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Explore Apaga Village's rich cultural heritage and its iconic House of Culture, featuring the monumental "Sasuntsiner" fresco by Sargis Muradyan. < Back This culture house in Apaga village features an amazing fresco Explore Apaga Village's rich cultural heritage and its iconic House of Culture, featuring the monumental "Sasuntsiner" fresco by Sargis Muradyan. Apaga Village, a settlement of Sassoon people established in 1919, became home to survivors from the Motkan province of Bitlis state in Western Armenia after the Armenian Genocide. The House of Culture of Apaga Village, erected in 1973, fostered vibrant cultural activities until the 1990s. Subsequently, due to neglect, the building suffered extensive damage to its roof, floor, and assets. From 2009 to 2019, partial restoration was undertaken using community budget funds to prevent further deterioration. The culture house of Apaga village In 1974, within the House of Culture, folk artist Sargis Muradyan created the monumental "Sasuntsiner" fresco (18 x 3.70 m), today recognized as a newly discovered monument of national significance. Muradyan conceived the sketch independently, while creating the fresco with assistance from Hrachya Hakobyan, Garnik Smbatyan, and R. Sargsyan. The fresco stands as a pinnacle of monumental painting in Soviet Armenia, defying prevailing norms by depicting heroes of the liberation struggle at a time when such portrayals were viewed as nationalist in the Soviet context. At its core, the expansive horizontal composition features an Armenian woman as the central figure in traditional dress, cradling a child. Alongside her are prominent symbols such as the parchment scroll of the epic poem "Sasna Tsrer," a khachkar, and a rifle resting on a cradle. The left segment vividly portrays Armenian fighters engaged in combat with Turks, prominently featuring the heroic figure of fedayi leader Andranik. On the right, the scene centers on the funeral pyre of Gevorg Chaush, with Muradyan himself depicted as a fidayi. A wide lens is needed to capture this image in a single shot Fedayis were irregular units formed by Armenian civilians who voluntarily left their families to establish self-defense groups in response to the mass murder and pillaging of Armenians by Turkish and Kurdish gangs during the late 19th and early 20th centuries. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Previous Next

We stepped inside and found ourselves in a remarkably well-preserved Soviet driving school. The interior felt like a time capsule—walls lined with posters on mechanization, civil defense, traffic regulations, and even diagrams of various firearm mechanisms. Scale models and early driving simulators sat quietly, untouched for decades, telling the story of an era when driving education went far beyond simply learning to operate a vehicle. This article sheds light on this fascinating place, offering a glimpse into a unique piece of Soviet history. < Back Exploring a Soviet-era abandoned driving school in Armenia We stepped inside and found ourselves in a remarkably well-preserved Soviet driving school. The interior felt like a time capsule—walls lined with posters on mechanization, civil defense, traffic regulations, and even diagrams of various firearm mechanisms. Scale models and early driving simulators sat quietly, untouched for decades, telling the story of an era when driving education went far beyond simply learning to operate a vehicle. This article sheds light on this fascinating place, offering a glimpse into a unique piece of Soviet history. Soviet driving schools, especially those operating under DOSAAF (Volunteer Society for Cooperation with the Army, Aviation, and Fleet), were far more than simple institutions where one learned to operate a vehicle. They were an integral part of the USSR's system for preparing skilled personnel for both civilian life and the military. This place was full of posters! I photographed as many as I could, though I won’t publish them all here. In the future, I plan to dedicate a separate article to the posters I’ve seen during my urban explorations. DOSAAF was officially established in 1951 , uniting several pre-existing organizations such as DOSARM, DOSAV, and DOSFLOT . Its roots, however, went back even earlier to OSOAVIAKHIM , a 1920s organization dedicated to training technical specialists, including drivers, mechanics, radio operators, and even pilots. The idea was to equip the Soviet Union with a steady flow of people ready to serve both the economy and national defense. These simulators blew my mind! I took a seat to get some driving lessons A Higher Standard of Training DOSAAF driving schools stood out for their high level of instruction . Graduates weren’t just drivers—they understood vehicle mechanics, basic repairs, and safe operation in challenging conditions. Many courses had a military touch , preparing participants to drive heavy trucks or army vehicles if needed. Training usually lasted around six months , combining theory and practical lessons in an intensive schedule. Lessons often included: Detailed knowledge of vehicle construction Maintenance and troubleshooting skills Driving in difficult terrain and weather Discipline and responsibility expected of future military drivers The shelves were filled with scale models of various mechanical devices More Than Driving Lessons DOSAAF schools were also about patriotism and discipline . They instilled a sense of duty to the nation, making driving part of a broader preparation for service. The skills learned ensured graduates could work in the civilian sector —transportation, logistics, industry—or be called upon by the army when required. For many young Soviets, getting a license from DOSAAF was considered prestigious. It meant you were not just a driver but a qualified, reliable professional , ready to serve wherever the country needed you. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Previous Next

Armenia’s second-largest city, Gyumri, is known not only for its distinctive pre-Soviet and Soviet architecture but also for its long-standing blacksmithing traditions. It’s no surprise that in 2023 this tradition was inscribed on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity. Today, though, we’re looking at another part of Gyumri’s cultural landscape — Soviet-era monumental art, specifically a 1977 bas-relief created by sculptor Ferdinand Araqelyan. < Back A Remarkable Soviet-era Bas-Relief in Gyumri Armenia’s second-largest city, Gyumri, is known not only for its distinctive pre-Soviet and Soviet architecture but also for its long-standing blacksmithing traditions. It’s no surprise that in 2023 this tradition was inscribed on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity. Today, though, we’re looking at another part of Gyumri’s cultural landscape — Soviet-era monumental art, specifically a 1977 bas-relief created by sculptor Ferdinand Araqelyan. As you walk up Garegin Nzhdeh Street, just before reaching Charles Aznavour Square, you’ll notice a supermarket called Baseni Govq on your left. The façade of the supermarket is adorned with a striking bas-relief titled “Hospitality.” The "Hospitality" bas-relief in Soviet times Ferdinand Araqelyan completed the bas-relief in 1977, and a year later the new Shirak Hotel opened its doors behind it. The hotel’s architect was Grigor Ghazazyan, who served as the chief architect of Leninakan (the former name of Gyumri) from 1961 to 1962. The “Hospitality” bas-relief before the reconstruction During Soviet times, the artwork decorated the façade of the Shirak Hotel, which was destroyed in the 1988 earthquake. Miraculously, the bas-relief survived. In November 2017, the Armenian government approved the allocation of the former hotel site to Baseni Govq LLC. The investor committed to a 1-billion-dram redevelopment project, promising to build a four-story service center and create 100–150 new jobs. A key condition was the preservation of Araqelyan’s bas-relief “Hospitality.” To ensure the project wouldn’t stall, the government set a three-year deadline for the reconstruction. The “Hospitality” bas-relief in the course of reconstruction The Saribekyan brothers carried out the restoration with exceptional care, meticulously repairing damaged sections and cleaning the darkened areas of red tuff. Today, the bas-relief is fully restored and beautifully preserved — a genuine Soviet-era gem that draws curious travelers from around the world. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Previous Next

While on an urbex mission in the Aragatsotn region, Armenia, we visited this village to see their culture house! It didn’t disappoint, as inside, we saw a huge fresco! < Back We saw a huge fresco inside this culture house While on an urbex mission in the Aragatsotn region, Armenia, we visited this village to see their culture house! It didn’t disappoint, as inside, we saw a huge fresco! Despite the bad weather, I drove my sedan along the old asphalt road, carefully avoiding deep bumps at every turn, until I reached the village at 1,720 meters above sea level. The door of the culture house was locked, but through the glass we caught a glimpse of a huge fresco. The facade of the building Nearby, at a small shop owned by Sasun, he kindly called a villager to bring the keys. We entered with excitement, and there it was — a giant fresco right before our eyes. Its scale and presence were striking, and I could feel the energy it radiated. The central part of the fresco depicts military commander Andranik Ozanian with his small group of militants. Although one should read the fresco from left to right, I guess... In the right corner, we see an Armenian church, a symbol of Christianity and belief. Next to it, we see Armenian girls, one of them with a newly born child. New life… Then, a child with a dagger hanging from his waist looks at Andranik and his friends with an inspired look. Following that, we see women and men dancing, while musicians playing. Behind them, Armenian landscapes and Mount Ararat are depicted. Luckily, the artists left their names and the date of creation on the fresco: A. Grigoryan and G. Azizyan, 1978. The library, though in poor condition and badly in need of renovation, had its books neatly arranged according to the catalog, thanks to the two women who worked there. Local kids had access not only to Armenian authors but also to foreign classics. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Previous Next

In this article, you’ll learn about a little-known abandoned observatory in Armenia, perched high in the mountains and wrapped in mystery due to its unclear past. < Back The Abandoned Observatory I Spent Years Searching For In this article, you’ll learn about a little-known abandoned observatory in Armenia, perched high in the mountains and wrapped in mystery due to its unclear past. Years ago, I was reading the blog of a foreign motorcyclist who had traveled through Armenia and Georgia. He had a photo of his bike parked next to a telescope tower. At first, I assumed it was somewhere in Georgia, but the caption said it was in Armenia. That really surprised me, and I tried to find out more — but there was absolutely no information about it. That same photo taken by the motorcycle traveler, showing the observation tower and his bike Time passed, and one day, while scanning Google Earth, I noticed a strange round structure and a few buildings. That was my first hint. I compared the mountain skyline with the traveler’s photo and realized I was finally on the right track. So off we went. The road was awful. To make things worse, I chose a shorter but completely wrong route and ended up crawling toward the summit on rough terrain. My Pajero handled it bravely, though, and eventually we made it to the site. As expected, not much had survived. Later I learned that the telescopes had been moved to the Byurakan Astrophysical Observatory — where I eventually found them. The remaining buildings were left to decay, with cows wandering around and using them as shelter. This location reminded me of the famous Shorbulak Observatory, which is situated 4,350 meters above sea level in Tajikistan One of the towers, though, was surprisingly well-preserved, with its dome still in place. Despite the abandonment, the location didn’t disappoint. It had that pleasant urbex charm, a memorable view opening up from the summit, and fields full of wildflowers. I’ll keep digging into its history and update this article as soon as I uncover more reliable details. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Previous Next

Armenia, with a population of around three million, stands out as one of today's strongest chess nations with a high number of chess grandmasters per capita. Notably, Armenia is the only country where chess is a mandatory subject in schools, compulsory for second, third, and fourth graders. < Back Chess in Armenia Armenia, with a population of around three million, stands out as one of today's strongest chess nations with a high number of chess grandmasters per capita. Notably, Armenia is the only country where chess is a mandatory subject in schools, compulsory for second, third, and fourth graders. Chess has a rich history in Armenia, dating back to the 12th–13th centuries, documented in manuscripts at Yerevan's Matenadaran, including works by Vardan Areveltsi and Mkhitar Anetsi. Archaeologists unearthed chess pieces in the medieval Armenian capital of Dvin in 1967, further confirming its historical significance. In their 1936 book on chess history, Joseph Orbeli and Kamilla Trever propose that chess was known in Armenia since at least the 9th century during Arab rule. They suggest the game was brought to Armenia by Arabs from India, where it is believed to have originated as Chaturanga in the 6th century. My magnetic chess set! Getting ready to shoot a chess video for my YouTube channel " Chess with Suren " during a hiking trip to mount Apakeqar! Fast forward to modern times! The Armenian Chess Federation was established in 1927, marking the beginning of the promotion of chess at a state level. The inaugural Armenian Chess Championship took place in Yerevan in 1934, with Genrikh Kasparyan becoming the champion. Incidentally, Kasparyan holds a record in Armenian chess championships with ten national championship victories. He is recognized as one of the early promoters of chess in Armenia. Above all, he is now famous for being a prolific chess composer. He was awarded the titles of International Judge of Chess Compositions in 1956 and International Grandmaster of Chess Composition in 1972, the first composer to receive this title from FIDE (Harkola 2007). In the same year, the women's championship saw Sirush Makints and Margarita Mirza-Avagian sharing the title. The first Armenian chess club was founded in Yerevan in 1936, and chess clubs spread to Leninakan (now Gyumri) and Kirovakan (now Vanadzor) in the 1950s. By the early 1980s, all towns and districts of Soviet Armenia had chess clubs. The playing hall of Tigran Petrosian Chess House! Those demonstration chess boards have always drew my attention! Chess gained widespread recognition in the 1960s when Soviet Armenian grandmaster Tigran Petrosian defeated Mikhail Botvinnik, becoming World Chess Champion. From then on, chess became a national obsession. Since Armenia's independence, the men's chess team has excelled, winning the European Team Championship (1999), World Team Championship (2011), and Chess Olympiad (2006, 2008, 2012). In 2022, Armenia secured a silver medal at the 4th FIDE Chess Olympiad and a bronze medal at the 2023 European Team Championship. The women's team celebrated a significant victory at the 2003 European Championship. In 1972, Gagik Oganessian founded the magazine "Chess in Armenia" (Շախմատային Հայաստան Shakhmatayin Hayastan), which was published monthly until 1997 and then weekly until 2015. The magazine covered the chess life of the republic and country, featuring materials about international competitions. In the same year, the TV show "Chess-64" (originally named Chess School) began airing on Public Television of Armenia, hosted by Gaguik Oganessian. It holds the record as the "longest-lived program series" in the channel's history, lasting until 2015, when it ended following Hovhannisyan's death. In 1970 the Central House of Chess-player was opened. In 1984, it was renamed after the former world chess champion Tigran Petrosian. Urban explorers love to make a visit, since it has a huge historical value and looks as it was decades ago! Gallery You May Also Like Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Guide in Armenia

This cultural house in Armenia serves as a portal to the Soviet past, unveiling a rich architectural and cultural heritage. Remaining unrenovated, it has retained its original appearance, becoming a unique relic from the past that attracts urban explorers worldwide. < Back A Soviet Culture House in High Modernist Style This cultural house in Armenia serves as a portal to the Soviet past, unveiling a rich architectural and cultural heritage. Remaining unrenovated, it has retained its original appearance, becoming a unique relic from the past that attracts urban explorers worldwide. The Palace of Culture of Metsamor, founded between 1975 and 1986, later took on the name of Vazgen Sargsyan. Architects Martin Mikayelyan and Fred Africyan designed it in the high modernist style, characterized by aesthetic monotony, including large undecorated buildings with minimalist interiors, reaching its peak during the Cold War decades of 1950-1990. The facade of the culture house Since its opening in 1986, the Palace of Culture has never closed its doors to the audience and students. Unlike other buildings damaged or destroyed in the 90s, preservation efforts by the Metsamor House of Culture staff have kept everything intact, hosting theater performances and cultural events. The ceiling had a unique style and I liked it a lot. The House of Culture encompasses three groups: fine arts, needlework, and dance. Additionally, the Metsamor public library, housing over 32,000 pieces of literature, is located here. Presently, around 100 students engage in studies at the 694-seat Palace of Culture, participating in groups focused on ethnography, folk dances, and fine arts. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Previous Next

While researching the history of the Stalin statue erected in Yerevan in 1950, I found myself wondering: What was the tallest statue of Stalin ever built? Determined to uncover the answer, I delved into historical records—and here’s what I discovered. < Back The Tallest Stalin Statue Ever Erected While researching the history of the Stalin statue erected in Yerevan in 1950, I found myself wondering: What was the tallest statue of Stalin ever built? Determined to uncover the answer, I delved into historical records—and here’s what I discovered. Stalin’s Statue in Yerevan (1950–1962) On October 29, 1950, a grand statue of Joseph Stalin was unveiled in Yerevan. Considered a masterpiece by renowned sculptor Sergey Merkurov, the statue stood atop a towering pedestal designed by architect Rafayel Israyelian. The bronze figure itself measured 17 meters, while its monumental pedestal added another 33 meters, bringing the total height to 50 meters. At the time, this was the tallest Stalin statue ever erected. Stalin Statue in Yerevan A local legend suggests that Stalin himself visited Yerevan at night to see the monument and approved of it. However, no factual evidence exists to support this claim. Total height: 50 meters Sculpture height: 17 meters Pedestal height: 33 meters In this historical photo, you can see that the pedestal is empty. It was taken between 1962 and 1967, after Stalin’s statue had been removed but before Mother Armenia was installed. However, like many Stalin-era monuments, the statue was removed during the de-Stalinization process. It was dismantled in 1962, and in 1967, the Mother Armenia monument by sculptor Ara Harutyunyan was installed in its place, utilizing the original pedestal. The Stalin Monument at the Entrance of the Volga-Don Canal in Stalingrad: The Tallest Ever. Stalingrad was renamed Volgograd on November 10, 1961, as part of Nikita Khrushchev’s de-Stalinization campaign. On July 27, 1952, an even taller Stalin statue was unveiled at the entrance of the Volga-Don Shipping Canal, named after Vladimir Lenin. This colossal project was designed by sculptor Evgeny Vuchetich and architect Leonid Polyakov. To construct the monument, a special batch of native copper was mined. The sculpture itself stood 24 meters tall, while its massive pedestal measured 30 meters, resulting in a total height of 54 meters—the tallest Stalin statue ever built. This record was never surpassed. Total height: 54 meters Sculpture height: 24 meters Pedestal height: 30 meters Despite popular belief that the monument was removed shortly after Stalingrad was renamed Volgograd in 1961, it actually remained standing until March 1962. And then in the course of a single night, as part of the de-Stalinization efforts, the statue was dismantled. The fate of the statue remains unknown. For several years, the pedestal remained empty until it was repurposed for a monument to Vladimir Lenin. Lenin monument at the entrance to the Volga-Don Canal (1973–Present) At the initiative of the RSFSR Ministry of Culture, the empty pedestal was designated for a new Lenin monument. Once again, Evgeny Vuchetich and Leonid Polyakov were selected as the designers. Initially, a Lenin bust was proposed, but the artists of Volgograd rejected this idea, opting instead for a full-scale monument. Construction began in 1969, and the monument was completed in time for Lenin’s 103rd birthday. The official unveiling took place on April 20, 1973. The sculpture, like The Motherland Calls! in Volgograd, was made using pre-stressed reinforced concrete, with internal metal cables providing structural integrity. Total height: 57 meters Sculpture height: 27 meters Pedestal height: 30 meters By 2011, the monument showed signs of wear, requiring urgent repairs. In December 2024, a competition was announced for its restoration, with an estimated budget of 8.4 million rubles. Gallery You May Also Like Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Guide in Armenia

The Mikhail Khergiani House-Museum in Mestia honors one of Georgia’s greatest mountaineers — the legendary “Tiger of the Rocks.” Born in 1932, Khergiani conquered some of the world’s toughest peaks with remarkable skill and courage before his tragic death in the Dolomites in 1969. Housed in his family’s traditional Svan home and tower, the museum displays his climbing gear, personal belongings, and rare photos. Visitors can explore his legacy and enjoy panoramic views over Mestia and the Caucasus mountains from the tower’s top. < Back A Visit to the Mikhail Khergiani Museum The Mikhail Khergiani House-Museum in Mestia honors one of Georgia’s greatest mountaineers — the legendary “Tiger of the Rocks.” Born in 1932, Khergiani conquered some of the world’s toughest peaks with remarkable skill and courage before his tragic death in the Dolomites in 1969. Housed in his family’s traditional Svan home and tower, the museum displays his climbing gear, personal belongings, and rare photos. Visitors can explore his legacy and enjoy panoramic views over Mestia and the Caucasus mountains from the tower’s top. Mikhail Vissarionovich Khergiani was a legendary Georgian mountaineer, born on March 20, 1932, in the mountain village of Mestia. Known for his incredible speed and skill on some of the world’s toughest rock faces, he became a seven-time USSR climbing champion and earned the nickname “Tiger of the Rocks.” In 1963, he was awarded the title Honored Master of Sport of the USSR for his exceptional achievements. Parked my car in front of Mikhail Khergiani museum and is ready to explore it The Tragic Ascent In the summer of 1969, Khergiani joined a Soviet team on an expedition to the Italian Dolomites. Their goal was a series of difficult climbs, ending with an ascent of Mount Sualto (Civetta Massif) from the Alleghe side. During this final climb, a sudden rockfall struck. Leading the route, Khergiani was hit and thrown from the wall. His partner, Vyacheslav Onishchenko, heard a crash and a cry, braced himself for the pull, but the rope suddenly went slack — cut by falling rocks. Mikhail Khergiani was only 37 years old. His body was brought home to Mestia, where he was laid to rest. Today, his spirit lives on in the Mikhail Khergiani House-Museum, located in his birthplace — the Lagami district of Mestia. The Museum The museum opened in 1979, on the day of Mishaoba (Misha’s Day), a local holiday dedicated to his memory. It was established in Khergiani’s family home, a traditional Svan “machubi” house with an adjoining defensive tower. Enthusiasts and admirers from across the Soviet Union sent letters, artifacts, and personal mementos, many of which became part of the permanent exhibition or the special section “Gifts to the Museum.” By 1985, the full exhibition was completed, and the house-museum officially opened its doors to visitors. Inside the Museum The tour begins in the main room of the traditional Svan home. Here you’ll find family heirlooms: a cradle hanging by the hearth, a carved wooden chair, a dining table with benches, and simple household utensils that reflect the modest lifestyle of the Svan people. In Mikhail’s preserved bedroom, visitors can see his personal belongings — a wardrobe, bed, desk, and a map of the Himalayan ranges. Above the bed hangs a playful caricature of Khergiani as a tiger, drawn by Moscow artist Alexei Gaponenko. Another hall is devoted to the history of Soviet mountaineering, featuring vintage climbing equipment such as primus stoves, wooden-handled ice axes, hammers, compasses, and other gear. Khergiani’s own training uniform and numerous awards are also displayed, along with a section dedicated to the rescue team he once led. The Tower and the Legacy The house’s stone tower once served as storage during peaceful times, but today its roof has been transformed into a viewing platform offering stunning views over Mestia and the surrounding Caucasus peaks. Inside the tower, high on a wall that resembles a rock face, hangs the red rope that broke during Khergiani’s final climb — a somber yet powerful reminder of his courage and fate. Guided tours are led by Khergiani’s nephew, also named Mikhail, who continues his uncle’s mountaineering legacy. A Hero Remembered Though his life was cut short, Mikhail Khergiani’s name remains deeply respected in the mountaineering world. He was not only a fearless athlete but also a compassionate rescuer who saved countless lives. For anyone visiting Svaneti, a stop at the Mikhail Khergiani House-Museum is a must. It’s more than just a museum — it’s a heartfelt tribute to a man whose bravery, skill, and humanity continue to inspire climbers and adventurers around the world. 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In 301 AD, Armenia became the first nation to officially adopt Christianity as its state religion, a momentous decision influenced by King Tiridates III's conversion under the guidance of St. Gregory the Illuminator. This article provides a concise overview of Armenian religion for those seeking quick insights. < Back Armenian Religion In 301 AD, Armenia became the first nation to officially adopt Christianity as its state religion, a momentous decision influenced by King Tiridates III's conversion under the guidance of St. Gregory the Illuminator. This article provides a concise overview of Armenian religion for those seeking quick insights. Armenia boasts a rich history, culture, and identity, with religion serving as a pivotal aspect. Let's delve into the main features of religion in Armenia, its historical context, and its societal role. The vast majority of Armenians, approximately 97%, adhere to Christianity, particularly the Armenian Apostolic Church—one of the world's oldest Christian denominations. Established in the 1st century AD by apostles Bartholomew and Thaddeus, who introduced Christianity to Armenia, it aligns with the Oriental Orthodox communion. This means it does not accept the Council of Chalcedon (451), which defined the doctrine of two natures in one person in Christ. Instead, the Armenian Apostolic Church adheres to miaphysitism, affirming that Christ possesses one divine and one human nature. Geghard or The Holy Lance, also known as the Lance of Longinus (Roman soldier who stabbed the crucified Christ in the side with a lance to check whether he was dead. Since Christ had already died, water and blood came out of his wound (John 19:34)), the Spear of Destiny, or the Holy Spear, is the lance that is alleged to have pierced the side of Jesus as he hung on the cross during his crucifixion. Since that day, the weapon of death, (Armenian: Գեղարդ - Geghard) has become a sacred relic for Christians. According to the tradition of the Armenian Church, Geghard was brought to Armenia by the apostle Thaddeus in the year 33, and it was kept in Christian communities for a long time. In 301, when Christianity was declared the state religion in Armenia, Geghard became the property of the Armenian Apostolic Church. There are memories, according to which, in Armenia or neighboring countries, Geghard was used to bless the country and the people, to free them from war and disasters. Now it is displayed in the Echmiadzin treasury. His Holiness Karekin II, Supreme Patriarch and Catholicos of All Armenians and Pope Francis, the Pope of the Roman Catholic Church, accompanied by their delegations visiting popular pilgrimage site Khor Virap (2016).The notability of Khor Virap as a monastery and pilgrimage site is attributed to the fact that Gregory the Illuminator was initially imprisoned here for 13 years by King Tiridates III of Armenia. Saint Gregory subsequently became the king's religious mentor, and together, they led proselytizing activities in the country. Image credits: wdacna.com Armenia officially adopted Christianity as its state religion in the year 301 AD, making it the first country to do so. This significant event took place under the rule of King Tiridates III, who converted to Christianity with the influence of St. Gregory the Illuminator. The spiritual center of the Armenian Apostolic Church is the Etchmiadzin Cathedral, where the Catholicos, Garegin II, currently resides. The mother church of the Armenian Apostolic Church - Etchmiadzin Cathedral The church boasts a rich and diverse liturgy, culture, and history. It utilizes an ancient alphabet devised by Mesrop Mashtots in the 5th century AD and features numerous translations of scriptures into Armenian from various languages. Statues of Mesrop Mashtots and his student Koryun in front of Matenadaran The Armenian Apostolic Church observes a vibrant calendar of festivals and holidays, reflecting its profound history, traditions, and unwavering faith. Some noteworthy celebrations include: Christmas (January 6): Commemorated with Nativity liturgies, candlelit processions, and familial gatherings. Easter (Variable Date): A joyous celebration involving church services, traditional meals, and festive egg painting. Transfiguration of Jesus (Variable Date): Celebrated with the Vardavar Water Festival, characterized by joyful water-splashing and communal gatherings. Assumption of the Holy Mother of God (August 15): Marked with grape blessing ceremonies and special feasts. Feast of St. Sargis (February 14): Observed as Lovers' Day, featuring romantic traditions and special church services. Trndez (February 21): A bonfire festival symbolizing purification, with young people leaping over flames. Feast of St. Gregory the Illuminator (September 30): Honors the Armenian Church's founder, celebrated with special liturgies and festivities. Feast of the Holy Translators (October 1): Commemorates Bible translators into Armenian, accompanied by church services and cultural events. 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Bas-reliefs, a form of sculpture where figures are slightly raised from a flat background, have been used throughout history to commemorate events, celebrate cultural achievements, and propagate political ideologies. During the Soviet era, these artistic expressions were extensively employed across the Union, including in Armenia, to convey the principles and triumphs of socialism while also decorating buildings to create an inspiring atmosphere. < Back My Favorite Metal Bas-Reliefs in Armenia Bas-reliefs, a form of sculpture where figures are slightly raised from a flat background, have been used throughout history to commemorate events, celebrate cultural achievements, and propagate political ideologies. During the Soviet era, these artistic expressions were extensively employed across the Union, including in Armenia, to convey the principles and triumphs of socialism while also decorating buildings to create an inspiring atmosphere. After some contemplation, I decided to write an article about my favorite bas-reliefs in Armenia, dividing the work into two parts: metal bas-reliefs and stone bas-reliefs. Although metal bas-reliefs are not abundant in Armenia, the ones I have seen are wonderful and I truly admire them. Here are my favorite examples. Phoenix by William Petrosyan "Phoenix" bas-relief was created by sculptor William Petrosyan. Crafted from hammered copper, the sculpture stands 4 meters tall. The centerpiece depicts a woman holding a wreath in her left hand, accompanied by the Armenian letters Ա, Յ, and Բ (AYB). Completed in 1989, the bas-relief was installed on the wall of the State Theater of Song building on Pavstos Buzand Street in 1990. A careful eye will notice a resemblance among them; the expressions and body language of the women are very similar, and women often occupy a central part in most of these bas-reliefs, surrounded by cosmonauts and space-related objects. This bas-relief is my favorite. The figures appear to be levitating, as if in zero gravity The theme of cosmonautics, or space exploration, became a prominent motif in Soviet art during the mid-20th century, reflecting the USSR’s pioneering achievements in space exploration and its broader ideological, cultural, and political aspirations. This theme brought a fresh idea to art, and artists began to incorporate it into their works. This bas-relief is also impressive and, like the previous one, focuses on the subject of cosmonautics. Tariel Hakobyan "Labor and Fertility". Today, Soviet bas-reliefs in Armenia serve as poignant reminders of a complex and multifaceted past. They provide valuable educational opportunities for younger generations to learn about the history of the Soviet period, its art, and its impact on Armenian society. Moreover, these bas-reliefs are an integral part of Armenia’s urban landscape, contributing to the country’s unique cultural mosaic. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Previous Next

Explore the rich tapestry of Soviet art with this guide to Soviet monuments and statues in Armenia. From the statue of Hayk Nahapet to the statue of Vladimir Lenin, discover how these landmarks reflect the artistic and ideological spirit of their time. Journey through history with iconic Soviet monuments and experience a unique blend of cultural heritage and artistic expression. Perfect for anyone interested in tours in Armenia and exploring its remarkable artistic history. < Back Iconic Soviet Statues and Monuments in Armenia Explore the rich tapestry of Soviet art with this guide to Soviet monuments and statues in Armenia. From the statue of Hayk Nahapet to the statue of Vladimir Lenin, discover how these landmarks reflect the artistic and ideological spirit of their time. Journey through history with iconic Soviet monuments and experience a unique blend of cultural heritage and artistic expression. Perfect for anyone interested in tours in Armenia and exploring its remarkable artistic history. When Armenia became part of the Soviet Union in 1920, the Soviet education system profoundly impacted the development of the arts in the country. The Soviet regime closely intertwined art and education, emphasizing the creation of works that reflected socialist ideals and the collective spirit. Beginning in 1921-22, the Leninist program of monumental propaganda was implemented in Soviet Armenia, marking the initial phase of Armenian Soviet sculpture. Sculpture as a professional art form flourished in Soviet Armenia, largely thanks to the pioneering efforts of Ara Sargsyan, Suren Stepanyan, Stepan Taryan, Aitsemnik Urartu, and Yervand Kochar, who later relocated to Armenia. These artists enriched Armenian sculpture with numerous monumental, mechanical, and decorative works, securing its place in Soviet multinational art. Prominent Armenian sculptors based in Moscow and Leningrad, such as Sergey Merkurov, Grigor Kepinov, Tigran Davtyan, and A. Stepanyan, also made significant contributions. Many Armenian artists often took creative risks, producing works that reflected their national history—a bold move that could be perceived as nationalistic by the Kremlin. Despite this, the Soviet government heavily invested in arts education, establishing specialized schools and institutes that trained a new generation of Armenian artists, sculptors, and architects. Yervand Kochar was a prominent sculptor and modern artist of the twentieth century, celebrated for his innovative contributions to art and his role as the founder of the Painting in Space movement. Inspired by the revival of their young country, these artists aimed to capture the distinctive character and atmosphere of the new historical period in their work. Their commitment and creativity during the 1920s and 30s helped shape the key characteristics of national sculpture—simplicity, restraint, and meaningful forms. Their monumental works were installed in Yerevan and other Armenian cities, while their significant pieces are preserved and exhibited in galleries. Armenian sculpture reached a new level of artistic expression in the post-war years, as artists began to celebrate new peacetime heroes. Leading figures, alongside a new generation of sculptors like Nikolay Nikoghosyan, Ara Harutyunyan, Ghukas Chubaryan and Karlen Nurijanyan continued to create sculptures ranging from monumental works to fine plastic art. They crafted images of their contemporaries, national heroes, and notable figures using stone, wood, and bronze, contributing lasting pieces to Armenian sculptural heritage. Ara Harutyunyan is another renowned sculptor of the 20th century, known for his impactful contributions to Armenian and Soviet art In the 1960s and 70s, Armenian sculpture gained new dimensions as younger sculptors like Levon Tokmajyan, Serzh Mehrabyan, Yuri Minassian, Vladimir Antashyan, Artashes Hovsepyan, Benik Petrosyan and Ara Shiraz began working alongside established masters. This generation sought to reinterpret ancient traditions and develop diverse and bold plastic expressions, enriching Armenian sculpture with fresh artistic visions. Mother Armenia in Yerevan The current Mother Armenia statue replaced a monumental statue of Joseph Stalin, originally erected as a World War II victory memorial and considered a masterpiece by sculptor Sergey Merkurov. Following Stalin's death, his statue was secretly removed in 1962. In 1967, Ara Harutyunyan's Mother Armenia statue was installed, modeled after 17-year-old Zhenya Muradian. The statue stands 22 meters tall, with the entire monument reaching 55 meters atop its tuff stone pedestal. In 1970, the pedestal was converted into the Museum of Armenia in the Great Patriotic War 1941-1945, marking the 25th anniversary of the victory. Mother Armenia in Gyumri Unveiled on May 9, 1975, the Mother Armenia statue in Gyumri commemorates the 30th anniversary of the victory in the Great Patriotic War and honors the memory of Gyumri's wartime participants. Created by sculptor Ara Sargsyan and architect Rafael Yeghoyan, the monument stands as a harmonious blend of architecture and sculpture, consisting of a 21-meter-high pedestal and a 20-meter-high statue. Mother Armenia in Ijevan The "Mother Armenia" monument, located in Ijevan, Tavush region, Armenia, is a significant historical and cultural landmark created in 1971 by sculptor Serzh Mehrabyan. Mother Armenia in the Tavush region, on the Armenia-Azerbaijan border In 1976, the 10-meter (some say 17-meter) aluminum sculpture of Mother Armenia, or Arevik, was created by Adibek Grigoryan and placed near Aygehovit village in Armenia's Tavush region, along the road to Azerbaijan. Originally intended for Central Asia, it was rejected for allegedly overemphasizing the female form. Later revised, the statue was installed at the border, symbolizing Armenia’s welcoming spirit to visitors from Russia, Georgia, and Azerbaijan. Today, the area where it stands is part of the village of Aygehovit in Tavush region. Unfortunately, on the night of September 28-29, 2014, a strong wind caused the edging frame, resembling the 'rays of the sun,' to fall from the statue, but Mother Armenia remains standing tall. The monument was initially named "Let the Sun Always Shine," dedicated to the memory of the residents of Akhuryan who died in World War II. However, it later became known as the "Mother Armenia" monument. Let the Sun Always Shine. 1967. Aluminum. Height: 9 meters. Author: Fridrikh Soghoyan. A monument at the entrance of Martuni city, sculptor Rafael Ekmalyan, 1965 The statue of Alexander Tamanyan The Alexander Tamanyan Monument stands prominently in the heart of Yerevan, directly in front of the iconic Cascade Complex. It was unveiled in 1974 as a tribute to the chief architect behind Yerevan’s modern master plan. Designed by architect Seda Petrosyan and sculpted by Artashes Hovsepyan, the monument is made of basalt and granite, and stands 3 meters tall. The Statue of Martiros Saryan in Yerevan The Martiros Saryan Monument stands in the heart of Yerevan, nestled within the leafy Martiros Saryan Park—bounded by Mashtots Avenue, Marshal Baghramyan Avenue, and Zoryan Street. It’s just a short walk from the street that also bears the name of the iconic Armenian artist. Unveiled in 1986, the monument is crafted from marble and rises 6 meters tall. Saryan’s own autograph is delicately engraved on the lower left corner of the pedestal, adding a personal touch to the tribute. Authors: Architect: Artur Tarkhanyan Sculptor: Levon Tokmajyan The Statue of Komitas (Yerevan) The statue of Komitas was unveiled on January 8, 1988, in the park adjacent to the Yerevan State Conservatory that bears his name. The monument, made of bronze and granite, stands 3 meters tall and immortalizes the legacy of the talented Armenian composer, musicologist, singer, and spiritual figure. Authors: Sculptor: Ara Harutyunyan Architect: Fenix Darbinyan The Weaver's Statue in Gyumri city The Weaver's Statue, sculpted by Tereza Mirzoyan in 1964, is a notable monument in Gyumri, Armenia, capturing the spirit of the city’s weaving and textile traditions. Tsovinar: The Iconic Soviet Monument of Hrazdan This striking Soviet monument, officially named "Long Live the Blue and Clear Sky," stands on the shores of Aghbyurak Reservoir in Hrazdan city. Dedicated to the 40th anniversary of victory in the Great Patriotic War (1941-1945), it stands as a powerful reminder of the Armenian nation's active participation in the war. Sculpted in 1985 by the artist Khachatur Hakobyan (1951-2015), the monument is also referred to as "Parvana" in certain documents. However, it is more widely known by its unofficial name, "Tsovinar." When the reservoir level rises, the statue is partially submerged, creating a striking visual effect that further emphasizes its connection to the water and its mythological significance. "Strip of Eternity," sculpted by David Bejanyan in 1979, is a prominent monument located along the Yerevan-Sevan Highway. The monument in Gyumri titled "Научно-техническому прогрессу широкий размах" (translated as "A Broad Sweep to Scientific and Technical Progress") is a tribute to the spirit of innovation and technological advancement. Muse of Cybernetics by Yervand Kochar The Muse of Cybernetics sculpture stands on the grounds of the Yerevan Research Institute of Mathematical Machines (commonly known as the Mergelyan Institute). Created in 1972 by renowned sculptor Yervand Kochar, it embodies a striking fusion of technology and mythology. The sculpture—a muse—is depicted in a relaxed, almost meditative pose, half-reclining. Its form is partially veiled, yet mechanical fragments—wires, springs, and structural elements—protrude from within. It appears to be in a state of transformation: either shedding its skin or slowly taking shape. What remains constant is the skeletal axis at its core. Resting against a tangible, familiar object—an Armenian clay jug once meant to release a gentle stream of water—the cybernetic muse once symbolized both life and movement. Today, however, the sculpture stands dry and silent, the flow long since halted, lending it an eerie, contemplative stillness. David of Sassoun by Yervand Kochar Equestrian statue, located in David of Sassoun Square, Yerevan Architect: Mikael Mazmanyan Sculptor: Yervand Kochar Material: Forged copper and basalt Dimensions: 6.5 × 2.2 × 9.3 m | Installed: 1959 "The Sun Giver" or "Welcome" by Karlen Nurijanyan, engraved aluminum, Tsaghkadzor, 1968 Took this photo in the end of March, 2025 The statue of Hayk Nahapet in Yerevan The statue of Hayk Nahapet is located in Yerevan, in the 2nd district of the Nor Nork administrative region, near Gai Avenue. The statue was initially installed near the "Moscow" Cinema (in 1970) and was later moved to its current location in 1975. The statue is made of forged copper and has a height of 3.5 meters. Sculptor: Karlen Nurijanyan, 1970 The statue of Tork Angegh in Yerevan The statue of Tork Angegh, created in 1982 by sculptor Karlen Nurijanyan, is located in Yerevan, Armenia. Tork Angegh is a deity of strength, courage in Armenian mythology. Known for his immense strength and power, Tork Angegh is considered one of the great-grandsons of Hayk Nahapet, the legendary patriarch of the Armenian nation. "King Trdat Defeats the Bull" in Abovyan city "King Trdat Defeats the Bull," created in 1977 by sculptor Karlen Nurijanyan, is a cast copper monument located in the Saralanj district of Abovyan city. Vahagn the Dragon Slayer by Karlen Nurijanyan, 1969 Vahagn is the supreme god of military victory and thunder in ancient Armenian mythology. A central figure in ancient Armenian beliefs, he was worshipped in pre-Christian Armenia alongside Aramazd, the chief deity akin to Zeus, and Anahit, the goddess of fertility and wisdom. He was the most revered and bore the title "Dragon Slayer" for his legendary battles against the dragons of darkness. This striking copper sculpture, mounted on a rough-hewn basalt block, portrays Vahagn locked in battle with a dragon. It symbolizes the timeless clash between life and death, and the ultimate triumph of good over evil. Originally unveiled in 1969 in Yerevan on Lenin Avenue (now Mashtots Avenue), the sculpture was relocated in the 1970s to the courtyard of the Union of Artists of Armenia. In the 1980s, it was moved again, this time to the Echmiadzin Highway. During the 1990s, a powerful gust of wind toppled the statue, and a passing car inflicted additional damage. In 2001, the broken monument was entrusted to renowned sculptor and painter Nerses Charkhchyan. Following its meticulous restoration, it remained for several years in Jrvezh, near the artist’s home. On December 19, 2004, the sculpture found a permanent home on Admiral Isakov Avenue. Vahagn the Dragonslayer in Armavir village This statue is a replica of Vahagn the Dragonslayer by Karlen Nurijanyan, with the original monument currently standing in Yerevan on Admiral Isakov Avenue. The replica was installed in 1971 in front of the House of Culture in the village of Armavir, Armenia. Vahagn the Dragonslayer in Yerevan This statue of Vahagn the Dragon Slayer (Vishapakagh) stands in Yerevan’s Arabkir district, in the courtyard of Building No. 12 on Vagharshyan Street. Erected in 1985, the monument was crafted by sculptor Vahe Harutyunyan and designed by architects Armen Aghalyan and Grigori Grigoryan. The iconic "Chayka" at the entrance to Yerevan This monument at the entrance to Yerevan from the Abovyan side was designed by Van Khachatur in 1960 and is commonly known by its Russian name, “Чайка (Chayka),” meaning “Seagull.” Uniquely, the monument displays the word Чайка (Chayka) written in Armenian script (Չայկա), rather than the Armenian equivalent “Ճայ.” Initially, the design faced criticism, with some doubting its structural integrity and predicting it would collapse. However, the monument's ingenious engineering—a narrow, elongated form on one side balanced by a thicker, shorter section on the other—provides perfect stability. More than six decades later, it stands as a testament to innovative design and enduring craftsmanship. "Rebirth" memorial complex in Charentsavan city "Rebirth" memorial complex, 1980 at the entrance of Charentsavan city, architect Henrik Arakelyan, sculptor: Khachik Miridjanyan Stepan Shahumyan Monument in Stepanavan The statue of Stepan Shahumyan, located in the center of Stepanavan city in Lori Marz, was installed in 1982. Created by sculptor Ara Harutyunyan, this monument is an important cultural and historical landmark. It is listed among the immovable monuments of history and culture in Stepanavan, commemorating the significant contributions of Shahumyan to Armenian history. Stepan Shahumyan Monument in Yerevan The Stepan Shahumyan Monument, located in Yerevan, was erected in 1931 in Stepan Shahumyan Square, named after the prominent figure of the Communist Party, the USSR, and the international labor movement, Marxist theorist, sociologist, journalist, and publicist Stepan Shahumyan. The monument is made of granite and stands at 3.5 meters tall. The architect was Ivan Zholtovsky, and the sculptor was Sergey Merkurov, a People's Artist of both the USSR and Armenian SSR, and a full member of the USSR Academy of Arts. Previously, the site where the Shahumyan statue stands was occupied by the Russian church of St. Nicholas, which was demolished in the late 1920s, along with several other churches in old Yerevan. Alexander Myasnikyan Monument The Alexander Myasnikyan Monument, located in Yerevan, was erected in 1980 in honor of the Armenian party, political, and public figure Alexander Myasnikyan. The monument is made of granite and basalt and stands at a height of 8.6 meters. On one of the walls of the monument, the first line of a quatrain written by Yeghishe Charents on April 16, 1936, in memory of Myasnikyan, is engraved: «Նայիրյան արևն էր քո մեջ՝ լենինյան հրով ճառագած»: "The sun of Nairi was within you, shining with Lenin's fire." Bust of Nelson Stepanyan Nelson Stepanyan was a Soviet-Armenian flying ace, Il-2 pilot, and regimental commander in the Soviet Air Force who was twice awarded the title of Hero of the Soviet Union. The bust of Nelson Stepanyan is located in the center of Yerevan, in a children's park between Movses Khorenatsi, Grigor Lusavorich, Beirut, and Zakyan Streets. It was installed in 1950. Authors: Architect: Grigor Aghababyan Sculptor: Ara Sargsyan The bust is made of basalt and bronze, with a height of 4 meters. The pedestal displays Nelson Stepanyan's awards, including two stars of the Hero of the Soviet Union and the Order of Lenin. Additionally, it is inscribed with the March 6, 1945 decision of the Presidium of the Supreme Soviet of the USSR to award Nelson Stepanyan a second Gold Medal of the Hero of the Soviet Union and to install a bronze bust in his birthplace. On the back of the bust, the name of the sculptor, Ara Sargsyan, and the year the sculpture was created (1950) are engraved. World War II monument in Vanadzor This World War II monument was erected in 1973 through donations from the workers of the Kirovakan (now Vandzor) chemical factory. Architects: Rafik Boshyan, Boris Kocharyan, and Ashot Kanayan. Sculptors: Zhirayr Ketikyan, Ara Sargsyan, Mehrab Mirzakhanyan (Master Mehrab) The Statue of Mesrop Mashtots and Koryun by Ghukas Chubaryan, 1962 This statue, created by sculptor Ghukas Chubaryan in 1962, depicts Mesrop Mashtots, the creator of the Armenian alphabet, with Armenian letters positioned behind his right hand. Kneeling beside Mashtots' left leg is his devoted student, Koryun. To the left of the Armenian letters, on the wall, is the first sentence written in the Armenian script: "Ճանաչել զիմաստութիւն եւ զխրատ իմանալ զբանս հանճարոյ". On the right side of Koryun, an eagle holding a sword and shield is depicted, symbolizing strength and protection. The ceremonial unveiling of the monument took place on May 26, 1962, in honor of the 1600th anniversary of Mashtots' birth, celebrating his monumental contribution to Armenian culture and language. The statue of Hovhannes Tumanyan in Dsegh village The statue of Hovhannes Tumanyan in Dsegh village, Lori region. The monument was erected in 1969. Authors: Sculptor: Ghukas Chubaryan Architect: Liparit Sadoyan Lenin in Armenia During Soviet times, statues of Lenin were ubiquitous across Armenia, but things changed rapidly after the collapse of the Soviet Union. While many of these statues have been removed or relocated, only a few remain in their original locations. Here is one of them. A monument in Gagarin village dedicated to Yuri Gagarin and his historic first spaceflight Yeghishe Charents Monument in Yerevan The Yeghishe Charents Monument, erected in 1985, stands in Yerevan's Circular Park, opposite the Radio House. This 18.5-meter-tall bronze monument, created by architect Jim Torosyan and sculptor Nikoghayos Nikoghosyan, is a multi-figure composition. On the other side, a memorial column rises, crowned with an eternal flame. On the second column, there is an inscription with lines from Charents' poem, «Անկումների սարսափից» ('From the horror of falling')." «Ես եկել եմ դարերից ու գնում եմ հաղթական Դեպի դարերը նորից՝ դեպի վառվող Ապագան…»։ ("I have come from centuries and I am moving forward victoriously Toward the centuries again—toward the blazing Future..."). Architect: Jim Torosyan Sculptor: Nikoghayos Nikoghosyan Arshaluys Statue The Arshaluys statue, located along the Yerevan-Sevan highway and created by renowned sculptor Ara Harutyunyan, is one of the most iconic Soviet-era monuments. The statue gained international recognition when famed photographer Norman Parkinson captured a striking image of model Jerry Hall posing on it, which was featured in Vogue magazine. This photograph was later republished in color in the Sunday Times Magazine in 1982, further cementing the statue's cultural significance. The Lion of Geghard Decorative sculpture, cast copper and basalt, installed along the road to Geghard Monastery, Armenia. Authors: Architect: Rafael Israelyan Sculptor: Ara Harutyunyan Dimensions: Height: 4 m | Year: 1958 King of the Forest Statue in Dilijan In 1966, while staying at Aghasi Khanjyan’s summer house in Dilijan, sculptor Ara Sargsyan was inspired by a giant tree. This led to the creation of his 1968 statue "King of the Forest," a reimagined version of his earlier work, "Goatman." The statue now stands near Khanjyan’s former residence, embodying the spirit of the forest. The Monument to the 50th Anniversary of Soviet Armenia This monument was installed in 1970 to mark the 50th anniversary of Soviet Armenia and can undoubtedly be called the most recognizable landmark of Dilijan, a unique symbol of the city. It is visible from nearly every part of Dilijan. The five edges of the monument represent each decade of those 50 years. The monument was designed by Seyran Avetisyan, Khoren Vatinyan, and Artur Tarkhanyan. Musa Dagh Heroic Battle Monument The Musa Dagh Heroic Battle Monument built in 1976 stands on a hill in the village of Musaler, Armavir region. Designed to resemble an impregnable fortress, the monument embodies the unwavering will, indomitable spirit of resistance, and extraordinary courage of the participants in the historic Musa Dagh Heroic Battle. Authors Architect: Rafael Israelyan Sculptor: Ara Harutyunyan The Arch of Charents or The Temple Of Ararat The Arch of Charents, also known as the Temple of Ararat, is a monument situated in the village of Voghjaberd, Kotayk region, on the right side of the Yerevan-Garni road, at an altitude of 1500 meters. The memorial was erected in 1957, and originally, the architect intended to pay tribute to mount Ararat, naming it "The Temple of Ararat." Several flights of stairs lead to the top of the hill, where the temple is located. Upon reaching it, on a clear day, Mount Ararat emerges in all its majesty, perfectly framed within the arch's opening. The arch is constructed externally of basalt and internally lined with orange tuff. The composition of the arch is rectangular in plan: 10 x 5.5 m, with a height of 5 m. Sculptor: Rafael Israelyan Monument to the Armenian Hayduks The Monument to the Armenian hayduks (hayduk or fedayi is a type of irregular infantry) is situated in the village of Ujan, in the Aragatsotn Province of Armenia. It is listed as an immovable historical and cultural monument of Ujan. Erected in 1989, the monument honors Armenian fedayis and is crafted from wrought copper. The monument features busts of Garegin Nzhdeh, Arabo, Makhluto, Gevorg Chavush, Aghbyur Serob, Sose Mayrik, and Soghomon Tehlirian. The sculptor behind this work is Yuri Minasyan. Arus or the "Armenian Sphinx" - A double-sided statue by sculptor Arto Chakmakchyan, 1963 The name "Arus (Арус in Russian)" is both a common Armenian woman’s name and an acronym for Armenian Accelerator (Армянский Ускоритель). It is said that the title "Armenian Sphinx" was coined by Artem Alikhanyan, founder of the Institute of Physics. Created by sculptor Arto Chakmakchyan , Arus is more than art—it’s a tribute to the dreams and determination behind Armenia’s scientific rise. And it guards the entrance to the underground halls where science once roared. Melody – Statue by Sargis Baghdasaryan, Yerevan, 1965 The monument is made of aluminum and granite and stands 1.4 meters tall. It was unveiled in 1965 and is located next to Swan Lake. Monument to David Bek – Kapan, Syunik The monument to David Bek stands prominently on the northeastern edge of the central square in Kapan, Syunik Province. Erected in 1978, the statue is crafted from wrought copper and honors one of Armenia’s most iconic military leaders. Sculptors: Sargis Baghdasaryan, Marat Nurijanyan Architect: Varuzhan Sahakyan Armenian-Russian Friendship Memorial Complex (1978) Located in the heart of Abovyan, directly across from the Abovyan Municipality and adjacent to the Museum of Armenian-Russian Friendship, this memorial complex was inaugurated in 1978. It stands as a symbol of the historical and cultural ties between the Armenian and Russian peoples. Sculptor: Sargis Baghdasaryan Architect: S. Barkhudaryan "Worker and Kolkhoz Woman" – A Statue by Ervand Kochar (1951-1952 or 1956) Worker and Kolkhoz Woman by Ervand Kochar was intended for installation in the courtyard of the Building of the Book Chamber in Yerevan. However, for years, the statue stood largely unnoticed—placed behind the building, in a pond, away from public view. Over time, the sculpture’s compositional integrity has deteriorated. Several key elements, including two trays once held by the figures—designed to channel water into the pond—have disappeared, leaving the original concept incomplete and partially forgotten. “The Builder Eagle” on the Western Entrance to Yerevan This striking monument is located along the Yerevan–Etchmiadzin highway, built in 1960. Marking the southern gateway to the capital, it’s a landmark easily spotted by those driving in from the airport—standing proudly on the right side of the road. The composition features three 15-meter-tall tuff stone columns with triangular cross-sections and arched bases, arranged in parallel on a modest platform. Atop them soars a dramatic bronze eagle sculpture with outstretched wings. The eagle’s gaze is fixed on the horizon, its wings finely detailed. A sunbeam crowns its head, and a grape leaf—a national symbol of Armenia—adorns its chest. (The same symbol appears on the “Vahagn the Dragon Slayer” monument at the northern entrance to Yerevan, also designed by Israelyan and Harutyunyan.) In its talons, the eagle holds a ruler and hammer—symbols of strength, craftsmanship, and creative labor. Architect: Rafael Israelyan Sculptor: Ara Harutyunyan "The Dancing Girls" fountain by Karapet Metsaturyan, Jermuk city The "Dancing Girls" fountain in Jermuk, created by Karapet Metsaturyan, no longer serves its original purpose—there's no water flowing anymore. Today, it stands simply as a beautiful monument. This monument in the city of Sisian, is dedicated to those who died during the establishment of Soviet rule in Armenia. Today, locals more commonly refer to it as the "Girl's Statue." The front side bears the following inscription in Armenian: «Նրանք ընկել են Հայաստանում սովետական կարգերի հաստատման համար» (“They fell for the establishment of Soviet rule in Armenia”), along with the names of the fallen. Both sides and the back are adorned with beautiful metal bas-reliefs. According to some sources, the sculptor is Karapet Metsaturyan, though this information requires further verification. I’m Suren, a professional urban explorer in Armenia. 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