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- The largest Russian church in Armenia | Armenian Explorer
Discover the Church of Saint Arsenius in Gyumri, Armenia's largest Russian church. Built in the 1870s, this historic landmark, now an abandoned church in ruins, boasts a unique design and continues to attract visitors from around the world. < Back The largest Russian church in Armenia Discover the Church of Saint Arsenius in Gyumri, Armenia's largest Russian church. Built in the 1870s, this historic landmark, now an abandoned church in ruins, boasts a unique design and continues to attract visitors from around the world. The Church of Saint Arsenius, located in the Kazachi Post area of Gyumri, Armenia, is the largest Russian church in the country. Named after the archbishop of Serbia, St. Arsenius, this historic church was built in the 1870s and consecrated on January 6, 1910. The facade of Saint Arsenius the Archbishop of Serbia Church Architecturally, the church featured two main domes: a conical belfry characteristic of Armenian design and an onion-shaped dome. However, in the 1930s, these domes were demolished, and the building was repurposed as a shelter for orphans, a cattle stable, and eventually a cinema club. Inside Saint Arsenius church Since the 2010s, the church has been undergoing a slow but steady renovation, funded by contributions from believers and benefactors. In particular, I noticed that the roof has undergone temporary renovations. Despite its turbulent history, the Church of Saint Arsenius remains a significant spiritual and cultural landmark in Armenia. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next
- Destroyed Soviet Mosaics and Frescoes in Armenia | Armenian Explorer
Earlier, I dedicated several articles to destroyed bas-reliefs and statues in Armenia. These articles still attract strong interest, drive steady traffic to my website, and help bring forgotten masterpieces back into public view. Today’s article focuses on another crucial layer of Soviet monumental art: the destroyed mosaics and frescoes of Armenia. < Back Destroyed Soviet Mosaics and Frescoes in Armenia Earlier, I dedicated several articles to destroyed bas-reliefs and statues in Armenia. These articles still attract strong interest, drive steady traffic to my website, and help bring forgotten masterpieces back into public view. Today’s article focuses on another crucial layer of Soviet monumental art: the destroyed mosaics and frescoes of Armenia. Soviet mosaics, frescoes, and bas-reliefs are among the most striking visual legacies of the USSR. They transformed grey, industrial environments into open-air galleries. Their widespread presence was not accidental but the result of a deliberate state policy that combined ideological messaging with a practical solution to monotonous blank walls. Here, we must again refer to the 1955 decree “On the Elimination of Excesses in Design and Construction” (Об устранении излишеств в проектировании и строительстве), initiated by Nikita Khrushchev. Like bus stops and bas-reliefs, mosaics and frescoes became a kind of aesthetic loophole and were not classified as “architectural excess. One of the largest and finest mosaics was created in 1977 by Karapet Yeghiazaryan, Hrayr Karapetyan, Khachatur Gyulamiryán, Vaghinak Mandakuni, Aleksandr Azatyan. The architects of the building were Grigori Grigoryan and Armen Aghalyan. It decorated the façade of the USSR Institute of Telecommunications Research (ՀՍՍՀ Կապի Գիտահետազոտական ինստիտուտ). In the first half of 2023, the building was demolished and the mosaic dismantled, reportedly with plans to reinstall it after the new building is constructed. At the time of its destruction, the Beeline office was located inside the building. Photo Credits: Damien Hewetson BIG UPDATE I’m happy to share some good news and update this article. As of February 2026, the mosaic is being reinstalled on the newly built skyscraper, on the site of the previously demolished building. I have already visited the location twice to document the restoration work and take new photos. One of the key reasons for the sheer number of mosaics was a formal state requirement: 2–5% of the construction budget for any public building—factories, schools, institutes, hospitals, and even bus stops—had to be allocated to “artistic and decorative elements.” In Soviet planning, this was officially known as “Artistic-Decorative Finishing” (Художественно-декоративное оформление). The “Anahit” resort in Stepanavan once featured an impressive mosaic on the wall of its swimming pool. Although the resort still operates today, the mosaic is long gone. The Art Fund acted as a mandatory intermediary in this process. When a factory or public building was under construction, the building authority transferred the allocated “artistic percentage” to the Art Fund, which then: assigned an artist to the project; approved the sketch, ensuring ideological compliance; supplied materials such as smalt, ceramics, and cement. In Russian art history, this system is often described by the term “Sintez Iskusstv” (Синтез искусств — Synthesis of Arts): the idea that architecture and fine art should not exist separately, but merge into a single, unified expression of Soviet life. Before the modern Cascade was built, a mosaic adorned the Old Cascade Waterfall. The artist was the Armenian sculptor and Honored Artist of the Armenian SSR (1967), Derenik Danielyan. This policy created a vast and guaranteed market for artists. The Union of Artists of the USSR (Союз художников СССР) controlled the distribution of these commissions. For many artists, state orders became their main source of income, resulting in the creation of thousands of works across the Soviet Union, from Moscow to remote Siberian villages. Unlike murals, mosaics made of smalt (special colored glass) or ceramic tiles do not fade in the sun and can withstand harsh winters. Soviet authorities viewed mosaics as “art for eternity.” Yet even art meant to last forever is gradually disappearing. About frescoes... Soviet frescoes, while sharing the same ideological DNA as mosaics, occupied a different niche. If mosaics ruled the exterior, frescoes and other mural techniques dominated interiors. They adorned the foyers of Culture Houses, Culture Palaces, Pioneer Palaces, university lecture halls, and factory meeting halls. Their tone was academic and historical, focused on Soviet ideology and on the country’s history stretching back centuries, depicting key moments in its past. In Armenia, many frescoes have survived, perhaps thanks to the fact that they were created by renowned artists such as Minas Avetisyan or Hakob Hakobyan. Others, however—especially works by lesser-known or anonymous artists—have already vanished or are slowly fading away. The First Class (“Պեռվի կլաս”) restaurant at Gyumri Railway Station once featured a remarkable fresco named "Old Gyumri" by Eduard Edigaryan. A few low-quality images offer a glimpse of its original appearance. The central section of the mural portrays men dressed in traditional national costumes. In the background, the city of Leninakan is depicted, while the left and right panels of the triptych feature Armenian women turned toward the center. The door is usually kept closed; about a year ago, I asked a staff member to open it to check if the mural might be hidden behind a mirror or panel, but it appears the artwork is lost forever. From left a guest from Philadelphia, in the center Khachatur Vardparonyan, on the right Hakob Hakobyan. Image credits: Khachatur Vardparonyan (Խաչատուր Վարդպարոնյան), Facebook page. One of the finest frescoes that has not survived was painted by Khachatur Vardaparonyan and titled Rebirth («Վերածնունդ», 1979). It was located in Leninakan (present-day Gyumri) at the Sock Factory (գուլպա-նասկեղենի ֆաբրիկա), now the Millennium Restaurant. The fresco was not preserved and was destroyed in the early 2000s during renovations. The fresco discovered in Artik’s former Youth Palace in 2018 during reconstruction works. Photo credits: SHANTNEWS Initially, the fresco was thought to be the work of Khachatur Vardparonyan, but this attribution was later rejected by his grandson. It was eventually established that the author of the rediscovered fresco was Misha Sargsyan. The work was identified by his wife, Azatuhi Tadevosyan, for whom the discovery came as a complete surprise. According to her, the fresco had been painted more than 45 years earlier and had long faded from her husband’s memory. When I visited the site in 2024, I was shocked to see that the mural was gone and the building had been turned into a store selling toilets, sinks, and other plumbing fixtures. “The painting was created in 1967–1968. At that time, we had just gotten married. I suggested that he leave his signature beneath the work, but back then artists were not allowed to sign their paintings,” Azatuhi Tadevosyan told the SHANTNEWS correspondent. The Culture Palace in Vayk also featured a notable fresco, which was destroyed a few years ago. When I visited the site in 2022, the fresco was already gone, but fortunately, a local worker had a photo of it and kindly shared it with me. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next
- Near the Armenian–Iranian border stands a beautiful, abandoned train station | Armenian Explorer
It was already getting dark when we reached this abandoned train station, and the atmosphere left a deep impression on me. Standing there, the iconic statue of a young girl caught my eye—her graceful hand gesture, once holding a pigeon, now seemed to highlight the eerie beauty of this forgotten place. In this article, you’ll discover the history, development, and decline of this remarkable site. Highly recommended for urbex photographers and history enthusiasts visiting Armenia. < Back Near the Armenian–Iranian border stands a beautiful, abandoned train station It was already getting dark when we reached this abandoned train station, and the atmosphere left a deep impression on me. Standing there, the iconic statue of a young girl caught my eye—her graceful hand gesture, once holding a pigeon, now seemed to highlight the eerie beauty of this forgotten place. In this article, you’ll discover the history, development, and decline of this remarkable site. Highly recommended for urbex photographers and history enthusiasts visiting Armenia. The Meghri–Nakhichevan railway line, including the Meghri station, was launched in the autumn of 1943, during World War II. It was built to support industrial freight transport and to connect southern parts of Armenia with the wider Soviet rail network. At the time, the railway offered the only practical alternative to the long and difficult highway between Yerevan and Meghri. The Yerevan–Baku railway began in Yerevan, passed through Nakhichevan, Meghri, and Kapan, and continued to Baku, with approximately 40 kilometers of the line running along Armenia’s southern border near Iran. This railway served as a crucial link between Yerevan, the Azerbaijani exclave of Nakhichevan, and Baku. (Historically, Nakhichevan was part of Armenia until 1921, when it was transferred to Azerbaijan by the Bolsheviks. On March 16, 1921, Soviet Russia and Turkey signed the Treaty of Moscow, placing Nakhichevan under the “protectorate” of Soviet Azerbaijan. Before that, it had been part of the First Republic of Armenia.) In the 1960s, a new station building was constructed in Meghri. Later, in the 1970s, Azerbaijani authorities planned to install a bust of Mashadi Azizbekov, an Azerbaijani Bolshevik and one of the Baku Commissars. However, one night, a bust of Stepan Shahumyan, a prominent Armenian revolutionary, mysteriously appeared in its place — secretly relocated from the Agarak mining combine. The bust remained in place until 1993, when it was damaged by vandals. It lay discarded beneath its pedestal for almost 3 decades before ultimately disappearing in recent years. In the station’s final years of operation, 20 to 23 trains, each with more than 50 wagons, passed through Meghri daily in both directions. After the collapse of the Soviet Union and the outbreak of the Artsakh liberation war, freight wagons loaded in Meghri and routed through Nakhichevan no longer reached Yerevan. As a result, the operation of the station was inevitably suspended, and the last train passed through Meghri on the night of April 23, 1992. By 2003, the railway section from Kapan to Meghri had been dismantled, and approximately 70 wagons and rails were scrapped. Today, what remains is a quiet, nostalgic scene: the cozy station building, a few rusting carriages, the empty pedestal where Shahumyan's bust once stood, and a statue of a young girl — her graceful pose as if pointing toward the silent echoes of a once-vibrant station. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next
- Exploring an Abandoned Sanatorium Built by German Prisoners of War | Armenian Explorer
This abandoned sanatorium in Armenia is one of several buildings constructed by German prisoners of war. It not only has a fascinating history but also striking architecture that draws urban explorers from around the world. Let’s take a look inside this remarkable place — despite being looted, it has preserved surprisingly much and left a strong impression on me. < Back Exploring an Abandoned Sanatorium Built by German Prisoners of War This abandoned sanatorium in Armenia is one of several buildings constructed by German prisoners of war. It not only has a fascinating history but also striking architecture that draws urban explorers from around the world. Let’s take a look inside this remarkable place — despite being looted, it has preserved surprisingly much and left a strong impression on me. During and following World War II, numerous German prisoners of war were relocated to Armenia, engaging in diverse labor projects. They contributed not only to agricultural endeavors but also to the construction of bridges, schools, factories, and sanatoriums. These structures, recognized for their durability, earned the nickname "German Quality" among Armenians. There were around 16,160 prisoners of war in Armenia. A historical photo of the sanatorium while it was still under construction. By the way, among them was an Austrian zoologist, ethologist, and ornithologist named Konrad Lorenz. He was a co-recipient of the 1973 Nobel Prize in Physiology or Medicine alongside Nikolaas Tinbergen and Karl von Frisch. The tourist is enjoying the view from the balcony of the 3rd floor This sanatorium, which we explored, was also built by German prisoners of war and was named after S. M. Lazarev. Construction began in 1934, but by 1941 only the first floor had been completed. After the war, work continued with the help of POWs who were living on the opposite bank of the river. The architect behind the project was Samvel Safaryan. Each room has a nice balcony with a view towards the garden full of trees and a pool The building has four floors with impressive colonnades that give it a unique charm. There was once an open-air bar on the roof. Inside, I found numerous documents—the most recent from 2003—indicating that the sanatorium was operational at least until that year. The interior is carefully designed, with great attention paid to every detail Since it was abandoned only recently and had been guarded for a long time, it remains relatively well preserved. Its architectural design and massive scale attract travelers from around the world. This is an ideal location for anyone interested in urban exploration. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next
- 1-Day Hike to Mount Ara | Armenian Explorer
Embark on a thrilling hiking adventure to Mount Ara, an extinct volcano located at the border of the Kotayk and Aragatsotn regions of Armenia, southeast of Mount Aragats. With a height of 2,577 meters, Mount Ara offers not only breathtaking views but also a unique opportunity to explore the rich biodiversity and geological history of Armenia. < Back 1-Day Hike to Mount Ara Embark on a thrilling hiking adventure to Mount Ara, an extinct volcano located at the border of the Kotayk and Aragatsotn regions of Armenia, southeast of Mount Aragats. With a height of 2,577 meters, Mount Ara offers not only breathtaking views but also a unique opportunity to explore the rich biodiversity and geological history of Armenia. Mount Ara, a polygenetic stratovolcanic cone located near Yerevan, is a beloved destination for hikers and outdoor enthusiasts. Its unique isolation from other mountain ranges adds to its allure, making it particularly fascinating for geomorphology enthusiasts. With its volcanic origins and striking natural features, Mount Ara offers a remarkable opportunity to explore the geological forces that have shaped Armenia’s diverse landscapes. Flora and Fauna A remarkable variety of plant species thrives on Mount Ara, with 650 species of vascular plants recorded—accounting for 20% of Armenia's total vegetation. The mountain’s diverse ecosystems include semi-desert, steppe, meadow steppe, forest, and tall grassy areas, offering a unique cross-section of Armenia’s natural habitats. View to mount Ara from Aparan reservoir Hikers can witness the full spectrum of Armenia’s plant life while exploring the rich fauna of Mount Ara. The area is home to a variety of animals, including numerous bird species, reptiles, rodents, as well as larger mammals such as bears, wolves, and foxes. Tour Highlights Hike to the summit of Mount Ara and take in panoramic views of the surrounding regions and rivers, including Aparan reservoir and mount Aragats Explore the mountain's varied vegetation zones, from semi-desert areas to lush meadows and forests. Experience the rich biodiversity of Mount Ara, observing rare plant species and the diverse wildlife that inhabits the area. Enjoy a peaceful and isolated escape into the heart of Armenia’s natural beauty. Whether you're an avid hiker, a nature enthusiast, or simply someone looking to enjoy the serene beauty of Armenia's landscapes, a hiking tour to Mount Ara promises an unforgettable adventure. ----------------------- Tour Details : Start: 7:30-8.00 AM from Yerevan Finish: Around 5 PM in Yerevan Hiking Distance: 11km Elevation Gain: 870m Duration: 3 hours (Up to the summit) Start point: Foot of mount Ara End point: Foot of mount Ara Distance from Republic Square to the Starting Point: 35km Difficulty: Medium Trail Type: Circular Transportation: My car is Mitsubishi Pajero 4 --------------- Tour Price to mount Ara Total price for 1-4 participants (the whole group) : 90.000 AMD For larger groups, please consider contacting for more details! -------------- The price includes: Pick up & drop off (In Yerevan) Transportation in air conditioned vehicle Service of a guide --------- The Price Does Not Include: Airport transfers Insurance Lunch (Lunchboxes can be added in case of an extra payment) -------------- List of things you should consider taking: 1. Backpack: A sturdy backpack to carry all your essentials. 2. Water: Sufficient water to stay hydrated throughout the hike. At least 1.5 liters… 3. Food: Pack lightweight, high-energy snacks or meals to keep your energy levels up. 4. Clothing: Dress in layers, including a waterproof/windproof outer layer, and choose moisture-wicking materials. Having extra socks and boots always welcomed… 5. Hiking Shoes/Boots: Wear comfortable and supportive footwear suitable for the terrain. 6. First Aid Kit: I have mine but in case you are using specific medicaments take with you! 7. Sun Protection: Sunscreen, sunglasses, and a hat to protect yourself from harmful UV rays. 9. Headlamp/Flashlight: Essential for hiking in low light conditions or during overnight trips. 10. Whistle: A loud whistle for attracting attention in case of emergencies. 11. Trekking Poles: Optional but helpful for stability, especially on challenging terrains. 12. Rain Gear: A lightweight, waterproof jacket or poncho to stay dry during rain showers. 13. Trash Bag: Carry a small bag to pack out your trash and keep the trail clean. Remember, this list may vary depending on the length and difficulty of the hike, weather conditions, and personal needs. But this were the basic things I decided to emphasize! Project Gallery You May Also Like
- Urbex Tour to ROT54 – Explore Armenia’s Most Fascinating Abandoned Place | Armenian Explorer
I’m Suren, a professional urbexer who has turned his passion into a career, guiding tourists through abandoned places and supporting a unique lifestyle. I do this full-time and, over the years, have become a specialist in this field. In recent years, urbex (urban exploration) has gained massive popularity, especially on social media. Soviet-era sites across post-Soviet countries have become hotspots for adventurers, photographers, and history enthusiasts. One of the most popular destinations in Armenia is the ROT54 Radio-Optical Telescope, perched at 1,700 meters above sea level on the southern slopes of Mount Aragats — the country’s highest peak. This tour invites you to join me as your private guide to explore this Soviet-era scientific marvel. < Back Urbex Tour to ROT54 – Explore Armenia’s Most Fascinating Abandoned Place I’m Suren, a professional urbexer who has turned his passion into a career, guiding tourists through abandoned places and supporting a unique lifestyle. I do this full-time and, over the years, have become a specialist in this field. In recent years, urbex (urban exploration) has gained massive popularity, especially on social media. Soviet-era sites across post-Soviet countries have become hotspots for adventurers, photographers, and history enthusiasts. One of the most popular destinations in Armenia is the ROT54 Radio-Optical Telescope, perched at 1,700 meters above sea level on the southern slopes of Mount Aragats — the country’s highest peak. This tour invites you to join me as your private guide to explore this Soviet-era scientific marvel. ROT54 and the Tour Experience This urban explorer tour gives you a rare chance to visit one of the most popular and mysterious scientific sites of the Soviet legacy: the Herouni United Space Center in the village of Orgov. Hidden in the peaceful hills of Orgov lies ROT54 , an enormous and now-abandoned scientific structure. Built between 1975 and 1985 , this telescope features a massive 54-meter (177 ft) dish and was once among the most advanced radio-optical telescopes in the world. The project was the brainchild of Paris Herouni — a radio astronomer, physicist, and engineer — a determined Armenian scientist who spent years convincing Soviet authorities to approve its construction in Armenia. Aerial photo of ROT54 The telescope operated from 1986 until it stopped in 1990. In the mid-1990s, plans were made to restore it. From 1995 to 2010, it was partially modernized with new control computers and equipment, and observations resumed with help from the Astronomical Society of Russia and the National Technical University of Athens. But in 2012, a control arm failed, disabling the secondary mirror and stopping operations again. The Armenian government couldn’t afford repairs, and the facility was mothballed. To restart it, the control systems need major upgrades, old analog sensors must be replaced with digital ones, and the data systems must be modernized. Experts estimate the cost at around $25 million. In the control room of ROT54 Today, the dish stands silent. Inside the control room, everything remains as if time simply froze — a perfect set piece for any urban explorer. Arev: The Forgotten Solar Power Station Just a short walk from ROT54 lies Arev , an unfinished solar thermal power station designed by Paris Herouni during Armenia’s 1990s energy and economic crisis, when even the country’s most important strategic facility, the Metsamor Nuclear Power Plant, was shut down. It was protected by nine patents and boasted higher efficiency than similar international projects. Despite attracting interest from foreign investors, particularly from Great Britain, the project was never completed. When construction was close to completion, the investors attempted to acquire Herouni’s patents, which ultimately brought the project to a halt. Now, the skeletal remains of Arev resemble something from a science fiction film — a raw monument to Soviet ambition, lost in time. A visit to "Orbita" antenna During this tour, we will also have a unique opportunity to see the massive “Orbita” antenna. The Orbita (Орбита) system was the world’s first national satellite television network, launched by the Soviet Union in 1967. Covering the vast territory of the USSR, laying cables to every remote region was impractical. Instead, a network of ground stations equipped with large, iconic parabolic antennas was built to receive signals from Molniya satellites. In 1967, the first 20 Orbita stations were put into operation. The system expanded rapidly. By 1970, there were already more than 50 stations, and by 1984, the network had grown to over 100 stations, including more than 10 transmit-and-receive stations. Armenia was also part of this network and had several Orbita antennas. According to available information, the Orbita station in Armenia became operational in November 1977, although it is unclear whether this date refers to this specific station or another antenna; further verification is required. The launch of this station coincided with the construction of the 311.7-meter Yerevan TV Tower, which allowed Armenia to receive the Second Program of Central Television from Moscow via the Molniya and Raduga satellite constellations. Tour Highlights Walk around the legendary ROT-54 antenna Explore the iconic control room with its original panels, perfectly preserved Visit abandoned buildings, including a unique anechoic chamber Get up close to — or even climb — the futuristic Arev solar power station Climb the observation tower for stunning panoramic views of the area See the giant "Orbita" antenna More details… For groups larger than 4, please contact me via Telegram or WhatsApp. The number is listed at the bottom of the website. Transfer to and from your address in Yerevan Guide services Flexible schedule: time for photos, rest, and exploration Distance from Yerevan — about 40 km (approximately 50 minutes by car) Total tour duration — 4 to 5 hours The tour is conducted in a well-maintained Mitsubishi Pajero 4 P.S. This tour can be combined with a visit to the Byurakan Astrophysical Observatory, where you can see either the iconic ZTA‑2.6 telescope or the 1‑meter Schmidt telescope , a true scientific landmark. For more details, feel free to contact me directly via WhatsApp or Telegram for a quick response! Project Gallery You May Also Like A Unique Tour to Armenia ’s Hidden Cold War Radio Center From Yerevan to Mount Aragats Tour to Armenia’s Particle Accelerator Climb Mount Artanish & Explore Sevanavank Monastery Urbex Tour to the Trophy 1m Schmidt Telescope at Byurakan Observatory Hiking from Lake Parz to Gosh Village Urbex Tour to ROT54 – Explore Armenia’s Most Fascinating Abandoned Place Hike Armenia by choosing the popular Smbataberd trail Previous Next
- We Explored a Giant Refractory Brick Factory | Armenian Explorer
During this urbex mission, we explored a massive Soviet-era refractory brick factory. The site was so big it took hours to cover — and even then, some sections remained unexplored. This article aims to document our exploration and offer a glimpse into how this industrial giant, rich with history, stands today. < Back We Explored a Giant Refractory Brick Factory During this urbex mission, we explored a massive Soviet-era refractory brick factory. The site was so big it took hours to cover — and even then, some sections remained unexplored. This article aims to document our exploration and offer a glimpse into how this industrial giant, rich with history, stands today. Tucked deep in a gorge, on the bank of a river and surrounded by lush forests, lie the remains of a once-thriving Soviet factory. This abandoned industrial colossus, hidden in the Armenian wilderness, was once a major site for producing refractory bricks — specialized heat-resistant blocks used in furnaces, kilns, and heavy industry. Lots of old Soviet trucks, excavators, and other machines were scattered across the territory Built in 1951, the factory was strategically located near a rich deposit of clay, essential for high-quality brick production. At its peak, it employed over 600 workers, forming the backbone of the local economy and supporting surrounding villages and towns. Each day, 7 to 8 railway wagons transported bricks to Russia, feeding the Soviet Union’s insatiable industrial demand. Walking inside today feels like entering a time capsule. Rusting machinery, heavy-duty tools, and even Soviet-era trucks sit silently across the factory floor. Strange metal equipment, the use of which I couldn’t identify, is still scattered throughout — industrial relics of a forgotten era. In this part of the factory, I saw hearths where bricks were hardened in high heat After the collapse of the USSR, the factory’s fate took a downturn. In 1995, it was privatized and continued low-scale brick production. However, poor economic conditions, bad logistics, and weak management sped up its decline. By the mid-2000s, the plant had ceased operations entirely. I also came across lathe machines that looked almost brand new — as if they were just waiting for someone to press the button and bring them back to life Now, nature is slowly reclaiming the site. Trees push through cracks in the concrete and grow around machinery. As I walked by, I saw old Soviet trucks buried in bushes. Surprisingly, the place is still well-preserved. It’s guarded and doesn’t appear looted —the machines haven't been scrapped for metal. Today, the factory still stands — a haunting yet beautiful reminder of a time when this quiet river valley echoed with the roar of Soviet industry. It’s a perfect location for urban exploration. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Previous Next
- The Destroyed Statues of Armenia | Armenian Explorer
Shifts in ideological paradigms, political caprice, the desire to break away from a totalitarian past, and acts of vandalism led to the dismantling or destruction of many monuments associated with communist ideology and beyond. This process accelerated after the collapse of the Soviet Union in 1991. In this article, we will explore the statues that once adorned Armenia, only to be lost to history. < Back The Destroyed Statues of Armenia Shifts in ideological paradigms, political caprice, the desire to break away from a totalitarian past, and acts of vandalism led to the dismantling or destruction of many monuments associated with communist ideology and beyond. This process accelerated after the collapse of the Soviet Union in 1991. In this article, we will explore the statues that once adorned Armenia, only to be lost to history. The practice of dismantling monuments is not unique to the post-Soviet space. After the October Revolution of 1917, the Bolsheviks actively demolished monuments tied to the tsarist regime as part of the so-called "Lenin's Plan of Monumental Propaganda." This underscores that a change in political systems is often accompanied by a revision of the symbolic landscape and the removal of monuments from the previous era. Thus, the destruction of monuments during and after the collapse of the USSR was driven by a mix of ideological shifts, a desire to reevaluate historical heritage, and public sentiment, often expressed through acts of vandalism, particularly as many statues were made of valuable materials like bronze, copper, and others. Joseph Stalin's statue was considered a masterpiece by the sculptor Sergey Merkurov. The pedestal was designed by architect Rafayel Israyelian. The statue of Stalin was unveiled in Yerevan on October 29, 1950. Designed by architect Rafael Israelyan and sculpted by Sergey Merkurov, the bronze figure stood 17 meters tall. With its imposing 33-meter pedestal, the monument reached a total height of 50 meters, making it the tallest Stalin statue of its time. In 1952, a monumental statue of Joseph Stalin, standing 24 meters tall, was erected at the Volga–Don Canal in Stalingrad (now Volgograd). The pedestal added an additional 30 meters, bringing the total height to 54 meters. As a result, it became the tallest Stalin statue in the Soviet Union, a record that was never surpassed. Yesterday... today... In 1962, the statue was dismantled, and in 1967, the "Mother Armenia" monument, created by sculptor Ara Harutyunyan, was erected in its place, utilizing the original pedestal. The statue of Joseph Stalin by Ara Sargsyan Another notable statue dedicated to Joseph Stalin was created by renowned artist Ara Sargsyan and was once located in Gavar (formerly Nor Bayazet until 1994). The statue's current fate remains unknown. Lenin's Statue in the Republic Square (Lenin Square in Soviet times) of Yerevan! Its body now resides in the courtyard of the National Gallery of Armenia, while the head is kept in storage Lenin’s image was omnipresent during Soviet times, dominating central squares, schools, cultural halls, and workplaces. The most iconic of these was the Lenin statue in Yerevan, erected in Republic Square—then known as Lenin Square—in 1940 to mark the 20th anniversary of Soviet rule in Armenia. Crafted by renowned sculptor Sergey Merkurov, with artistic contributions from architects Natalya Paremuzova and Levon Vardanov, the monument depicted Lenin addressing a crowd, symbolizing his leadership and revolutionary ideals. It served as the focal point for public events, military parades, and political gatherings for decades. Following Armenia’s independence in 1991, the statue was dismantled. Today, its body rests in the courtyard of the National Gallery of Armenia, while the head remains in storage. The pedestal was removed in 1996 and is currently housed in a Yerevan Municipality warehouse in Charbakh. For now, I will refrain from publishing additional photos of the destroyed statues of Lenin and Stalin, as there are countless examples, particularly in the case of Lenin. Instead, I plan to publish separate articles on this subject in the future. Sasuntsi Davit (David of Sassoun) Statue by Yervand Kochar In 1939, Yerevan was preparing to celebrate the 1000th anniversary of the epic poem Sasna Tsrer (Daredevils of Sassoun) with grand festivities. The celebrations were set for October, and during the summer months, it was decided that the event would be incomplete without a statue of the epic's central hero. A competition was announced, inviting Armenian artists to submit designs for a statue of David of Sassoun. However, some sculptors argued that the task would take 1–2 years, while others were preoccupied with other commissions. At this juncture, Yervand Kochar, who had recently returned from Paris, took on the challenge. He required only a few assistants to complete the work. Kochar’s plaster statue of David of Sassoun, mounted on a wooden pedestal several meters high, was completed in just 18 days. The statue was installed in the square near the station and stood there for about two years until Kochar’s arrest. One of the charges leveled against him was that the figure of the rider, with a drawn sword, appeared to be rushing toward "friendly" Turkey. He was accused of formalism, a charge that equated to being labeled an “enemy of the people.” As a result, he was imprisoned, and the statue was destroyed. After spending 2 years and 2 months in prison, Kochar was released due to a lack of evidence. In 1957, by then recognized and respected by artists, art lovers, and both the public and the ruling elite, he was commissioned once again by the Supreme Soviet to create a statue of David of Sassoun. The statue Kochar crafted remains on display in the same square today and is one of the most beloved and renowned monuments in the country. Glory to Labor or Worker's statue by Ara Harutyunyan The "Glory to Labor" monument (better known as the "Worker's Statue") is located in the Shengavit administrative district of Yerevan. It is one of the notable works by Ara Harutyunyan, a People's Artist of the Armenian SSR, Honored Artist of the Arts, and a renowned sculptor. This monument represents one of Harutyunyan's last monumental works. Unveiled in 1982, it was positioned in the square adjacent to the "Gortsaranayin" metro station in the Shengavit district. Over time, the square became popularly known as "Worker's Statue Square," and even after the statue was dismantled, it continued to carry this name. The cast iron statue was designed to portray an Armenian worker walking towards Western Armenia. Its artistic and volumetric solutions were unique for the time. In 1997, the 11-meter statue, widely known as the "worker's statue," was dismantled and dismembered. Seven years later, in 2004, a group of individuals began searching for the statue, which had gone missing. After some time, the dismembered statue was discovered at one of the factories in Shengavit. Subsequently, the statue's parts were moved to private property under unclear circumstances. The head, hands, fist, legs, shoes, and the back of the torso were all preserved from the original statue. On June 1, 2022, the "Worker's Statue: Post Scriptum" exhibition opened at the National Gallery of Armenia, where the head and fist of the statue were displayed for the first time. Sergei Kirov by Ara Sargsyan The statue of Bolshevik leader Sergei Kirov, created by sculptor Ara Sargsyan in 1942 from basalt, was installed in 1950 at Kirov Square in Kirovakan, now known as Vanadzor. Not long after the collapse of the Soviet Union, the statue was removed, and its fate remains unknown. The bust of Kirov in Yerevan The bust of Sergei Kirov, created in 1936, was displayed in the courtyard of the Kirov Chemical Factory, now Nairit, in Yerevan. Ara Sargsyan’s "Lightning" Among Armenia’s vanished artistic treasures, one of the most striking is "Lightning", a decorative sculpture by renowned sculptor Ara Sargsyan, created in 1934. This three-meter-high masterpiece, crafted from concrete, once adorned the facade of the Yerevan Central Post Office. Characterized by expressive classicist forms, "Lightning" was a bold and dynamic addition to the architectural landscape of Yerevan. Unfortunately, during a later renovation of the building, the sculpture was removed and was not preserved. Size: Height: 300 cm Width: 250 cm Depth: 60 cm The statue of Ghukas Ghukasyan The monument to Bolshevik revolutionary Ghukas Ghukasyan was located in the Student Park, at the heart of Yerevan, between Abovyan and Teryan streets. Created from basalt, the statue was designed by sculptor Suren Stepanyan, with architectural contributions by Hayk Asatryan. In 1990, under cover of night, unknown individuals detonated the statue of the Bolshevik revolutionary and party figure. In December 2009, a new sculpture of the renowned astronomer Viktor Hambardzumyan was installed in the same park, where Ghukasyan’s statue once stood. The Stocking Woman by Frid Soghoyan The Monument to the Stocking Woman, created in 1964 by artist Frid Soghoyan, stood 5 meters tall and was made of aluminum. Located in Gyumri (formerly Leninakan), Armenia, the statue was an iconic piece of public art. Unfortunately, it was either destroyed or stolen under unknown circumstances during the 1990s. Harvest Festival by Suren Nazaryan The "Harvest Festival" statue, created in 1968 by sculptor Suren Nazaryan, was located in Yerevan. Sometime in 2011, a part of the statue—a man—was stolen, most likely by metal scavengers looking to sell it as scrap. While I was writing this article, G. Mattu reached out to Suren Nazaryan's son Arshak Nazaryan for more information about the statue. Here’s what he said: "I took this picture myself in 2011. It was vandalized sometime after—one of the figures was broken and stolen. The rest of the statue was taken down and stored in the Nor Nork city storage. I don’t know its current status!" While researching old Soviet Armenian magazines, G. Mattu came across a page featuring a statue that remains unidentified. To this day, its creator, location, and fate remain a mystery. The small image depicts Akhtamar, perched high on the cliffs above the Sevan highway. While reviewing old Soviet magazines, G. Mattu uncovered another intriguing monument that was previously unknown to us and for which we have been unable to find any information. The article mentions, accompanied by an image, that a monument dedicated to bakers was unveiled at the Yerevan Bread Factory No. 3. The fate of this monument remains unclear. The bust of Karl Marx. Sculptor: Artashes Hovsepyan, 1962 The bust of Karl Marx stood in front of the Polytechnic Institute in Yerevan named after him. After the collapse of the Soviet Union, the bust was removed, and the university was renamed the State Engineering University of Armenia. In November 2014, by decision of the Armenian government, it was renamed the National Polytechnic University of Armenia. In 1968, at the entrance of Vardenis city, Armenia, a unique monument was erected. It consisted of a bull statue and a sculptured monument. The authors of the monument were the sculptor Rafael Yekmalyan and architect Rafael Israelyan. Unfortunately, the monument has not survived. According to sculptor Harutyun Yekmalyan, son of Rafael Yekmalyan, it was destroyed by Azerbaijanis. The bull statue was severely damaged and, by some accounts, buried by Azerbaijanis in the 1980s. Efforts to restore the monument were once blocked under the pretext of avoiding heightened tensions with Azerbaijan. The remnants of the monument today Another lost masterpiece is Ruzan Kyurkchyan's statue "Family." Once standing at the intersection of Sayat-Nova and Abovyan streets in Yerevan, the sculpture has since disappeared, and its fate remains unknown. "Family" by Ruzan Kyurkchyan Another statue that did not withstand the test of time was located in Yerevan's Youth Palace, which was demolished in 2006. Spring by Tadevos Gevorgyan Before the Youth Palace was demolished in 2006, Tadevos Gevorgian's statue Spring disappeared, and its fate remains unknown. An unrecognized statue in front of the former 'October' Cinema in Yerevan Another statue once stood in front of the former "October" Cinema in Yerevan, right where the Komitas Pantheon is now. What happened to that monument—and even who created it—remains a mystery to this day. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next
- Exploring the Gagarin Statue and Nearby Abandoned Factories | Armenian Explorer
After exploring the Gagarin statue in Gagarin village and the local culture house (strangely inside I found no artworks), we delved into nearby abandoned factories. Experience our journey through photos, with a focus on Soviet warning posters that provide a captivating glimpse into the historical context of these industrial spaces. < Back Exploring the Gagarin Statue and Nearby Abandoned Factories After exploring the Gagarin statue in Gagarin village and the local culture house (strangely inside I found no artworks), we delved into nearby abandoned factories. Experience our journey through photos, with a focus on Soviet warning posters that provide a captivating glimpse into the historical context of these industrial spaces. Together with G. Mattu, we are on our way to Gagarin village! First, we visited the Gagarin statue in the center of the village and then moved on to explore nearby abandoned factories! Yuri Gagarin was a Soviet pilot and cosmonaut who, aboard the first successful crewed spaceflight, became the first human to journey into outer space. Traveling on Vostok 1, Gagarin completed one orbit of Earth on April 12, 1961, with his flight lasting 108 minutes. A monument in Gagarin Village dedicated to Yuri Gagarin and his historic first spaceflight Gagarin became a national hero in the Soviet Union, and his flight inspired kids so much that almost every kid started to dream of becoming a cosmonaut when growing up. It is no coincidence that in Armenia, there is a town named Gagarin (Armenian Գագարին, formerly Tsaghkunk), which has now become part of the city of Sevan. In 1961, this town became the first object in the USSR named in honor of the first cosmonaut. The residents of the village personally insisted on this decision, several months after Gagarin’s flight. A Soviet anti-alcohol poster! Behind the Gagarin statue, there is an abandoned railway station, but there was nothing interesting inside! We moved forward exploring and found ourselves inside a building with lots of warning posters! I love posters, but up to this point, I am still not sure what that factory was producing! It may be that it was even a cargo loading facility, but not sure! Anyways, below are lots of photos from our trip! I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next
- Exploring an Abandoned Soviet Driving School | Armenian Explorer
The Soviet Union, known for its rigorous and systematic approach to education and training, established a comprehensive network of driving schools to equip its citizens with the necessary skills to navigate the country’s extensive road network. These driving schools were not merely institutions for learning how to operate a vehicle; they were an integral part of the Soviet education system and preparation for army service, reflecting the values and priorities of the era. This article will provide a brief overview of what driving classes and posters looked like in the USSR. < Back Exploring an Abandoned Soviet Driving School The Soviet Union, known for its rigorous and systematic approach to education and training, established a comprehensive network of driving schools to equip its citizens with the necessary skills to navigate the country’s extensive road network. These driving schools were not merely institutions for learning how to operate a vehicle; they were an integral part of the Soviet education system and preparation for army service, reflecting the values and priorities of the era. This article will provide a brief overview of what driving classes and posters looked like in the USSR. Earlier, this place was discovered by G. Mattu, who guided me there. A lot has changed since then; the place was being renovated and soon it will vanish forever. However, with my camera, I tried to immortalize as much as I could during the brief time the guard allowed us to stay inside. During the Soviet era, the expansion of road infrastructure and the growing number of vehicles necessitated a well-organized system for driver education. The state recognized the importance of safe and efficient transportation for both civilian and military purposes. As a result, driving schools were established across the Soviet Union, often operated by state-owned organizations and deeply integrated into the broader educational framework. The journey to a Soviet driver's license began in classrooms. Here, students spent countless hours immersed in the theoretical aspects of driving. Posters, filled with diagrams and traffic regulations, were gospel. Instructors, often veterans of the road themselves, drilled students on traffic signs, vehicle mechanics, and the intricate rules of the road. All driving schools in the USSR were state-owned and operated under the auspices of DOSAAF (Volunteer Society for Cooperation with the Army, Aviation, and Fleet), district military commissariats, or centralized automotive training complexes (TsAUK) for the training or retraining of professional drivers. Driver training was also included in the school curriculum for senior grades, either within the secondary school itself or in vocational training centers. Any willing member of DOSAAF could attend a driving school affiliated with this military-sport organization. The district military commissariats trained future recruits in driving motor vehicles, preparing them for compulsory military service, such as in motorized troops. Automotive training complexes were typically located in large or capital cities, where employers would send professional drivers to obtain a license for a different vehicle category or to receive training or retraining for handling vehicles carrying hazardous loads. In addition to learning traffic regulations, driving theory, and practical driving skills, students in driving schools studied vehicle mechanics and the elimination of minor malfunctions. Posters were scattered everywhere... However, the fall of the Soviet Union brought significant changes. Many driving schools were privatized or closed, and the rigorous standards of the past gave way to more varied approaches in the newly independent states. Despite these changes, the legacy of Soviet driving schools remains evident in the continued emphasis on thorough driver education in many former Soviet republics. Posters, such as these I saw in this abandoned driving school, were common. They illustrated traffic signs, driving techniques, and safety measures, serving as visual aids to reinforce the theoretical knowledge imparted in the classroom. One can only imagine how cool this place looked in those times... Soviet driving schools were more than just places to learn how to drive; they were institutions that embodied the values of discipline, thoroughness, and public safety. While the Soviet Union is now a part of history, the impact of its driving education system continues to be felt, reminding us of an era when the journey to becoming a driver was a path marked by rigorous training and high standards. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next
- The Abandoned Culture Palace of Jermuk City | Armenian Explorer
Explore the abandoned Culture Palace of Jermuk, an architectural masterpiece by Martin Mikayelyan. A haven for urbexers and urban photographers, this ghostly building with its rich history, intricate sculptures, and vast interiors offers a glimpse into a bygone era. < Back The Abandoned Culture Palace of Jermuk City Explore the abandoned Culture Palace of Jermuk, an architectural masterpiece by Martin Mikayelyan. A haven for urbexers and urban photographers, this ghostly building with its rich history, intricate sculptures, and vast interiors offers a glimpse into a bygone era. In the Ajapniak district of Jermuk, home to the city's spas and hotels, the construction of the Palace of Culture began in 1969, designed by the renowned architect Martin Mikayelyan. The original plan included an 800-seat hall, a swimming pool, a club-library complex, and a cafe. Locally, it became known as "КурЗал" ("KURZAL")б an abbreviation of the Russian name "Курортный Зал" (Resort Hall). A few more steps and we will enter the abandoned culture palace Boasting rich interiors, sculptures, and decorative pools, the building took 17 years to complete, finally being finished in 1986. This facility, designed as a cohesive unit, includes an 800-seat theater, a swimming pool, a club-library complex, and a cafe. It aims to create not only a complete inner world around a giant winter garden but also a different kind of an atmosphere this time on the roof of the building, which is heated in winter. The roof features a large yacht deck with an outdoor swimming pool, sun decks, a cafe, and an outdoor movie theater. Inside the culture palace On the second floor, clay busts of six renowned Armenians were displayed, but sadly, these were destroyed by vandals approximately three years ago. Today, this vast building with its ghostly interior stands as a reminder of the glorious past and the remarkable architectural style of Martin Mikayelyan. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next
- Urban Explorer Tour with a French Photographer | Armenian Explorer
This article provides a glimpse into an extraordinary urban explorer tour I led in Armenia with Damien, a talented French photographer. We spent an unforgettable week together, discovering the remnants of Armenia’s Soviet-era past, and his creative perspective left a lasting impression on me. < Back Urban Explorer Tour with a French Photographer This article provides a glimpse into an extraordinary urban explorer tour I led in Armenia with Damien, a talented French photographer. We spent an unforgettable week together, discovering the remnants of Armenia’s Soviet-era past, and his creative perspective left a lasting impression on me. In the summer of 2024, Damien and I embarked on a journey across Armenia, visiting urban and rural locations that embodied echoes of a bygone Soviet era. Following our adventure, Damien published a captivating photo series titled "Echoes of the Future" on his website, damienaubin.fr . His work explores the connection between Soviet past and contemporary Armenian life. As Damien describes it: " Echoes of a Future is a photo series that allows me to explore the deep connection between the Soviet Union and Armenia today. I aim to capture the lingering echoes of Soviet ideals within contemporary Armenian life, while acknowledging that this reality is also a kind of fiction shaped by Soviet dreams ." When Damien learned about my intention to write an article about our tour, he strongly requested that I avoid publishing any photos of him, especially those of him in the act of photographing. So, in this article, you will see only the photos taken by him. Throughout the tour, Damien’s unique approach to photography stood out. He was far from ordinary, with a distinctive and unconventional approach to photography. I could never predict when he would pull out his impressive, oversized camera to capture a shot. Often, while driving, he would ask me to stop abruptly, leaving me curious about what had caught his attention. Mother Armenia in Victory Park, sculpted by Ara Harutyunyan Over time, however, his unique perspective became something I came to appreciate and expect. To better understand his creative vision, allow me to reference another passage from his article, which offers insight into his stream of consciousness: " Each photograph I take is an attempt to reveal how these echoes of a Soviet-imagined future appear today. I strive to show how the structures and ideas of the past, partially realized, have given life to a fiction where the dreams of a bright future are both present and altered. Capturing these images, I sense a kind of dialogue between past and present—a silent conversation between past projects and current realities, colored by the unfinished ideals of Soviet dreams ." King Trdat Defeats the Bull, created in 1977 by sculptor Karlen Nurijanyan. Saralanj district of Abovyan city No surprise, then, that his photo series beautifully captures the essence of Armenia’s Soviet legacy. As Damien wrote: " As I walk through Armenia’s streets, I’m struck by how visions and plans from the Soviet past continue to resonate in the present. The imposing buildings, monuments marked by that era’s seal, and even elements of daily culture still carry traces of Soviet dreams and aspirations. Yet, this reality, though tangible, is infused with the imagined future the Soviets once held for Armenia ." Beyond photography, Damien's preferences and personality made this trip even more memorable. For one, he had a profound love for espresso, which became a challenge to find in Armenia's more remote regions—sometimes even harder than sneaking into abandoned buildings! MiG-21 Fishbed on display outside Mikoyan Brothers' Museum in Sanahin village Damien was not just a passenger but a true co-pilot on this adventure. Unlike some travelers who are indifferent to the journey's details, Damien actively engaged, offering helpful advice while navigating rough roads, tight parking spots, tricky overtakes, website SEO tips and photography secrets. His input was always welcome and genuinely useful. He also coined a term for my driving style: "Suren style," which referred to my sharp turns without slowing down! Damien’s humor and camaraderie added a unique dynamic to the journey, making it one I will always cherish. Thank you, Damien, for an incredible and inspiring week filled with discovery, creativity, and unforgettable moments! Below are photos of Damien captured during his travels in Armenia. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next