adorn the garden terrace along the expansive steps and fountains ascending from the Tamanyan street gardens. With unobstructed walkways, expansive vistas, and formal garden areas, this space is purposefully designed to provide a modern setting for large-scale sculptures by internationally recognized artists. The theme of the national epic poem has always been of special interest to sculptor Artashes Hovsepyan. The artist together with four masters worked for four years in the salon that today bears the name "Sasuntsi David". The "Cafesjian Art Galleries" encompass Gallery One, Khanjyan Gallery, Eagle Gallery, Sasuntsi Davit Garden Gallery, Star Landing, and the Special Events Auditorium situated beneath the exterior staircase and fountains. These galleries house an extensive collection of glass artwork showcased in various permanent displays and temporary exhibitions. The Khanjyan Gallery houses the large-scale mural triptych The Armenian Alphabet (1992–1994), Vardanank (1995–1998), and Resurrected Armenia (1998–2000), created by the renowned Soviet and Armenian painter Grigor Khanjyan. Sasuntsi Davit Gallery includes bas-relief by Artashes Hovsepyan depicting scenes from the Armenian epic poem Sasuntsi David. In conclusion, the Yerevan Cascade is more than just a staircase. It’s a symbol of Yerevan’s rich history, a hub for art lovers, and a must-visit destination for anyone exploring the city. The Garden of Cafesjian Sculptures is always open. Escalator Hall: Every day, from 08:00 to 20:00. Exhibition Halls, Museum Shop, and Visitor Center: Fridays, Saturdays, Sundays, from 10:00 to 20:00. The center is closed on public holidays. A visit to Yerevan Cascade Complex is free. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

The Soviet Union, known for its rigorous and systematic approach to education and training, established a comprehensive network of driving schools to equip its citizens with the necessary skills to navigate the country’s extensive road network. These driving schools were not merely institutions for learning how to operate a vehicle; they were an integral part of the Soviet education system and preparation for army service, reflecting the values and priorities of the era. This article will provide a brief overview of what driving classes and posters looked like in the USSR. < Back Exploring an Abandoned Soviet Driving School The Soviet Union, known for its rigorous and systematic approach to education and training, established a comprehensive network of driving schools to equip its citizens with the necessary skills to navigate the country’s extensive road network. These driving schools were not merely institutions for learning how to operate a vehicle; they were an integral part of the Soviet education system and preparation for army service, reflecting the values and priorities of the era. This article will provide a brief overview of what driving classes and posters looked like in the USSR. Earlier, this place was discovered by G. Mattu, who guided me there. A lot has changed since then; the place was being renovated and soon it will vanish forever. However, with my camera, I tried to immortalize as much as I could during the brief time the guard allowed us to stay inside. During the Soviet era, the expansion of road infrastructure and the growing number of vehicles necessitated a well-organized system for driver education. The state recognized the importance of safe and efficient transportation for both civilian and military purposes. As a result, driving schools were established across the Soviet Union, often operated by state-owned organizations and deeply integrated into the broader educational framework. The journey to a Soviet driver's license began in classrooms. Here, students spent countless hours immersed in the theoretical aspects of driving. Posters, filled with diagrams and traffic regulations, were gospel. Instructors, often veterans of the road themselves, drilled students on traffic signs, vehicle mechanics, and the intricate rules of the road. All driving schools in the USSR were state-owned and operated under the auspices of DOSAAF (Volunteer Society for Cooperation with the Army, Aviation, and Fleet), district military commissariats, or centralized automotive training complexes (TsAUK) for the training or retraining of professional drivers. Driver training was also included in the school curriculum for senior grades, either within the secondary school itself or in vocational training centers. Any willing member of DOSAAF could attend a driving school affiliated with this military-sport organization. The district military commissariats trained future recruits in driving motor vehicles, preparing them for compulsory military service, such as in motorized troops. Automotive training complexes were typically located in large or capital cities, where employers would send professional drivers to obtain a license for a different vehicle category or to receive training or retraining for handling vehicles carrying hazardous loads. In addition to learning traffic regulations, driving theory, and practical driving skills, students in driving schools studied vehicle mechanics and the elimination of minor malfunctions. Posters were scattered everywhere... However, the fall of the Soviet Union brought significant changes. Many driving schools were privatized or closed, and the rigorous standards of the past gave way to more varied approaches in the newly independent states. Despite these changes, the legacy of Soviet driving schools remains evident in the continued emphasis on thorough driver education in many former Soviet republics. Posters, such as these I saw in this abandoned driving school, were common. They illustrated traffic signs, driving techniques, and safety measures, serving as visual aids to reinforce the theoretical knowledge imparted in the classroom. One can only imagine how cool this place looked in those times... Soviet driving schools were more than just places to learn how to drive; they were institutions that embodied the values of discipline, thoroughness, and public safety. While the Soviet Union is now a part of history, the impact of its driving education system continues to be felt, reminding us of an era when the journey to becoming a driver was a path marked by rigorous training and high standards. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Aron Ralston, born on October 27, 1975, in Marion, Ohio, is an American mountaineer, mechanical engineer, and motivational speaker. He is best known for his survival story, during which he amputated part of his own right arm following a canyoneering accident. Trapped by a dislodged boulder, Ralston's ordeal unfolds in a battle of wills against despair, hunger, and hallucinations. Documented in his autobiography "Between a Rock and a Hard Place" and the film "127 Hours," Ralston's story inspires with its testament to human resilience. Explore the depths of his physical, mental, and emotional triumphs against all odds. < Back 127 Hours - Aron Ralston’s Savage Survival Story Aron Ralston, born on October 27, 1975, in Marion, Ohio, is an American mountaineer, mechanical engineer, and motivational speaker. He is best known for his survival story, during which he amputated part of his own right arm following a canyoneering accident. Trapped by a dislodged boulder, Ralston's ordeal unfolds in a battle of wills against despair, hunger, and hallucinations. Documented in his autobiography "Between a Rock and a Hard Place" and the film "127 Hours," Ralston's story inspires with its testament to human resilience. Explore the depths of his physical, mental, and emotional triumphs against all odds. In April 2003, Aron Ralston, an adventurous soul, ventured into the depths of Utah's Bluejohn Canyon for a solo canyoneering trip. What began as a thrilling exploration turned into a harrowing nightmare when a dislodged boulder pinned his right hand against the canyon wall. While he was descending the lower stretches of the slot canyon, a suspended boulder dislodged while he was climbing down from it. The boulder first smashed his left hand, and then crushed his right hand against the canyon wall. Ralston had not informed anyone of his hiking plans, nor did he have any way to call for help. Trapped Aron Ralston. A dislodged boulder pinned his right hand against the canyon wall. He documented his experience on a tiny video camera, a desperate plea for help that would later become a testament to his strength His initial attempts to free himself were frantic, fueled by adrenaline and fear. But as the hours stretched into days, despair began to creep in. With limited food and water, the harsh desert sun draining his energy, and no hope of rescue reaching him, Ralston faced a grim reality: either starve to death or amputate his own arm to escape. Aron Ralston is back to that horrific place The mental battle was as brutal as the physical ordeal. Hallucinations, fueled by hunger and dehydration, tormented him. Loneliness gnawed at his spirit, the silence broken only by the echoes of his own ragged breaths. Yet, amidst the despair, Ralston found solace in unexpected places. He documented his experience on a tiny video camera, a desperate plea for help that would later become a testament to his strength. He drew comfort from memories of loved ones, their faces a beacon of hope guiding him through the darkness. The decision to amputate was agonizing. With just a dull multi-tool as his surgeon, Ralston faced the prospect of severing his own flesh and bone. But the alternative – death – was unthinkable. He used pieces of climbing equipment as a tourniquet before starting to amputate his hand to prevent excessive bleeding. In a grueling, self-inflicted surgery, fueled by sheer willpower and an unyielding desire to live, he cut through muscle, tendon, and bone. The sound of crunching rock and raw screams filled the canyon, a horrifying yet triumphant symphony of survival. Blinded by blood loss and weakened from days of ordeal, Ralston faced his final challenge: escaping the canyon. Using his remaining arm and sheer grit, he rappelled down a 65-foot drop and trekked 7 miles (11 km) to safety until he stumbled upon a family of hikers, his salvation arriving just as hope seemed to fade. His severed hand and forearm were retrieved from under the boulder by park authorities. According to television presenter Tom Brokaw, it took 13 men, a winch, and a hydraulic jack to move the boulder so that Ralston's arm could be liberated. His arm was then cremated, and the ashes were returned to Ralston. Ralston’s harrowing experience was documented in his autobiography "Between a Rock and a Hard Place" and was later adapted into the 2010 film "127 Hours," where he was portrayed by James Franco. Since this terrible incident, he has spoken to hundreds of audiences around the world and has a net worth of $4 million. Regarding the authenticity of "127 Hours," Ralston has stated that the film is "so factually accurate; it is as close to a documentary as you can get and still be a drama." He jokingly added that he believes it is "the best film ever made." Despite the accident, Ralston continued mountaineering and became the first person to ascend all of Colorado’s fourteeners solo in winter. His story continues to inspire many about the strength of the human spirit and the will to survive against all odds. Ralston's escape wasn't just a physical feat; it was a mental and emotional triumph. He had stared death in the face and emerged, not only alive, but with a renewed appreciation for life, a profound understanding of his own strength, and a story that would inspire millions. 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This tour offers rare access to a working radio center, including control rooms, transmission halls, and original control panels with a striking futuristic design that still feels ahead of its time. For enthusiasts of Soviet history and industrial tech, it is a living Cold War relic. Towering shortwave masts and mediumwave antennas create a vast, almost apocalyptic landscape—resembling a scene from science fiction. During the Soviet era, the station both jammed Western broadcasts such as Voice of America and transmitted Soviet programming and ideology across the Middle East and Afghanistan. < Back A Unique Tour to Armenia’s Hidden Cold War Radio Center This tour offers rare access to a working radio center, including control rooms, transmission halls, and original control panels with a striking futuristic design that still feels ahead of its time. For enthusiasts of Soviet history and industrial tech, it is a living Cold War relic. Towering shortwave masts and mediumwave antennas create a vast, almost apocalyptic landscape—resembling a scene from science fiction. During the Soviet era, the station both jammed Western broadcasts such as Voice of America and transmitted Soviet programming and ideology across the Middle East and Afghanistan. The facility was commissioned on October 18, 1965, when its first radio broadcast went on air. Construction and expansion of the broadcasting infrastructure continued until 1974, while major modernization projects were carried out almost until the collapse of the Soviet Union (1987–1990). Area: The antenna fields cover an enormous territory of approximately 713 hectares (1,760 acres). Structure: The technical complex consists of three main transmission halls housing shortwave (SW) and mediumwave (MW) transmitters. Status in the USSR: During the Soviet era, the radio center was among the largest and most technologically advanced long-distance broadcasting facilities in the entire Soviet Union. Thanks to its elevation of approximately 1,925 meters (6,315 ft) above sea level, the station enjoys excellent conditions for transmitting radio signals across vast distances. Modern Operations and International Broadcasting Unlike many abandoned Soviet radio centers, this facility remains fully operational. Its powerful transmission infrastructure is leased to international broadcasters that take advantage of its unique geographical location, allowing signals to reach large parts of Europe, the Middle East, Asia, and Africa. Broadcasting to Russia: In recent years, the station's high-power medium wave transmitter has been used to broadcast Radio Free Europe/Radio Liberty programs to the European part of Russia. Middle Eastern Broadcasting: Kurdish and Turkish opposition radio programs, including Radyoya Dengê Gel, were transmitted from here, making the station a frequent target of signal jamming attempts. International Services: Through Encompass brokerage services, the site also carries Radio Erena broadcasts aimed at Eritrea and the Horn of Africa, as well as programs from Japan's NHK World. Tour Details Departure from Yerevan: 8:00 AM Distance from Yerevan: approximately 100 km (about 1.5 hours by car) Time spent at the site: approximately 2–2.5 hours Return to Yerevan: around 2:00 PM For more details or to book a tour, feel free to contact me directly via WhatsApp or Telegram for a quick response! Project Gallery You May Also Like A Unique Tour to Armenia’s Hidden Cold War Radio Center From Yerevan to Mount Aragats Tour to Armenia’s Particle Accelerator Climb Mount Artanish & Explore Sevanavank Monastery Urbex Tour to the Trophy 1m Schmidt Telescope at Byurakan Observatory Hiking from Lake Parz to Gosh Village Urbex Tour to ROT54 – Explore Armenia’s Most Fascinating Abandoned Place Hike Armenia by choosing the popular Smbataberd trail Previous Next

Horom's cyclopean fortress is one of the most mysterious places in Armenia! Erected without mortar these megalithic stones formed a mighty wall, that stood for thousands of years! The methods employed to cut, move, and lift these stones remain a captivating mystery! < Back Horom's Cyclopean Fortress in Armenia Horom's cyclopean fortress is one of the most mysterious places in Armenia! Erected without mortar these megalithic stones formed a mighty wall, that stood for thousands of years! The methods employed to cut, move, and lift these stones remain a captivating mystery! The Classical Greeks believed that, since the walls of ancient Mycenae (which was already in ruins in the Classical Era) was so magnificent, entirely made out of huge boulders, it was probably the Cyclopean giants that helped the Mycenaeans built the walls. Me posing for a photo while standing among the ruins of Horom's cyclopean fortress As I stand in the vicinity of Horom's Cyclopean fortress, I am in awe of the colossal rock fragments before me, prompting a lingering question: “How did our ancestors manage to lift such enormous weights during the 3rd-2nd millennium B.C.?” Could giants have been involved, or did our ancestors simply master the ingenious methods of leveraging and pulleys? The sheer length of Horom's defensive walls, estimated to be approximately 7 km, only adds to the mystery. Throughout the 20th century, numerous renowned researchers have explored this mysterious fortress, including Nikolai Marr, Boris Piotrovsky, Atrpet, Toros Toramanian, and others. Prominent Armenian architect and architectural historian Toros Toramanian Notably, Toros Toramanian, a celebrated Armenian architect and archaeologist, wrote about his impressions in his travel notes: “Horom's fortress city is the only one among all ancient fortress cities in terms of its size and content, and it is impossible to observe without amazement what kind of extraordinary human power and resources were used to raise the wall stones on top of each other.” I left this place with the intention of returning, because this time there was a strong wind and I could not lift my drone, and I hope that the area will be improved one day and it will become a popular tourist destination! Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

Discover the Armenian Dram (AMD), the official currency of the Republic of Armenia, with a history dating back to 1993. Subdivided into 100 luma, it holds cultural significance and showcases rich designs on banknotes and coins. The Central Bank of Armenia oversees its issuance, circulation, and monetary policy. Explore the dram's journey, from commemorative notes to the third series issued in 2018. Immerse yourself in Armenia's monetary heritage, symbolized by the dram sign "֏." < Back Armenian Currency Discover the Armenian Dram (AMD), the official currency of the Republic of Armenia, with a history dating back to 1993. Subdivided into 100 luma, it holds cultural significance and showcases rich designs on banknotes and coins. The Central Bank of Armenia oversees its issuance, circulation, and monetary policy. Explore the dram's journey, from commemorative notes to the third series issued in 2018. Immerse yourself in Armenia's monetary heritage, symbolized by the dram sign "֏." The Armenian dram (AMD) became the official currency of the Republic of Armenia on November 22, 1993, succeeding the Soviet ruble. Subdivided into 100 luma, the dram's name, meaning "money," links to the Greek drachma, Arabic dirham, and English dram. The Central Bank of Armenia manages dram issuance, circulation, and monetary policy. As of January 13, 2024, 1 US dollar equals 404.42 Armenian dram. Banknotes are available in denominations of 1,000 to 100,000 AMD, and coins come in denominations of 10, 20, 50, 100, 200, and 500 AMD . 1000 AMD (obverse and reverse sides) A national referendum on September 21, 1991, declared Armenia's independence from the Soviet Union, granting the Central Bank of Armenia the exclusive right to issue the national currency, established on March 27, 1993. 100,000 AMD (obverse and reverse sides) The Armenian dram sign, symbolized by ֏, divides into 100 luma. The word dram means “money” and is cognate with the Greek drachma and the Arabic dirham, as well as the English weight unit dram. Banknotes have undergone different series, with the first series issued in November 1993, withdrawn by 2005, and a second series introduced from 1998 onwards, still in use. The third series, initiated in 2018, maintains previous denominations, introduces the 2,000 dram banknote, reissues the 50,000 dram banknote, and excludes 50, 100, 500, and 100,000 dram banknotes. Central Bank periodically issues commemorative banknotes to mark particular events. A commemorative ֏50,000 note was issued on 4 June 2001 in commemoration of the 1,700th anniversary of the adoption of Christianity in Armenia A 500 dram commemorative note was issued on 22 November 2017 to commemorate the story of Noah's Ark. And to commemorate the 25th anniversary of Armenia's national currency. 500 dram commemorative note (obverse and reverse sides) The Armenian dram stands not only as a medium of exchange but also as a reflection of Armenia's rich cultural tapestry. From its historical roots to the intricate designs on banknotes and coins, the dram encapsulates the spirit of a nation that cherishes its past while navigating the complexities of the modern economic landscape. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

Discover the ancient charm of Yererouk Monastery, an early Christian monument in Armenia dating back to the 4th-5th centuries. Explore its unique architectural design recognized by UNESCO. Uncover the cultural legacy of this symbol, offering a glimpse into Armenia's rich past. < Back Yererouk – Architectural Masterpiece From Early Christian Period Discover the ancient charm of Yererouk Monastery, an early Christian monument in Armenia dating back to the 4th-5th centuries. Explore its unique architectural design recognized by UNESCO. Uncover the cultural legacy of this symbol, offering a glimpse into Armenia's rich past. Yererouk Monastery is one of the earliest Christian monuments in Armenia, dating back to the 4th and 5th centuries. The name "Yererouk" means "quivering" in the Armenian language. According to popular tradition, the name of the temple was derived from its unique architectural solution, which appears to be quivering on its six columns for viewers from a distance. Yererouk Basilica Historians are silent about the temple, and there is no mention of it in the handwritten records that have reached us. From the inscription preserved on the left side of one of its entrances, we learn that in the 11th century, the wife of King Hovhannes – Smbat Bagratuni made investments for the renovation of the temple. The building is constructed on a stepped plinth, with stairs completely surrounding the building in relation to the natural position of the place, ranging from 5 to 7 steps. On three sides, there are entrances to the temple through two magnificent doors on the south side and one on the west side. The church was surrounded by thick walls, and from the surrounding buildings, underground rooms, and the water reservoir, it becomes clear that the church was the center of a developed residential community. In 2010-2011, specialists from the Shirak Museum of Geosciences and the "Laboratory of Medieval Archaeology of the Mediterranean Countries," operating under the University of Provence in France, conducted archaeological work here! The Yererouk Monastery is recognized by UNESCO as a significant cultural heritage site. It was added to the UNESCO World Heritage Tentative List on August 25, 1995, in the Cultural category. This recognition underscores the importance of preserving and studying this ancient monument, which offers invaluable insights into Armenia's early Christian history. Though partially destroyed, Yererouk still surprises with its massive appearance The Yererouk Monastery is more than just an ancient structure; it's a symbol of Armenia's rich cultural and religious history. Its unique architectural style and historical significance make it a must-visit for anyone interested in exploring Armenia's past. As efforts continue to preserve and study this monument, the Yererouk Monastery will undoubtedly continue to fascinate and inspire future generations. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

Armenian carpets, celebrated for their intricate designs and cultural significance, are timeless masterpieces that encapsulate centuries of craftsmanship and artistic expression. With distinctive features woven using the Armenian double knot and vibrant red filaments derived from Armenian cochineal (Vordan Karmir), these carpets serve as cultural symbols and storytellers. < Back Armenian Carpet - A Tapestry of Culture and Tradition Armenian carpets, celebrated for their intricate designs and cultural significance, are timeless masterpieces that encapsulate centuries of craftsmanship and artistic expression. With distinctive features woven using the Armenian double knot and vibrant red filaments derived from Armenian cochineal (Vordan Karmir), these carpets serve as cultural symbols and storytellers. In Armenian, carpets are referred to as "karpet" (Armenian: կարպետ) or "gorg" (Armenian: գորգ). While both terms are synonymous, "karpet" is commonly used for non-pile rugs, and "gorg" denotes a pile carpet. The Armenian word "gorg" is first mentioned in written sources in the 13th century. https://video.wixstatic.com/video/103e0a_3154ba37462247c2881e0415736cb51f/1080p/mp4/file.mp4 An Armenian woman is weaving a carpet! You can meet them during a working process when visiting Sardarapet Memorial Complex The art of Armenian carpet and rug weaving traces its roots to ancient times. Unfortunately, due to the fragile nature of carpets, very few examples have survived. Marco Polo, in his accounts of Armenia, praised the rich traditions of Armenian carpet weaving, stating, "The best and handsomest carpets in the world are wrought here, and also silks of crimson and other rich colours." These rugs were woven using the Armenian double knot, and the red color resulted from Armenian cochineal (Vordan Karmir), a dye made from beetles native to Armenia. However, the technology for obtaining an everlasting red color from Vordan Karmir has been lost over the centuries. Armenian carpets for sale in Yerevan Vernissage Market Armenian rugs boast a bold color palette derived from nature—rich reds, blues, greens, ochres, and nuanced variations. Historically, carpet weaving was a major traditional profession for Armenian women, and in Karabakh, prominent carpet weavers included men. The oldest extant Armenian carpet, dating to the early 13th century, hails from the village of Banants near Gandzak. The first time that the Armenian word for carpet, gorg, was used in historical sources was in a 1242-1243 Armenian inscription on the wall of the Kaptavan Church in Artsakh. The Pazyryk Carpet Excavations in Armenia have revealed rug fragments dating back to the 7th century BC or earlier. However, complete rugs from this period are scarce. The oldest surviving knotted carpet is the Pazyryk carpet, discovered in a frozen tomb in Siberia, dating from the 5th to the 3rd century BC. It is currently housed in the Hermitage Museum in St. Petersburg. Despite being claimed by various cultures, many experts consider this square tufted carpet, nearly perfectly intact, to be of Armenian origin. By the Middle Ages, Armenia emerged as a significant carpet exporter, reaching distant places like China. In many medieval Chinese artworks, Armenian carpet designs were prominently featured, often depicting clear Christian crosses. During the Genocide, numerous expert carpet weavers perished, precious carpets were stolen and thousands of Armenian children were orphaned. Some of these orphans ended up in northern Beirut, where Dr. Jacob Kuenzler, a Swiss missionary, established a rug factory. This facility aimed to teach young orphans, mainly girls, the art of rug weaving, providing them with skills for a sustainable future. Consequently, "orphan-rugs" were created for a brief period in this factory. The most famous among them, known as the Armenian Orphan rug, was presented to the White House in 1925 as a gesture of gratitude and goodwill toward the American people. Depicting a Biblical Garden of Eden with various animals and symbols, this rug measures 12 feet by 18 feet and boasts an impressive 4 million knots. It is said to have been crafted by 400 orphans over 18 months from 1924-1925. The 30th president of the United States Calvin Coolidge inspecting the Armenian Orphan Rug President Coolidge graciously accepted the offering, expressing in a letter of appreciation that the rug would hold a place of honor in the White House as a daily symbol of goodwill on earth. The gift garnered nationwide media coverage at the time. After Armenia came under Soviet rule, carpet making in the Caucasus and Central Asia underwent a transformation. The Soviet Union took a commercial approach, sponsoring production and shifting carpet making from a primarily home craft to a commercial enterprise. While rural areas maintained some family traditions, commercial carpet makers faced restrictions on religious themes. Armenian rug designs evolved during this period, with some portraying Communist leaders in "Soviet carpets." Following the Soviet Union's collapse, carpet making persisted in Armenia and Nagorno-Karabakh. Private companies and home workshops saw a revival. Some weavers embraced the traditional approach, incorporating rug motifs from Armenian churches, manuscript art, and cross-stones. After the first Nagorno-Karabakh War, workshops were established to aid displaced Armenians in finding employment. Today, weavers in Armenia and Nagorno-Karabakh uphold the ancient methods, techniques, and designs, showcasing the resilience of Armenian carpet-making traditions despite the nation's tumultuous history. In conclusion, Armenian rugs stand as a unique and beautiful expression of culture and tradition. Rug weaving is integral to Armenian households, adorning walls, beds, tables, and floors. They highlight the skill and creativity of Armenian artisans, reflecting the country's rich cultural heritage. For those seeking a beautiful and sustainable addition to their homes, an Armenian rug is an excellent choice. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk