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- Exploring a Giant Thread Factory | Armenian Explorer
Discover the history and nostalgia of a giant Soviet-era thread factory, where original machinery and rare Armenian safety posters remain intact. Experience the thrill of seeing the machines in action and explore parts of the factory that have been modernized in recent years. < Back Exploring a Giant Thread Factory Discover the history and nostalgia of a giant Soviet-era thread factory, where original machinery and rare Armenian safety posters remain intact. Experience the thrill of seeing the machines in action and explore parts of the factory that have been modernized in recent years. This giant thread factory is a fascinating time capsule, offering a journey back to the Soviet era when heavy machinery transformed wool into thread. What stands out is that everything remains in place; unlike many other factories, nothing here has been looted, which is quite surprising. Me posing for a photo while standing between thread making machines... The good news is that some parts we didn't enter have been relaunched and modernized in recent years. Moreover, the guard who showed us around pressed a button, and the machines started working. It was an incredible sight—I could never have expected such functionality from these rusty machines. Inside, we saw numerous Soviet safety posters, many with rare Armenian inscriptions, adding to the historical charm of the site. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next
- Exploring An Abandoned Factory In Armenia | Armenian Explorer
While exploring abandoned buildings in Armenia, we entered this factory where we saw a fresco of Lenin, many rusty buses, and picturesque posters on 'Civil Defense' and 'Road Safety Rules'! Urbexing in Armenia can reveal lots of interesting stuff about the country's rich industrial history! < Back Exploring An Abandoned Factory In Armenia While exploring abandoned buildings in Armenia, we entered this factory where we saw a fresco of Lenin, many rusty buses, and picturesque posters on 'Civil Defense' and 'Road Safety Rules'! Urbexing in Armenia can reveal lots of interesting stuff about the country's rich industrial history! In the northern part of Armenia, we explored an abandoned factory that held a lot of interesting surprises! G. Mattu had some vague information about it, and we decided to check it out. Access was easy; we parked the car nearby, hopped over a boom barrier, and entered the territory. Near the building's entrance, there was a chair and a coffee cup, giving me the impression that we might encounter someone, but in the end, we met no one. We walked up the stairs which led to a large fresco of Lenin. At the time we thought this is the only survived fresco of Lenin in Armenia but a year later G. Mattu found another one! After capturing some photos, we continued exploring and entered a hall filled with old buses. We spent some time taking pictures before moving forward. Always love seeing cars painted yellow! This yellow Ikarus bus caught my eye instantly... Another room awaited us, adorned with posters on 'Road Safety Rules' and 'Civil Defense.' This led to that room full of posters... In Soviet Union civil defense measures were first held during the repulsion of the German attack on Petrograd in February - March 1918. On March 3, 1918, the Committee of Revolutionary Defense of Petrograd appealed to the population of Petrograd and its environs, where they brought to them the basic requirements of air defense and chemical protection. It uses the principles of emergency operations: prevention, mitigation, preparation, response, or emergency evacuation and recovery. On how to use a gas mask correctly! Together with radio and newspapers, posters in the Soviet Union were means of agitation and propaganda, influencing the consciousness and mood of people in order to encourage them to political or other activities. These posters are typically works of fine art and reflect elements of Soviet cultural heritage. In this case we have posters on "Road Safety" which I personally liked a lot! G. Mattu is exploring "Road Safety" posters! I took as many photos as possible to share with you. All in all, this abandoned factory turned out to be an interesting place to explore, and I hope we can return there together! Join my guided tour by contacting me! Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next
- ROT54 or the Herouni Mirror Radio Telescope | Armenian Explorer
Explore the Herouni United Space Center, located in the picturesque village of Orgov, Armenia. At the heart of this serene landscape lies the iconic Radio-Optical Telescope, an engineering marvel by Paris Herouni that promises to leave a lasting impression. Additionally, uncover the story of Arev, a groundbreaking solar thermal power station designed by Herouni during Armenia's 1990s energy crisis. This abandoned site stands as a captivating testament to Armenia's Soviet-era scientific legacy and serves as a highlight of my urban explorer tours. < Back ROT54 or the Herouni Mirror Radio Telescope Explore the Herouni United Space Center, located in the picturesque village of Orgov, Armenia. At the heart of this serene landscape lies the iconic Radio-Optical Telescope, an engineering marvel by Paris Herouni that promises to leave a lasting impression. Additionally, uncover the story of Arev, a groundbreaking solar thermal power station designed by Herouni during Armenia's 1990s energy crisis. This abandoned site stands as a captivating testament to Armenia's Soviet-era scientific legacy and serves as a highlight of my urban explorer tours. ROT54 telescope is located in Orgov village, Armenia, at an elevation of around 1700m. The person behind this space center is the Armenian scientist Paris Herouni, who struggled for 17 years to obtain permission from Soviet authorities to build this observatory in Armenia instead of Crimea. Herouni Mirror Radio Telescope (Зеркальный радиотелескоп геруни) Patent No. 1377941 Image credits: База патентов СССР (USSR Patent Database) Herouni was known for his innovative approach to radio engineering and his dedication to advancing scientific knowledge in Armenia. Over his career, he published around 353 scientific works, including 248 papers, four monographs, and 25 patents. He was also a passionate science communicator, frequently appearing in newspapers, magazines, radio, and television, with media coverage about him spanning the USSR, Russia, Armenia, USA, France, and Italy. Herouni United Space Center as seen from Tegher Monastery Among Herouni’s many projects, the most famous is the First Radio-Optical Telescope (ROT-54/2.6) - a large antenna with a diameter of 54 m (177 ft), boasting one of the best parameters among all large antennas in the world. Aerial photo of ROT54 telescope Constructed between 1975 and 1985, the telescope was active from 1986 to 1990 before ceasing operations around 1990. In the mid-1990s, there was a proposal for the restoration of the telescope. Between 1995 and 2010, it underwent modernization with new control computers and feeds, and observations resumed in collaboration with the Astronomical Society of Russia and the National Technical University of Athens. Me sitting in the control room of ROT-54 However, in 2012, the operations ceased again when a control arm failed, immobilizing the secondary mirror. The Armenian state couldn't cover the cost of repairs, leading to the mothballing of the research complex. Future operation requires further upgrades to the control systems, comprehensive adjustments, replacement of outdated analog sensors with digital ones, and modernization of the data processing systems. According to experts, these upgrades will cost approximately $25 million. Arev unfinished solar thermal power station designed by Paris Herouni Arev is an unfinished solar thermal power station designed by Paris Herouni in close proximity to ROT54. In the 1990s, the energy crisis in Armenia and the country’s blockade prompted Paris Herouni to develop and create efficient solar energy systems. In 1991, he presented his "Arev" thermal power plant project, which was protected by 7 international and 2 Armenian copyright patents, proving to be more efficient than other similar international projects. It gained attention from large international organizations and developed countries; however, disputes among investors and Herouni put an end to its further construction. Today, this place attracts tourists from around the world. For urban explorers visiting Armenia, this place is a must-visit! An aerial view of Herouni Mirror Radio Telescope Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next
- Exploring an abandoned Soviet culture house | Armenian Explorer
This abandoned Soviet Culture House in Armenia, with its crumbling facade, ghostly interiors and magnificent frescoes serves as a poignant reminder of a chapter in history that has shaped the collective memory of our nation. Today, this site is featured as a key destination in my urban explorer tours in Armenia. < Back Exploring an abandoned Soviet culture house This abandoned Soviet Culture House in Armenia, with its crumbling facade, ghostly interiors and magnificent frescoes serves as a poignant reminder of a chapter in history that has shaped the collective memory of our nation. Today, this site is featured as a key destination in my urban explorer tours in Armenia. Finally, we are on the way! Despite the rainy day, we proceeded to explore this culture house from Soviet times. It has some of the best frescoes one can see in Armenia. Inside, you can find amazing frescoes by the renowned Armenian artist Tigran Tokmajyan! I am lighting the fresco of Tigran Tokmajyan to capture a higher quality photo It depicts various historical periods of the Armenian nation — from Hayk Nahapet's liberating war against Bel's army to the invention of the Armenian alphabet and the heroic battles of Armenian fedayis in the beginning of the 20th century! To the culture house Photographers, urban explorers, and history enthusiasts can definitely appreciate this place! Join my guided tours to explore the "abandoned side" of Armenia! Hope that efforts to preserve the legacy of this culture house will gain momentum some day! Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next
- Inside a Cold War-Era Soviet Bunker Hidden in Armenia | Armenian Explorer
Deep beneath the forests of Armenia, I explored an abandoned Soviet bunker — frozen in time. Built during the Cold War to withstand a potential nuclear strike, it now lies silent, rusting, and eerie. Once a highly classified location, it's been forgotten by time, drawing in urban explorers and military history enthusiasts alike. < Back Inside a Cold War-Era Soviet Bunker Hidden in Armenia Deep beneath the forests of Armenia, I explored an abandoned Soviet bunker — frozen in time. Built during the Cold War to withstand a potential nuclear strike, it now lies silent, rusting, and eerie. Once a highly classified location, it's been forgotten by time, drawing in urban explorers and military history enthusiasts alike. The Cold War (1947–1991) was an era defined by global tension between the Soviet Union and the United States. Amid fears of nuclear conflict, the USSR constructed thousands of bunkers across its territory for command centers, communication hubs, and strategic shelters. The Caucasus region — and Armenia in particular — was considered a potential frontline due to Turkey’s NATO membership and long-standing geopolitical tensions. Would you dare to descend the rusty metal stairs of this hatch? Soviet military strategy in Armenia focused on fortifying the southern borders and countering Western influence. From 1946 to 1992, Armenia hosted key military units such as the 7th Guards Army, based in Yerevan, including the 127th Motor Rifle Division. This legacy continues today in the form of the Russian 102nd Military Base in Gyumri. Long corridors were intercepting creating a creepy maze A rugged off-road trail led us to the foot of a mountain, where, hidden among the trees, the entrance to the bunker emerged. Stepping inside, we found ourselves in a dim, narrow corridor that quickly turned into a disorienting maze. At one point, I genuinely feared I might not find my way back out. The layout was surprisingly complex, with multiple access points and even a vertical hatch connecting different levels — likely designed for covert movement and added security. The bunker lacked the large chambers typically used for weapons storage or troop accommodation. Its remote forest location further suggests it was never intended for civilian use. Given its compact yet complex layout, it was most likely designed for military command and control, possibly serving as a backup headquarters or a secure communication link between different units in the event of war. To my surprise, one of the massive steel doors still worked flawlessly — despite its weight, it swung open smoothly on its original hinges. Inside, the bunker was stripped bare, with only cold concrete walls remaining. And yet, the atmosphere was unforgettable — heavy with silence, history, and the ghost of a vanished empire. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next
- Soviet modernist buildings in Armenia | Armenian Explorer
Armenia, a country with a rich history and diverse cultural heritage, boasts an intriguing blend of architectural styles. Among these, the Soviet modernist buildings stand out as bold expressions of a unique period in the nation's architectural and political history. Constructed primarily during the second half of 20th century, these structures reflect the ideals and aesthetics of Soviet modernism, which sought to combine functionality with innovative design. < Back Soviet modernist buildings in Armenia Armenia, a country with a rich history and diverse cultural heritage, boasts an intriguing blend of architectural styles. Among these, the Soviet modernist buildings stand out as bold expressions of a unique period in the nation's architectural and political history. Constructed primarily during the second half of 20th century, these structures reflect the ideals and aesthetics of Soviet modernism, which sought to combine functionality with innovative design. The Rise of Soviet Modernism in Armenia Soviet modernism emerged as a dominant architectural style across the Soviet Union from the 1950s to the 1980s. It sought to depart from the heavy, colonnaded, ornate, and elaborate styles of the past, embracing simplicity, geometric forms, and innovative construction technologies. These buildings, appearing to hang in the air, defied gravity and created an impression of precariousness, as if they might collapse at any moment. Key Characteristics Soviet modernist buildings in Armenia are characterized by their clean lines, minimalist aesthetics, and innovative use of materials like concrete, steel and glass. These structures often feature: Geometric Shapes: Buildings are designed with bold, geometric forms that create a striking visual impact. Functional Design: Emphasis is placed on practicality and functionality, with spaces designed to serve specific purposes efficiently. Use of Concrete: Concrete is a predominant material, allowing for large-scale constructions and intricate designs. Use of glass: Large windows, often round in shape, began to be used extensively, leading some detractors to derisively refer to them as "aquariums." Sevan Writers’ House Located on the Sevan Peninsula by Lake Sevan, the Sevan Writers' House is a notable example of Soviet-era modernist architecture that continues to captivate tourists from around the world. Constructed from concrete, it comprises two separate structures: the Residence Hall and the Lounge Building, both built at different times during the Soviet period. The Residence Hall, designed by Gevorg Kochar and Mikayel Mazmanyan, was initially conceptualized in 1932 and completed in 1935. In 1963, Kochar was tasked with reconstructing and extending the resort. He added an additional floor and a wide terrace to the Residence Hall, enhancing the original design. During the reconstruction, Kochar also designed the new Lounge Building. Though stylistically different from the Residence Hall, the two buildings form a harmonious ensemble with the natural landscape and the medieval Sevan Monastery churches on the peninsula. Together, they represent an iconic example of post-Stalin modernist Soviet architecture. Yeritasardakan Metro Station Yeritasardakan ("Youth") Metro Station opened its doors on March 7, 1981. Strategically located with an exit on Isahakyan Street, the station provides convenient access to Teryan and Abovyan Streets, several of Yerevan's higher education institutions, and the Circular Park. The architect is Stepan Kyurkchyan, the designer is I. Manucharyan. The station's above-ground structure is renowned for its unique design. A wide, glass-covered tube extends from the building at an angle, resembling an object emerging from the ground especially when viewed from behind. This architectural feature allows passengers ascending the escalator to see sunlight and sky, enhancing the travel experience. Yeritasardakan Metro Station's distinctive design is unparalleled in Armenia. Yerevan Polytechnic Institute (now National Polytechnic University of Armenia) The National Polytechnic University of Armenia, designed by Armen Aghalyan and built in 1975, exemplifies notable elements of modernized traditional motifs. The building features a striking white façade characterized by a repetitive pattern of circular and floral motifs set within a grid-like structure, constructed from prefabricated modules. Prominently featured circular windows enhance the building's unique appearance. The lower and upper portions of the structure are constructed of tuff stone, with a significant bas-relief decorating the entrance, adding to the building's architectural and cultural significance. 'VDNKh' Complex, the Pavilion of Industry, Yerevan The pavilion at the VDNKh (Exhibition of Achievements of National Economy) in Yerevan, designed by Jim Torosyan, Levon Gevorgyan, and R. Manukyan in 1960. The building features a large, curved roof that resembles a dome, creating a spacious and open interior. The front of the pavilion is characterized by extensive glass walls, allowing natural light to flood the space and providing a clear view of the interior from the outside. This architectural style is emblematic of the modernist movement of the mid-20th century, emphasizing functionality, openness, and the use of innovative materials and construction techniques. The pavilion is set in a landscaped area, adding to its aesthetic appeal and integrating it with the surrounding environment. “Zvartnots” Airport "Zvartnots Airport, particularly Terminal 1, also known today as the Old Terminal, stands as a prestigious asset of the Soviet era with its futuristic appearance reminiscent of a monolithic space-city from science fiction. In 1970, an open competition for architectural projects was held, awarding first prize to a group of architects including Artur Tarkhanyan, Spartak Khachikyan, Zhorzh Shkhiyan, Sergey Baghdasaryan, and Levon Cherkezyan. The project was later modified with the participation of architects A. Tigranyan and A. Meschyan. The airport was built in a remarkably short period and opened with great ceremony on February 10, 1982. Recognized for its architectural ingenuity, the airport's creative team received the ASSR State Prize in 1985. Its establishment marked a significant milestone for Armenia, providing a robust transportation hub that connected the republic with the global community through internationally compliant runways. At the time, only Moscow and Kiev in the Soviet Union boasted runways comparable to Zvartnots Airport. The building is circular in design, resembling a truncated cone with a 200-meter diameter base. At its center, a restaurant building rises in the form of a mushroom-shaped tower. Surrounding the structure are seven mini-carriers capable of handling 300 passengers per hour, along with 14 aircraft stands suitable for TU-154 aircraft or 7 stands for Airbus IL-82 aircraft. In 2004, construction began on a new terminal, a $100 million endeavor spanning 19,200 m² with a capacity to accommodate 2 million passengers annually. This modern facility, managed under a new airport administration contract, saw the opening of an arrivals hall on September 14, 2006, and an international departures hall on June 1, 2007. Terminal 1 ceased operations in 2011. Tigran Petrosian Chess House The Chess House stands as a prominent sports facility in the capital, designed by architects Zhanna Meshcheryakova and R. Manukyan, with artistic contributions from H. Bdeyan and D. Babayan in 1970. Its cornerstone was laid by Tigran Petrosyan. Noteworthy for its distinctive triangular shape reminiscent of a chess Rook, the building features a facade adorned with seven stylized chess pieces crafted from tempered copper. Rossia Cinema Rossia Cinema, commissioned in Yerevan in 1974, stands out as a prominent example of Soviet-era modernist architecture in the city. Architects Artur Tarkhanyan, Spartak Khachikyan, and Hrachya Poghosyan received the Council of Ministers of the USSR prize for their design in 1979. The suspended ceiling of the "Rossia" cinema, called "вантовое перекрытие (cable-stayed ceiling)” was the first of its kind in Armenia. The cinema's roof, facing Tigran Mets Street, spans 40 meters wide and 60 meters long, hanging without any support. The multifunctional complex featured two halls of equal shape but differing sizes—1,600 and 1,000 seats—above an open area housing exhibition halls, a cafe, a bar, and ticket offices. This design facilitated seamless interaction between the street and interior, showcasing the building's innovative architectural solutions. The cinema underwent privatization in 2004, and by 2006, part of the structure was repurposed into the trade and cultural center "Rossia," now primarily operating as a commercial venue. Karen Demirchyan Sports and Concerts Complex The complex was opened in 1983 but was forced to close within a year and a half after a fire in 1985, A renovation process took place until the end of 1987 when it was ready again to host concerts and sports events. this multi-purpose complex is one of the most ambitious Soviet-era constructions in Armenia. Its futuristic design features sweeping curves, expansive spaces, and innovative engineering. The complex was designed by a group of Armenian architects: A. Tarkhanian, S. Khachikyan, G. Pogosyan, and G. Mushegyan. The construction process was supervised by engineers Hamlet Badalyan (chief engineer), I. Tsaturian, A. Azizian, and M. Aharonian. Komitas Chamber Music House Komitas Chamber Music House, designed by artist Stepan Kyurkchyan and constructed under the supervision of engineer Eduard Khzmalyan, opened its doors in October 1977. The facility features a 300-seat music hall renowned for hosting concerts, festivals, anniversaries, meetings, exhibitions, and presentations. Vanadzor Bus Station Vanadzor Bus Station is a prominent example of Soviet-era modernist architecture in Armenia, designed by architect Konstantin Ter-Ohanjanyan. The structure is notable for its distinctively angular, zigzagged roofline, which gives it a dynamic and industrial appearance. The facade features large glass windows that provide a sense of openness and light. The middle part of the building includes signage in Armenian and Russian script: "ԱՎՏՈԿԱՅԱՆ" and "АВТОВОКЗАЛ," which translate to "Bus Station." Today, various commercial advertisements spoil the look of this once striking view. The use of concrete and glass, along with the sharp, geometric design, reflects the utilitarian yet bold architectural style typical of Soviet modernist constructions. The station's design is both functional and visually striking, serving as an important transportation hub in Vanadzor. The Institute of Communication The Institute of Communication is a 10-story building designed in 1971 by architects Armen Aghalyan and Grigori Grigoryan. The building was put into operation seven years after the start of construction. It met the highest seismic standards, boasting an 8-point earthquake resistance rating. Hrazdan Bus Station This building is a striking example of Soviet modernist architecture, designed by architect Henrich Arakelyan and constructed in 1971. It features a series of large, wing-like elements that curve outward from the central structure, creating a dramatic and almost futuristic appearance. These concrete elements appear to support the building, serving both structural and aesthetic purposes. The central part of the building consists of large glass windows that allow light to flood the interior, emphasizing transparency and openness. The unadorned concrete surfaces highlight the raw material, giving the building a sense of robustness. Despite signs of wear and rusting, the building's unique design remains impressive, showcasing the creativity and ambition characteristic of mid-20th-century Soviet architecture. Viewing Platform on the Sevan highway This viewing platform on the Sevan highway is an iconic example of Soviet modernism, designed by Makabe Manuelian and built in 1978. It is known for its unique design, resembling a fish tail, which rises dramatically from the ground and narrows to a sharp point that juts into the sky. A large circular opening is cut through the base, adding a geometric element and making it more attractive. Two narrow staircases along the sides of the platform lead to the viewing deck, which offers expansive views of the surrounding landscape. Vanadzor Department Store The Vanadzor Department Store, located in Vanadzor (formerly known as Kirovakan during the Soviet era), was constructed in 1972 by architects S. Asoyan and R. Abrahamyan. This iconic, round, multi-story building features a cylindrical design with expansive glass walls framed in metal, giving it a distinct and modernist appearance. The upper part of the structure is accented with vertical concrete panels, adding a sense of solidity that contrasts with the transparency of the glass below. During the Soviet period and in the years that followed, a large sign in Armenian and Cyrillic adorned the top of the building, reading ԿԵՆՏՐՈՆԱԿԱՆ ՀԱՆՐԱԽԱՆՈՒԹ and ЦЕНТРАЛЬНЫЙ УНИВЕРМАГ ("Central Department Store"). Today, the building has been repurposed and now houses Ideal System, the region's largest chain of building material stores. The design of the Vanadzor Department Store is a prime example of Soviet modernist architecture, characterized by its unconventional round shape, extensive use of glass, metal, and concrete, and a focus on functionality. The large, open glass areas were intended to allow natural light to fill the interior, a hallmark of Soviet architectural innovation aimed at creating accessible and inviting public spaces. Today, many Soviet modernist buildings in Armenia face challenges related to preservation and adaptation. The preservation of Soviet modernist architecture is crucial not only for maintaining Armenia's architectural heritage but also for understanding the social and historical contexts in which these buildings were constructed. By valuing and conserving these structures, Armenia can retain a tangible link to its recent past, while also providing inspiration for future architectural endeavors. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next
- An abandoned culture house in Armenia with wonderful frescoes | Armenian Explorer
This is a culture house from Soviet period which every urban explorer should see! A great relic for those who want to explore the "abandoned side of Armenia" and love artworks! < Back An abandoned culture house in Armenia with wonderful frescoes This is a culture house from Soviet period which every urban explorer should see! A great relic for those who want to explore the "abandoned side of Armenia" and love artworks! There are urban explorers who are interested in machinery, some even hunt ghosts, lol! But I am different, I love art! Thanks to avarathewanderer I learned about this place (should definitely write a separate post about him) and it was he who guided me there! Unfortunately there is not much information about the building, failed even learn the artist’s name, but at least I got a huge aesthetic pleasure and took lots of photos to share with you! Enjoy... Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next
- We Explored a Giant Refractory Brick Factory | Armenian Explorer
During this urbex mission, we explored a massive Soviet-era refractory brick factory. The site was so big it took hours to cover — and even then, some sections remained unexplored. This article aims to document our exploration and offer a glimpse into how this industrial giant, rich with history, stands today. < Back We Explored a Giant Refractory Brick Factory During this urbex mission, we explored a massive Soviet-era refractory brick factory. The site was so big it took hours to cover — and even then, some sections remained unexplored. This article aims to document our exploration and offer a glimpse into how this industrial giant, rich with history, stands today. Tucked deep in a gorge, on the bank of a river and surrounded by lush forests, lie the remains of a once-thriving Soviet factory. This abandoned industrial colossus, hidden in the Armenian wilderness, was once a major site for producing refractory bricks — specialized heat-resistant blocks used in furnaces, kilns, and heavy industry. Lots of old Soviet trucks, excavators, and other machines were scattered across the territory Built in 1951, the factory was strategically located near a rich deposit of clay, essential for high-quality brick production. At its peak, it employed over 600 workers, forming the backbone of the local economy and supporting surrounding villages and towns. Each day, 7 to 8 railway wagons transported bricks to Russia, feeding the Soviet Union’s insatiable industrial demand. Walking inside today feels like entering a time capsule. Rusting machinery, heavy-duty tools, and even Soviet-era trucks sit silently across the factory floor. Strange metal equipment, the use of which I couldn’t identify, is still scattered throughout — industrial relics of a forgotten era. In this part of the factory, I saw hearths where bricks were hardened in high heat After the collapse of the USSR, the factory’s fate took a downturn. In 1995, it was privatized and continued low-scale brick production. However, poor economic conditions, bad logistics, and weak management sped up its decline. By the mid-2000s, the plant had ceased operations entirely. I also came across lathe machines that looked almost brand new — as if they were just waiting for someone to press the button and bring them back to life Now, nature is slowly reclaiming the site. Trees push through cracks in the concrete and grow around machinery. As I walked by, I saw old Soviet trucks buried in bushes. Surprisingly, the place is still well-preserved. It’s guarded and doesn’t appear looted —the machines haven't been scrapped for metal. Today, the factory still stands — a haunting yet beautiful reminder of a time when this quiet river valley echoed with the roar of Soviet industry. It’s a perfect location for urban exploration. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next
- 1-Day Hiking Tour to Lastiver from Yerevan | Armenian Explorer
Join a guided hiking tour in Armenia and explore the enchanting fairy-tale haven of Lastiver, hidden deep within the forested banks of the Khachaghbyur River, just 3 kilometers from Yenokavan village. This easy, year-round hike offers a perfect blend of natural beauty, history, and adventure. < Back 1-Day Hiking Tour to Lastiver from Yerevan Join a guided hiking tour in Armenia and explore the enchanting fairy-tale haven of Lastiver, hidden deep within the forested banks of the Khachaghbyur River, just 3 kilometers from Yenokavan village. This easy, year-round hike offers a perfect blend of natural beauty, history, and adventure. A Journey into Lastiver’s Mystique Lastiver is home to a two-story cave perched on a steep canyon slope near the Khachaghbyur River’s majestic gorge. Surrounded by towering trees, rugged cliffs, and the serene roar of the river, the area feels like stepping into a fairy tale. Historically, the caves of Lastiver provided refuge to locals during the Mongol invasions of the 13th and 14th centuries. To access the caves, people built log staircases resembling rafts, inspiring the site’s name—"Lastiver," derived from Armenian. Scattered across the area are huts perched on 'chicken legs,' further enhancing the magical atmosphere Artistry and Mystery In the 1970s, Soviet-Armenian sculptor Benik Petrosyan adorned the cave walls with striking bas-reliefs, enhancing its enigmatic aura. Many visitors mistakenly believe these carvings date back to ancient times, adding to the sense of wonder. At the base of the gorge, a breathtaking waterfall cascades, an inseparable part of Lastiver’s vibrant wildlife. The area’s pristine environment attracts ecotourists and nature lovers alike. From Hidden Gem to Popular Destination Lastiver gained broader recognition in the early 2000s when ecotourism enthusiasts began organizing regular trips to this magical destination. Today, it is a must-visit for foreign travelers and locals alike, prominently featured in the hiking tour packages of various travel agencies. Join this unforgettable private tour to experience the allure of Lastiver, where nature, history, and art come together to create an unparalleled adventure. ----------------------- Tour Details: Start: 7:30-8.00 AM from Yerevan Finish: Around 7 PM in Yerevan Hiking Distance: 3.5 km (One way) Distance of the starting point from Yerevan: 145km Duration: 2 hours (One way) Start point: Apaga Resort End point: Apaga Resort Difficulty: Easy Trail Type: Out-and-Back Transportation: Sedan --------------- Tour Price to Lastiver 1-4 Participants: 90.000 AMD Entrance to Lastiver territory costs 1000 AMD per person! For larger groups, please consider contacting for more details! -------------- The price includes: Pick up & drop off (In Yerevan) Transportation in air conditioned vehicle Service of a guide --------- The Price Does Not Include: Airport transfers Insurance Lunch (Lunchboxes can be added in case of an extra payment) -------------- List of things you should consider taking: 1. Backpack: A sturdy backpack to carry all your essentials. 2. Water: Sufficient water to stay hydrated throughout the hike. At least 1.5 liters… 3. Food: Pack lightweight, high-energy snacks or meals to keep your energy levels up. 4. Clothing: Dress in layers, including a waterproof/windproof outer layer, and choose moisture-wicking materials. Having extra socks and boots always welcomed… 5. Hiking Shoes/Boots: Wear comfortable and supportive footwear suitable for the terrain. 6. First Aid Kit: I have mine but in case you are using specific medicaments take with you! 7. Sun Protection: Sunscreen, sunglasses, and a hat to protect yourself from harmful UV rays. 9. Headlamp/Flashlight: Essential for hiking in low light conditions or during overnight trips. 10. Whistle: A loud whistle for attracting attention in case of emergencies. 11. Trekking Poles: Optional but helpful for stability, especially on challenging terrains. 12. Rain Gear: A lightweight, waterproof jacket or poncho to stay dry during rain showers. 13. Trash Bag: Carry a small bag to pack out your trash and keep the trail clean. Remember, this list may vary depending on the length and difficulty of the hike, weather conditions, and personal needs. But this were the basic things I decided to emphasize! For the best one-day hiking tours, check out this link Project Gallery You May Also Like Best One-Day Hiking Tours from Yerevan A Hiking Adventure to Mount Tesilk and its Mysterious Cave 2-Day Hiking and Sightseeing Tour in Armenia's Lori Region Aparan Reservoir Loop Trail 1-Day Hike to Mount Ara Hiking tour to mount Yeranos 1-Day Hiking Tour to Lastiver from Yerevan Hiking tour to Smbataberd Fortress
- 127 Hours - Aron Ralston’s Savage Survival Story | Armenian Explorer
Aron Ralston, born on October 27, 1975, in Marion, Ohio, is an American mountaineer, mechanical engineer, and motivational speaker. He is best known for his survival story, during which he amputated part of his own right arm following a canyoneering accident. Trapped by a dislodged boulder, Ralston's ordeal unfolds in a battle of wills against despair, hunger, and hallucinations. Documented in his autobiography "Between a Rock and a Hard Place" and the film "127 Hours," Ralston's story inspires with its testament to human resilience. Explore the depths of his physical, mental, and emotional triumphs against all odds. < Back 127 Hours - Aron Ralston’s Savage Survival Story Aron Ralston, born on October 27, 1975, in Marion, Ohio, is an American mountaineer, mechanical engineer, and motivational speaker. He is best known for his survival story, during which he amputated part of his own right arm following a canyoneering accident. Trapped by a dislodged boulder, Ralston's ordeal unfolds in a battle of wills against despair, hunger, and hallucinations. Documented in his autobiography "Between a Rock and a Hard Place" and the film "127 Hours," Ralston's story inspires with its testament to human resilience. Explore the depths of his physical, mental, and emotional triumphs against all odds. In April 2003, Aron Ralston, an adventurous soul, ventured into the depths of Utah's Bluejohn Canyon for a solo canyoneering trip. What began as a thrilling exploration turned into a harrowing nightmare when a dislodged boulder pinned his right hand against the canyon wall. While he was descending the lower stretches of the slot canyon, a suspended boulder dislodged while he was climbing down from it. The boulder first smashed his left hand, and then crushed his right hand against the canyon wall. Ralston had not informed anyone of his hiking plans, nor did he have any way to call for help. Trapped Aron Ralston. A dislodged boulder pinned his right hand against the canyon wall. He documented his experience on a tiny video camera, a desperate plea for help that would later become a testament to his strength His initial attempts to free himself were frantic, fueled by adrenaline and fear. But as the hours stretched into days, despair began to creep in. With limited food and water, the harsh desert sun draining his energy, and no hope of rescue reaching him, Ralston faced a grim reality: either starve to death or amputate his own arm to escape. Aron Ralston is back to that horrific place The mental battle was as brutal as the physical ordeal. Hallucinations, fueled by hunger and dehydration, tormented him. Loneliness gnawed at his spirit, the silence broken only by the echoes of his own ragged breaths. Yet, amidst the despair, Ralston found solace in unexpected places. He documented his experience on a tiny video camera, a desperate plea for help that would later become a testament to his strength. He drew comfort from memories of loved ones, their faces a beacon of hope guiding him through the darkness. The decision to amputate was agonizing. With just a dull multi-tool as his surgeon, Ralston faced the prospect of severing his own flesh and bone. But the alternative – death – was unthinkable. He used pieces of climbing equipment as a tourniquet before starting to amputate his hand to prevent excessive bleeding. In a grueling, self-inflicted surgery, fueled by sheer willpower and an unyielding desire to live, he cut through muscle, tendon, and bone. The sound of crunching rock and raw screams filled the canyon, a horrifying yet triumphant symphony of survival. Blinded by blood loss and weakened from days of ordeal, Ralston faced his final challenge: escaping the canyon. Using his remaining arm and sheer grit, he rappelled down a 65-foot drop and trekked 7 miles (11 km) to safety until he stumbled upon a family of hikers, his salvation arriving just as hope seemed to fade. His severed hand and forearm were retrieved from under the boulder by park authorities. According to television presenter Tom Brokaw, it took 13 men, a winch, and a hydraulic jack to move the boulder so that Ralston's arm could be liberated. His arm was then cremated, and the ashes were returned to Ralston. Ralston’s harrowing experience was documented in his autobiography "Between a Rock and a Hard Place" and was later adapted into the 2010 film "127 Hours," where he was portrayed by James Franco. Since this terrible incident, he has spoken to hundreds of audiences around the world and has a net worth of $4 million. Regarding the authenticity of "127 Hours," Ralston has stated that the film is "so factually accurate; it is as close to a documentary as you can get and still be a drama." He jokingly added that he believes it is "the best film ever made." Despite the accident, Ralston continued mountaineering and became the first person to ascend all of Colorado’s fourteeners solo in winter. His story continues to inspire many about the strength of the human spirit and the will to survive against all odds. Ralston's escape wasn't just a physical feat; it was a mental and emotional triumph. He had stared death in the face and emerged, not only alive, but with a renewed appreciation for life, a profound understanding of his own strength, and a story that would inspire millions. 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- A Visit to Mikoyan Brothers' Museum | Armenian Explorer
Nestled amidst the picturesque village of Sanahin, Armenia, lies the Mikoyan Brothers' Museum, dedicated to two brothers who left an indelible mark on Soviet history. This museum honors the remarkable achievements of Anastas Mikoyan, a prominent politician who rose through the ranks of the Soviet government, and Artem Mikoyan, a brilliant aircraft designer who co-created the legendary MiG fighter jets. < Back A Visit to Mikoyan Brothers' Museum Nestled amidst the picturesque village of Sanahin, Armenia, lies the Mikoyan Brothers' Museum, dedicated to two brothers who left an indelible mark on Soviet history. This museum honors the remarkable achievements of Anastas Mikoyan, a prominent politician who rose through the ranks of the Soviet government, and Artem Mikoyan, a brilliant aircraft designer who co-created the legendary MiG fighter jets. Sanahin village is renowned not only for its 10th-century Sanahin Monastery complex, a UNESCO World Heritage site, but also as the birthplace of Anastas and Artem Mikoyan. Artem was a renowned aircraft designer and co-founder of the Mikoyan-Gurevich (MiG) design bureau alongside Mikhail Gurevich. Anastas was a Soviet statesman and long-serving Politburo member, known for his roles in the Soviet food industry and international diplomacy, particularly during the Cuban Missile Crisis. He became a member of the Communist Party’s Central Committee in 1923 and remained at the highest levels of power through the eras of Lenin, Stalin, Khrushchev, and Brezhnev. MiG-21 "Fishbed" is on display outside the museum The Mikoyan Brothers' House-Museum was founded in 1971 to honor the contributions of Anastas and Artem Mikoyan to their homeland. The museum and memorial were opened on June 17, 1982. On its opening day, two of the most influential exhibits were brought from Moscow: a MiG plane and Artem Mikoyan's official car. Over the years, the house-museum has been enriched with additional exhibits. The museum was founded by Nushik Mikoyan, the daughter of Mikoyan's uncle. In 2017, the museum underwent renovation funded by the "Looking Forward" fund. The museum is conventionally divided into two sections: one dedicated to Artem and the other to the life and activities of Anastas Mikoyan. It houses a multilingual library that includes books on the brothers' activities, which visitors can use. Thematic books from various countries and archival documents are also available. A notable exhibit is a pilot's uniform donated by Peter Ostapenko, a test pilot for the MiG bureau who was involved in test flights from the MiG-19 to the MiG-31, setting eight world records. The pressurized uniform on display has remained largely unchanged for over 50 years, with similar uniforms still in use today. Visitors can explore models, blueprints, and photographs showcasing the evolution of MiG fighter jets, which played a pivotal role in Soviet aviation history. The museum features a GAZ-12 ZIM limousine once owned by Anastas Mikoyan, offering a glimpse into the lifestyle of a prominent Soviet leader The Mikoyan Brothers' Museum serves as a testament to the power of innovation, ambition, and the enduring Armenian spirit. The museum reminds visitors that Armenia, a nation rich in history and culture, has also produced remarkable individuals who have shaped the world stage. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next
- Staring in Armenia: Cultural Curiosity and Interest | Armenian Explorer
If you're visiting Armenia, you might notice that people tend to stare a bit more than you're used to. As a guide, this is one of the most common questions I get from tourists: "Why do Armenians stare?" It's a valid observation and one that opens a window into the nuances of Armenian culture and the human tendency to observe the unfamiliar. < Back Staring in Armenia: Cultural Curiosity and Interest If you're visiting Armenia, you might notice that people tend to stare a bit more than you're used to. As a guide, this is one of the most common questions I get from tourists: "Why do Armenians stare?" It's a valid observation and one that opens a window into the nuances of Armenian culture and the human tendency to observe the unfamiliar. The Universal Habit of Staring Staring isn't unique to Armenia; it's a global phenomenon that varies in intensity depending on where you are. Studies have shown that the average duration of a stare varies significantly across cultures. In many Western countries, a direct gaze lasting longer than a few seconds can be considered intrusive or even confrontational. However, in other parts of the world, including Armenia, staring is not necessarily seen in a negative light. In fact, a study conducted in different countries revealed that the average stare time in the United States is about 2.9 seconds, while in more socially reserved cultures like Japan, it's around 2.2 seconds. On the other hand, in Mediterranean countries like Italy or Greece, the average gaze can extend up to 3.3 seconds, reflecting a more open and curious approach to social interactions. Armenia, situated at a crossroads of cultures, tends to align more with Mediterranean norms. Curiosity and Cultural Differences So, why do Armenians stare? One of the most straightforward reasons is curiosity. Armenia, while increasingly popular with tourists, is still a relatively small and homogeneous country. The sight of someone who looks or dresses differently can naturally pique interest. Consider this: the more extravagant your appearance—such as colorful hair, tattoos, or revealing clothing—the longer the staring time may be. For many Armenians, especially those in rural areas or smaller towns, encountering foreigners is not a daily occurrence. This makes them more likely to stare, not out of rudeness, but out of genuine curiosity and interest. In Armenia, hospitality is deeply ingrained in the culture, and staring is often a precursor to initiating conversation or offering help. Many Armenians are eager to learn about different cultures and see tourists as an opportunity to broaden their horizons. The Influence of the Soviet Past Armenia's recent history also plays a role in this behavior. Under Soviet rule, the country was relatively closed off from the rest of the world. Contact with foreigners was limited, and as a result, people are still adjusting to the influx of tourists. This background makes the presence of visitors a novelty, especially for the older generation who grew up during the Soviet era. Breaking the Ice: How to Respond If you find yourself the subject of a curious gaze in Armenia, there's no need to feel uncomfortable. A simple smile or a friendly nod can go a long way in bridging the gap. More often than not, this will lead to a warm exchange, perhaps even an invitation for a coffee or a deeper conversation about your experiences and their culture. Embracing the Experience While it might feel unusual at first, understanding the cultural context behind why Armenians stare can transform your experience from one of discomfort to one of connection. It's a reminder that travel is not just about seeing new places but also about understanding different ways of life. So, the next time you notice someone staring at you during your travels in Armenia, take it as a sign of welcome and interest. It's their way of saying, "We're curious about you, and we're glad you're here." And who knows? That initial stare might just lead to a memorable encounter that enriches your journey. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak