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Explore the rich history and unique properties of tuff, a volcanic rock, through our article. Discover why Armenians consider it a national stone, widely used in construction and crafting khachkars. Learn how tuff buildings, especially in Yerevan, the "pink city," offer natural ventilation and temperature stability. Uncover the diverse colors of Armenian tuff and its significant role in shaping iconic structures. < Back Tuff Stone and Armenian Architecture Explore the rich history and unique properties of tuff, a volcanic rock, through our article. Discover why Armenians consider it a national stone, widely used in construction and crafting khachkars. Learn how tuff buildings, especially in Yerevan, the "pink city," offer natural ventilation and temperature stability. Uncover the diverse colors of Armenian tuff and its significant role in shaping iconic structures. Tuff is a type of rock formed from volcanic ash that is expelled during a volcanic eruption. After the ash is ejected and settles, it becomes compacted and solidifies into rock. When a rock contains more than 75% volcanic ash, it is classified as tuff. If it contains between 25% and 75% ash, it is called tuffaceous, such as tuffaceous sandstone. Additionally, tuff made up of sandy volcanic material is sometimes referred to as volcanic sandstone. The stone is lightweight, strong, and has low thermal conductivity, making it an excellent building material. Tuff is easy to cut, and sculpting figures on it is straightforward. It is an excellent material for crafting khachkars or bas-reliefs. The entrance to the Sardarapat Memorial Complex features two bulls crafted from red tuff. Tuff buildings provide natural ventilation due to the pores in the stones. The stone's ability to breathe helps maintain a stable temperature in cold winters and hot summers. Tuff stone is classified based on its composition, the nature of its fragments, and fragment size. Chemically, tuff can be categorized as liparitic, dacitic, andesitic, or basaltic. Types of Tuff Stone in Armenia The Armenian Highland is a rich source of tuff, available in various colors like pink, purple, black, red, orange, and brown. Armenians have utilized tuff for centuries, considering it a national stone extensively used in construction throughout Armenia. Tuff deposits are predominantly found across the Armenian volcanic plateau, including the Aragats Massif, Kars Plateau, Syunik, Byurakan, Javakhk Plateaus, Kotayk, Yeghvard Plateaus, Shirak Plain, Ararat Valley foothills, and the Akhuryan and Pambak river valleys. Notable Armenian volcanic tuffs include Artik (pink), Ani (yellow), Yerevan-Gyumri (black and red), Geghakar (from the Gegharkunik region, in light pink and flesh tones), Metsavan (dark pink, reddish, and yellowish hues), and Dzoraget (from the Lori region, in brick-red and reddish shades). The Pink City: Yerevan Yerevan, the capital of Armenia, is famously known as the "Pink City" due to the widespread use of pink tuff stone in its architecture. The stone's unique color gives the city a warm and welcoming atmosphere, especially under the sunlight, where the pink hues seem to glow. The pink tuff used in Yerevan's buildings comes primarily from quarries in the nearby regions of Ararat and Vayots Dzor. From government buildings and theaters to residential homes, the stone is everywhere in Yerevan, giving the city a cohesive and distinctive character. The use of pink tuff is not just a modern phenomenon; it has been a key feature of Yerevan's architecture since its founding, and it continues to be a symbol of the city's identity. The Black City: Gyumri In contrast to Yerevan's pink tuff, Gyumri is known as the "Black City" because of the extensive use of black tuff in its construction. The stone's dark color gives the city a more austere and historic feel, reflective of its resilience in the face of past earthquakes and hardships. The Black Fortress in Gyumri, constructed from black tuff stone Gyumri, Armenia's second-largest city, has a rich architectural heritage, with many buildings constructed from black tuff stone. The use of this material is not just a stylistic choice but also a nod to the region's natural resources. The black tuff provides a striking contrast to the surrounding landscapes and the bright, open skies above. Yererouk Basilica is constructed from fine and durable red tuff stone This versatile stone plays a dominant role in Armenian architecture, particularly in Yerevan, known as the "pink city" due to its extensive use of tuff. Armenian tuff, with its unique properties, contributes to the creation of some of the most beautiful and iconic structures in the country. In 1946, a small village in Armenia was renamed Tufashen, literally meaning "village built of Tuff." Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Explore the rich history and cultural significance of the Armenian eternity symbol, also known as "arevakhach." Uncover the origins and meanings embedded in this ancient emblem that has transcended time, serving as a symbol of identity for the Armenian people. From its early appearances in petroglyphs to its prevalence in architecture, khachkars, and even Armenian rug weaving, discover how this enduring symbol continues to play a vital role in art and spiritual culture, reflecting the timeless heritage of Armenia. < Back Armenian Eternity Symbol Explore the rich history and cultural significance of the Armenian eternity symbol, also known as "arevakhach." Uncover the origins and meanings embedded in this ancient emblem that has transcended time, serving as a symbol of identity for the Armenian people. From its early appearances in petroglyphs to its prevalence in architecture, khachkars, and even Armenian rug weaving, discover how this enduring symbol continues to play a vital role in art and spiritual culture, reflecting the timeless heritage of Armenia. Starting from ancient times, the swastika, or arevakhach (derived from the words sun and cross), held profound meaning for the Armenian people. It symbolized eternity, serving as an ancient national emblem and representing the identity of Armenians. It is represented as a curved image with arms rotating either to the right or left, originating from a central point. One of the earliest depictions were discovered in the rock paintings of the Armenian Highland, depicting the Sun in the form of a wheel or a swastika (single or multi-winged scroll). The symbol conveyed positive wishes, embodying concepts such as the sun, life, fire, lightning, fertility, childbirth, progress, and development. The directional rotations of the swastika carried active and passive meanings. For instance, a baby crib adorned with the symbol rotating to the right was intended for boys, while a left rotation symbolized cribs for girls. One of the earliest known instances of the eternity symbol, the swastika, dates back to the 16th-15th centuries BC, discovered in excavations in Shamkhor, a historical Armenian region. Throughout Armenia and its historical territories, the eternity symbol can be traced on architectural pillars, church walls, altars, frescoes, miniatures, khachkars, carpets, jewelry, clothes, household items, and state, public, private, and religious structures. In medieval Armenian culture, the symbol represented the idea of eternity, particularly in heavenly life. From the 5th century, it became prevalent on Armenian memorial stones and evolved into a widespread symbol of Khachkar. By the 8th century, the eternity symbol was firmly embedded in national iconography, retaining its practical significance to the present day. The Geghama mountains in the modern-day territory of Armenia reveal petroglyphs featuring the swastika, dating back to 8,000 – 5,000 BC, marking one of the earliest uses of this enigmatic symbol. As a fundamental element in khachkars, the symbol adorned church walls, tombstones, and architectural elements, including prominent churches like Mashtots Hayrapet Church in Garni, Horomayr Monastery, Nor Varagavank, Tsitsernavank, and many others. Today, the swastika continues to be an integral part of Armenian identity, prominently featured in art and spiritual symbolism, universally embraced by the Armenian people as a timeless symbol of their heritage. Even in Armenian rug weaving traditions, Armenian eternity symbol (swastika) finds a place, as seen in a 17th-century Armenian rug where it is prominently featured at the center. This WWII memorial in Vardenut village features a large Armenian eternity symbol at the base of its metal sculpture Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Carlus, a traveler from Spain, joined my urban exploration tour in Armenia, during which we explored abandoned places and iconic Soviet-era locations in a Lada Niva he rented locally. This tour was especially nostalgic for me, as our family car was a red Niva, bringing back fond memories. Our journey took us from an abandoned cultural house to the Byurakan Observatory, the ROT54 telescope, abandoned pioneer camp, other Soviet-era sites, and eerie, abandoned copper tunnels, uncovering some of Armenia’s most hidden gems. Here is a brief overview of our tour. < Back Urban Exploration Tour with Carlus in a Lada Niva Carlus, a traveler from Spain, joined my urban exploration tour in Armenia, during which we explored abandoned places and iconic Soviet-era locations in a Lada Niva he rented locally. This tour was especially nostalgic for me, as our family car was a red Niva, bringing back fond memories. Our journey took us from an abandoned cultural house to the Byurakan Observatory, the ROT54 telescope, abandoned pioneer camp, other Soviet-era sites, and eerie, abandoned copper tunnels, uncovering some of Armenia’s most hidden gems. Here is a brief overview of our tour. Carlus, a traveler from Spain, reached out to me before his trip to Armenia to join one of my urban exploration tours. Being a big fan of the Lada Niva, he rented that iconic car in Armenia to explore the country and dedicated two days to our urbex adventures. So, instead of my usual Volkswagen Jetta, the tour took place in the legendary Niva! On the first day, we met in Yerevan for a beer, and the next day he picked me up from our yard! I liked him right from the first handshake, and we instantly found a lot in common to talk about. He shared stories about his travels in his Toyota and how he navigated the roads of the Paris-Dakar rally, roaming Africa’s wild landscapes on his trusty iron horse! With Carlus at the Byurakan Observatory, behind us is an iconic building designed by Sargis Gurzadyan, which houses the ZTA-2.6 telescope, the largest observational instrument at the BAO. After the Byurakan Observatory, we headed to the nearby village of Ogov to see the legendary ROT54 telescope! Carlus is sitting in the control room of ROT54 Then we headed to the Lori Region! Of course, we made a pit stop at the Gntuniq food court to fuel up with some local food before exploring a Soviet-era pioneer camp called "Fairy Tale." For the night, we stayed near village of Odzun, where an old Soviet-era hotel is located. It was built in 1971 for the managers of the Alaverdi copper factory. I really enjoy this place, and it's where I usually suggest my guests stay! The view from Odzun hotel Situated at the foot of a mountain high above Odzun village, it offers a peaceful retreat away from the city buzz—no noise, just the whisper of nature and a beautiful view of Odzun village and the surrounding landscapes. Across an old and rusty bridge we are heading towards a tunnels of the copper mine to capture unearthly photos! Crossing over this bridge is raising some adrenaline! Our primary destination was the tunnels of the abandoned copper mine, which we explored the following day after visiting several other sites. We concluded the day with a visit to an abandoned plane in Hrazdan! Night urbex... lol. During our trip, Carlus shared many fascinating stories. Among them, he told me about an incredible location called Pozo Sotón. A quick note: Pozo Sotón is a historical coal mine situated in Asturias, Spain, near the town of San Martín del Rey Aurelio. It stands as a significant part of Spain's industrial heritage and has been repurposed into a captivating tourist destination. Visitors can delve into its underground chambers, gaining a profound understanding of miners' lives and the rich history of coal mining in the region. By the time I was writing this article, Carlus had sent me photos showing that he had finally visited Pozo Sotón. I couldn't be happier for him! Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next

Mother Armenia is a monumental statue located in Victory Park, overlooking the capital city of Yerevan, Armenia. It is not only a work of art but also an embodiment of the collective image of the Armenian mother, symbolizing the strength and resilience of the Armenian people. Sculpted by Ara Harutyunyan, the statue itself is 22 meters high, mounted on a 33-meter pedestal. In 1967, it was placed on the previously empty pedestal that once held a 17-meter-high statue of Stalin, which stood there until 1962. < Back Mother Armenia in Yerevan Mother Armenia is a monumental statue located in Victory Park, overlooking the capital city of Yerevan, Armenia. It is not only a work of art but also an embodiment of the collective image of the Armenian mother, symbolizing the strength and resilience of the Armenian people. Sculpted by Ara Harutyunyan, the statue itself is 22 meters high, mounted on a 33-meter pedestal. In 1967, it was placed on the previously empty pedestal that once held a 17-meter-high statue of Stalin, which stood there until 1962. The current Mother Armenia statue replaced a monumental depiction of General Secretary Joseph Stalin, originally designed to symbolize his association with Soviet victories in the Great Patriotic War. Created by renowned sculptor Sergey Merkurov, the statue stood 17 meters tall, mounted on a 33-meter pedestal, making it 50 meters in total—the tallest Stalin monument ever erected at the time. It was regarded as a masterpiece of Soviet monumental art. The pedestal was designed by architect Rafayel Israyelian. Realizing that occupying a pedestal can be a short-term honor, Israyelian designed the pedestal to resemble a three-nave basilica Armenian church. As he confessed many years later, "Knowing that the glory of dictators is temporary, I have built a simple three-nave Armenian basilica." Mother Armenia and Joseph Stalin's statue In contrast to the right-angled shapes of the external view, the interior is light and pleasing to the eye, resembling Echmiadzin's seventh-century St. Hripsime Church. After Stalin’s death, during the de-Stalinization campaign, his statue was secretly removed at night in the spring of 1962. For the next five years, the 33-meter pedestal stood empty until 1967, when the Mother Armenia statue, designed by Ara Harutyunyan, was installed. The statue itself is 22 meters tall and stands on the same 33-meter pedestal that once supported a 17-meter statue of Stalin. This transformation marked a shift from Soviet ideological imagery to a symbol of national strength and resilience. The prototype of "Mother Armenia" was a 17-year-old girl named Zhenya Muradian. Ara Harutyunyan met her at a store and persuaded her to pose for the sculpture. Mother Armenia The statue is built of hammered copper, while the pedestal-museum is made of tuff stone. In 1970, to mark the 25th anniversary of the Victory, the Museum of Armenia in the Great Patriotic War 1941-1945 was opened inside the pedestal. In 1995, it was renamed the "Mother Armenia" military museum of the RA Ministry of Defense and came under the authority of the RA Ministry of Defense. The exhibition of the museum consists of two main parts: "Participation of the Armenian people in the Second World War" and "War of Liberation of Artsakh." Ara Harutyunyan and Zhenya Muradian (the prototype of "Mother Armenia") The statue embodies the collective image of the Armenian mother—representing an unbreakable military spirit and serving as the guardian angel of the homeland. Every year on May 9th, thousands of Armenians visit the statue of Mother Armenia and lay flowers to commemorate the Armenian martyrs of the Second World War. In conclusion, Mother Armenia is more than just a statue. It’s a symbol of the nation’s history, a tribute to its heroes, and a beacon of its enduring spirit. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Explore the untold story behind the film 'Against the Ice.' Delve into the historical 1906 Denmark Expedition, its tragic challenges, and Ejnar Mikkelsen's gripping journey, as depicted in the film. Uncover the real events, hardships, and survival that inspired this Netflix release. < Back The Real Story Behind the Movie Against the Ice Explore the untold story behind the film 'Against the Ice.' Delve into the historical 1906 Denmark Expedition, its tragic challenges, and Ejnar Mikkelsen's gripping journey, as depicted in the film. Uncover the real events, hardships, and survival that inspired this Netflix release. "Against the Ice" is a 2022 historical survival film directed by Peter Flinth, depicting the true events recounted in Ejnar Mikkelsen's book "Two Against the Ice." Released on Netflix on March 2, 2022, the film received mixed reviews from critics. Before delving into the plot, let's explore the ill-fated Denmark Expedition, as it forms a crucial link to this narrative. In 1906 a two-year expedition known as the “Denmak Expedition” was organized to explore and map the uncharted northeastern coast of Greenland. The expedition sought to investigate Robert Peary's claim of a non-existent "Peary Channel" separating northernmost Greenland from the mainland further south. "Against the Ice" on my Lenovo Legion screen The expedition, aboard the ship Danmark, arrived at southern Germania Land in August 1906. Ten sleds, led by Mylius-Erichsen, began their journey in March 1907. Confronted with challenging ice conditions, they explored the coastal ice of Jokel Bay, Hovgaard Island, and Mallemuk Mountain. Mylius Erichsen Tragically, the expedition faced a devastating setback with the loss of Mylius-Erichsen and two other members during a separate winter sledding expedition. They perished while attempting to reach a previously established supply depot but were unable to return due to worsening weather conditions. Ejnar Mikkelsen's "Two Against the Ice" Driven by the desire to retrieve crucial data from a previous Danish expedition and fueled by a sense of national pride, Ejnar Mikkelsen embarked on a journey that pushed him and his sole companion, Iver Iversen, to the very edge of survival. Their gripping journey is meticulously narrated in Mikkelsen's book "Two Against the Ice." Their travels aimed to uncover traces and locate the maps and journals of the ill-fated Denmark Expedition's previous explorer, Mylius Erichsen. After a hazardous journey, they managed to find these documents in a cairn. Taking the journals with them, they eventually made it back to their ship, only to discover it crushed in pack ice, with no sign of the other expedition members. Ejnar Mikkelsen Enduring great hardships, the two men survived two additional winters in Greenland and were ultimately rescued by a Norwegian sealer when nearly all hope for them had been abandoned. Their remarkable tale stands as a testament to resilience and determination in the face of extreme adversity. The recovered journals, including Brønlund’s diary and Hagen’s cartographic drawings, played a crucial role in settling the question of whether Peary Land—a vast area explored by American Robert E. Peary for the first time around 1892—was a peninsula or an island. By confirming it as a peninsula, the expedition affirmed Denmark’s claim to the land, rather than potentially America’s. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Exploring abandoned places can be a thrilling and enriching experience, offering a unique glimpse into the past and a chance to discover forgotten stories. Whether you're a seasoned urban explorer or a curious newcomer, finding these hidden gems requires a mix of research, patience, and respect for the locations you visit. Here’s a comprehensive guide on how to find abandoned places for your next adventure. < Back How to Find Abandoned Places: A Guide for Urban Explorers Exploring abandoned places can be a thrilling and enriching experience, offering a unique glimpse into the past and a chance to discover forgotten stories. Whether you're a seasoned urban explorer or a curious newcomer, finding these hidden gems requires a mix of research, patience, and respect for the locations you visit. Here’s a comprehensive guide on how to find abandoned places for your next adventure. 1. Online Research The internet is your most powerful tool for locating abandoned places. Here are some effective ways to use it: Urban Exploration Websites and Forums: Websites of urban explorers and forums dedicated to urban exploration are treasure troves of information. Members share photos and videos, but rarely the exact locations. Is finding the location still an issue? Let’s move forward… Social Media : Platforms like Instagram, Reddit, and Facebook have dedicated groups and hashtags (e.g., #urbex , #abandonedplaces ) where explorers share their finds and tips. Research each photo in detail; you may see something written on the wall, documents, or posters that can disclose the location. If there is a horizon, that makes things easier! Try to identify familiar buildings and mountains. For example, in this image, G. Mattu inadvertently revealed the location of the mosaic. Meanwhile, many were asking, "Where is this?" Lol. Image credits: G. Mattu Google Earth and Maps: Use satellite imagery to spot potentially abandoned buildings and structures. Look for signs of decay, rusty roofs, overgrown vegetation, and lack of maintenance, and no cars parked nearby. Remember, Google Earth is your most reliable tool in finding the best places, but it requires time and dedication. Thanks to it, you may find places that no one has ever stepped in. Sometimes, after checking the building, you may be disappointed, but the reward comes to the most talented, hardworking, and dedicated explorers! Google Earth is such a powerful tool that you can even find crushed planes in the mountains! When it comes to finding crushed planes I should probably dedicate another article to it! Meanwhile a small task: The accident happened in 1990 in Armenia. Where is the plane? 2. Historical Research Understanding the history of an area can lead you to abandoned sites. Here’s how to dig deeper: Local Archives and Libraries: Visit local archives, libraries, and historical societies to find old maps, documents, and records of now-defunct industries, bunkers, schools, and other establishments. Newspaper Archives: Search for articles about business closures, natural disasters, or economic downturns that might have led to abandonment. For example thanks to “Soviet Art” Armenian magazine we learned about a lot of hidden artworks which in fact survived up to moderns days. Thanks to the Soviet Armenian magazine "Soviet Art," I learned about this fresco Books and Documentaries: There are numerous books and documentaries on urban decay and abandoned places that can provide leads and inspiration. 3. Networking with Local Explorers Building connections with other urban explorers can be invaluable. Here’s how to connect: Meetup Groups: Look for local urban exploration or photography meetup groups where members share information and organize joint explorations. Online Forums and Social Media Groups: Join online communities where you can ask questions, share experiences, and get recommendations. Attending Events: Attend urban exploration conferences, talks, and workshops to meet like-minded people and learn about new locations. Social Networks: Get acquainted with professionals by showing interest and passion for their work. Important Reminder for Novice Urban Explorers: Please refrain from sending the following message to urban explorers: "Hello, where is this?" Remember : Every piece of information has value. To build a strong and supportive community, always offer something in exchange for what you seek. This reciprocal approach fosters trust and collaboration within the community. 4. Fieldwork and Scouting Sometimes, nothing beats old-fashioned scouting. Here’s how to do it effectively: Drive or Walk Around: Spend time driving or walking through older parts of towns and cities. Look for telltale signs of abandonment like boarded-up windows, overgrown lots, and faded signs. Ask Locals: Engage with local residents, especially older ones, who might have knowledge of abandoned places and their histories. In return, they may ask why you want to find those places. Be prepared with a convincing explanation that you are not a looter. Show gratitude for their help, and if someone is hesitant to share information, politely offer something in return to express your thanks. Carrying a big camera often helps create a trustworthy atmosphere. I know this from personal experience. Follow Leads: Keep an eye out for leads while exploring other sites. One abandoned place often leads to another. 5. Using Technology Leverage technology to enhance your search: Drones: Use drones to get a bird’s-eye view of large areas and spot potential sites that are difficult to see from the ground. Fly high to avoid cables and for staying unnoticed. Conclusion Finding abandoned places requires a mix of online research, historical digging, networking, and good old-fashioned exploration. By using these strategies and respecting the locations, you can uncover hidden gems and enjoy the unique thrill of urban exploration. Safe and memorable exploration! In this article you can find more information on how to urbex. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

If you’re planning a trip to Armenia, learning a few basic phrases in Armenian can greatly enhance your experience. While many Armenians speak English or at least know basic phrases, demonstrating an effort to communicate in the local language can enhance your interactions and leave a positive impression. < Back Barev and other Basic Armenian Phrases If you’re planning a trip to Armenia, learning a few basic phrases in Armenian can greatly enhance your experience. While many Armenians speak English or at least know basic phrases, demonstrating an effort to communicate in the local language can enhance your interactions and leave a positive impression. Here are some useful Armenian phrases that will help you navigate your way around our beautiful country․ Hello - (Barev dzez) Բարև ձեզ Goodbye - (Hajoghutyun) Հաջողություն Thank you - (Shnorhakalutyun) Շնորհակալություն Yes - (Ajo) Այո No - (Voch) Ոչ Excuse me - (Neroghutyun) Ներողություն How are you? - (Inchpes eq) Ինչպե՞ս եք I am fine - (Hianali) Հիանալի Welcome! - (Bari galust) Բարի գալուստ What is your name? - (Inch e dzer anuny) Ի՞նչ է ձեր անունը My name is... - (Im anunn e) Իմ անունն է... I am from Paris - (Es Parizic em) Ես Փարիզից եմ I don’t understand - (Chem haskanum) Չեմ հասկանում Where is the bus stop? - (Vortegh e kangary) Որտե՞ղ է կանգառը Where must I get off? - (Vortegh petq e ijnem) Որտե՞ղ պետք է իջնեմ An AI generated image of an Armenian girl standing near the blackboard Where is the bathroom? - (Vortegh e zugarany) Որտե՞ղ է զուգարանը Help! - (Ognutyun) Օգնություն I’m sorry - (Nereceq) Ներեցեք I don’t speak Armenian well - (Es hayeren lav chem khosum) Ես հայերեն լավ չեմ խոսում Could you speak slower, please? - (Khndrum em khoseq aveli dandagh) Խնդրում եմ խոսեք ավելի դանդաղ What time is it? - (Zhamy qanisn e?) Ժամը քանի՞սն է Where is…? - (Vortegh e?) Որտե՞ղ է How much does this cost? - (Inch arzhe?) Ի՞նչ արժե Do you accept credit cards? - (Duq yndunum eq kredit carter?) Դուք ընդունու՞մ եք կրեդիտ քարտեր I'm hungry - (Es qaghcac em) Ես քաղցած եմ Could I have the menu, please? - (Menyun ktaq?) Մենյուն կտա՞ք I would like to order… - (Uzum em patvirel) Ուզում եմ պատվիրել Can I have the bill, please? - (Hashivy kareli e?) Հաշիվը կարելի՞ է Is there Wi-Fi here? - (Wi-Fi ka?) Wi-Fi կա՞ What is the Wi-Fi password? - (Wi-Fi – I gaghtnabary kaseq?) Wi-Fi - ի գաղտնաբառը կասե՞ք Could you help me, please? - (Ogneq khndrum em) Օգնեք խնդրում եմ I’m looking for… - (Es pntrum em) Ես փնտրում եմ I’m lost - (Es korel em) Ես կորել եմ Do you speak English? - (Engleren khosum eq?) Դուք խոսու՞մ եք անգլերեն I need a doctor - (Es bzhshki kariq unem) Ես բժշկի կարիք ունեմ Is this the bus for…? - (Ur e tanum ays avtobusy) Ու՞ր է տանում այս ավտոբուսը Where can I find a taxi? - (Vortegh karogh em taxi gtnel) Որտե՞ղ կարող եմ տաքսի գտնել Could you call a taxi for me? - (Karogh eq im pokharen taxi kanchel?) Կարո՞ղ եք իմ փոխարեն տաքսի կանչել Where’s the nearest ATM? - (Vortegh e motaka bankomaty) Որտե՞ղ է մոտակա բանկոմատը Is it safe to camp here? - (Ajstegh apahov e gisherel?) Այստեղ ապահո՞վ է գիշերել I’d like this - (Es tsankanum em) Ես ցանկանում եմ It’s too expensive - (Shat tank e) Շատ թանկ է Show me on the map! - (Tsuyts tveq qartezi vra) Ցույց տվեք քարտեզի վրա Can I try it on? - (Karogh em pordzel?) Կարո՞ղ եմ փորձել Where can I buy a…? - (Vortegh karogh em gnel) Որտե՞ղ կարող եմ գնել What’s the weather like tomorrow? - (Inch eghanak e linelu vaghy) Ի՞նչ եղանակ է լինելու վաղը I’d like to go to… (Es ktsankanayi gnal) Ես կցանկանայի գնալ Stop here, please - (Kangneq aystegh khndrum em) Կանգնեք այստեղ խնդրում եմ I lost my wallet - (Es korcrel em dramapanaks) Ես կորցրել եմ դրամապանակս Everything is ok - (Amen inch lav e) Ամեն ինչ լավ է Remember, a little effort goes a long way. Even if you don’t pronounce everything perfectly, locals will appreciate your effort to communicate in their language. Enjoy your trip to Armenia! Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Discover the breathtaking beauty of Armenia’s Lori Region on this 2-day hiking and sightseeing adventure. Designed for beginners and those seeking to combine exploration with light physical activity, this tour features easy trails and visits to some of Armenia’s most renowned cultural and historical landmarks. < Back 2-Day Hiking and Sightseeing Tour in Armenia's Lori Region Discover the breathtaking beauty of Armenia’s Lori Region on this 2-day hiking and sightseeing adventure. Designed for beginners and those seeking to combine exploration with light physical activity, this tour features easy trails and visits to some of Armenia’s most renowned cultural and historical landmarks. Day 1: Journey to Kayan Fortress, Haghpat, and Sanahin Monasteries Starting Point: Yerevan (170 km to Lori Region) Highlights: Kayan Fortress, Haghpat and Sanahin Monasteries (UNESCO World Heritage Sites) We begin our journey from Yerevan with a scenic drive to Lori Region. After covering a distance of 170 km, we’ll pause for a coffee break before starting our hike to the historic Kayan Fortress. Kayan fortress from the top of adjacent cliff Kayan Fortress Trail Kayan Fortress is a historic site strategically located between the Haghpat and Sanahin monasteries. This imposing structure is perched on a ridge between two canyons overlooking the Debed River. Spanning approximately 120 meters in length, the fortress features 15 semi-circular defensive towers. Camping in the territory of Kayan Fortress The trail to Kayan Fortress is about 1.5 km one way and takes less than an hour to complete. Within its boundaries lies the Dsevank Monastery, referred to by the historian Arakel Davrizhetsi as “Tes yev ants” (“See and pass by”). Aerial photo of Haghpat Monastery After the hike, we’ll visit the architectural marvels of Haghpat and Sanahin monasteries, both UNESCO World Heritage Sites, dating back to the 10th century. Accommodation: Overnight stay in a cozy hotel in the Lori Region. Personal recommendations are available, but alternative options are always welcome. Day 2 we will start with a visit to Odzun church Day 2: Odzun Church and Horomayr Monastery Hike Starting Point: Hotel in Lori Region Highlights: Odzun Church, Horomayr Monastery We start the day with a visit to the beautiful Odzun Church, a gem of early medieval Armenian architecture. Following this, we embark on a hike through the captivating Lori Gorge, offering some of the most stunning views in Armenia. Enjoying the breathtaking views of the Lori Gorge! Lower Horomayr Monastery is nestled at the base of the cliffs Horomayr Monastery Trail Horomayr Monastery is a remarkable medieval complex located 1.5 km southeast of Odzun village. Built during the 12th and 13th centuries, the monastery consists of two distinct groups of monuments: Lower Horomayr Complex: Nestled on the left bank of the Debed River, under a dramatic hanging rock. Upper Horomayr Complex (Dzoraezri Monastery): Perched on the edge of the valley. In the right corner of the image, you can see the Lower Horomayr Complex The trail to the lower complex spans 2km and takes approximately 1 hour one way. The hike is an out-and-back route, offering awe-inspiring views of the gorge and surrounding landscapes. After completing the hike, we will begin our return journey to Yerevan, stopping at a cozy food court for a lunch break. We expect to arrive in Yerevan around 6:00 PM. Alternatively, we can take the Yerevan-Sevan highway and include a visit to the Sevanavank Monastery on the way back. Tour Details Included in the Price: Pick-up and drop-off in Yerevan Transportation in an air-conditioned vehicle Professional guide service Not Included: Airport transfers Insurance Lunch (Lunchboxes can be arranged for an additional fee) Hotel stay; the tourists are also covering the cost of my one-night hotel stay Tour Price: Group of 1-4: $500 USD (The price does not include hotel stay) For larger groups, please contact us for customized pricing. Project Gallery You May Also Like Best One-Day Hiking Tours from Yerevan A Hiking Adventure to Mount Tesilk and its Mysterious Cave 2-Day Hiking and Sightseeing Tour in Armenia's Lori Region Aparan Reservoir Loop Trail 1-Day Hike to Mount Ara Hiking tour to mount Yeranos 1-Day Hiking Tour to Lastiver from Yerevan Hiking tour to Smbataberd Fortress

Mount Aragats, Armenia’s highest peak, stands as a majestic symbol of the nation’s natural beauty and cultural heritage. Towering at 4,090 meters (13,419 feet), this dormant volcano draws outdoor adventurers and history enthusiasts alike with its awe-inspiring vistas and significant scientific and historical value. This article explores the mountain's fascinating origins, cultural importance, diverse hiking experiences, and the unique gravity-defying phenomenon that make Mount Aragats an extraordinary destination. < Back Mount Aragats - Highest Mountain in Armenia Mount Aragats, Armenia’s highest peak, stands as a majestic symbol of the nation’s natural beauty and cultural heritage. Towering at 4,090 meters (13,419 feet), this dormant volcano draws outdoor adventurers and history enthusiasts alike with its awe-inspiring vistas and significant scientific and historical value. This article explores the mountain's fascinating origins, cultural importance, diverse hiking experiences, and the unique gravity-defying phenomenon that make Mount Aragats an extraordinary destination. The Geography Rising to 4,090 meters (13,420 feet) above sea level, Mount Aragats is the highest peak in Armenia and the pinnacle of the Lesser Caucasus. This majestic, four-peaked volcanic massif lies northwest of Yerevan, bordered by the Kasagh River to the east, the Akhurian River to the west, the Ararat Plain to the south, and the Shirak Plain to the north. Encompassing a circumference of approximately 200 kilometers (120 miles), Aragats spans a significant portion of the Armenian Highlands. Mount Aragats has 4 summits which are named according to their relative geographic position: Northern—4,090 m (13,420 ft) Western—3,995 m (13,107 ft) Eastern—3,908 m (12,822 ft) Southern—3,888 m (12,756 ft) Note that Mount Ararat is not in the territory of Armenia, since it came under Turkish control according to the 1921 Treaty of Moscow and Treaty of Kars. All 4 summits of mount Aragats Cultural significance The slopes of Mount Aragats are rich with ancient archaeological sites, fortresses, petroglyphs, and the unique Vishaps (Dragonstones). Among these, Amberd Fortress stands as the most renowned. This historic fortress includes a three-story princely citadel, fortified walls, a bathhouse, a small chapel, a church, hidden passages, and reservoirs. While much of the original citadel has collapsed, the upper two floors and their five large rooms remain intact. Within the fortress grounds lies the 11th-century Vahramashen Church. In 1236, the fortress fell to Mongol forces, leaving it in ruins. Later, the Vachutian noble family partially rebuilt Amberd at the close of the 13th century, but it was permanently destroyed during the Timurid invasions at the end of the 14th century and has not been rebuilt since. Medieval Amberd Fortress Scientific Institutions On the shore of Lake Kari, nestled at an elevation of 3200 meters, lies the Cosmic Ray Research Station, established back in 1943 by the esteemed Soviet physicists, brothers Artem and Abraham Alikhanyan. The station was the first of its kind in the Soviet Union to have the world's largest permanent magnet magnetic spectrometer. One can step inside the gates of the station to see a massive Dragon-stone on the shore of lake Kari! Lake Kari and Cosmic Ray Resarch station as seen by me from the slopes of Southern Aragats Additionally, the Byurakan Observatory, founded in 1946 by Victor Hambartsumian, sits proudly on the southern slopes of Aragats in the village of Byurakan, positioned at an altitude of 1,405 meters (4,610 feet). The ZTA-2.6 telescope is the largest observational instrument at the Byurakan Astrophysical Observatory (BAO). Constructed by the Leningrad Optical-Mechanical Association (LOMO) in St. Petersburg, Russia, it is a twin of the G.A. Shain reflector located at the Crimean Astrophysical Observatory (CrAO). Architect Sargis Gurzadyan, 1976 Currently, the observatory is equipped with five instruments. The largest telescopes include a 2.64-meter reflector telescope with a sitall mirror, built in 1976 (the mirror was installed in 1984, with the previous mirror transferred to the ROT-54/2.6 telescope), and a 1-meter Schmidt telescope, which was the largest Schmidt telescope in the USSR and remains one of the largest Schmidt telescopes in the world. Other instruments include a 53-centimeter Super-Schmidt system telescope (similar to the WOW (AZT-1, f=1800)), as well as 50- and 40-centimeter reflector telescopes with electrophotometers and electropolarimeters. Another scientific gem is the ROT54 which is a dream destination for urban explorers. Orgov Telescope, officially known as ROT-54/2.6, is a prominent radio-optical telescope located in Armenia’s Orgov village. Aerial photo of ROT54 Constructed between 1975 and 1985, the Orgov Telescope operated from 1986 until it ceased activity around 1990. In the mid-1990s, plans for its restoration emerged, leading to modernization efforts between 1995 and 2010. This included the installation of advanced control computers and updated feeds, enabling resumed observations in partnership with the Russian Astronomical Society and the National Technical University of Athens. However, in 2012, operations halted again due to a control arm failure that immobilized the secondary mirror. With the Armenian state unable to fund repairs, the telescope was mothballed. Experts estimate that reviving the telescope would require $25 million for upgrades to control systems, digital sensor replacements, and data processing enhancements. The control room of ROT54 Armenia’s High-Altitude Lakes On the slopes of Mount Aragats, several high-altitude lakes serve as popular tourist destinations. Among these, Lake Kari (3,200 meters), Lake Rapi (3,005 meters), and Lake Mtnalich (3,465 meters) are particularly notable. Lake Kari, the highest lake in Armenia accessible by sedan, is reachable via an older yet well-maintained asphalt road constructed during the Soviet era to facilitate scientific research in the area. Lake Kari (Stone Lake) Aragats Gravity Hill Gravity hills are found in numerous locations worldwide, including Australia, Argentina, Brazil, Canada, China, Chile, France, India, and Greece. Armenia’s gravity hill, located on the slopes of Mount Aragats, is among the most popular. These sites are often called "Magnetic Hill," "Magnetic Road," "Magic Road," or simply "Gravity Hill," as many lack specific local names. The phenomenon behind gravity hills is a captivating optical illusion resulting from the landscape's unique layout. This illusion creates the appearance of a slight downhill slope as an uphill incline. As a result, when a car is left out of gear on these hills, it seems to roll "uphill," defying gravity. This effect is similar to the experience within an Ames room, where perspective distortions lead objects to appear as though they’re defying gravitational laws. In this video you can see how a water bottle "rolls up the hill" For those interested in experiencing this firsthand, the coordinates of the Aragats Gravity Hill are 40°25′55″N 44°14′04″E , with another nearby site close to Amberd Fortress at 40°24'02"N 44°13'50"E . ---------- For a hiking tour to mount Aragats with me check out this link ! Thanks Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Explore the bold and functional world of Soviet Brutalist architecture. Discover iconic structures like the “Druzhba” Sanatorium in Yalta and the Ministry of Highway Construction in Tbilisi. Learn about the architects behind these monumental designs and the historical context that shaped this unique architectural style. < Back Brutalist Architecture in the Soviet Union Explore the bold and functional world of Soviet Brutalist architecture. Discover iconic structures like the “Druzhba” Sanatorium in Yalta and the Ministry of Highway Construction in Tbilisi. Learn about the architects behind these monumental designs and the historical context that shaped this unique architectural style. Brutalist architecture is a style that emerged in the mid-20th century, characterized by its stark, geometric designs and the use of raw concrete. The term “Brutalism” comes from the French word “béton brut,” meaning raw concrete, which was a primary material used in this architectural style. The plasticity of concrete, its "sculptural" possibilities were hardly the main element of the artistic language of neo-brutalist architects. Brutalism is known for its massive, monolithic structures and a focus on functionality over form. Origins and Key Figures Brutalism began in the United Kingdom in the 1950s, with architects like Alison and Peter Smithson leading the movement. They were inspired by the works of Le Corbusier, particularly his use of raw concrete and modular design. The style quickly spread across Europe, the USA, Canada, Japan, Brazil, and in the 1970s and 1980s also in the USSR. Brutalism in the Soviet Union In the Soviet Union, Brutalism took on a unique character, influenced by the region’s political, social, and economic conditions. Soviet architects embraced Brutalism for its cost-effectiveness and the ability to create large-scale housing and public buildings quickly. The style became prominent in the 1970s and 1980s, with many iconic structures still standing today. The architectural style is characterized by: Functionality First: The primary focus is on the practical use of the building, ensuring it serves its intended purpose efficiently. Exposed Materials: Brutalist buildings often feature raw concrete, steel, and glass, leaving these materials exposed rather than covering them with decorative elements. Simple, Geometric Forms: The aesthetic is dominated by straightforward, geometric shapes that emphasize the building’s structure and function. Monumental Scale: Many Brutalist structures are large and imposing, reflecting the power and permanence of the institutions they house. Famous Examples of Soviet Brutalist Architecture Druzhba Sanatorium Druzhba Sanatorium, (Yalta, 1985). Пансионат "Дружба" (Ялта, 1985) The “Druzhba” Sanatorium in Yalta is a striking example of Soviet Brutalism. Built by 1985 under the leadership of a team of architects from the Kurortproekt Institute under the leadership of I. A. Vasilevsky., this building resembles a UFO with its circular structure and elevated position. In 1980, the leaders of the trade unions of the USSR and Czechoslovakia decided to jointly build the Druzhba boarding house in Crimea for workers of the two countries. A difficult site with a 40-degree slope between the road and the unique Golden Beach was allocated for the construction of the boarding house. The construction site had a crack in the earth's crust, experienced landslides, and was characterized by a seismicity rating of 9 points. A special building project was developed by the design team of "Kurortproekt" in 1978-1980, including architects I. A. Vasilevsky, Y. Stefanchuk, V. Divnov, L. Kesler, and engineers N. V. Kancheli, B. Guryevich, E. Vladimirov, E. Ruzyakov, E. Kim, V. Maltz, V. Hansgorye, and E. Fedorov. They proposed a stable structure on three tower supports, which transferred the load from the building to the rock. The centerpiece of the composition is a glass atrium shaped like a crystal. Public spaces are located on different levels. The base is formed by a swimming pool bowl suspended from the building's three supports. In the center, there is a light and music fountain. Frequent stained glass windows around the fountain create the illusion of a moving water space. At night, this effect is enhanced by the illumination of three crystal chandeliers, turning the atrium into a glowing crystal. On the central terrace of the atrium there is a plastic composition “Awakening”, made of ceramics. (Artist R. Tsuzmer, architect R. Tevosyan). Hotel rooms are located behind the outer ring of the building and face the sea. Between the rooms and the atrium are open light wells. The supports are encircled by a glass corridor-gallery, which widens conically upward through the floors. This area houses a cafe, billiard room, and gym. The building is crowned by a three-part cantilevered restaurant. The roof of the fifth floor is at the level of the driveway and the main entrance to the resort. The roof features an observation deck with a panoramic view at a height of 56 meters above sea level. The building’s supports contain three high-speed elevators that transport guests to the residential floors and the seashore. Thanks to the architectural design of the building, the natural slope and existing vegetation remained unchanged. Additionally, for the first time on the entire site, heating and hot water were provided using thermal energy from the sea. Ship-house" on Bolshoi Tula Street "Ship-house" on Bolshoi Tula Street (Moscow, 1973-1986). "Дом-корабль" на Большой Тульской улице (Москва, 1973–1986) The “Ship-house” on Bolshaya Tulskaya Street in Moscow is another notable example. This residential complex, designed by architects Vladimir Davidovich Babad and Vsevolod Leonidovich Voskresensky, was constructed between 1972 and 1986. The Ship House is a 14-story residential building on Bolshaya Tulskaya Street in Moscow, known for its unusual shape and colossal size. It is also referred to as the "Titanic," "the house of nuclear engineers," "the bachelor's house," and the "horizontal skyscraper." The building is 400 meters long, 15 meters wide, and 50 meters tall. It has 14 floors, including two technical floors without windows. Additionally, it features duplex apartments on the 12th and 14th floors, and all floors, except the second and thirteenth, are residential. The building contains a total of 980 apartments. Residents began moving into one end of the building while the other end was still under construction. Due to the fact that V. Babad, previously worked exclusively on the construction of atomic reactors, he incorporated some of their features into this building. For example, the building has high seismic resistance, with facades and ends positioned at angles of 87° and 93° (instead of 90°) to each other to prevent folding. House of Aviators on Begovaya Street (Moscow, Russia) The Aviators’ House on Begovaya Street (also known as the “Centipede House,” “Octopus House,” or “House on Stilts”) is a unique 13-story brutalist residential complex with 299 apartments. Designed by architect Andrey Meerson and completed in 1978, it was originally intended as a hotel for the 1980 Summer Olympics but was later repurposed as housing for workers of the Znamya Truda aviation plant. The building’s defining architectural feature is its 40 massive reinforced concrete stilts, which elevate the first residential floor to the height of the fourth. This creates a striking visual effect of a “floating” structure, though in reality, the foundation and support system are made of solid reinforced concrete, ensuring the building’s stability. The structure consists of 13 residential floors and two technical levels—one beneath the stilts and another between the top floor and the roof. Measuring 130 meters in length, its façade is divided into three broad sections. The 40 reinforced concrete supports, arranged in 20 pairs, taper towards the ground so dramatically that they can be encircled by two people, enhancing the illusion of fragility. However, the building remains structurally sound, with the open space beneath the stilts commonly used as a parking area by residents. Ministry of Highway Construction of the Georgian SSR Ministry of Highway Construction of the Georgian SSR (Здание Министерства автомобильных дорог Грузинской ССР) The Ministry of Highway Construction building in the Georgian SSR, now acquired by the Bank of Georgia in 2007, is a striking example of Soviet Brutalist architecture. Located in Tbilisi, Georgia, this 18-story building was designed by architects George Chakhava and Zurab Jalaghania and completed in 1975. The engineer was Temur Tkhilava. Its unique design features interlocking concrete forms that resemble a stack of blocks, creating a visually dynamic and innovative structure. The building's location on a steep slope presented a unique challenge, which the architects ingeniously addressed by orienting three of the interlocking blocks on an east-west axis and the remaining two on a north-south axis. This configuration not only optimized the building's footprint but also created a dynamic interplay of volumes and shadows. The Ministry of Highway Construction building is a prime example of Soviet Brutalist architecture. Characterized by its raw concrete exterior, geometric forms, and emphasis on functionality, the building reflects the era's ideals of progress and social engineering. The structure's imposing scale and bold design solidified its status as a landmark in Tbilisi's skyline. Originally intended to house the Ministry of Highway Construction, the building reflects the Soviet Union’s emphasis on infrastructure development and modernization. The architects aimed to symbolize progress and modernity through the building’s bold design, which stands out against the backdrop of Tbilisi’s traditional architecture. In 2007, the building underwent a significant transformation when it was acquired by the Bank of Georgia. A comprehensive renovation project was undertaken to adapt the space to the bank's needs while preserving its architectural integrity. A new main entrance and underground lobby were added, creating a seamless transition between the historic structure and modern amenities. One of the most remarkable aspects of the building is its use of cantilevered sections, which create a sense of balance and harmony despite the massive concrete forms. This design not only maximizes the use of space but also allows for natural light to penetrate the interior, enhancing the building’s functionality. Celebrated for its bold aesthetic, the structure remains an iconic example of Soviet-era architectural ambition. Today, the former Ministry of Highway Construction remains an iconic landmark in Tbilisi, admired for its architectural innovation and historical significance. It serves as a testament to the creativity and ambition of Soviet-era architects, continuing to inspire and captivate visitors and architecture enthusiasts alike. “Amanaus” Hotel in Dombay The Abandoned “Amanaus” Hotel in Dombay (Заброшенная гостиница “Аманауз” в Домбае) The abandoned “Amanaus” Hotel in Dombay, built in 1985, is a haunting reminder of the Soviet Union’s ambitious architectural projects. At the foot of the Caucasus Mountains in the resort village of Dombay in the Karachay-Cherkess Republic, one can still see this Soviet monolith. The futuristic structure, dating back to approximately the mid 1980s, resembles honeycombs that will never be inhabited. It was intended to be a resort accommodating 630 people. The actual construction probably began between 1980 and 1982. It is still mystery but the construction was abruptly halted in 1985, just a few months before completion. A glimpse inside reveals that only wallpapering and furnishing remained. Utilities were already installed, walls plastered, and some doors fitted. The sudden cessation of construction remains a mystery. Unfortunately, we have not yet found reliable information about the course of construction and its abrupt halt. It is likely that records or official decrees may be found in libraries, if not in press reports, and we plan to investigate this further. The creators of the hotel were most likely inspired by the architecture of French ski resorts. In resorts like Tignes, Val Thorens, La Plagne, or Le Corbier, cozy alpine chalets are interspersed with similar multi-story structures. And it cannot be said that these buildings look unattractive or out of place. Residential Complex "Aul" Residential Complex "Aul" (Almaty, Kazakhstan, 1983)Жилой комплекс “Аул” (Almaty, Kazakhstan, 1983) The unfinished "Aul" microdistrict on Tole Bi Street is an impressive experiment in urban development. The complex, consisting of four towers built in 1983, is just a part of a large-scale reconstruction project for the entire "Tastak" area along Tole Bi Street. The project was designed by architects B. Voronin, L. Andreyeva, V. Vi, M. Dzhaikipbayev, and E. Rykov. Originally, the plan was to construct 33 monolithic towers of varying heights, grouped together similarly to the existing structure at the intersection with Volkhovskaya Street. In addition to residential buildings, the plan included the creation of service enterprises, but this was hindered by the collapse of the country and its economy. The core structure of the towers is made of monolithic reinforced concrete, constructed using sliding formwork. The towers themselves are designed in a trefoil configuration, allowing the architects to arrange them in various compositions. Spaces were left between the buildings for walkways, but higher up, the buildings almost touch each other, forming arches. The main expressive feature is the numerous semicircular balconies that densely populate the building's facades. The corners of the solid walls also have a rounded shape. Vilnius Palace of Concerts and Sports Vilnius Palace of Concerts and Sports In 1960 (or 1961, according to some sources), a competition was announced by the Institute of Urban Development Design for the creation of a sports hall in Vilnius, intended to expand the large sports complex adjacent to the Žalgiris Stadium. Three architectural teams participated in the competition. The second-place project, designed by Eduardas Chlomauskas, Jonas Kriukelis and Zigmantas Lendzbergis, was selected for construction due to its distinctive plastic silhouette. The Vilnius Palace of Concerts and Sports is a notable example of brutalist architecture. Completed in 1971, the building incorporates key brutalist elements such as exposed concrete, a utilitarian design, and sculptural, raw forms. The original engineering innovation of the building lies in its cable-stayed roof structures, designed by engineer Henrikas Karvelis. The façade and interior were finished with dolomite tiles, a material typical for that period. The foyer was decorated with wooden panels integrated into the walls, designed by artist R. Kavaliauskas. The northern wing of the building housed a café-bar adorned with mirrors and brown leatherette, designed by T. Baginskas. The palace's hall was designed for versatile use, featuring a transformable platform and a stage weighing 46 tons, which could be folded back against the hall’s rear wall. The seating capacity varied depending on the event: for hockey, the hall could accommodate 3,176 spectators; for basketball, 4,520; and for boxing, 5,400. If adapted for conferences or concerts, the maximum capacity could reach 6,000 people. The arena itself, primarily used for volleyball and basketball, had a seating capacity of 4,400. It is emblematic of Communist Modernism and remains one of the few surviving sports arenas in this architectural style. The exterior of the Sports Palace bears similarities to other contemporary structures, including the Wiener Stadthalle in Vienna (1958), the Sports Palace in Minsk (1966), the Hala Olivia in Gdańsk, Poland, and the now-demolished Volgar Sports Palace in Tolyatti, Russia. However, it features an original roof design that sets it apart. Unfortunately, due to safety concerns, the palace was closed in 2004. The 15th Building of the Belarusian National Technical University The 15th Building of the Belarusian National Technical University (BNTU), located in Minsk, is a striking example of Soviet brutalist architecture. The building is nicknamed "The Ship" due to its unusual shape, resembling the structure of an ocean liner. Construction of the 15th Building began in the 1970s, designed by the Minsk Architectural and Construction Institute (MASI), with the project authored by Igor Esman and Viktor Anikin. Although the full vision for MASI was not realized, the project was distinguished by its cohesive composition and scale, fitting the capital's architectural standards. The 15th academic building was opened in 1983, intended for the architecture and civil engineering faculties of the Belarusian Polytechnic Institute (now BNTU). Alongside the building, a teaching and laboratory block, dormitories, a canteen, and a sports and utility building were constructed. The reconstruction of the 15th Building began in June 2007. Until September 2008, landscaping work was carried out, including paving and facade improvements. However, due to insufficient funding, the reconstruction was halted. Today, the 15th Building of BNTU continues to serve as an educational and scientific center, reflecting the characteristics of Soviet architecture and the history of higher education development in Belarus. The Wedding Palace (Palace of Rituals) – Tbilisi, Georgia The Wedding Palace (also known as the Palace of Rituals) is an iconic example of Soviet-era brutalist architecture in Tbilisi, Georgia. Designed by architects Viktor Jorbenadze and Vazha Orbeladze, the building was constructed between 1980 and 1985 as a venue for wedding ceremonies. It is located at 21 Bochorma Street. One of the earliest high-profile ceremonies held at the palace was the 1987 wedding of singer Tamara Gverdtsiteli, attended by Soviet Foreign Minister Eduard Shevardnadze and British Prime Minister Margaret Thatcher. In 1990, Ian Gillan, the frontman of Deep Purple, renewed his vows with his wife Brona there during a tour. Following Georgia’s independence from the Soviet Union, the palace fell into disuse and remained abandoned for several years. In 2002, businessman Badri Patarkatsishvili purchased the property, converting it into a private residence and renaming it Arcadia Palace. After his death in 2008, he was buried in the palace garden, where a monument in his honor was erected in 2018. The Wedding Palace is often categorized as Brutalist architecture, yet it also blends elements of organic modernism. The use of raw concrete, geometric massing, and a fortress-like design aligns with Brutalism, while its fluid, temple-like form and dramatic silhouette reflect influences from expressionist and futuristic architecture, drawing parallels to the works of Le Corbusier and Oscar Niemeyer. Often compared to religious architecture, its futuristic, cathedral-like aesthetic has led Frederic Chaubin, editor-in-chief of Citizen K magazine, to describe it as "a cathedral from another, illusory world." Today, the palace remains closed to the public, with the grounds privately owned. Vilnius Marriage Palace The Vilnius Marriage Palace, also known as the Palace of Weddings, is primarily considered an example of Brutalist architecture, though it incorporates elements of late Soviet modernism. It was designed by a visionary team of architects led by Gediminas Baravykas. This striking structure not only set a precedent for similar buildings in Lithuania but also influenced architectural designs in neighboring countries. Architect: G. Baravykas Builder: A. Katilius Interior Design: E. Gūzas Stained Glass: K. Šatūnas Year: 1974 The building's design is unified, with the same stylistic elements carried through both its interior and exterior. Notable for its dynamic spaces and sculptural forms, the Palace of Marriages integrates harmoniously with its natural surroundings. The signature staircase on the façade serves as a symbolic bridge, representing the union of people’s lives. The interior and exterior have remained largely unchanged, offering a rare opportunity to explore one of the most impressive examples of late 20th-century architecture. For many residents of Vilnius, the building holds a cherished place in their most treasured memories. Kokhi Borbad The Kokhi Borbad (Palace of Culture and Congresses) in Dushanbe is a remarkable example of Soviet brutalist architecture. Situated by the serene Komsomolskoye Lake, this imposing structure, resembling an alien spacecraft, was designed by architect Sergo Sutyagin. It houses the largest concert hall in Tajikistan, with a capacity of 2,300 seats.Its construction during the late Soviet period aligns with a phase where architects explored beyond traditional modernism, incorporating elements that could be classified as Brutalist, especially given its concrete construction and monumental scale. The building's massive concrete facade, adorned with bold geometric patterns and sweeping curves, sets it apart from other Soviet-era public buildings. Its imposing, almost otherworldly design reflects the ambition of Soviet architecture in Central Asia, seamlessly merging monumental scale with artistic vision. Inside, Kokhi Borbad boasts an expansive auditorium designed for optimal acoustics, enhanced by intricate interior decorations that fuse Soviet and Tajik artistic influences. The hall's grand stage has hosted an array of performances, from classical music concerts to state ceremonies, cementing its role as a central venue for cultural expression. Although it was constructed during the Soviet era, Kokhi Borbad continues to be a vital cultural center in modern Tajikistan, hosting concerts, festivals, and government events. Its futuristic design remains a powerful symbol of Soviet architectural ambition and cultural identity in the region. Chuvash State Opera and Ballet Theater The Chuvash State Opera and Ballet Theater, located in Cheboksary, Chuvashia, Russia, is a major cultural institution with deep historical roots. Designed by architects R. Begunts and V. Teneta, the current building was completed in 1986. While some classify its style as Soviet modernism, the dominant architectural influence is Brutalism. Today, it remains the largest theater company in the Volga region and a key pillar of Chuvashia’s cultural scene. The appearance of photos and videos of this unique building on social media attracts a lot of attention, striking with its bold and unconventional appearance. Bonus Building: Though not located within the former Soviet Union, this structure stands as a striking Soviet creation in Cuba. We’re talking about the Embassy of the Russian Federation in Havana—a formidable example of Soviet Brutalism abroad. Designed by Alexander Grigoryevich Rochegov and his wife Maria Alexandrovna Engelke, in collaboration with the design organization Mosproekt-1, this iconic building was constructed between 1978 and 1987 and remains one of the most imposing Soviet-era structures outside the USSR. The building was initially opened as the Soviet embassy during a time when Soviet influence in Cuba was at its peak. Following the dissolution of the Soviet Union in 1991, it transitioned to its current status as the Russian Embassy. Its towering, angular form, resembling a sword planted into the ground, dominates Havana’s skyline. No surprise, the building quickly earned the nickname "control tower," a playful reference to both its resemblance to an air traffic control tower and the USSR's dominant role in the bilateral relationship between Cuba and the Soviet Union. A classic example of Brutalist architecture, the embassy features raw concrete, sharp geometric lines, and a fortress-like presence, reflecting both Soviet power projection and the architectural trends of the time. Conclusion Brutalist architecture in the Soviet Union represents a fascinating blend of functionality, ideology, and artistic expression. These structures, with their bold designs and raw concrete forms, continue to captivate architects and enthusiasts around the world. They stand as a testament to a unique period in architectural history, reflecting the ambitions and challenges of the Soviet era. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

The "Mother Armenia" monument in Ijevan is one of Armenia's most iconic Soviet-era landmarks, celebrated for its historical significance and striking design. For those interested in Soviet-era monuments or Soviet art, this site is a must-visit and should be included in any tour itinerary in Armenia. < Back Mother Armenia in Ijevan city The "Mother Armenia" monument in Ijevan is one of Armenia's most iconic Soviet-era landmarks, celebrated for its historical significance and striking design. For those interested in Soviet-era monuments or Soviet art, this site is a must-visit and should be included in any tour itinerary in Armenia. The "Mother Armenia" monument, located in Ijevan, Tavush region, Armenia, is a significant historical and cultural landmark created in 1971 by sculptor Serzh Mehrabyan. Mother Armenia in Ijevan city as seen by my drone Recognized as part of the immovable cultural heritage of Ijevan, it stands as a symbol of the city, prominently situated on a hill at the northern entrance, near the Ijevan-Tbilisi highway. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Once again, I find myself on an urbex mission. This article serves as a brief reflection on my exploration of the abandoned thermal power plant. It marked my inaugural experience inside such a structure, leaving me profoundly impressed. < Back Exploring an Abandoned Thermal Power Plant Once again, I find myself on an urbex mission. This article serves as a brief reflection on my exploration of the abandoned thermal power plant. It marked my inaugural experience inside such a structure, leaving me profoundly impressed. The Yerevan Thermal Power Plant (CHP) was commissioned in 1963 and initially operated on coal. Following subsequent modernizations, it transitioned to natural gas, rendering the old cooling towers obsolete. The cooling towers are creating an apocalyptic backdrop Currently, only four cooling towers remain, as two were dismantled between 2011 and 2012. Constructed from reinforced concrete with wooden decking, these cooling towers possess an epic aesthetic that appeals to urban photographers. A look at the sky while standing inside the cooling tower A rusty staircase provides access to the upper levels. As of spring 2024, the entrances to 3 cooling towers were locked, with only one tower accessible. Nearby structures, potentially control rooms, were not explored during this visit. Although there is security at the checkpoint, fortunately, there was no encounter with them on that particular day. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next