On my urbex tours in Armenia, I often take travelers to one particular Soviet sanatorium — a place that feels like a true time capsule. Remarkably, it is still operating today, combining striking architectural design with a range of healing procedures. While we usually focus on the exploration side and don’t take part in the treatments, those who are curious can certainly arrange to experience them. < Back The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War On my urbex tours in Armenia, I often take travelers to one particular Soviet sanatorium — a place that feels like a true time capsule. Remarkably, it is still operating today, combining striking architectural design with a range of healing procedures. While we usually focus on the exploration side and don’t take part in the treatments, those who are curious can certainly arrange to experience them. The history of this sanatorium is closely tied to World War II. During and after the war, thousands of German prisoners of war were brought to Armenia to take part in labor projects. At their peak, around 16,160 POWs from 18 different nations were held in ten camps across the country. Among them was the Austrian zoologist, ethologist, and ornithologist Konrad Lorenz , who would later win the 1973 Nobel Prize in Physiology or Medicine together with Nikolaas Tinbergen and Karl von Frisch. The facade of the building... The prisoners’ work was grueling: they built bridges, tunnels, apartment blocks, hydroelectric stations, and sanatoriums. The very sanatorium featured here was one of their projects. The workers were housed just across the gorge, directly opposite the building they were constructing. What makes this sanatorium stand out is not just its history, but its interior design. Massive columns give the impression of holding the building on their shoulders, an image of strength and endurance. Though the structure has undergone renovations, it has preserved its original Soviet charm. On the floor, visitors can notice an intriguing ornament resembling a swastika. With a closer look, and by rotating its “wings,” one can see how it could transform into the infamous symbol — a subtle, almost hidden trace of history embedded in the design. Another striking feature is a statue of a woman pouring water over herself from a jar. Before the era of modern plumbing, this was a symbolic representation of cleansing, and it remains one of the sanatorium’s most eye-catching details. The stained-glass arched window leading to the balcony adds a special charm to the façade, often making travelers pause for a while to take a closer look. Beyond architecture and history, the sanatorium continues to function as a health center. It offers a variety of treatments ranging from mineral baths and massages to hydrotherapy and physiotherapy, attracting both locals and visitors seeking rest and recovery. Below is a list of treatments offered at the sanatorium. Treatment of Diseases at the Sanatorium · Cardiovascular diseases · Gastrointestinal disorders · Musculoskeletal disorders · Nervous system disorders Procedures · General mineral baths · Four-chamber galvanic baths · Intestinal irrigation · Gum irrigation · Inhalation therapy · Light therapy (electro-light treatment) · Paraffin therapy · Peat therapy · Gynecological irrigation · Underwater shower massage · ECG (electrocardiogram) · Massage · Micro-enema · Consultation with a specialist · Hydrotherapy · Acupuncture · Hirudotherapy / leech treatment · Apitherapy · Clinical blood test · Biochemical blood test · Sonography I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

This striking Soviet monument, officially named "Long Live the Blue and Clear Sky," stands on the shores of Aghbyurak Reservoir in Hrazdan city. When the reservoir level rises, the statue is partially submerged, creating a striking visual effect that further emphasizes its connection to the water and its mythological significance. < Back Tsovinar: The Iconic Soviet Monument of Hrazdan This striking Soviet monument, officially named "Long Live the Blue and Clear Sky," stands on the shores of Aghbyurak Reservoir in Hrazdan city. When the reservoir level rises, the statue is partially submerged, creating a striking visual effect that further emphasizes its connection to the water and its mythological significance. This Soviet-era monument on the shores of Aghbyurak Reservoir in Hrazdan city carries the full official name "Long Live the Blue and Clear Sky." Dedicated to the 40th anniversary of victory in the Great Patriotic War (1941-1945), it stands as a powerful reminder of the Armenian nation's active participation. Sculpted by the artist Khachatur Hakobyan (1951-2015), the monument is also referred to as "Parvana" in certain documents. However, it is more widely known by its unofficial name, "Tsovinar." Originally installed in 1985 near the entrance to Hrazdan from the village of Kaghsi in the Kotayk region, the statue was later moved to its current location within the artificial reservoir-pond of the Atarbekyan Hydroelectric Power Plant (HPP), which had been put into operation in 1959. Today, the official name of the reservoir is Aghbyurak, but it is also unofficially known as Hrazdan or Tsovinar. Aghbyurak reservoir itself, which comprises the Hrazdan and Tsovinar lakes, adds a serene and reflective atmosphere to the monument's setting. Despite being one of the most iconic symbols of Hrazdan, this Soviet monument has yet to be included in the official list of immovable monuments of history and culture. Who is Tsovinar? In Armenian mythology, Tsovinar was the fierce goddess of water, sea, and rain. Scholar James R. Russell translates name Tsovinar as "Lady of the Lake," deriving it from tsov ("sea") and the Iranian nār ("woman"). Tsovinar was seen as the female personification of thunder and lightning. She was believed to play in the clouds during thunderstorms, sending either destructive hail or life-giving rain to the earth below. Tsovinar Monument when the water level is higher During periods of drought, Armenians would perform rituals and sing songs to Tsovinar, pleading with her to bring rain to their parched fields. Her powerful presence is also felt in the Armenian heroic epic poem "Daredevils of Sassoun," where she is depicted as the mother of the divine twins Sanasar and Bagdasar, whom she conceives after drinking from a sacred spring during a pilgrimage to the Holy Land. The statue, commonly referred to as "Tsovinar," embodies this mythological figure's formidable spirit, making it a unique and culturally rich destination for those interested in Soviet monuments, Armenian mythology, and urbex tours in Armenia. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

During one of my many visits to Byurakan Astrophysical Observatory—where I regularly guide visitors—I asked Henrik Sargsyan, the observatory’s oldest staff member, to show us the 53 cm Schmidt telescope. Sargsyan has worked at BAO since 1958. Warm, generous, and deeply devoted to science, he gladly agreed. Seeing yet another instrument that shaped modern astronomy was pure joy. < Back The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory During one of my many visits to Byurakan Astrophysical Observatory—where I regularly guide visitors—I asked Henrik Sargsyan, the observatory’s oldest staff member, to show us the 53 cm Schmidt telescope. Sargsyan has worked at BAO since 1958. Warm, generous, and deeply devoted to science, he gladly agreed. Seeing yet another instrument that shaped modern astronomy was pure joy. Byurakan is home to several major telescopes, including the ZTA-2.6 and the famous 1-meter Schmidt telescope , which I have already covered in detail. This time, the focus is on the 53 cm Schmidt telescope—smaller in size, but no less important in its scientific impact. The building that houses the 53 cm Schmidt telescope The telescope is installed at an altitude of 1,398 meters. It features a 53 cm (21-inch) correcting lens and a mirror of the same diameter. The focal length is 180 cm (71 inches), with a fast focal ratio of f/3.4. Its wide field of view—25 square degrees (5° × 5°)—made it especially suitable for survey work, with a plate scale of 114.6 arcseconds per millimeter. This instrument played a key role in studies of nearby galaxies, particularly in assessing the compactness of their nuclei. In the 1970s and 1980s, it was extensively used to search for flare stars in star clusters and stellar associations. Some of the earliest projects carried out with this telescope focused on detailed colorimetric observations of galaxies, including investigations of color distribution in nearby systems. Main Observing Programs Polarization of cometary nebula NGC 2261 Nuclei of nearby Sa and Sb galaxies Nuclei of nearby Sc galaxies Search for flare stars in Pleiades Search for flare stars in Orion Search for flare stars in NGC 7000 (Cygnus) Search for flare stars in Praesepe Search for flare stars in Taurus Dark Clouds Variability of Markarian galaxies Monitoring of extragalactic supernovae in certain areas Quietly working in the shadow of larger instruments, the 53 cm Schmidt telescope has left a solid scientific legacy—and remains an essential part of Byurakan’s astronomical history. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Explore Levon’s Divine Underground in Arinj, Armenia — a mysterious hand-carved cave created over 23 years by one man, Levon Arakelyan. Discover his incredible story, the cave’s intricate chambers, and how his legacy continues through his family today. < Back Inside Levon’s Divine Underground Explore Levon’s Divine Underground in Arinj, Armenia — a mysterious hand-carved cave created over 23 years by one man, Levon Arakelyan. Discover his incredible story, the cave’s intricate chambers, and how his legacy continues through his family today. In the quiet village of Arinj, just outside Yerevan, lies one of Armenia’s most unusual landmarks — Levon’s Divine Underground , a vast hand-carved cave created by a single man over more than two decades. This extraordinary site was built by Levon Arakelyan , who began digging in 1985 after his wife, Tosya , asked him to make a small cellar for storing potatoes. What started as a simple household project turned into a lifelong mission. Levon claimed that soon after he began digging, he experienced a vision — a voice from a mist urging him to keep going. Master Levon at work Armed only with a hammer and chisel, Levon continued to excavate tirelessly for 23 years , refusing to use power tools even as he dug through hard volcanic rock. The result is a 21-meter-deep network of seven rooms , connected by winding stairways and tunnels that cover about 300 square meters . Each chamber, he said, was inspired by new visions that guided his work. Levon even installed lights and wiring himself, envisioning a total of 74 unique rooms — a project left unfinished when he passed away in 2009. After his death, Mrs. Tosya turned the site into a museum to preserve her husband’s legacy. The cave maintains a constant temperature of around 10°C year-round. The museum’s first floor displays Levon’s personal belongings, tools, press articles, and guestbooks filled with visitors’ impressions. Outside in the courtyard, flower pots crafted from leftover stones and two wall murals — one depicting Levon with his hammer and chisel, and another showing Tosya holding a potato — serve as touching reminders of how a simple domestic request grew into a national curiosity. This is “Levon’s Eye.” At one point, Levon’s daughter asked me to look up — and my heart sank. It felt as if a vigilant eye was watching from above. This was one of the most striking moments of the visit. The ventilation shaft, carved in the shape of an eye, never fails to give visitors goosebumps. Today, Levon’s Divine Underground stands among Armenia’s most fascinating attractions, drawing travelers who come to witness the result of one man’s unwavering devotion and vision. The ticket sales, still managed by his family, continue to support them — keeping Levon’s story alive beneath the surface of Arinj. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

I traced the iconic Raketa boats of Lake Sevan to find out where they are resting now. This article sheds light on their story and final resting places. Once highly popular among visitors, these hydrofoils became one of the true symbols of Lake Sevan. < Back The Soviet “Raketa” boats of Lake Sevan I traced the iconic Raketa boats of Lake Sevan to find out where they are resting now. This article sheds light on their story and final resting places. Once highly popular among visitors, these hydrofoils became one of the true symbols of Lake Sevan. The Raketa (Russian: Раке́та, meaning “Rocket” ) was the first type of hydrofoil boat produced commercially in the Soviet Union. Originally conceived in the late 1940s as Project 340 by chief designer Rostislav Alexeyev , the vessels were manufactured from 1957 until the midst 1970s. The "Raketa" boats of lake Sevan In total, around 400 hydrofoils were built. The first experimental vessel, Raketa-1 , was constructed at the Krasnoye Sormovo shipyard. Serial production was later established at the Feodosiya shipyard “More.” Between 1959 and 1976, 389 Raketas were built, more than thirty of which were exported abroad — to countries such as Austria, Cambodia, England, Finland, China, the Netherlands, and Poland. Their high-speed diesel engines were supplied by the Zvezda factory in Leningrad. One of the 2 "Raketa" boats that is now a restaurant The Raketa quickly became a symbol of Soviet engineering and modernity. They entered commercial service along the Volga River and other waterways across the USSR. One was even operated by the almighty KGB . Armenia also had its share of these iconic vessels. Two Raketas were brought to Lake Sevan , where they became highly popular among locals and tourists. Sleek, fast, and prestigious, they were in service until around 1985 . Today, they survive only as silent relics of a bygone era. Curious about their fate, I decided to track them down. What I found was a story of two very different destinies. One of the Raketas has been transformed into a restaurant on the way to the Artanish Peninsula. Fittingly, it still carries the name Raketa . The second, however, met a far grimmer fate. It sits abandoned on the other side of Sevan, near the road to Hayravank Monastery . Rusting quietly on the lakeshore within the grounds of an unfinished hotel, it is still visible from the highway. Earlier this year, I attempted to get closer for a photo. I parked near a garage — a mistake, as it turned out. The garage belonged to one of the site’s guards. With reconstruction of the hotel now underway, the territory is closely watched. By the time I realized I had taken the wrong path and tried to circle back, the guards had already found me. They were not happy with my presence, and despite my attempts to explain, I was not allowed near the abandoned Raketa. In the territory of the unfinished hotel I saw a swimming pool shaped like lake Sevan For now, the Raketa remains off-limits, a rusting monument to Soviet engineering slowly fading away on the shores of Sevan. But my search isn’t over. I plan to try again — and when I do, I’ll update this story. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

The historic Alaverdi train station stands out not only for its unique architectural design but also for the remarkable frescoes painted in the 1960s by Rudolf Khachatryan. These artworks have become a cultural attraction, drawing visitors from around the world. Today, the station is also a fascinating site for urban exploration and a prime spot for urbex photography. < Back A visit to Alaverdi train station The historic Alaverdi train station stands out not only for its unique architectural design but also for the remarkable frescoes painted in the 1960s by Rudolf Khachatryan. These artworks have become a cultural attraction, drawing visitors from around the world. Today, the station is also a fascinating site for urban exploration and a prime spot for urbex photography. Alaverdi Railway Station, located in the city of Alaverdi in Lori Province, stands on the left bank of the Debed River. The station was first opened in 1899, while its current building was constructed in the 1940s–1950s. The station complex includes a three-story main building, two low platforms, and five railway tracks. Since 2011, passenger trains no longer stop at the station, but the worker on duty can be asked to open the door. The pink tuff building is an example of Soviet-Armenian Neoclassicism with a typical arched entrance and windows on the main facade. Architect: Baghdasaryan Lenmur The most striking feature of the building is undoubtedly the frescoes that adorn the station’s waiting hall. Painted in the early 1960s, they represent the only known monumental work of Rudolf Khachatryan (1937–2007), who later gained wide recognition in the 1970s and 1980s for his large-scale hyperrealistic portraits of Soviet cultural figures. Painted in vivid colors and with remarkable skill, the frescoes instantly capture attention. These two frescoes depict scenes from the poem "Anoush" and the short story "Gikor", one of the most notable works of renowned Armenian writer Hovhannes Tumanyan, which have long since become an integral part of Armenian public culture. Other murals depict the miners' revolt during the Bolshevik Revolution and a portrait of a proudly posing foundry worker with Alaverdi copper factory buildings and mountains in the background. These frescoes are a daring attempt to crystallize the allure of the region. They are brought into life in the juicy colors and bold contours that are typical to post-war Armenian painting. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Explore the rich tapestry of Soviet art with this guide to Soviet monuments and statues in Armenia. From the statue of Hayk Nahapet to the statue of Vladimir Lenin, discover how these landmarks reflect the artistic and ideological spirit of their time. Journey through history with iconic Soviet monuments and experience a unique blend of cultural heritage and artistic expression. Perfect for anyone interested in tours in Armenia and exploring its remarkable artistic history. < Back Iconic Soviet Statues and Monuments in Armenia Explore the rich tapestry of Soviet art with this guide to Soviet monuments and statues in Armenia. From the statue of Hayk Nahapet to the statue of Vladimir Lenin, discover how these landmarks reflect the artistic and ideological spirit of their time. Journey through history with iconic Soviet monuments and experience a unique blend of cultural heritage and artistic expression. Perfect for anyone interested in tours in Armenia and exploring its remarkable artistic history. When Armenia became part of the Soviet Union in 1920, the Soviet education system profoundly impacted the development of the arts in the country. The Soviet regime closely intertwined art and education, emphasizing the creation of works that reflected socialist ideals and the collective spirit. Beginning in 1921-22, the Leninist program of monumental propaganda was implemented in Soviet Armenia, marking the initial phase of Armenian Soviet sculpture. Sculpture as a professional art form flourished in Soviet Armenia, largely thanks to the pioneering efforts of Ara Sargsyan, Suren Stepanyan, Stepan Taryan, Aitsemnik Urartu, and Yervand Kochar, who later relocated to Armenia. These artists enriched Armenian sculpture with numerous monumental, mechanical, and decorative works, securing its place in Soviet multinational art. Prominent Armenian sculptors based in Moscow and Leningrad, such as Sergey Merkurov, Grigor Kepinov, Tigran Davtyan, and A. Stepanyan, also made significant contributions. Many Armenian artists often took creative risks, producing works that reflected their national history—a bold move that could be perceived as nationalistic by the Kremlin. Despite this, the Soviet government heavily invested in arts education, establishing specialized schools and institutes that trained a new generation of Armenian artists, sculptors, and architects. Yervand Kochar was a prominent sculptor and modern artist of the twentieth century, celebrated for his innovative contributions to art and his role as the founder of the Painting in Space movement. Inspired by the revival of their young country, these artists aimed to capture the distinctive character and atmosphere of the new historical period in their work. Their commitment and creativity during the 1920s and 30s helped shape the key characteristics of national sculpture—simplicity, restraint, and meaningful forms. Their monumental works were installed in Yerevan and other Armenian cities, while their significant pieces are preserved and exhibited in galleries. Armenian sculpture reached a new level of artistic expression in the post-war years, as artists began to celebrate new peacetime heroes. Leading figures, alongside a new generation of sculptors like Nikolay Nikoghosyan, Ara Harutyunyan, Ghukas Chubaryan and Karlen Nurijanyan continued to create sculptures ranging from monumental works to fine plastic art. They crafted images of their contemporaries, national heroes, and notable figures using stone, wood, and bronze, contributing lasting pieces to Armenian sculptural heritage. Ara Harutyunyan is another renowned sculptor of the 20th century, known for his impactful contributions to Armenian and Soviet art In the 1960s and 70s, Armenian sculpture gained new dimensions as younger sculptors like Levon Tokmajyan, Serzh Mehrabyan, Yuri Minassian, Vladimir Antashyan, Artashes Hovsepyan, Benik Petrosyan and Ara Shiraz began working alongside established masters. This generation sought to reinterpret ancient traditions and develop diverse and bold plastic expressions, enriching Armenian sculpture with fresh artistic visions. Mother Armenia in Yerevan The current Mother Armenia statue replaced a monumental statue of Joseph Stalin, originally erected as a World War II victory memorial and considered a masterpiece by sculptor Sergey Merkurov. Following Stalin's death, his statue was secretly removed in 1962. In 1967, Ara Harutyunyan's Mother Armenia statue was installed, modeled after 17-year-old Zhenya Muradian. The statue stands 22 meters tall, with the entire monument reaching 55 meters atop its tuff stone pedestal. In 1970, the pedestal was converted into the Museum of Armenia in the Great Patriotic War 1941-1945, marking the 25th anniversary of the victory. Mother Armenia in Gyumri Unveiled on May 9, 1975, the Mother Armenia statue in Gyumri commemorates the 30th anniversary of the victory in the Great Patriotic War and honors the memory of Gyumri's wartime participants. Created by sculptor Ara Sargsyan and architect Rafael Yeghoyan, the monument stands as a harmonious blend of architecture and sculpture, consisting of a 21-meter-high pedestal and a 20-meter-high statue. Mother Armenia in Ijevan The "Mother Armenia" monument, located in Ijevan, Tavush region, Armenia, is a significant historical and cultural landmark created in 1971 by sculptor Serzh Mehrabyan. Mother Armenia in the Tavush region, on the Armenia-Azerbaijan border In 1976, the 10-meter (some say 17-meter) aluminum sculpture of Mother Armenia, or Arevik, was created by Adibek Grigoryan and placed near Aygehovit village in Armenia's Tavush region, along the road to Azerbaijan. Originally intended for Central Asia, it was rejected for allegedly overemphasizing the female form. Later revised, the statue was installed at the border, symbolizing Armenia’s welcoming spirit to visitors from Russia, Georgia, and Azerbaijan. Today, the area where it stands is part of the village of Aygehovit in Tavush region. Unfortunately, on the night of September 28-29, 2014, a strong wind caused the edging frame, resembling the 'rays of the sun,' to fall from the statue, but Mother Armenia remains standing tall. The monument was initially named "Let the Sun Always Shine," dedicated to the memory of the residents of Akhuryan who died in World War II. However, it later became known as the "Mother Armenia" monument. Let the Sun Always Shine. 1967. Aluminum. Height: 9 meters. Author: Fridrikh Soghoyan. A monument at the entrance of Martuni city, sculptor Rafael Ekmalyan, 1965 The statue of Alexander Tamanyan The Alexander Tamanyan Monument stands prominently in the heart of Yerevan, directly in front of the iconic Cascade Complex. It was unveiled in 1974 as a tribute to the chief architect behind Yerevan’s modern master plan. Designed by architect Seda Petrosyan and sculpted by Artashes Hovsepyan, the monument is made of basalt and granite, and stands 3 meters tall. The Statue of Martiros Saryan in Yerevan The Martiros Saryan Monument stands in the heart of Yerevan, nestled within the leafy Martiros Saryan Park—bounded by Mashtots Avenue, Marshal Baghramyan Avenue, and Zoryan Street. It’s just a short walk from the street that also bears the name of the iconic Armenian artist. Unveiled in 1986, the monument is crafted from marble and rises 6 meters tall. Saryan’s own autograph is delicately engraved on the lower left corner of the pedestal, adding a personal touch to the tribute. Authors: Architect: Artur Tarkhanyan Sculptor: Levon Tokmajyan The Statue of Komitas (Yerevan) The statue of Komitas was unveiled on January 8, 1988, in the park adjacent to the Yerevan State Conservatory that bears his name. The monument, made of bronze and granite, stands 3 meters tall and immortalizes the legacy of the talented Armenian composer, musicologist, singer, and spiritual figure. Authors: Sculptor: Ara Harutyunyan Architect: Fenix Darbinyan The Weaver's Statue in Gyumri city The Weaver's Statue, sculpted by Tereza Mirzoyan in 1964, is a notable monument in Gyumri, Armenia, capturing the spirit of the city’s weaving and textile traditions. Tsovinar: The Iconic Soviet Monument of Hrazdan This striking Soviet monument, officially named "Long Live the Blue and Clear Sky," stands on the shores of Aghbyurak Reservoir in Hrazdan city. Dedicated to the 40th anniversary of victory in the Great Patriotic War (1941-1945), it stands as a powerful reminder of the Armenian nation's active participation in the war. Sculpted in 1985 by the artist Khachatur Hakobyan (1951-2015), the monument is also referred to as "Parvana" in certain documents. However, it is more widely known by its unofficial name, "Tsovinar." When the reservoir level rises, the statue is partially submerged, creating a striking visual effect that further emphasizes its connection to the water and its mythological significance. "Strip of Eternity," sculpted by David Bejanyan in 1979, is a prominent monument located along the Yerevan-Sevan Highway. The monument in Gyumri titled "Научно-техническому прогрессу широкий размах" (translated as "A Broad Sweep to Scientific and Technical Progress") is a tribute to the spirit of innovation and technological advancement. Muse of Cybernetics by Yervand Kochar The Muse of Cybernetics sculpture stands on the grounds of the Yerevan Research Institute of Mathematical Machines (commonly known as the Mergelyan Institute). Created in 1972 by renowned sculptor Yervand Kochar, it embodies a striking fusion of technology and mythology. The sculpture—a muse—is depicted in a relaxed, almost meditative pose, half-reclining. Its form is partially veiled, yet mechanical fragments—wires, springs, and structural elements—protrude from within. It appears to be in a state of transformation: either shedding its skin or slowly taking shape. What remains constant is the skeletal axis at its core. Resting against a tangible, familiar object—an Armenian clay jug once meant to release a gentle stream of water—the cybernetic muse once symbolized both life and movement. Today, however, the sculpture stands dry and silent, the flow long since halted, lending it an eerie, contemplative stillness. David of Sassoun by Yervand Kochar Equestrian statue, located in David of Sassoun Square, Yerevan Architect: Mikael Mazmanyan Sculptor: Yervand Kochar Material: Forged copper and basalt Dimensions: 6.5 × 2.2 × 9.3 m | Installed: 1959 "The Sun Giver" or "Welcome" by Karlen Nurijanyan, engraved aluminum, Tsaghkadzor, 1968 Took this photo in the end of March, 2025 The statue of Hayk Nahapet in Yerevan The statue of Hayk Nahapet is located in Yerevan, in the 2nd district of the Nor Nork administrative region, near Gai Avenue. The statue was initially installed near the "Moscow" Cinema (in 1970) and was later moved to its current location in 1975. The statue is made of forged copper and has a height of 3.5 meters. Sculptor: Karlen Nurijanyan, 1970 The statue of Tork Angegh in Yerevan The statue of Tork Angegh, created in 1982 by sculptor Karlen Nurijanyan, is located in Yerevan, Armenia. Tork Angegh is a deity of strength, courage in Armenian mythology. Known for his immense strength and power, Tork Angegh is considered one of the great-grandsons of Hayk Nahapet, the legendary patriarch of the Armenian nation. "King Trdat Defeats the Bull" in Abovyan city "King Trdat Defeats the Bull," created in 1977 by sculptor Karlen Nurijanyan, is a cast copper monument located in the Saralanj district of Abovyan city. Vahagn the Dragon Slayer by Karlen Nurijanyan, 1969 Vahagn is the supreme god of military victory and thunder in ancient Armenian mythology. A central figure in ancient Armenian beliefs, he was worshipped in pre-Christian Armenia alongside Aramazd, the chief deity akin to Zeus, and Anahit, the goddess of fertility and wisdom. He was the most revered and bore the title "Dragon Slayer" for his legendary battles against the dragons of darkness. This striking copper sculpture, mounted on a rough-hewn basalt block, portrays Vahagn locked in battle with a dragon. It symbolizes the timeless clash between life and death, and the ultimate triumph of good over evil. Originally unveiled in 1969 in Yerevan on Lenin Avenue (now Mashtots Avenue), the sculpture was relocated in the 1970s to the courtyard of the Union of Artists of Armenia. In the 1980s, it was moved again, this time to the Echmiadzin Highway. During the 1990s, a powerful gust of wind toppled the statue, and a passing car inflicted additional damage. In 2001, the broken monument was entrusted to renowned sculptor and painter Nerses Charkhchyan. Following its meticulous restoration, it remained for several years in Jrvezh, near the artist’s home. On December 19, 2004, the sculpture found a permanent home on Admiral Isakov Avenue. Vahagn the Dragonslayer in Armavir village This statue is a replica of Vahagn the Dragonslayer by Karlen Nurijanyan, with the original monument currently standing in Yerevan on Admiral Isakov Avenue. The replica was installed in 1971 in front of the House of Culture in the village of Armavir, Armenia. Vahagn the Dragonslayer in Yerevan This statue of Vahagn the Dragon Slayer (Vishapakagh) stands in Yerevan’s Arabkir district, in the courtyard of Building No. 12 on Vagharshyan Street. Erected in 1985, the monument was crafted by sculptor Vahe Harutyunyan and designed by architects Armen Aghalyan and Grigori Grigoryan. The iconic "Chayka" at the entrance to Yerevan This monument at the entrance to Yerevan from the Abovyan side was designed by Van Khachatur in 1960 and is commonly known by its Russian name, “Чайка (Chayka),” meaning “Seagull.” Uniquely, the monument displays the word Чайка (Chayka) written in Armenian script (Չայկա), rather than the Armenian equivalent “Ճայ.” Initially, the design faced criticism, with some doubting its structural integrity and predicting it would collapse. However, the monument's ingenious engineering—a narrow, elongated form on one side balanced by a thicker, shorter section on the other—provides perfect stability. More than six decades later, it stands as a testament to innovative design and enduring craftsmanship. "Rebirth" memorial complex in Charentsavan city "Rebirth" memorial complex, 1980 at the entrance of Charentsavan city, architect Henrik Arakelyan, sculptor: Khachik Miridjanyan Stepan Shahumyan Monument in Stepanavan The statue of Stepan Shahumyan, located in the center of Stepanavan city in Lori Marz, was installed in 1982. Created by sculptor Ara Harutyunyan, this monument is an important cultural and historical landmark. It is listed among the immovable monuments of history and culture in Stepanavan, commemorating the significant contributions of Shahumyan to Armenian history. Stepan Shahumyan Monument in Yerevan The Stepan Shahumyan Monument, located in Yerevan, was erected in 1931 in Stepan Shahumyan Square, named after the prominent figure of the Communist Party, the USSR, and the international labor movement, Marxist theorist, sociologist, journalist, and publicist Stepan Shahumyan. The monument is made of granite and stands at 3.5 meters tall. The architect was Ivan Zholtovsky, and the sculptor was Sergey Merkurov, a People's Artist of both the USSR and Armenian SSR, and a full member of the USSR Academy of Arts. Previously, the site where the Shahumyan statue stands was occupied by the Russian church of St. Nicholas, which was demolished in the late 1920s, along with several other churches in old Yerevan. Alexander Myasnikyan Monument The Alexander Myasnikyan Monument, located in Yerevan, was erected in 1980 in honor of the Armenian party, political, and public figure Alexander Myasnikyan. The monument is made of granite and basalt and stands at a height of 8.6 meters. On one of the walls of the monument, the first line of a quatrain written by Yeghishe Charents on April 16, 1936, in memory of Myasnikyan, is engraved: «Նայիրյան արևն էր քո մեջ՝ լենինյան հրով ճառագած»: "The sun of Nairi was within you, shining with Lenin's fire." Bust of Nelson Stepanyan Nelson Stepanyan was a Soviet-Armenian flying ace, Il-2 pilot, and regimental commander in the Soviet Air Force who was twice awarded the title of Hero of the Soviet Union. The bust of Nelson Stepanyan is located in the center of Yerevan, in a children's park between Movses Khorenatsi, Grigor Lusavorich, Beirut, and Zakyan Streets. It was installed in 1950. Authors: Architect: Grigor Aghababyan Sculptor: Ara Sargsyan The bust is made of basalt and bronze, with a height of 4 meters. The pedestal displays Nelson Stepanyan's awards, including two stars of the Hero of the Soviet Union and the Order of Lenin. Additionally, it is inscribed with the March 6, 1945 decision of the Presidium of the Supreme Soviet of the USSR to award Nelson Stepanyan a second Gold Medal of the Hero of the Soviet Union and to install a bronze bust in his birthplace. On the back of the bust, the name of the sculptor, Ara Sargsyan, and the year the sculpture was created (1950) are engraved. World War II monument in Vanadzor This World War II monument was erected in 1973 through donations from the workers of the Kirovakan (now Vandzor) chemical factory. Architects: Rafik Boshyan, Boris Kocharyan, and Ashot Kanayan. Sculptors: Zhirayr Ketikyan, Ara Sargsyan, Mehrab Mirzakhanyan (Master Mehrab) The Statue of Mesrop Mashtots and Koryun by Ghukas Chubaryan, 1962 This statue, created by sculptor Ghukas Chubaryan in 1962, depicts Mesrop Mashtots, the creator of the Armenian alphabet, with Armenian letters positioned behind his right hand. Kneeling beside Mashtots' left leg is his devoted student, Koryun. To the left of the Armenian letters, on the wall, is the first sentence written in the Armenian script: "Ճանաչել զիմաստութիւն եւ զխրատ իմանալ զբանս հանճարոյ". On the right side of Koryun, an eagle holding a sword and shield is depicted, symbolizing strength and protection. The ceremonial unveiling of the monument took place on May 26, 1962, in honor of the 1600th anniversary of Mashtots' birth, celebrating his monumental contribution to Armenian culture and language. The statue of Hovhannes Tumanyan in Dsegh village The statue of Hovhannes Tumanyan in Dsegh village, Lori region. The monument was erected in 1969. Authors: Sculptor: Ghukas Chubaryan Architect: Liparit Sadoyan Lenin in Armenia During Soviet times, statues of Lenin were ubiquitous across Armenia, but things changed rapidly after the collapse of the Soviet Union. While many of these statues have been removed or relocated, only a few remain in their original locations. Here is one of them. A monument in Gagarin village dedicated to Yuri Gagarin and his historic first spaceflight Yeghishe Charents Monument in Yerevan The Yeghishe Charents Monument, erected in 1985, stands in Yerevan's Circular Park, opposite the Radio House. This 18.5-meter-tall bronze monument, created by architect Jim Torosyan and sculptor Nikoghayos Nikoghosyan, is a multi-figure composition. On the other side, a memorial column rises, crowned with an eternal flame. On the second column, there is an inscription with lines from Charents' poem, «Անկումների սարսափից» ('From the horror of falling')." «Ես եկել եմ դարերից ու գնում եմ հաղթական Դեպի դարերը նորից՝ դեպի վառվող Ապագան…»։ ("I have come from centuries and I am moving forward victoriously Toward the centuries again—toward the blazing Future..."). Architect: Jim Torosyan Sculptor: Nikoghayos Nikoghosyan Arshaluys Statue The Arshaluys statue, located along the Yerevan-Sevan highway and created by renowned sculptor Ara Harutyunyan, is one of the most iconic Soviet-era monuments. The statue gained international recognition when famed photographer Norman Parkinson captured a striking image of model Jerry Hall posing on it, which was featured in Vogue magazine. This photograph was later republished in color in the Sunday Times Magazine in 1982, further cementing the statue's cultural significance. The Lion of Geghard Decorative sculpture, cast copper and basalt, installed along the road to Geghard Monastery, Armenia. Authors: Architect: Rafael Israelyan Sculptor: Ara Harutyunyan Dimensions: Height: 4 m | Year: 1958 King of the Forest Statue in Dilijan In 1966, while staying at Aghasi Khanjyan’s summer house in Dilijan, sculptor Ara Sargsyan was inspired by a giant tree. This led to the creation of his 1968 statue "King of the Forest," a reimagined version of his earlier work, "Goatman." The statue now stands near Khanjyan’s former residence, embodying the spirit of the forest. The Monument to the 50th Anniversary of Soviet Armenia This monument was installed in 1970 to mark the 50th anniversary of Soviet Armenia and can undoubtedly be called the most recognizable landmark of Dilijan, a unique symbol of the city. It is visible from nearly every part of Dilijan. The five edges of the monument represent each decade of those 50 years. The monument was designed by Seyran Avetisyan, Khoren Vatinyan, and Artur Tarkhanyan. Musa Dagh Heroic Battle Monument The Musa Dagh Heroic Battle Monument built in 1976 stands on a hill in the village of Musaler, Armavir region. Designed to resemble an impregnable fortress, the monument embodies the unwavering will, indomitable spirit of resistance, and extraordinary courage of the participants in the historic Musa Dagh Heroic Battle. Authors Architect: Rafael Israelyan Sculptor: Ara Harutyunyan The Arch of Charents or The Temple Of Ararat The Arch of Charents, also known as the Temple of Ararat, is a monument situated in the village of Voghjaberd, Kotayk region, on the right side of the Yerevan-Garni road, at an altitude of 1500 meters. The memorial was erected in 1957, and originally, the architect intended to pay tribute to mount Ararat, naming it "The Temple of Ararat." Several flights of stairs lead to the top of the hill, where the temple is located. Upon reaching it, on a clear day, Mount Ararat emerges in all its majesty, perfectly framed within the arch's opening. The arch is constructed externally of basalt and internally lined with orange tuff. The composition of the arch is rectangular in plan: 10 x 5.5 m, with a height of 5 m. Sculptor: Rafael Israelyan Monument to the Armenian Hayduks The Monument to the Armenian hayduks (hayduk or fedayi is a type of irregular infantry) is situated in the village of Ujan, in the Aragatsotn Province of Armenia. It is listed as an immovable historical and cultural monument of Ujan. Erected in 1989, the monument honors Armenian fedayis and is crafted from wrought copper. The monument features busts of Garegin Nzhdeh, Arabo, Makhluto, Gevorg Chavush, Aghbyur Serob, Sose Mayrik, and Soghomon Tehlirian. The sculptor behind this work is Yuri Minasyan. Arus or the "Armenian Sphinx" - A double-sided statue by sculptor Arto Chakmakchyan, 1963 The name "Arus (Арус in Russian)" is both a common Armenian woman’s name and an acronym for Armenian Accelerator (Армянский Ускоритель). It is said that the title "Armenian Sphinx" was coined by Artem Alikhanyan, founder of the Institute of Physics. Created by sculptor Arto Chakmakchyan , Arus is more than art—it’s a tribute to the dreams and determination behind Armenia’s scientific rise. And it guards the entrance to the underground halls where science once roared. Melody – Statue by Sargis Baghdasaryan, Yerevan, 1965 The monument is made of aluminum and granite and stands 1.4 meters tall. It was unveiled in 1965 and is located next to Swan Lake. Monument to David Bek – Kapan, Syunik The monument to David Bek stands prominently on the northeastern edge of the central square in Kapan, Syunik Province. Erected in 1978, the statue is crafted from wrought copper and honors one of Armenia’s most iconic military leaders. Sculptors: Sargis Baghdasaryan, Marat Nurijanyan Architect: Varuzhan Sahakyan Armenian-Russian Friendship Memorial Complex (1978) Located in the heart of Abovyan, directly across from the Abovyan Municipality and adjacent to the Museum of Armenian-Russian Friendship, this memorial complex was inaugurated in 1978. It stands as a symbol of the historical and cultural ties between the Armenian and Russian peoples. Sculptor: Sargis Baghdasaryan Architect: S. Barkhudaryan "Worker and Kolkhoz Woman" – A Statue by Ervand Kochar (1951-1952 or 1956) Worker and Kolkhoz Woman by Ervand Kochar was intended for installation in the courtyard of the Building of the Book Chamber in Yerevan. However, for years, the statue stood largely unnoticed—placed behind the building, in a pond, away from public view. Over time, the sculpture’s compositional integrity has deteriorated. Several key elements, including two trays once held by the figures—designed to channel water into the pond—have disappeared, leaving the original concept incomplete and partially forgotten. “The Builder Eagle” on the Western Entrance to Yerevan This striking monument is located along the Yerevan–Etchmiadzin highway, built in 1960. Marking the southern gateway to the capital, it’s a landmark easily spotted by those driving in from the airport—standing proudly on the right side of the road. The composition features three 15-meter-tall tuff stone columns with triangular cross-sections and arched bases, arranged in parallel on a modest platform. Atop them soars a dramatic bronze eagle sculpture with outstretched wings. The eagle’s gaze is fixed on the horizon, its wings finely detailed. A sunbeam crowns its head, and a grape leaf—a national symbol of Armenia—adorns its chest. (The same symbol appears on the “Vahagn the Dragon Slayer” monument at the northern entrance to Yerevan, also designed by Israelyan and Harutyunyan.) In its talons, the eagle holds a ruler and hammer—symbols of strength, craftsmanship, and creative labor. Architect: Rafael Israelyan Sculptor: Ara Harutyunyan "The Dancing Girls" fountain by Karapet Metsaturyan, Jermuk city The "Dancing Girls" fountain in Jermuk, created by Karapet Metsaturyan, no longer serves its original purpose—there's no water flowing anymore. Today, it stands simply as a beautiful monument. This monument in the city of Sisian, is dedicated to those who died during the establishment of Soviet rule in Armenia. Today, locals more commonly refer to it as the "Girl's Statue." The front side bears the following inscription in Armenian: «Նրանք ընկել են Հայաստանում սովետական կարգերի հաստատման համար» (“They fell for the establishment of Soviet rule in Armenia”), along with the names of the fallen. Both sides and the back are adorned with beautiful metal bas-reliefs. According to some sources, the sculptor is Karapet Metsaturyan, though this information requires further verification. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

A true time capsule, this school, built in 1901 with the support of Gaspar Ter-Margaryan, has left an indelible mark. Unlike many abandoned buildings in Armenia, this architectural marvel remains untouched, thanks to the efforts of the locals who have preserved its rich history. Despite the school's closure in 2010, its cultural significance lives on, with hopes for restoration to transform it into a museum. < Back Exploring an abandoned school in Armenia A true time capsule, this school, built in 1901 with the support of Gaspar Ter-Margaryan, has left an indelible mark. Unlike many abandoned buildings in Armenia, this architectural marvel remains untouched, thanks to the efforts of the locals who have preserved its rich history. Despite the school's closure in 2010, its cultural significance lives on, with hopes for restoration to transform it into a museum. We are on the road again with G. Mattu, and it takes us to the best-preserved abandoned school in Armenia. This school is like a time capsule and left a lasting impression on me! A local man was working in the yard, and we asked for permission to sneak inside. It looks like an architectural marvel, but the interior impressed me even more! I did not expect to see so many things preserved inside! Usually, buildings in Armenia are looted, but not this one. The locals have preserved it well. The school was built in 1901 with the support of Gaspar Ter-Margaryan, a village resident who made his fortune by mining oil in Baku. Seryozha Margaryan, a relative of the benefactor, who himself attended this school from 1966 to 1976, says that Ter-Margaryan built similar schools in 15 to 20 villages of Syunik region. The hallway and photos of graduates on the wall! There were years when 400 students attended the school in several shifts. In the last years of its existence, the number of students in the school gradually decreased: 13 students studied in the academic year 2003-2004, 11 students in 2004-2005, 9 students in 2005-2006, and 6 students per class in 2006-2007. Today, there are no school-age children in the village, and it is not possible to reopen the school. The school finally closed in 2010 after over a century of educating Armenia’s pupils. The restoration of the school building today has purely cultural significance. The building can serve as a museum. Me in chemistry class! Even the school where I studied didn't look this sublime! It had bare walls and looked symplistic... Currently, it is on the verge of collapse and is ready to become a distant memory for those who received such high-quality education in a place with a historical backdrop. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Explore the historic Yerevan Children's Railway nestled in the picturesque Hrazdan gorge. Established in 1937, this 2.1 km railway features iconic stations like "Motherland" and "Pioneer." Discover its rich history, from its inception to present-day plans for renovation and revitalization. Experience a piece of Armenia's railway heritage. < Back The abandoned Children's Railway in Yerevan Explore the historic Yerevan Children's Railway nestled in the picturesque Hrazdan gorge. Established in 1937, this 2.1 km railway features iconic stations like "Motherland" and "Pioneer." Discover its rich history, from its inception to present-day plans for renovation and revitalization. Experience a piece of Armenia's railway heritage. Yerevan Children's Railway, located in the Kentron community of Yerevan, stretches 2.1 km along the Hrazdan gorge. Stations include "Motherland," "Pioneer," and "Happiness." Through the thick trees I can see the marvelous railway station building In 1935, the idea of creating a children's railway in Yerevan was proposed by the Minister of Railway Transport of Armenia, Babken Amatuni, and the first secretary of the CPC Central Committee, Agassi Khanjian. In 1935, the USSR state plan included the construction of the Yerevan children's railway in the 1936 annual plan. On April 22, 1936, in the city park named after Abovyan, Aghasi Khanjyan and Babken Amatuni laid the foundation stone for the "Lighthouse" station, later renamed "Motherland" station. These stained glass windows are perfect for photography Scheduled to open on November 7, 1937, the day of the October Revolution victory, the children's railway officially opened earlier on July 6, 1937, thanks to the efforts of Babken Amatun, the Minister of Railway Transport of Armenia. The chief architect of the children's railway park was Mikael Mazmanyan. The former wooden railway station building was replaced in the late 1940s by a stone building designed by architect Babken S. Hakobyan, with the last tower designed by architect Gohar Grigoryan. Another look at the railway station building In 1937, locomotive 159-434 and three passenger cars donated by the Podolsk locomotive factory were put into operation. The steam locomotive from 1937, no longer operational, is considered Armenia's oldest. It is located at the "Motherland" station. In 1959, the railway received two PAFAWAG metal passenger cars, and in 1971, the TU2-116 locomotive. Until the end of its working days, the Children's Railway operated with a TU2-096 locomotive and two passenger cars produced by the Kaluga machine-building plant in 1957. The tunnel from the "Happiness" to the "Pioneer" station was built in 1956, spanning 45 m in length. I loved these stained glass windows Previously, the station building housed private rooms for the station master and guard, a telegraph office, a health room, and a cash register. The playground featured pools of water, fountains, a reading room, a dance and sports field, a game room, kiosks, and a buffet. A statue of Stalin once stood on the hill leading from the playground to the station. Currently, the Children's Railway territory is privatized. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

During an urbex exploration in the Ararat region of Armenia, we spotted this intriguing house in the distance and couldn't resist the urge to explore its mysteries! < Back Inside Abandoned House During an urbex exploration in the Ararat region of Armenia, we spotted this intriguing house in the distance and couldn't resist the urge to explore its mysteries! Situated in Verin Artashat, along the route to the Dvin Archaeological Site, this two-story building reflects the architectural style of Armenian houses from the early 20th century. Despite its current state of decay, the house carries a unique charm, serving as a rare relic from that era. Although time has taken its toll, the remnants hint at the former grandeur of this historic dwelling. Imagine in spring when these trees blossom one can witness a fairy-tale scene! Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

A rare Soviet-era soldier’s album discovered during an urbex tour in Armenia. Photographs and hand-drawn illustrations offer an intimate look into military service, everyday life, and personal memories of a Soviet-Armenian conscript from 1981 to 1983. This is raw, uncensored micro-history—not propaganda, not official archives, but real soldier life seen from the inside. < Back A Soviet-Armenian Soldier’s Album Found During an Urbex Tour A rare Soviet-era soldier’s album discovered during an urbex tour in Armenia. Photographs and hand-drawn illustrations offer an intimate look into military service, everyday life, and personal memories of a Soviet-Armenian conscript from 1981 to 1983. This is raw, uncensored micro-history—not propaganda, not official archives, but real soldier life seen from the inside. During my urbex tours, I carefully study historic photos and documents left behind by former workers—whether in culture houses or factories. During one of these explorations, I came across a fascinating album that once belonged to a Soviet-Armenian soldier. They were often called demobilization albums (дембельский альбом). Soldiers created them during the last months of service or right after discharge. I carefully photographed every page to preserve it for future generations and to show how such personal albums once looked. On the cover, there was a photo with the inscription:«Присягу принял на Зееловских высотах, 3 июня 1979 г.» “Took the military oath at the Seelow Heights, June 3, 1979.” Each album was handmade and deeply personal. It contained photographs from his military service along with several hand-painted illustrations. Photography was limited and controlled. Printing photos wasn’t easy. Drawing filled the gaps—and also showed skill, patience, and personality. On the title page, another note read:«Память о службе. Ереван–Вапуики, 1981–1983, осень.» “In memory of service. Yerevan–Vapuiki, 1981–1983, autumn.” Further inside, I found the following inscription:«730 дней в едином строю.» “730 days in one formation.” Apart from personal photos of the album’s owner, it also included images of his fellow soldiers, as well as hand-painted drawings of girls, a soldier hugging and kissing a girl, fighter jets, and a well-known cartoon character—the Wolf from “Ну, погоди!” ( “Just You Wait!” ), the famous Soviet animated series produced by Soyuzmultfilm. On the last page, I saw a photo of Soviet Minister of Defence Dmitry Ustinov and read the following inscription: «ВВ МВД СССР». Internal Troops of the USSR Ministry of Internal Affairs. On the left page, an intriguing painting caught my eye: a train entering a military boot and bursting out of it, tearing the boot apart. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

This article takes you to one of the Soviet-era aviamodeling schools still operating in Armenia. The school has never undergone renovation and remains almost unchanged, like a time capsule—a living museum that continues to function to this day, with children still attending classes. The article also provides a brief overview of the role and purpose of aviamodeling schools in the USSR, including their development in Armenia. < Back A Visit to a Soviet-Era Aviamodeling School in Armenia This article takes you to one of the Soviet-era aviamodeling schools still operating in Armenia. The school has never undergone renovation and remains almost unchanged, like a time capsule—a living museum that continues to function to this day, with children still attending classes. The article also provides a brief overview of the role and purpose of aviamodeling schools in the USSR, including their development in Armenia. Children’s aircraft modeling (aviamodeling) in the Soviet Union was a widely developed educational and recreational movement that combined technical creativity, patriotic education, and early career orientation in aviation and engineering. It emerged as part of a broader state policy aimed at promoting science and technology among young people and played an important role in preparing future specialists for industry and defense. Specialized magazines were published, and modeling clubs operated in almost every city and town, even in very small communities. Both children and adults built aircraft models by hand and took part in city, regional, all-Union, and international competitions. Even artists were inspired by this, and it is no surprise that Boris Milovidov’s painting “Aircraft Modelers” (1934) emerged as a reflection of this movement How it started in the USSR The year 1923 marked the beginning of mass aircraft modeling in the Soviet Union. In many cities across the USSR, aircraft modeling and glider-modeling clubs and training courses were established. The first instructional brochures on aircraft modeling were published, instructor training programs were launched, and competitions for flying models were organized. In 1925, two aircraft modeling schools were formally established: one in Moscow and one in Transcaucasia. These schools were later merged into a single institution. An old photograph of Armenian children at an aviamodeling school At the end of 1952, Soviet aircraft modeling sport was incorporated into the unified system of officially recognized sports activities overseen by state authorities responsible for the development of sports in the USSR. From that point on, aircraft modelers became eligible for official honors and awards, including national championship jerseys and the titles of Master of Sports and Honored Master of Sports. In 1974, the Central Sports and Technical Club of Aircraft Modeling of DOSAAF of the USSR was established. It operated until 1992. Today, its legal successor can be considered the Moscow Aircraft Modeling Club of the Moscow City Organization of ROSTO (DOSAAF), known as MAK. The teacher, Gagik, who worked here for decades, patiently demonstrated and explained the aircraft models Several main types of models existed: • Free-flight models (gliders). • Controlled models (control-line and radio-controlled). Control-line models were often used for air combat simulations and racing. • Scale replicas of real aircraft. • Static display models (non-flying scale models). The core idea of aviamodeling was to channel children’s natural curiosity toward constructive and educational activities aligned with Soviet values. It was often described as “small aviation,” preparing young people for “big aviation.” The discipline helped develop technical literacy, engineering thinking, and practical skills essential for future work in aviation, industry, and the military. The main goals included: • Developing creativity and professional interest in engineering and aviation careers. • Providing structured and meaningful leisure activities. • Promoting aviation as a heroic and prestigious field linked to the Air Force and Civil Air Fleet. • Supporting educational outreach, including mentoring programs and the creation of clubs in rural areas. Training emphasized practice over theory. Activities included building models, basic meteorological observations, visits to airfields and factories, aviation-themed games, and public events. Popular science and children’s magazines such as Znanie – Sila, Pioner, and Murzilka published instructions, stories, and biographies of famous aircraft designers, including A. S. Yakovlev, who himself began with aircraft modeling. Aviamodeling in Armenia Aviamodeling in Armenia began to develop in April 1923 with the establishment of the “Friends of the Air Fleet” society, led by R. A. Babayan. In 1925, members of the Armenian aviamodeling group—R. Babayan, H. Dasparyan, A. Davtyan, G. Kankanyan, and M. Saakyan—won first place in an all-Union remote competition and set three all-Union records. During the 1930s, some of Armenia’s most prominent aviamodelists included twice Hero of the Soviet Union N. G. Stepanyan and Hero of the Soviet Union S. A. Burnazyan. The walls were covered with posters from a bygone era, along with aircraft models of various types After the Collapse of the Soviet Union After the collapse of the Soviet Union, aviamodeling schools across all post-Soviet countries suffered from a lack of funding and institutional support, including in Armenia. The school I visited was no exception. Although children still attend classes there, the facility feels frozen in time—a true time capsule of the Soviet era. Today, with the rapid rise of drones and digital technologies, aircraft modeling is experiencing a form of revival. Many schools are shifting toward drone operation, programming, and 3D printing. Unfortunately, this particular school has not yet undergone such a transformation. Hopefully, in the near future, local authorities will renovate and equip it with modern tools, computers, and training equipment, while preserving the traditional wooden aircraft models as part of a museum and historical exhibition. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . 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