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Learn about me (I am chess Youtuber Suren Aghabekyan) before joining my guided hiking, trekking, camping and urbex tours. Get your guide, travel and discover Armenia! Call me Suren If you are planning to travel to Armenia and looking for a local guide, then my website is for you! Armenian Explorer offers a unique opportunity to directly connect with your guide, a feature often missing on traditional travel websites. Right from the beginning, you'll know who you'll be traveling with in Armenia, a detail appreciated by many travelers! With nearly a decade of experience, I've honed my flexibility to provide you with personalized hiking trails, captivating destinations, and even off-the-map places. Feel free to reach out with your questions or to discuss upcoming events. As Gagarin said before his historic flight, "poyekhali!" (off we go). Let your Armenian exploration be the most memorable one! Education I spent many years studying Judo! In the photo I am performing Uchi Mata Yerevan State University Master's Degree in comparative literature! In 2013 I deadlifted 110kg (242 lb 5 oz) with my little finger, setting a new world record and got into Guinness Book Of World Records I am also a chess Youtuber "Chess with Suren" The tours are conducted in a Mitsubishi Pajero 4

Earlier, I dedicated several articles to destroyed bas-reliefs and statues in Armenia. These articles still attract strong interest, drive steady traffic to my website, and help bring forgotten masterpieces back into public view. Today’s article focuses on another crucial layer of Soviet monumental art: the destroyed mosaics and frescoes of Armenia. < Back Destroyed Soviet Mosaics and Frescoes in Armenia Earlier, I dedicated several articles to destroyed bas-reliefs and statues in Armenia. These articles still attract strong interest, drive steady traffic to my website, and help bring forgotten masterpieces back into public view. Today’s article focuses on another crucial layer of Soviet monumental art: the destroyed mosaics and frescoes of Armenia. Soviet mosaics, frescoes, and bas-reliefs are among the most striking visual legacies of the USSR. They transformed grey, industrial environments into open-air galleries. Their widespread presence was not accidental but the result of a deliberate state policy that combined ideological messaging with a practical solution to monotonous blank walls. Here, we must again refer to the 1955 decree “On the Elimination of Excesses in Design and Construction” (Об устранении излишеств в проектировании и строительстве), initiated by Nikita Khrushchev. Like bus stops and bas-reliefs, mosaics and frescoes became a kind of aesthetic loophole and were not classified as “architectural excess. One of the largest and finest mosaics was created in 1977 by Karapet Yeghiazaryan, Hrayr Karapetyan, Khachatur Gyulamiryán, Vaghinak Mandakuni, Aleksandr Azatyan. The architects of the building were Grigori Grigoryan and Armen Aghalyan. It decorated the façade of the USSR Institute of Telecommunications Research (ՀՍՍՀ Կապի Գիտահետազոտական ինստիտուտ). In the first half of 2023, the building was demolished and the mosaic dismantled, reportedly with plans to reinstall it after the new building is constructed. At the time of its destruction, the Beeline office was located inside the building. Photo Credits: Damien Hewetson BIG UPDATE I’m happy to share some good news and update this article. As of February 2026, the mosaic is being reinstalled on the newly built skyscraper, on the site of the previously demolished building. I have already visited the location twice to document the restoration work and take new photos. One of the key reasons for the sheer number of mosaics was a formal state requirement: 2–5% of the construction budget for any public building—factories, schools, institutes, hospitals, and even bus stops—had to be allocated to “artistic and decorative elements.” In Soviet planning, this was officially known as “Artistic-Decorative Finishing” (Художественно-декоративное оформление). The “Anahit” resort in Stepanavan once featured an impressive mosaic on the wall of its swimming pool. Although the resort still operates today, the mosaic is long gone. The Art Fund acted as a mandatory intermediary in this process. When a factory or public building was under construction, the building authority transferred the allocated “artistic percentage” to the Art Fund, which then: assigned an artist to the project; approved the sketch, ensuring ideological compliance; supplied materials such as smalt, ceramics, and cement. In Russian art history, this system is often described by the term “Sintez Iskusstv” (Синтез искусств — Synthesis of Arts): the idea that architecture and fine art should not exist separately, but merge into a single, unified expression of Soviet life. Before the modern Cascade was built, a mosaic adorned the Old Cascade Waterfall. The artist was the Armenian sculptor and Honored Artist of the Armenian SSR (1967), Derenik Danielyan. This policy created a vast and guaranteed market for artists. The Union of Artists of the USSR (Союз художников СССР) controlled the distribution of these commissions. For many artists, state orders became their main source of income, resulting in the creation of thousands of works across the Soviet Union, from Moscow to remote Siberian villages. Unlike murals, mosaics made of smalt (special colored glass) or ceramic tiles do not fade in the sun and can withstand harsh winters. Soviet authorities viewed mosaics as “art for eternity.” Yet even art meant to last forever is gradually disappearing. About frescoes... Soviet frescoes, while sharing the same ideological DNA as mosaics, occupied a different niche. If mosaics ruled the exterior, frescoes and other mural techniques dominated interiors. They adorned the foyers of Culture Houses, Culture Palaces, Pioneer Palaces, university lecture halls, and factory meeting halls. Their tone was academic and historical, focused on Soviet ideology and on the country’s history stretching back centuries, depicting key moments in its past. In Armenia, many frescoes have survived, perhaps thanks to the fact that they were created by renowned artists such as Minas Avetisyan or Hakob Hakobyan. Others, however—especially works by lesser-known or anonymous artists—have already vanished or are slowly fading away. The First Class (“Պեռվի կլաս”) restaurant at Gyumri Railway Station once featured a remarkable fresco named "Old Gyumri" by Eduard Edigaryan. A few low-quality images offer a glimpse of its original appearance. The central section of the mural portrays men dressed in traditional national costumes. In the background, the city of Leninakan is depicted, while the left and right panels of the triptych feature Armenian women turned toward the center. The door is usually kept closed; about a year ago, I asked a staff member to open it to check if the mural might be hidden behind a mirror or panel, but it appears the artwork is lost forever. From left a guest from Philadelphia, in the center Khachatur Vardparonyan, on the right Hakob Hakobyan. Image credits: Khachatur Vardparonyan (Խաչատուր Վարդպարոնյան), Facebook page. One of the finest frescoes that has not survived was painted by Khachatur Vardaparonyan and titled Rebirth («Վերածնունդ», 1979). It was located in Leninakan (present-day Gyumri) at the Sock Factory (գուլպա-նասկեղենի ֆաբրիկա), now the Millennium Restaurant. The fresco was not preserved and was destroyed in the early 2000s during renovations. The fresco discovered in Artik’s former Youth Palace in 2018 during reconstruction works. Photo credits: SHANTNEWS Initially, the fresco was thought to be the work of Khachatur Vardparonyan, but this attribution was later rejected by his grandson. It was eventually established that the author of the rediscovered fresco was Misha Sargsyan. The work was identified by his wife, Azatuhi Tadevosyan, for whom the discovery came as a complete surprise. According to her, the fresco had been painted more than 45 years earlier and had long faded from her husband’s memory. When I visited the site in 2024, I was shocked to see that the mural was gone and the building had been turned into a store selling toilets, sinks, and other plumbing fixtures. “The painting was created in 1967–1968. At that time, we had just gotten married. I suggested that he leave his signature beneath the work, but back then artists were not allowed to sign their paintings,” Azatuhi Tadevosyan told the SHANTNEWS correspondent. The Culture Palace in Vayk also featured a notable fresco, which was destroyed a few years ago. When I visited the site in 2022, the fresco was already gone, but fortunately, a local worker had a photo of it and kindly shared it with me. Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Explore Armenia’s top railway stations, both active and abandoned, each showcasing remarkable architectural design and rich history. From Yerevan’s elegant mid-20th-century hub to Gyumri’s stunning Soviet modernist masterpiece, Vanadzor’s museum-like interior, Alaverdi’s unique frescoes, and the abandoned Meghri station with its eery atmosphere, these stations tell the story of Armenia’s railways and cultural heritage. Perfect for travelers and history enthusiasts, this guide highlights the beauty, artistry, and significance behind each remarkable station. < Back Top Railway Stations to See in Armenia Explore Armenia’s top railway stations, both active and abandoned, each showcasing remarkable architectural design and rich history. From Yerevan’s elegant mid-20th-century hub to Gyumri’s stunning Soviet modernist masterpiece, Vanadzor’s museum-like interior, Alaverdi’s unique frescoes, and the abandoned Meghri station with its eery atmosphere, these stations tell the story of Armenia’s railways and cultural heritage. Perfect for travelers and history enthusiasts, this guide highlights the beauty, artistry, and significance behind each remarkable station. Yerevan Railway Station Construction of the current Yerevan Railway Station on David of Sasun Square began in 1952 and was completed in 1955. The station opened on July 22, 1956, designed by architect Edmond Tigranyan. Inside Yerevan Railway Station Originally, the building was meant to feature a gilded dome, but it opened without one. The dome was added years later, completing the architect’s original vision. The railway station is an architectural marvel, impressing visitors both inside and out. Gyumri Railway Station Gyumri Railway Station is the oldest railway station in Armenia and serves as the main transport hub of the city of Gyumri. Established in 1897, the first train journeyed from Tbilisi to Alexandrapol (now Gyumri) on February 7, 1899, at 12:00 PM, linking the largest city of the Yerevan province to the wider region. The current station building, constructed between 1974 and 1979, was designed by architect Rafik Yeghoyan. The station stands as one of Gyumri’s finest examples of Soviet modernist architecture, distinguished by its striking design and artistic details. The façade is decorated with a monumental bas-relief, while the central dome, measuring 18 meters in diameter, is adorned with intricate stained glass in vivid colors, supported by intersecting arches designed by the renowned artist Hovhannes Madoyan. A 30-meter-high tower on the left side houses a clock decorated with gilded zodiac signs, adding to the building’s unique and iconic presence. Vanadzor Railway Station Vanadzor Railway Station is another important transport hub located on the strategic Gyumri–Ayrum electrified single-track line. About 20 years ago, there were plans to build a branch line from Vanadzor to Fioletovo Station, but the project was never realized. Inside Vanadzor Railway Station Architecturally, the station is impressive, with an interior that resembles a museum, featuring a map of Soviet railroads and an authentic historical atmosphere. The station was built in 1976 based on a design by Kabgiprotrans . Construction was carried out by Assembly Train No. 307 of the Armtransstroy trust. The project architect was G. D. Modzminashvili , and the site engineer in charge was G. B. Dodoryan . Alaverdi Railway Station Located on the left bank of the Debed River in Lori Province, Alaverdi Railway Station opened in 1899. The current building dates from the 1940s–1950s and comprises a three-story main hall, two platforms, and five tracks. Passenger trains no longer stop here since 2011, though access can be arranged with the on-duty staff. Inside Alaverdi Railway Station The station is renowned for its frescoes in the waiting hall, painted in the early 1960s by Rudolf Khachatryan (1937–2007). These are his only known monumental works, depicting characters from Hovhannes Tumanyan’s stories, the miners’ revolt during the Bolshevik Revolution, and a proud foundry worker against the backdrop of Alaverdi copper factory and surrounding mountains. The abandoned Meghri Railway Station The Meghri–Nakhichevan-Yerevan railway line, including the Meghri station, was opened in the autumn of 1943, during World War II. It was built to support industrial freight transport and to connect southern parts of Armenia with the wider Soviet rail network. It soon became a vital alternative to the long and difficult highway connecting Yerevan and Meghri. The Yerevan–Baku line ran from Yerevan through Nakhichevan, Meghri, and Kapan to Baku, with about 40 kilometers along Armenia’s southern border near Iran. Meghri station was rebuilt in the 1960s, and by the 1970s, 20–23 trains with over 50 wagons each passed daily. After the Soviet Union collapsed and the Artsakh liberation war began, freight wagons from Meghri via Nakhichevan could no longer reach Yerevan. The station ceased operations, with the last train passing on the night of April 23, 1992. Yerevan Children's Railwa y Until now, I had only recommended train stations that are operational or were once in use. But I couldn’t resist adding one more — not a transportation hub, but a children’s attraction: the Yerevan Children’s Railway. Nestled in Yerevan’s Hrazdan Gorge, this abandoned railway is a poignant reminder of Soviet-era Armenia. Built in 1937, it once delighted generations with its charming trains and stations named Motherland , Pioneer , and Happiness . The chief architect of the children’s railway park was Mikael Mazmanyan. The original wooden station building was replaced in the late 1940s by a stone structure designed by Babken S. Hakobyan, with the final tower designed by Gohar Grigoryan. Although now privatized and quiet, echoes of its past glory linger everywhere. For those who appreciate forgotten sites rich in history and atmosphere, this location comes highly recommended. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

While exploring abandoned buildings in Armenia, we discovered a looted institute with two striking bas-reliefs and remnants of research on livestock and animal nutrition. This site once played a vital role in advancing Armenia's livestock industry, focusing on animal quality and forage production. < Back Exploring the Abandoned Armenian Scientific Institute of Livestock Breeding and Forage Production While exploring abandoned buildings in Armenia, we discovered a looted institute with two striking bas-reliefs and remnants of research on livestock and animal nutrition. This site once played a vital role in advancing Armenia's livestock industry, focusing on animal quality and forage production. While exploring abandoned buildings in Armenia with G. Mattu, we spotted a large bas-relief in the distance. I had previously seen this bas-relief online but had no idea of its location. Access to the building was straightforward, so we decided to enter. Inside, we encountered an impressive bas-relief featuring thematic images that aligned with the institution's activities. The facade of the building was decorating a nice bas-relief The site had been looted; the library was devoid of books, and most rooms were nearly empty of furniture. However, some bulletin boards remained, showcasing photographs and informational texts related to pigs, poultry farming, animal nutrition, forage, and sheep breeding. These remnants provided insight into the research fields once pursued at the institute. An old educational display related to a specific breed of sheep I believe the institute likely played a crucial role in enhancing Armenia's livestock industry, focusing on both the quality of the animals and the availability of their feed. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

In this article, you will learn about the cemetery of German war prisoners in the Slabotka district of Gyumri, where their memory is honored by visitors from Armenia, Germany, and beyond. < Back The Cemetery of German POWs in Gyumri In this article, you will learn about the cemetery of German war prisoners in the Slabotka district of Gyumri, where their memory is honored by visitors from Armenia, Germany, and beyond. During and after World War II, thousands of German prisoners of war were transported to Armenia, where they participated in various labor projects. The total number of prisoners of war in Armenia amounted to around 16,160. Among them was the renowned Austrian zoologist, ethologist, and ornithologist Konrad Lorenz, who later shared the 1973 Nobel Prize in Physiology or Medicine with Nikolaas Tinbergen and Karl von Frisch. I previously wrote an article titled " Konrad Lorenz's Life as a Prisoner of War in Armenia "—feel free to check it out! As in other parts of Armenia, in Gyumri—known as Leninakan during Soviet times—German prisoners of war primarily worked on construction projects in the "Nor Avan" neighborhood. Their labor was also used for road building, and it was these prisoners who laid the stone-paved streets that still adorn the city center today. Sadly, many of these prisoners did not survive long enough to return to their homeland and passed away in Armenia. Today, several cemeteries in Armenia remain preserved where these prisoners were buried. One such cemetery is located in the "Slabotka" district of Gyumri, next to the former prison. Here, 369 German prisoners of war are buried. From time to time, German tourists visit this site to pay their respects to their compatriots. Modest crosses can be seen covering the cemetery, along with an information board and an inscription in German and Russian: 'Here lie the prisoners of war—victims of the Second World War.'" Years ago, the graves were numbered to help relatives from Germany locate the resting places of their loved ones. In the 1970s, the body of a German colonel was taken back to Germany by his family. According to some accounts, one of the former prisoners, after returning to Germany, provided financial support to help establish this cemetery for his fellow countrymen. The cemetery was maintained until the 1988 earthquake. Before the earthquake, the cemetery caretaker was a man named Spiridon. Despite having fought in the Great Patriotic War and being wounded by Germans, Spiridon took care of the prisoners' cemetery and ensured its upkeep. Neighbors testify that after Spiridon's passing, no one has taken over the responsibility of looking after the cemetery. When I visited the cemetery, it looked neat and well-preserved. From the top of the hillside where it's located, there was a beautiful view opening up toward the city of Gyumri. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

This is a story of one Armenian statue on the Yerevan-Sevan highway, and how it found fame through a Vogue photoshoot with model Jerry Hall. < Back Armenian Statue "Arshaluys" In Vogue Magazine This is a story of one Armenian statue on the Yerevan-Sevan highway, and how it found fame through a Vogue photoshoot with model Jerry Hall. On the Yerevan-Sevan highway stands a magnificent statue known as "Arshaluys” but passengers passing by at a high speed mostly overlook it! Alas, this is a highly esteemed statue crafted by renowned Armenian artist Ara Harutyunyan and erected in 1963. Ara Harutyunyan with the scale model of "Arshaluys" statue The statue gained fame after Norman Parkinson captured the photograph of Jerry Hall standing on it. This photo was later featured in Vogue magazine. In 1982, the same photo was republished in Sunday Times Magazine, this time in color. Here is the story: In 1975, the British Vogue team embarked on their first visit to the Soviet Union, including Central Asia and Soviet Armenia. The team consisted of five members: the renowned British fashion photographer and royal photographer Norman Parkinson, along with magazine models Jerry Hall, Grace Coddington, Wenda Parkinson (Norman Parkinson's wife), and makeup artist German Monteil. "Arshaluys" on the cover of a magazine "Soviet Art" 1965 (4) Norman Parkinson, known for his refined artistic taste, was captivated by Harutyunyan's sculpture, "Arshaluys," located on the Yerevan-Sevan highway. He couldn't miss the opportunity and decided to photograph model Jerry Hall near Ara Harutyunyan's "Arshaluys" sculpture. Parkinson photographed Jerry Hall in a red swimsuit. Thus, Ara Harutyunyan's work and the American model Jerry Hall were immortalized in a single photograph. At that time, Hall was only 19 years old, but managed to appear 40 times on the pages of Vogue magazine and achieved great success not only in fashion, but also in film industry. That same year, in 1975, the photograph was featured in Vogue magazine, and in 1982, in Sunday Times Magazine, as one of Parkinson's finest works. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Inside an abandoned textile factory in Armenia, I stumbled upon something unexpected: rows of old computers, a large auditorium, and a Soviet mosaic. While I'm usually drawn to monumental Soviet art, this time the computers completely stole the show. They looked like nothing I'd ever seen before—and strangely, even a Google image search didn’t turn up anything similar. < Back The Forgotten Computers of a Soviet-Era Factory Inside an abandoned textile factory in Armenia, I stumbled upon something unexpected: rows of old computers, a large auditorium, and a Soviet mosaic. While I'm usually drawn to monumental Soviet art, this time the computers completely stole the show. They looked like nothing I'd ever seen before—and strangely, even a Google image search didn’t turn up anything similar. Curious, I dug deeper. I ran a DeepSearch with Grok and asked around in the Reddit community r/vintagecomputers. Here’s what I found out: What Were These Mysterious Computers? The machines are labeled "AM-5" and were likely produced by Gerber Technology , a U.S. company known for CAD (Computer-Aided Design) and CAM (Computer-Aided Manufacturing) systems, especially for the garment industry . They were used from the late 1980s for tasks like pattern design , grading , and automated fabric cutting . Since the factory they were found in used to produce textiles, the match fits perfectly. Evidence points to the computers being manufactured in Germany , at Gerber's European branch— Gerber Technology GmbH in Ismaning, Germany. Why It Matters In the 1980s, companies like Gerber were revolutionizing how clothes were made. Their computers streamlined the process—digitally creating patterns, optimizing fabric usage, and even controlling cutting machines. These “AM-5” systems were likely part of that wave of innovation, quietly sitting in Armenia, forgotten by history. After stepping out of the computer room one can see a wonderful mosaic by Vanik Manukyan These machines, echoes of the past, are part of a larger narrative—where fashion and automation converged during the final years of the Soviet Union. Final Thoughts It’s frustrating how few people recognize the value of preserving relics like these. Old computers, military bunkers, carpet-weaving machines, thread spinners, watch-making tools—they’re all part of our industrial and cultural heritage. With the right approach, they could fuel niche tourism and spark real curiosity. But sadly, most are being looted or scrapped long before anyone realizes their worth. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

The Northern Bus Station, located on the outskirts of Yerevan towards Abovyan, is a masterpiece of regional modernism designed by Armen Aghalyan and Vardan Avetisyan. Despite its damaged roof and half-empty state, this 1988 architectural gem continues to attract architecture and photography enthusiasts. Discover its unique blend of historical and modern design. < Back A Visit to the Northern Bus Station The Northern Bus Station, located on the outskirts of Yerevan towards Abovyan, is a masterpiece of regional modernism designed by Armen Aghalyan and Vardan Avetisyan. Despite its damaged roof and half-empty state, this 1988 architectural gem continues to attract architecture and photography enthusiasts. Discover its unique blend of historical and modern design. The Northern Bus Station is located on the outskirts of Yerevan, towards Abovyan. Minivans depart from here to Sevan, Dilijan, Ijevan, and Noyemberyan. Tickets are sold at the station's ticket office. The station was designed by Armenian architects Armen Aghalyan and Vardan Avetisyan in the style of regional modernism. It opened in 1988, but the subsequent earthquake, the collapse of the Soviet Union, and the war in Karabakh diminished the building's charm and importance. The facade of the building Today, despite the damaged roof, which leaks water, and the half-empty building, it still attracts those interested in architecture and photography. The façade features a prominent tower that immediately catches the eye and has become a characteristic feature of the building, reminiscent of ancient Armenian fortresses. This is a beautiful example of combining historical architecture with modernism. I fell in love with the interior design The most beautiful part of the building is, of course, the interior. Large windows allow natural light to flood in, giving the building a modern design. The well-designed stairs add extra charm to the structure. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Once again, I find myself on an urbex mission. This article serves as a brief reflection on my exploration of the abandoned thermal power plant. It marked my inaugural experience inside such a structure, leaving me profoundly impressed. < Back Exploring an Abandoned Thermal Power Plant Once again, I find myself on an urbex mission. This article serves as a brief reflection on my exploration of the abandoned thermal power plant. It marked my inaugural experience inside such a structure, leaving me profoundly impressed. The Yerevan Thermal Power Plant (CHP) was commissioned in 1963 and initially operated on coal. Following subsequent modernizations, it transitioned to natural gas, rendering the old cooling towers obsolete. The cooling towers are creating an apocalyptic backdrop Currently, only four cooling towers remain, as two were dismantled between 2011 and 2012. Constructed from reinforced concrete with wooden decking, these cooling towers possess an epic aesthetic that appeals to urban photographers. A look at the sky while standing inside the cooling tower A rusty staircase provides access to the upper levels. As of spring 2024, the entrances to 3 cooling towers were locked, with only one tower accessible. Nearby structures, potentially control rooms, were not explored during this visit. Although there is security at the checkpoint, fortunately, there was no encounter with them on that particular day. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

In this article, I want to introduce another abandoned sanatorium that conceals beautiful ceramic bas-reliefs and a mesmerizing interior design. Out of caution, I won’t share exterior photos — not because I don’t have them, but because I don’t want to make the location too easy to find. In recent years, several heritage sites have suffered vandalism after being popularized online, often by attention-seeking TikTokers. A small request to fellow explorers: if you discover new places, share them responsibly. Publish photos in a way that doesn’t reveal exact locations, so that future urbexers can also experience these treasures. < Back A Soviet-era sanatorium with forgotten masterpieces In this article, I want to introduce another abandoned sanatorium that conceals beautiful ceramic bas-reliefs and a mesmerizing interior design. Out of caution, I won’t share exterior photos — not because I don’t have them, but because I don’t want to make the location too easy to find. In recent years, several heritage sites have suffered vandalism after being popularized online, often by attention-seeking TikTokers. A small request to fellow explorers: if you discover new places, share them responsibly. Publish photos in a way that doesn’t reveal exact locations, so that future urbexers can also experience these treasures. This sanatorium was specifically built for the workers of a cable-producing factory. Architecturally, it resembles a fortress, featuring bold geometric forms, tower-like structures, striking staircases, and an overall sense of solidity and permanence. The interior, however, is no less striking. Despite being out of use for decades, the building has remained in relatively good condition thanks to security on site. Inside, the ceilings, chandeliers, and ceramic bas-reliefs leave a lasting impression. Among these, two ceramic bas-reliefs stood out to me as true masterpieces This one depicts a plough pulled by oxen beneath a shining sun. Below, a bundle of wheat and a goat’s head appear — ancient symbols deeply rooted in Armenian tradition. The goat’s head, in particular, has been revered for centuries and is one of the most frequently encountered motifs in Armenian petroglyphs. In the right corner of the panel, ears of wheat and a jar add to the agricultural theme, while at the center a decorative ornament recalls the intricate patterns of Armenian stone carving. The other ceramic bas-relief also left a strong impression on me. At its center is the Armenian eternity symbol, while the sun shines at the top. In the upper left corner, a fisherman is casting his net, and in the upper right corner stands an Armenian church. The lower left panel depicts a ship, whereas the lower right panel shows a fish with a star above its head. For me, these bas-reliefs were more than mere decorations; they served as a reminder of how art, history, and daily life were once intertwined — even in a sanatorium originally built for factory workers. Very often I refrain from mentioning the architect’s name in my articles, since it makes the location too easy to identify. This time as well, I won’t publish it. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Since my earlier post about the abandoned plane located in Ashtarak generated significant interest, with many using my article as a guide to visit that location, here's another post dedicated to an abandoned plane. This time, we are heading to the shore of Tsovinar Lake to see an abandoned Tu-134 plane. < Back Another Abandoned Plane in Armenia Since my earlier post about the abandoned plane located in Ashtarak generated significant interest, with many using my article as a guide to visit that location, here's another post dedicated to an abandoned plane. This time, we are heading to the shore of Tsovinar Lake to see an abandoned Tu-134 plane. The Tu-134 was a Soviet passenger aircraft designed for short and medium-haul flights, developed in the early 1960s. These models were mass-produced from 1965 to 1984 at the Kharkov Aviation Production Association. This particular Tu-134 was produced on October 22, 1970, and entered service on December 4, 1970. The operator of Tu-134A USSR-65657 (0351103) was the Armenian Civil Aviation Administration. An aerial photo of Tu-134A plane On June 17, 1983, during a flight from Lviv to Yerevan, the plane was caught in a storm over the Gali region of Abkhazia. Although the plane landed safely, it exceeded the permissible overload limits (reaching up to +3.05G / -0.65G) and was subsequently taken out of service. The plane was decommissioned on July 10, 1984, due to this incident. When visiting this place to see the plane, I recommend also visiting the Tsovinar monument on the other side of the lake After its decommissioning, the aircraft was used as an object for simulating plane fires at Zvartnots Airport in Yerevan. In 1986, it was used for ground tests in connection with the fire of Tu-134AK USSR-65120. The remains of the aircraft were moved to the shore of the Hrazdan Reservoir sometime in 2023. Unfortunately, still I have no information about where it was located before that! You can find the plane's coordinates on my Telegram channel: https://t.me/armenianexplorer_ru/27 I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Soviet-era mosaics in Armenia are remarkable relics that offer a vivid glimpse into the country’s artistic and cultural heritage. Created mostly in the second half of the mid-20th century, these intricate works of art reflect the social, political, and ideological narratives of the time. Today, they stand as vibrant testimonies to a complex past, blending traditional Armenian motifs with Soviet symbolism. < Back Soviet mosaics in Armenia Soviet-era mosaics in Armenia are remarkable relics that offer a vivid glimpse into the country’s artistic and cultural heritage. Created mostly in the second half of the mid-20th century, these intricate works of art reflect the social, political, and ideological narratives of the time. Today, they stand as vibrant testimonies to a complex past, blending traditional Armenian motifs with Soviet symbolism. Armenian Soviet mosaics are distinguished by their unique blend of local and Soviet styles. Artists employed traditional Armenian patterns and themes, often featuring folkloric elements and historical references. These were interwoven with Soviet iconography, including depictions of workers, farmers, scientists, and cosmonauts, symbolizing the progress and industrial prowess of the USSR. Here are several mosaics, the coordinates of which I won't disclose on purpose, to awaken the explorer inside you and encourage your own discovery! Here is a mosaic in an abandoned hotel in Armenia. The Birth of Astghik by Garnik Smbatyan (1982) Astghik was the goddess of water, love, and beauty in ancient Armenian mythology. The creation of these mosaics involved meticulous craftsmanship. Artists used a variety of materials, including colored glass, ceramic tiles, and stones. The vibrant colors and durability of these materials ensured that the mosaics would withstand the test of time, maintaining their splendor for decades. Karen Aghamyan's "Progress", 1983 Karen Aghamyan's "Progress" mosaic, created in 1983, is another uniquely futuristic piece that I adore. It features an astronaut in a spacesuit floating in space. The second figure resembles Leonardo da Vinci's Vitruvian Man, blending human anatomy with geometric perfection. The third part portrays a naked male figure with arms and wings outstretched, seemingly levitating in the air. A mosaic on the facade of fomer "Vaspurakan" restaurant The mosaics were often large-scale, covering the walls of public buildings, factories, and cultural institutions. Their grand size and prominent placement were intended to inspire and educate the public, serving as daily reminders of the Soviet ideals and the collective Armenian identity. Mosaics or frescoes with cosmic themes are my favorite, though! In this case, it is really difficult to take a proper photo since, when you stand in front of the building, the trees block the view. This mosaic artwork, titled "Flight," was created by Zohrap Mirzoyan in collaboration with Edvard Karsyan and Karapet Shekhian between 1984 and 1986 Along the Yerevan–Sevan highway stands a magnificent mosaic, but passengers speeding past rarely pay it any attention. The mosaic depicts the statue of David of Sassoun by Ervand Kochar and the Government Building designed by Alexander Tamanyan. Once, a metal key stood to the right of the mosaic, but it didn’t withstand the test of time. Today, the mosaic is in a depressing state and is gradually fading away. In modern days, with the rapidly growing urbex community and the influence of social networks, these mosaics are experiencing a resurgence, attracting photographers from around the world. Their vibrant colors and historical significance make them perfect subjects for capturing the interplay of art and history. Exploring these mosaics not only provides a visual feast but also connects us to the rich cultural and political tapestry of the past. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next