Since my earlier post about the abandoned plane located in Ashtarak generated significant interest, with many using my article as a guide to visit that location, here's another post dedicated to an abandoned plane. This time, we are heading to the shore of Tsovinar Lake to see an abandoned Tu-134 plane. < Back Another Abandoned Plane in Armenia Since my earlier post about the abandoned plane located in Ashtarak generated significant interest, with many using my article as a guide to visit that location, here's another post dedicated to an abandoned plane. This time, we are heading to the shore of Tsovinar Lake to see an abandoned Tu-134 plane. The Tu-134 was a Soviet passenger aircraft designed for short and medium-haul flights, developed in the early 1960s. These models were mass-produced from 1965 to 1984 at the Kharkov Aviation Production Association. This particular Tu-134 was produced on October 22, 1970, and entered service on December 4, 1970. The operator of Tu-134A USSR-65657 (0351103) was the Armenian Civil Aviation Administration. An aerial photo of Tu-134A plane On June 17, 1983, during a flight from Lviv to Yerevan, the plane was caught in a storm over the Gali region of Abkhazia. Although the plane landed safely, it exceeded the permissible overload limits (reaching up to +3.05G / -0.65G) and was subsequently taken out of service. The plane was decommissioned on July 10, 1984, due to this incident. When visiting this place to see the plane, I recommend also visiting the Tsovinar monument on the other side of the lake After its decommissioning, the aircraft was used as an object for simulating plane fires at Zvartnots Airport in Yerevan. In 1986, it was used for ground tests in connection with the fire of Tu-134AK USSR-65120. The remains of the aircraft were moved to the shore of the Hrazdan Reservoir sometime in 2023. Unfortunately, still I have no information about where it was located before that! You can find the plane's coordinates on my Telegram channel: https://t.me/armenianexplorer_ru/27 I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Discover the remnants of Gyumri's cultural heritage by visiting this abandoned Palace of Culture, featuring the iconic mosaic Dance of Sassoon by Ferdinand Manukyan. Despite the building's decay, this artistic gem endures, capturing the essence of a bygone era. < Back This abandoned culture palace hides a nice mosaic Discover the remnants of Gyumri's cultural heritage by visiting this abandoned Palace of Culture, featuring the iconic mosaic Dance of Sassoon by Ferdinand Manukyan. Despite the building's decay, this artistic gem endures, capturing the essence of a bygone era. The building of the Palace of Culture of Leninakan Railwaymen, later renamed the Palace of Culture of Sevyan, was constructed in 1926 and began operation in 1929. This architectural marvel, with its giant mosaic and intricate interior decoration, was once a prominent landmark in Leninakan, now known as Gyumri. A historical photo of the Palace of Culture of Leninakan Railwaymen, later renamed the Palace of Culture of Sevyan Following the 1988 earthquake, the building continued to function for two more years until a fire left it in ruins. Today, only the mosaic "Dance of Sassoon" by the distinguished and popular artist Ferdinand Manukyan, created between 1973 and 1975, has remained almost unharmed from the once gigantic building. Manukyan was the main artist of Gyumri from 1968 to 1972. In front of the former culture palace stands a bas-relief dedicated to the heroes of the May Uprising of 1920. Sculptor: Ara Sargsyan I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Together with G. Mattu, with this article, we aimed to compile and document the destroyed bas-reliefs in Armenia, created by monumental artists during the Soviet era. Once integral parts of the country's cultural and architectural landscape, these works of art have been lost to time, metal scavengers, vandalism and neglect. Through this collection, we hope to preserve their memory and reflect on their historical and artistic significance. < Back Destroyed Bas-Reliefs of Armenia Together with G. Mattu, with this article, we aimed to compile and document the destroyed bas-reliefs in Armenia, created by monumental artists during the Soviet era. Once integral parts of the country's cultural and architectural landscape, these works of art have been lost to time, metal scavengers, vandalism and neglect. Through this collection, we hope to preserve their memory and reflect on their historical and artistic significance. Bas-reliefs in the Soviet Union were used both as a powerful artistic form and as a tool for ideological expression. They served as a means to communicate Soviet values, promote political ideals, and glorify historical figures and events. These artworks were often integrated into public buildings, monuments, and institutions, reinforcing the narrative of the Soviet state and its achievements. This metal bas-relief once adorned the walls of the Automatics Plant in Vanadzor, a significant site in Armenia’s industrial heritage. Sadly, it vanished a few years ago, and its fate remains unknown. Notably, it was one of the rare bas-reliefs dedicated to a cosmic theme. Founded in 1956, the Automatics Plant played a crucial role in the instrument-making industry of both the USSR and Armenia, releasing its first products in 1959. Specializing in electrical measuring instruments for monitoring and regulating technological processes, the plant supplied its products across the Soviet Union and exported them to 25 countries worldwide. An identical bas-relief featuring two cosmonauts once decorated the entrance of the former Kosmos Kindergarten. The fate of this artwork remains unknown. This bas-relief once graced the lobby of the Central Post Office in Vanadzor, created between 1977 and 1978. Vahagn’s Battle with the Dragon – Kapan, 1966 Chiseled aluminum | Height: 1100 cm Sculptor: A. Harutyunyan | Architect: R. Israelyan Ara Harutyunyan’s Spring – 1963 Material: Aluminum | Location: Sayat-Nova Avenue Harutyunyan’s daughter, Susanna, recounts the fate of this monument: It was installed on Sayat-Nova Avenue, on the sidewalk in front of the old Academy (that building was later demolished), where his parental home once stood. However, the monument was destroyed in a car accident and was never restored. "Masquerade" Ceramic Bas-Relief 1983 – Inside the restaurant of the former actor's house, now the French Embassy. Sculptor: Eduard Beroyan After the building was repurposed and renovated, the bas-relief was destroyed. Another bas-relief by the prolific ceramist Eduard Beroyan once adorned the interior of the ArmElectro factory. Unfortunately, it no longer exists. The nursery of the Spitak textile factory once featured a bas-relief on the wall of its swimming pool, depicting what appeared to be a fairy. The building and the artwork were destroyed during the 1988 earthquake. Installed in 1968 at the entrance of Charentsavan, in Armenia’s Kotayk Province, this bas relief (front side) was created by renowned Armenian sculptor Tereza Mirzoyan (1922–2016) in collaboration with sculptor Suren Nazaryan (1929–1999). The back side of the same monument at the Entrance to Charentsavan city. Vladimir Atanyan was one of the artists whose bas-reliefs suffered the most, two of which were located inside the Dvin Hotel and disappeared after its renovation. Ceramic Bas-Relief – "Dvin – Old Town" (1979) Size: 3m × 6m × 75cm Location: Restaurant of the Dvin Hotel Artist: Vladimir Atanyan "Eternity" Bas-Relief – 1979 Dimensions: 4 x 2 meters Location: First floor, Dvin Hotel Interior, Yerevan Created by: Vladimir Atanyan “Generation” 1983/84 by Vladamir Atanyan. A large ceramic relief framed by mosaics, Generation once adorned the lobby of the Scientific Institute of Avan. Sometime between 2005 and 2010, the entire building was demolished, and the fate of the artwork remains unknown. Presumably, it was destroyed along with the building. A rare photo of the bas-relief "Generation", as seen in an old magazine Another work by Vladimir Atanyan decorated the wall of the restaurant in Ani Hotel. Created in 1986, it was later destroyed. Another artist whose works were significantly lost over time is Hmayak Bdeyan. Below are several examples. Institute of Winemaking – Bas-relief (Destroyed) – Artist Hmayak Bdeyan, 1967 (Size: 240 cm × 600 cm) On November 11, 2006, the first building of the "Rossia" commercial and cultural center was turned into a cafe and shopping halls. Unfortunately, the sculptures and paintings by Yervand Gojabashyan, Henry Elibekyan, Ohan Petrosyan, and Hmayak Bdeyan were later removed and up to this day their fate is unknown. The partition walls by Hmayak Bdeyan adorned the interior spaces of the Rossiya cinema. In total, they were 10 meters long and 3.5 meters high. This is how Bdeyan describes the creation of partitions inside the Rossiya cinema: “I faced a rather challenging task: to create partition walls that would separate one functional space from another without, as much as possible, dissecting the interior volumes of the building. I proposed assembling them from openwork cubic cells coated with glaze. These partitions, in my opinion, do not disrupt the scale of the space and are perceived as movable grids. I embedded large theatrical masks into them.” This photo shows the destroyed partition wall by Hmayak Bdeyan, lying on the ground. The fate of the sculptures remains unknown. In this old image, one can see a bas-relief inside the Rossiya Cinema. The artist remains unidentified, though it is believed to be Hmayak Bdeyan. Further verification is required. Hmayak Bdeyan's ceramic compositions adorned the Argishti Cafe on Mashtots Avenue, formerly Lenin Avenue. Their fate is unknown. Armenfilm, also known as Hayfilm, is an Armenian film studio located in Yerevan. The facade of Armenfilm’s main entrance once featured a metal bas-relief inspired by Yervand Kochar’s iconic Sasuntsi Davit statue. It disappeared long ago, and its fate is still a mystery. The image of Sasuntsi Davit also served as the studio’s production logo, appearing at the beginning of every film — much like the iconic studio logos seen in other film industries. In this old photo, two bas-reliefs are visible on the wall of the “Vahagn” Teahouse. Their fate remains unknown. Special thanks to Gurdeep Mattu for co-authoring this article. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

I traced the iconic Raketa boats of Lake Sevan to find out where they are resting now. This article sheds light on their story and final resting places. Once highly popular among visitors, these hydrofoils became one of the true symbols of Lake Sevan. < Back The Soviet “Raketa” boats of Lake Sevan I traced the iconic Raketa boats of Lake Sevan to find out where they are resting now. This article sheds light on their story and final resting places. Once highly popular among visitors, these hydrofoils became one of the true symbols of Lake Sevan. The Raketa (Russian: Раке́та, meaning “Rocket” ) was the first type of hydrofoil boat produced commercially in the Soviet Union. Originally conceived in the late 1940s as Project 340 by chief designer Rostislav Alexeyev , the vessels were manufactured from 1957 until the midst 1970s. The "Raketa" boats of lake Sevan In total, around 400 hydrofoils were built. The first experimental vessel, Raketa-1 , was constructed at the Krasnoye Sormovo shipyard. Serial production was later established at the Feodosiya shipyard “More.” Between 1959 and 1976, 389 Raketas were built, more than thirty of which were exported abroad — to countries such as Austria, Cambodia, England, Finland, China, the Netherlands, and Poland. Their high-speed diesel engines were supplied by the Zvezda factory in Leningrad. One of the 2 "Raketa" boats that is now a restaurant The Raketa quickly became a symbol of Soviet engineering and modernity. They entered commercial service along the Volga River and other waterways across the USSR. One was even operated by the almighty KGB . Armenia also had its share of these iconic vessels. Two Raketas were brought to Lake Sevan , where they became highly popular among locals and tourists. Sleek, fast, and prestigious, they were in service until around 1985 . Today, they survive only as silent relics of a bygone era. Curious about their fate, I decided to track them down. What I found was a story of two very different destinies. One of the Raketas has been transformed into a restaurant on the way to the Artanish Peninsula. Fittingly, it still carries the name Raketa . The second, however, met a far grimmer fate. It sits abandoned on the other side of Sevan, near the road to Hayravank Monastery . Rusting quietly on the lakeshore within the grounds of an unfinished hotel, it is still visible from the highway. Earlier this year, I attempted to get closer for a photo. I parked near a garage — a mistake, as it turned out. The garage belonged to one of the site’s guards. With reconstruction of the hotel now underway, the territory is closely watched. By the time I realized I had taken the wrong path and tried to circle back, the guards had already found me. They were not happy with my presence, and despite my attempts to explain, I was not allowed near the abandoned Raketa. In the territory of the unfinished hotel I saw a swimming pool shaped like lake Sevan For now, the Raketa remains off-limits, a rusting monument to Soviet engineering slowly fading away on the shores of Sevan. But my search isn’t over. I plan to try again — and when I do, I’ll update this story. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

The historic Alaverdi train station stands out not only for its unique architectural design but also for the remarkable frescoes painted in the 1960s by Rudolf Khachatryan. These artworks have become a cultural attraction, drawing visitors from around the world. Today, the station is also a fascinating site for urban exploration and a prime spot for urbex photography. < Back A visit to Alaverdi train station The historic Alaverdi train station stands out not only for its unique architectural design but also for the remarkable frescoes painted in the 1960s by Rudolf Khachatryan. These artworks have become a cultural attraction, drawing visitors from around the world. Today, the station is also a fascinating site for urban exploration and a prime spot for urbex photography. Alaverdi Railway Station, located in the city of Alaverdi in Lori Province, stands on the left bank of the Debed River. The station was first opened in 1899, while its current building was constructed in the 1940s–1950s. The station complex includes a three-story main building, two low platforms, and five railway tracks. Since 2011, passenger trains no longer stop at the station, but the worker on duty can be asked to open the door. The pink tuff building is an example of Soviet-Armenian Neoclassicism with a typical arched entrance and windows on the main facade. Architect: Baghdasaryan Lenmur The most striking feature of the building is undoubtedly the frescoes that adorn the station’s waiting hall. Painted in the early 1960s, they represent the only known monumental work of Rudolf Khachatryan (1937–2007), who later gained wide recognition in the 1970s and 1980s for his large-scale hyperrealistic portraits of Soviet cultural figures. Painted in vivid colors and with remarkable skill, the frescoes instantly capture attention. These two frescoes depict scenes from the poem "Anoush" and the short story "Gikor", one of the most notable works of renowned Armenian writer Hovhannes Tumanyan, which have long since become an integral part of Armenian public culture. Other murals depict the miners' revolt during the Bolshevik Revolution and a portrait of a proudly posing foundry worker with Alaverdi copper factory buildings and mountains in the background. These frescoes are a daring attempt to crystallize the allure of the region. They are brought into life in the juicy colors and bold contours that are typical to post-war Armenian painting. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Explore the rich tapestry of Soviet art with this guide to Soviet monuments and statues in Armenia. From the statue of Hayk Nahapet to the statue of Vladimir Lenin, discover how these landmarks reflect the artistic and ideological spirit of their time. Journey through history with iconic Soviet monuments and experience a unique blend of cultural heritage and artistic expression. Perfect for anyone interested in tours in Armenia and exploring its remarkable artistic history. < Back Iconic Soviet Statues and Monuments in Armenia Explore the rich tapestry of Soviet art with this guide to Soviet monuments and statues in Armenia. From the statue of Hayk Nahapet to the statue of Vladimir Lenin, discover how these landmarks reflect the artistic and ideological spirit of their time. Journey through history with iconic Soviet monuments and experience a unique blend of cultural heritage and artistic expression. Perfect for anyone interested in tours in Armenia and exploring its remarkable artistic history. When Armenia became part of the Soviet Union in 1920, the Soviet education system profoundly impacted the development of the arts in the country. The Soviet regime closely intertwined art and education, emphasizing the creation of works that reflected socialist ideals and the collective spirit. Beginning in 1921-22, the Leninist program of monumental propaganda was implemented in Soviet Armenia, marking the initial phase of Armenian Soviet sculpture. Sculpture as a professional art form flourished in Soviet Armenia, largely thanks to the pioneering efforts of Ara Sargsyan, Suren Stepanyan, Stepan Taryan, Aitsemnik Urartu, and Yervand Kochar, who later relocated to Armenia. These artists enriched Armenian sculpture with numerous monumental, mechanical, and decorative works, securing its place in Soviet multinational art. Prominent Armenian sculptors based in Moscow and Leningrad, such as Sergey Merkurov, Grigor Kepinov, Tigran Davtyan, and A. Stepanyan, also made significant contributions. Many Armenian artists often took creative risks, producing works that reflected their national history—a bold move that could be perceived as nationalistic by the Kremlin. Despite this, the Soviet government heavily invested in arts education, establishing specialized schools and institutes that trained a new generation of Armenian artists, sculptors, and architects. Yervand Kochar was a prominent sculptor and modern artist of the twentieth century, celebrated for his innovative contributions to art and his role as the founder of the Painting in Space movement. Inspired by the revival of their young country, these artists aimed to capture the distinctive character and atmosphere of the new historical period in their work. Their commitment and creativity during the 1920s and 30s helped shape the key characteristics of national sculpture—simplicity, restraint, and meaningful forms. Their monumental works were installed in Yerevan and other Armenian cities, while their significant pieces are preserved and exhibited in galleries. Armenian sculpture reached a new level of artistic expression in the post-war years, as artists began to celebrate new peacetime heroes. Leading figures, alongside a new generation of sculptors like Nikolay Nikoghosyan, Ara Harutyunyan, Ghukas Chubaryan and Karlen Nurijanyan continued to create sculptures ranging from monumental works to fine plastic art. They crafted images of their contemporaries, national heroes, and notable figures using stone, wood, and bronze, contributing lasting pieces to Armenian sculptural heritage. Ara Harutyunyan is another renowned sculptor of the 20th century, known for his impactful contributions to Armenian and Soviet art In the 1960s and 70s, Armenian sculpture gained new dimensions as younger sculptors like Levon Tokmajyan, Serzh Mehrabyan, Yuri Minassian, Vladimir Antashyan, Artashes Hovsepyan, Benik Petrosyan and Ara Shiraz began working alongside established masters. This generation sought to reinterpret ancient traditions and develop diverse and bold plastic expressions, enriching Armenian sculpture with fresh artistic visions. Mother Armenia in Yerevan The current Mother Armenia statue replaced a monumental statue of Joseph Stalin, originally erected as a World War II victory memorial and considered a masterpiece by sculptor Sergey Merkurov. Following Stalin's death, his statue was secretly removed in 1962. In 1967, Ara Harutyunyan's Mother Armenia statue was installed, modeled after 17-year-old Zhenya Muradian. The statue stands 22 meters tall, with the entire monument reaching 55 meters atop its tuff stone pedestal. In 1970, the pedestal was converted into the Museum of Armenia in the Great Patriotic War 1941-1945, marking the 25th anniversary of the victory. Mother Armenia in Gyumri Unveiled on May 9, 1975, the Mother Armenia statue in Gyumri commemorates the 30th anniversary of the victory in the Great Patriotic War and honors the memory of Gyumri's wartime participants. Created by sculptor Ara Sargsyan and architect Rafael Yeghoyan, the monument stands as a harmonious blend of architecture and sculpture, consisting of a 21-meter-high pedestal and a 20-meter-high statue. Mother Armenia in Ijevan The "Mother Armenia" monument, located in Ijevan, Tavush region, Armenia, is a significant historical and cultural landmark created in 1971 by sculptor Serzh Mehrabyan. Mother Armenia in the Tavush region, on the Armenia-Azerbaijan border In 1976, the 10-meter (some say 17-meter) aluminum sculpture of Mother Armenia, or Arevik, was created by Adibek Grigoryan and placed near Aygehovit village in Armenia's Tavush region, along the road to Azerbaijan. Originally intended for Central Asia, it was rejected for allegedly overemphasizing the female form. Later revised, the statue was installed at the border, symbolizing Armenia’s welcoming spirit to visitors from Russia, Georgia, and Azerbaijan. Today, the area where it stands is part of the village of Aygehovit in Tavush region. Unfortunately, on the night of September 28-29, 2014, a strong wind caused the edging frame, resembling the 'rays of the sun,' to fall from the statue, but Mother Armenia remains standing tall. The monument was initially named "Let the Sun Always Shine," dedicated to the memory of the residents of Akhuryan who died in World War II. However, it later became known as the "Mother Armenia" monument. Let the Sun Always Shine. 1967. Aluminum. Height: 9 meters. Author: Fridrikh Soghoyan. A monument at the entrance of Martuni city, sculptor Rafael Ekmalyan, 1965 The statue of Alexander Tamanyan The Alexander Tamanyan Monument stands prominently in the heart of Yerevan, directly in front of the iconic Cascade Complex. It was unveiled in 1974 as a tribute to the chief architect behind Yerevan’s modern master plan. Designed by architect Seda Petrosyan and sculpted by Artashes Hovsepyan, the monument is made of basalt and granite, and stands 3 meters tall. The Statue of Martiros Saryan in Yerevan The Martiros Saryan Monument stands in the heart of Yerevan, nestled within the leafy Martiros Saryan Park—bounded by Mashtots Avenue, Marshal Baghramyan Avenue, and Zoryan Street. It’s just a short walk from the street that also bears the name of the iconic Armenian artist. Unveiled in 1986, the monument is crafted from marble and rises 6 meters tall. Saryan’s own autograph is delicately engraved on the lower left corner of the pedestal, adding a personal touch to the tribute. Authors: Architect: Artur Tarkhanyan Sculptor: Levon Tokmajyan The Statue of Komitas (Yerevan) The statue of Komitas was unveiled on January 8, 1988, in the park adjacent to the Yerevan State Conservatory that bears his name. The monument, made of bronze and granite, stands 3 meters tall and immortalizes the legacy of the talented Armenian composer, musicologist, singer, and spiritual figure. Authors: Sculptor: Ara Harutyunyan Architect: Fenix Darbinyan The Weaver's Statue in Gyumri city The Weaver's Statue, sculpted by Tereza Mirzoyan in 1964, is a notable monument in Gyumri, Armenia, capturing the spirit of the city’s weaving and textile traditions. Tsovinar: The Iconic Soviet Monument of Hrazdan This striking Soviet monument, officially named "Long Live the Blue and Clear Sky," stands on the shores of Aghbyurak Reservoir in Hrazdan city. Dedicated to the 40th anniversary of victory in the Great Patriotic War (1941-1945), it stands as a powerful reminder of the Armenian nation's active participation in the war. Sculpted in 1985 by the artist Khachatur Hakobyan (1951-2015), the monument is also referred to as "Parvana" in certain documents. However, it is more widely known by its unofficial name, "Tsovinar." When the reservoir level rises, the statue is partially submerged, creating a striking visual effect that further emphasizes its connection to the water and its mythological significance. "Strip of Eternity," sculpted by David Bejanyan in 1979, is a prominent monument located along the Yerevan-Sevan Highway. The monument in Gyumri titled "Научно-техническому прогрессу широкий размах" (translated as "A Broad Sweep to Scientific and Technical Progress") is a tribute to the spirit of innovation and technological advancement. Muse of Cybernetics by Yervand Kochar The Muse of Cybernetics sculpture stands on the grounds of the Yerevan Research Institute of Mathematical Machines (commonly known as the Mergelyan Institute). Created in 1972 by renowned sculptor Yervand Kochar, it embodies a striking fusion of technology and mythology. The sculpture—a muse—is depicted in a relaxed, almost meditative pose, half-reclining. Its form is partially veiled, yet mechanical fragments—wires, springs, and structural elements—protrude from within. It appears to be in a state of transformation: either shedding its skin or slowly taking shape. What remains constant is the skeletal axis at its core. Resting against a tangible, familiar object—an Armenian clay jug once meant to release a gentle stream of water—the cybernetic muse once symbolized both life and movement. Today, however, the sculpture stands dry and silent, the flow long since halted, lending it an eerie, contemplative stillness. David of Sassoun by Yervand Kochar Equestrian statue, located in David of Sassoun Square, Yerevan Architect: Mikael Mazmanyan Sculptor: Yervand Kochar Material: Forged copper and basalt Dimensions: 6.5 × 2.2 × 9.3 m | Installed: 1959 "The Sun Giver" or "Welcome" by Karlen Nurijanyan, engraved aluminum, Tsaghkadzor, 1968 Took this photo in the end of March, 2025 The statue of Hayk Nahapet in Yerevan The statue of Hayk Nahapet is located in Yerevan, in the 2nd district of the Nor Nork administrative region, near Gai Avenue. The statue was initially installed near the "Moscow" Cinema (in 1970) and was later moved to its current location in 1975. The statue is made of forged copper and has a height of 3.5 meters. Sculptor: Karlen Nurijanyan, 1970 The statue of Tork Angegh in Yerevan The statue of Tork Angegh, created in 1982 by sculptor Karlen Nurijanyan, is located in Yerevan, Armenia. Tork Angegh is a deity of strength, courage in Armenian mythology. Known for his immense strength and power, Tork Angegh is considered one of the great-grandsons of Hayk Nahapet, the legendary patriarch of the Armenian nation. "King Trdat Defeats the Bull" in Abovyan city "King Trdat Defeats the Bull," created in 1977 by sculptor Karlen Nurijanyan, is a cast copper monument located in the Saralanj district of Abovyan city. Vahagn the Dragon Slayer by Karlen Nurijanyan, 1969 Vahagn is the supreme god of military victory and thunder in ancient Armenian mythology. A central figure in ancient Armenian beliefs, he was worshipped in pre-Christian Armenia alongside Aramazd, the chief deity akin to Zeus, and Anahit, the goddess of fertility and wisdom. He was the most revered and bore the title "Dragon Slayer" for his legendary battles against the dragons of darkness. This striking copper sculpture, mounted on a rough-hewn basalt block, portrays Vahagn locked in battle with a dragon. It symbolizes the timeless clash between life and death, and the ultimate triumph of good over evil. Originally unveiled in 1969 in Yerevan on Lenin Avenue (now Mashtots Avenue), the sculpture was relocated in the 1970s to the courtyard of the Union of Artists of Armenia. In the 1980s, it was moved again, this time to the Echmiadzin Highway. During the 1990s, a powerful gust of wind toppled the statue, and a passing car inflicted additional damage. In 2001, the broken monument was entrusted to renowned sculptor and painter Nerses Charkhchyan. Following its meticulous restoration, it remained for several years in Jrvezh, near the artist’s home. On December 19, 2004, the sculpture found a permanent home on Admiral Isakov Avenue. Vahagn the Dragonslayer in Armavir village This statue is a replica of Vahagn the Dragonslayer by Karlen Nurijanyan, with the original monument currently standing in Yerevan on Admiral Isakov Avenue. The replica was installed in 1971 in front of the House of Culture in the village of Armavir, Armenia. Vahagn the Dragonslayer in Yerevan This statue of Vahagn the Dragon Slayer (Vishapakagh) stands in Yerevan’s Arabkir district, in the courtyard of Building No. 12 on Vagharshyan Street. Erected in 1985, the monument was crafted by sculptor Vahe Harutyunyan and designed by architects Armen Aghalyan and Grigori Grigoryan. The iconic "Chayka" at the entrance to Yerevan This monument at the entrance to Yerevan from the Abovyan side was designed by Van Khachatur in 1960 and is commonly known by its Russian name, “Чайка (Chayka),” meaning “Seagull.” Uniquely, the monument displays the word Чайка (Chayka) written in Armenian script (Չայկա), rather than the Armenian equivalent “Ճայ.” Initially, the design faced criticism, with some doubting its structural integrity and predicting it would collapse. However, the monument's ingenious engineering—a narrow, elongated form on one side balanced by a thicker, shorter section on the other—provides perfect stability. More than six decades later, it stands as a testament to innovative design and enduring craftsmanship. "Rebirth" memorial complex in Charentsavan city "Rebirth" memorial complex, 1980 at the entrance of Charentsavan city, architect Henrik Arakelyan, sculptor: Khachik Miridjanyan Stepan Shahumyan Monument in Stepanavan The statue of Stepan Shahumyan, located in the center of Stepanavan city in Lori Marz, was installed in 1982. Created by sculptor Ara Harutyunyan, this monument is an important cultural and historical landmark. It is listed among the immovable monuments of history and culture in Stepanavan, commemorating the significant contributions of Shahumyan to Armenian history. Stepan Shahumyan Monument in Yerevan The Stepan Shahumyan Monument, located in Yerevan, was erected in 1931 in Stepan Shahumyan Square, named after the prominent figure of the Communist Party, the USSR, and the international labor movement, Marxist theorist, sociologist, journalist, and publicist Stepan Shahumyan. The monument is made of granite and stands at 3.5 meters tall. The architect was Ivan Zholtovsky, and the sculptor was Sergey Merkurov, a People's Artist of both the USSR and Armenian SSR, and a full member of the USSR Academy of Arts. Previously, the site where the Shahumyan statue stands was occupied by the Russian church of St. Nicholas, which was demolished in the late 1920s, along with several other churches in old Yerevan. Alexander Myasnikyan Monument The Alexander Myasnikyan Monument, located in Yerevan, was erected in 1980 in honor of the Armenian party, political, and public figure Alexander Myasnikyan. The monument is made of granite and basalt and stands at a height of 8.6 meters. On one of the walls of the monument, the first line of a quatrain written by Yeghishe Charents on April 16, 1936, in memory of Myasnikyan, is engraved: «Նայիրյան արևն էր քո մեջ՝ լենինյան հրով ճառագած»: "The sun of Nairi was within you, shining with Lenin's fire." Bust of Nelson Stepanyan Nelson Stepanyan was a Soviet-Armenian flying ace, Il-2 pilot, and regimental commander in the Soviet Air Force who was twice awarded the title of Hero of the Soviet Union. The bust of Nelson Stepanyan is located in the center of Yerevan, in a children's park between Movses Khorenatsi, Grigor Lusavorich, Beirut, and Zakyan Streets. It was installed in 1950. Authors: Architect: Grigor Aghababyan Sculptor: Ara Sargsyan The bust is made of basalt and bronze, with a height of 4 meters. The pedestal displays Nelson Stepanyan's awards, including two stars of the Hero of the Soviet Union and the Order of Lenin. Additionally, it is inscribed with the March 6, 1945 decision of the Presidium of the Supreme Soviet of the USSR to award Nelson Stepanyan a second Gold Medal of the Hero of the Soviet Union and to install a bronze bust in his birthplace. On the back of the bust, the name of the sculptor, Ara Sargsyan, and the year the sculpture was created (1950) are engraved. World War II monument in Vanadzor This World War II monument was erected in 1973 through donations from the workers of the Kirovakan (now Vandzor) chemical factory. Architects: Rafik Boshyan, Boris Kocharyan, and Ashot Kanayan. Sculptors: Zhirayr Ketikyan, Ara Sargsyan, Mehrab Mirzakhanyan (Master Mehrab) The Statue of Mesrop Mashtots and Koryun by Ghukas Chubaryan, 1962 This statue, created by sculptor Ghukas Chubaryan in 1962, depicts Mesrop Mashtots, the creator of the Armenian alphabet, with Armenian letters positioned behind his right hand. Kneeling beside Mashtots' left leg is his devoted student, Koryun. To the left of the Armenian letters, on the wall, is the first sentence written in the Armenian script: "Ճանաչել զիմաստութիւն եւ զխրատ իմանալ զբանս հանճարոյ". On the right side of Koryun, an eagle holding a sword and shield is depicted, symbolizing strength and protection. The ceremonial unveiling of the monument took place on May 26, 1962, in honor of the 1600th anniversary of Mashtots' birth, celebrating his monumental contribution to Armenian culture and language. The statue of Hovhannes Tumanyan in Dsegh village The statue of Hovhannes Tumanyan in Dsegh village, Lori region. The monument was erected in 1969. Authors: Sculptor: Ghukas Chubaryan Architect: Liparit Sadoyan Lenin in Armenia During Soviet times, statues of Lenin were ubiquitous across Armenia, but things changed rapidly after the collapse of the Soviet Union. While many of these statues have been removed or relocated, only a few remain in their original locations. Here is one of them. A monument in Gagarin village dedicated to Yuri Gagarin and his historic first spaceflight Yeghishe Charents Monument in Yerevan The Yeghishe Charents Monument, erected in 1985, stands in Yerevan's Circular Park, opposite the Radio House. This 18.5-meter-tall bronze monument, created by architect Jim Torosyan and sculptor Nikoghayos Nikoghosyan, is a multi-figure composition. On the other side, a memorial column rises, crowned with an eternal flame. On the second column, there is an inscription with lines from Charents' poem, «Անկումների սարսափից» ('From the horror of falling')." «Ես եկել եմ դարերից ու գնում եմ հաղթական Դեպի դարերը նորից՝ դեպի վառվող Ապագան…»։ ("I have come from centuries and I am moving forward victoriously Toward the centuries again—toward the blazing Future..."). Architect: Jim Torosyan Sculptor: Nikoghayos Nikoghosyan Arshaluys Statue The Arshaluys statue, located along the Yerevan-Sevan highway and created by renowned sculptor Ara Harutyunyan, is one of the most iconic Soviet-era monuments. The statue gained international recognition when famed photographer Norman Parkinson captured a striking image of model Jerry Hall posing on it, which was featured in Vogue magazine. This photograph was later republished in color in the Sunday Times Magazine in 1982, further cementing the statue's cultural significance. The Lion of Geghard Decorative sculpture, cast copper and basalt, installed along the road to Geghard Monastery, Armenia. Authors: Architect: Rafael Israelyan Sculptor: Ara Harutyunyan Dimensions: Height: 4 m | Year: 1958 King of the Forest Statue in Dilijan In 1966, while staying at Aghasi Khanjyan’s summer house in Dilijan, sculptor Ara Sargsyan was inspired by a giant tree. This led to the creation of his 1968 statue "King of the Forest," a reimagined version of his earlier work, "Goatman." The statue now stands near Khanjyan’s former residence, embodying the spirit of the forest. The Monument to the 50th Anniversary of Soviet Armenia This monument was installed in 1970 to mark the 50th anniversary of Soviet Armenia and can undoubtedly be called the most recognizable landmark of Dilijan, a unique symbol of the city. It is visible from nearly every part of Dilijan. The five edges of the monument represent each decade of those 50 years. The monument was designed by Seyran Avetisyan, Khoren Vatinyan, and Artur Tarkhanyan. Musa Dagh Heroic Battle Monument The Musa Dagh Heroic Battle Monument built in 1976 stands on a hill in the village of Musaler, Armavir region. Designed to resemble an impregnable fortress, the monument embodies the unwavering will, indomitable spirit of resistance, and extraordinary courage of the participants in the historic Musa Dagh Heroic Battle. Authors Architect: Rafael Israelyan Sculptor: Ara Harutyunyan The Arch of Charents or The Temple Of Ararat The Arch of Charents, also known as the Temple of Ararat, is a monument situated in the village of Voghjaberd, Kotayk region, on the right side of the Yerevan-Garni road, at an altitude of 1500 meters. The memorial was erected in 1957, and originally, the architect intended to pay tribute to mount Ararat, naming it "The Temple of Ararat." Several flights of stairs lead to the top of the hill, where the temple is located. Upon reaching it, on a clear day, Mount Ararat emerges in all its majesty, perfectly framed within the arch's opening. The arch is constructed externally of basalt and internally lined with orange tuff. The composition of the arch is rectangular in plan: 10 x 5.5 m, with a height of 5 m. Sculptor: Rafael Israelyan Monument to the Armenian Hayduks The Monument to the Armenian hayduks (hayduk or fedayi is a type of irregular infantry) is situated in the village of Ujan, in the Aragatsotn Province of Armenia. It is listed as an immovable historical and cultural monument of Ujan. Erected in 1989, the monument honors Armenian fedayis and is crafted from wrought copper. The monument features busts of Garegin Nzhdeh, Arabo, Makhluto, Gevorg Chavush, Aghbyur Serob, Sose Mayrik, and Soghomon Tehlirian. The sculptor behind this work is Yuri Minasyan. Arus or the "Armenian Sphinx" - A double-sided statue by sculptor Arto Chakmakchyan, 1963 The name "Arus (Арус in Russian)" is both a common Armenian woman’s name and an acronym for Armenian Accelerator (Армянский Ускоритель). It is said that the title "Armenian Sphinx" was coined by Artem Alikhanyan, founder of the Institute of Physics. Created by sculptor Arto Chakmakchyan , Arus is more than art—it’s a tribute to the dreams and determination behind Armenia’s scientific rise. And it guards the entrance to the underground halls where science once roared. Melody – Statue by Sargis Baghdasaryan, Yerevan, 1965 The monument is made of aluminum and granite and stands 1.4 meters tall. It was unveiled in 1965 and is located next to Swan Lake. Monument to David Bek – Kapan, Syunik The monument to David Bek stands prominently on the northeastern edge of the central square in Kapan, Syunik Province. Erected in 1978, the statue is crafted from wrought copper and honors one of Armenia’s most iconic military leaders. Sculptors: Sargis Baghdasaryan, Marat Nurijanyan Architect: Varuzhan Sahakyan Armenian-Russian Friendship Memorial Complex (1978) Located in the heart of Abovyan, directly across from the Abovyan Municipality and adjacent to the Museum of Armenian-Russian Friendship, this memorial complex was inaugurated in 1978. It stands as a symbol of the historical and cultural ties between the Armenian and Russian peoples. Sculptor: Sargis Baghdasaryan Architect: S. Barkhudaryan "Worker and Kolkhoz Woman" – A Statue by Ervand Kochar (1951-1952 or 1956) Worker and Kolkhoz Woman by Ervand Kochar was intended for installation in the courtyard of the Building of the Book Chamber in Yerevan. However, for years, the statue stood largely unnoticed—placed behind the building, in a pond, away from public view. Over time, the sculpture’s compositional integrity has deteriorated. Several key elements, including two trays once held by the figures—designed to channel water into the pond—have disappeared, leaving the original concept incomplete and partially forgotten. “The Builder Eagle” on the Western Entrance to Yerevan This striking monument is located along the Yerevan–Etchmiadzin highway, built in 1960. Marking the southern gateway to the capital, it’s a landmark easily spotted by those driving in from the airport—standing proudly on the right side of the road. The composition features three 15-meter-tall tuff stone columns with triangular cross-sections and arched bases, arranged in parallel on a modest platform. Atop them soars a dramatic bronze eagle sculpture with outstretched wings. The eagle’s gaze is fixed on the horizon, its wings finely detailed. A sunbeam crowns its head, and a grape leaf—a national symbol of Armenia—adorns its chest. (The same symbol appears on the “Vahagn the Dragon Slayer” monument at the northern entrance to Yerevan, also designed by Israelyan and Harutyunyan.) In its talons, the eagle holds a ruler and hammer—symbols of strength, craftsmanship, and creative labor. Architect: Rafael Israelyan Sculptor: Ara Harutyunyan "The Dancing Girls" fountain by Karapet Metsaturyan, Jermuk city The "Dancing Girls" fountain in Jermuk, created by Karapet Metsaturyan, no longer serves its original purpose—there's no water flowing anymore. Today, it stands simply as a beautiful monument. This monument in the city of Sisian, is dedicated to those who died during the establishment of Soviet rule in Armenia. Today, locals more commonly refer to it as the "Girl's Statue." The front side bears the following inscription in Armenian: «Նրանք ընկել են Հայաստանում սովետական կարգերի հաստատման համար» (“They fell for the establishment of Soviet rule in Armenia”), along with the names of the fallen. Both sides and the back are adorned with beautiful metal bas-reliefs. According to some sources, the sculptor is Karapet Metsaturyan, though this information requires further verification. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

A true time capsule, this school, built in 1901 with the support of Gaspar Ter-Margaryan, has left an indelible mark. Unlike many abandoned buildings in Armenia, this architectural marvel remains untouched, thanks to the efforts of the locals who have preserved its rich history. Despite the school's closure in 2010, its cultural significance lives on, with hopes for restoration to transform it into a museum. < Back Exploring an abandoned school in Armenia A true time capsule, this school, built in 1901 with the support of Gaspar Ter-Margaryan, has left an indelible mark. Unlike many abandoned buildings in Armenia, this architectural marvel remains untouched, thanks to the efforts of the locals who have preserved its rich history. Despite the school's closure in 2010, its cultural significance lives on, with hopes for restoration to transform it into a museum. We are on the road again with G. Mattu, and it takes us to the best-preserved abandoned school in Armenia. This school is like a time capsule and left a lasting impression on me! A local man was working in the yard, and we asked for permission to sneak inside. It looks like an architectural marvel, but the interior impressed me even more! I did not expect to see so many things preserved inside! Usually, buildings in Armenia are looted, but not this one. The locals have preserved it well. The school was built in 1901 with the support of Gaspar Ter-Margaryan, a village resident who made his fortune by mining oil in Baku. Seryozha Margaryan, a relative of the benefactor, who himself attended this school from 1966 to 1976, says that Ter-Margaryan built similar schools in 15 to 20 villages of Syunik region. The hallway and photos of graduates on the wall! There were years when 400 students attended the school in several shifts. In the last years of its existence, the number of students in the school gradually decreased: 13 students studied in the academic year 2003-2004, 11 students in 2004-2005, 9 students in 2005-2006, and 6 students per class in 2006-2007. Today, there are no school-age children in the village, and it is not possible to reopen the school. The school finally closed in 2010 after over a century of educating Armenia’s pupils. The restoration of the school building today has purely cultural significance. The building can serve as a museum. Me in chemistry class! Even the school where I studied didn't look this sublime! It had bare walls and looked symplistic... Currently, it is on the verge of collapse and is ready to become a distant memory for those who received such high-quality education in a place with a historical backdrop. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Explore the historic Yerevan Children's Railway nestled in the picturesque Hrazdan gorge. Established in 1937, this 2.1 km railway features iconic stations like "Motherland" and "Pioneer." Discover its rich history, from its inception to present-day plans for renovation and revitalization. Experience a piece of Armenia's railway heritage. < Back The abandoned Children's Railway in Yerevan Explore the historic Yerevan Children's Railway nestled in the picturesque Hrazdan gorge. Established in 1937, this 2.1 km railway features iconic stations like "Motherland" and "Pioneer." Discover its rich history, from its inception to present-day plans for renovation and revitalization. Experience a piece of Armenia's railway heritage. Yerevan Children's Railway, located in the Kentron community of Yerevan, stretches 2.1 km along the Hrazdan gorge. Stations include "Motherland," "Pioneer," and "Happiness." Through the thick trees I can see the marvelous railway station building In 1935, the idea of creating a children's railway in Yerevan was proposed by the Minister of Railway Transport of Armenia, Babken Amatuni, and the first secretary of the CPC Central Committee, Agassi Khanjian. In 1935, the USSR state plan included the construction of the Yerevan children's railway in the 1936 annual plan. On April 22, 1936, in the city park named after Abovyan, Aghasi Khanjyan and Babken Amatuni laid the foundation stone for the "Lighthouse" station, later renamed "Motherland" station. These stained glass windows are perfect for photography Scheduled to open on November 7, 1937, the day of the October Revolution victory, the children's railway officially opened earlier on July 6, 1937, thanks to the efforts of Babken Amatun, the Minister of Railway Transport of Armenia. The chief architect of the children's railway park was Mikael Mazmanyan. The former wooden railway station building was replaced in the late 1940s by a stone building designed by architect Babken S. Hakobyan, with the last tower designed by architect Gohar Grigoryan. Another look at the railway station building In 1937, locomotive 159-434 and three passenger cars donated by the Podolsk locomotive factory were put into operation. The steam locomotive from 1937, no longer operational, is considered Armenia's oldest. It is located at the "Motherland" station. In 1959, the railway received two PAFAWAG metal passenger cars, and in 1971, the TU2-116 locomotive. Until the end of its working days, the Children's Railway operated with a TU2-096 locomotive and two passenger cars produced by the Kaluga machine-building plant in 1957. The tunnel from the "Happiness" to the "Pioneer" station was built in 1956, spanning 45 m in length. I loved these stained glass windows Previously, the station building housed private rooms for the station master and guard, a telegraph office, a health room, and a cash register. The playground featured pools of water, fountains, a reading room, a dance and sports field, a game room, kiosks, and a buffet. A statue of Stalin once stood on the hill leading from the playground to the station. Currently, the Children's Railway territory is privatized. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

During an urbex exploration in the Ararat region of Armenia, we spotted this intriguing house in the distance and couldn't resist the urge to explore its mysteries! < Back Inside Abandoned House During an urbex exploration in the Ararat region of Armenia, we spotted this intriguing house in the distance and couldn't resist the urge to explore its mysteries! Situated in Verin Artashat, along the route to the Dvin Archaeological Site, this two-story building reflects the architectural style of Armenian houses from the early 20th century. Despite its current state of decay, the house carries a unique charm, serving as a rare relic from that era. Although time has taken its toll, the remnants hint at the former grandeur of this historic dwelling. Imagine in spring when these trees blossom one can witness a fairy-tale scene! Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

A rare Soviet-era soldier’s album discovered during an urbex tour in Armenia. Photographs and hand-drawn illustrations offer an intimate look into military service, everyday life, and personal memories of a Soviet-Armenian conscript from 1981 to 1983. This is raw, uncensored micro-history—not propaganda, not official archives, but real soldier life seen from the inside. < Back A Soviet-Armenian Soldier’s Album Found During an Urbex Tour A rare Soviet-era soldier’s album discovered during an urbex tour in Armenia. Photographs and hand-drawn illustrations offer an intimate look into military service, everyday life, and personal memories of a Soviet-Armenian conscript from 1981 to 1983. This is raw, uncensored micro-history—not propaganda, not official archives, but real soldier life seen from the inside. During my urbex tours, I carefully study historic photos and documents left behind by former workers—whether in culture houses or factories. During one of these explorations, I came across a fascinating album that once belonged to a Soviet-Armenian soldier. They were often called demobilization albums (дембельский альбом). Soldiers created them during the last months of service or right after discharge. I carefully photographed every page to preserve it for future generations and to show how such personal albums once looked. On the cover, there was a photo with the inscription:«Присягу принял на Зееловских высотах, 3 июня 1979 г.» “Took the military oath at the Seelow Heights, June 3, 1979.” Each album was handmade and deeply personal. It contained photographs from his military service along with several hand-painted illustrations. Photography was limited and controlled. Printing photos wasn’t easy. Drawing filled the gaps—and also showed skill, patience, and personality. On the title page, another note read:«Память о службе. Ереван–Вапуики, 1981–1983, осень.» “In memory of service. Yerevan–Vapuiki, 1981–1983, autumn.” Further inside, I found the following inscription:«730 дней в едином строю.» “730 days in one formation.” Apart from personal photos of the album’s owner, it also included images of his fellow soldiers, as well as hand-painted drawings of girls, a soldier hugging and kissing a girl, fighter jets, and a well-known cartoon character—the Wolf from “Ну, погоди!” ( “Just You Wait!” ), the famous Soviet animated series produced by Soyuzmultfilm. On the last page, I saw a photo of Soviet Minister of Defence Dmitry Ustinov and read the following inscription: «ВВ МВД СССР». Internal Troops of the USSR Ministry of Internal Affairs. On the left page, an intriguing painting caught my eye: a train entering a military boot and bursting out of it, tearing the boot apart. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

This article takes you to one of the Soviet-era aviamodeling schools still operating in Armenia. The school has never undergone renovation and remains almost unchanged, like a time capsule—a living museum that continues to function to this day, with children still attending classes. The article also provides a brief overview of the role and purpose of aviamodeling schools in the USSR, including their development in Armenia. < Back A Visit to a Soviet-Era Aviamodeling School in Armenia This article takes you to one of the Soviet-era aviamodeling schools still operating in Armenia. The school has never undergone renovation and remains almost unchanged, like a time capsule—a living museum that continues to function to this day, with children still attending classes. The article also provides a brief overview of the role and purpose of aviamodeling schools in the USSR, including their development in Armenia. Children’s aircraft modeling (aviamodeling) in the Soviet Union was a widely developed educational and recreational movement that combined technical creativity, patriotic education, and early career orientation in aviation and engineering. It emerged as part of a broader state policy aimed at promoting science and technology among young people and played an important role in preparing future specialists for industry and defense. Specialized magazines were published, and modeling clubs operated in almost every city and town, even in very small communities. Both children and adults built aircraft models by hand and took part in city, regional, all-Union, and international competitions. Even artists were inspired by this, and it is no surprise that Boris Milovidov’s painting “Aircraft Modelers” (1934) emerged as a reflection of this movement How it started in the USSR The year 1923 marked the beginning of mass aircraft modeling in the Soviet Union. In many cities across the USSR, aircraft modeling and glider-modeling clubs and training courses were established. The first instructional brochures on aircraft modeling were published, instructor training programs were launched, and competitions for flying models were organized. In 1925, two aircraft modeling schools were formally established: one in Moscow and one in Transcaucasia. These schools were later merged into a single institution. An old photograph of Armenian children at an aviamodeling school At the end of 1952, Soviet aircraft modeling sport was incorporated into the unified system of officially recognized sports activities overseen by state authorities responsible for the development of sports in the USSR. From that point on, aircraft modelers became eligible for official honors and awards, including national championship jerseys and the titles of Master of Sports and Honored Master of Sports. In 1974, the Central Sports and Technical Club of Aircraft Modeling of DOSAAF of the USSR was established. It operated until 1992. Today, its legal successor can be considered the Moscow Aircraft Modeling Club of the Moscow City Organization of ROSTO (DOSAAF), known as MAK. The teacher, Gagik, who worked here for decades, patiently demonstrated and explained the aircraft models Several main types of models existed: • Free-flight models (gliders). • Controlled models (control-line and radio-controlled). Control-line models were often used for air combat simulations and racing. • Scale replicas of real aircraft. • Static display models (non-flying scale models). The core idea of aviamodeling was to channel children’s natural curiosity toward constructive and educational activities aligned with Soviet values. It was often described as “small aviation,” preparing young people for “big aviation.” The discipline helped develop technical literacy, engineering thinking, and practical skills essential for future work in aviation, industry, and the military. The main goals included: • Developing creativity and professional interest in engineering and aviation careers. • Providing structured and meaningful leisure activities. • Promoting aviation as a heroic and prestigious field linked to the Air Force and Civil Air Fleet. • Supporting educational outreach, including mentoring programs and the creation of clubs in rural areas. Training emphasized practice over theory. Activities included building models, basic meteorological observations, visits to airfields and factories, aviation-themed games, and public events. Popular science and children’s magazines such as Znanie – Sila, Pioner, and Murzilka published instructions, stories, and biographies of famous aircraft designers, including A. S. Yakovlev, who himself began with aircraft modeling. Aviamodeling in Armenia Aviamodeling in Armenia began to develop in April 1923 with the establishment of the “Friends of the Air Fleet” society, led by R. A. Babayan. In 1925, members of the Armenian aviamodeling group—R. Babayan, H. Dasparyan, A. Davtyan, G. Kankanyan, and M. Saakyan—won first place in an all-Union remote competition and set three all-Union records. During the 1930s, some of Armenia’s most prominent aviamodelists included twice Hero of the Soviet Union N. G. Stepanyan and Hero of the Soviet Union S. A. Burnazyan. The walls were covered with posters from a bygone era, along with aircraft models of various types After the Collapse of the Soviet Union After the collapse of the Soviet Union, aviamodeling schools across all post-Soviet countries suffered from a lack of funding and institutional support, including in Armenia. The school I visited was no exception. Although children still attend classes there, the facility feels frozen in time—a true time capsule of the Soviet era. Today, with the rapid rise of drones and digital technologies, aircraft modeling is experiencing a form of revival. Many schools are shifting toward drone operation, programming, and 3D printing. Unfortunately, this particular school has not yet undergone such a transformation. Hopefully, in the near future, local authorities will renovate and equip it with modern tools, computers, and training equipment, while preserving the traditional wooden aircraft models as part of a museum and historical exhibition. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

In this article, you’ll learn about a perfectly preserved Soviet-era knitwear factory. Spread across two floors, it remains largely untouched and filled with original knitting and sewing machines, ironing equipment, Soviet posters, an armored safe with original banknotes, and many other items typical of factories of that era. This place is a true time capsule and a must-visit site for any urbex enthusiast. < Back Exploring a Perfectly Preserved Soviet Knitwear Factory In this article, you’ll learn about a perfectly preserved Soviet-era knitwear factory. Spread across two floors, it remains largely untouched and filled with original knitting and sewing machines, ironing equipment, Soviet posters, an armored safe with original banknotes, and many other items typical of factories of that era. This place is a true time capsule and a must-visit site for any urbex enthusiast. This abandoned knitwear factory is a rare and well-preserved example of Soviet industrial heritage. Closed since the early 2000s, it offers a clear look into everyday factory life behind the Iron Curtain. Original machinery, tools, posters, and personal belongings remain largely untouched, making it a standout urbex site in Armenia. As you step through the gate at the top of the building, you see an inscription in Armenian reading «Փառք աշխատավորին» — “Glory to the worker.” Then the owner, Hayk, opens the old, rusty locks, and you find yourself inside a frozen slice of Soviet industrial history. This knitwear factory began as a carpet workshop and was later converted into a knitwear facility. By 1982, it employed around 1,200 workers. During the Soviet period, it operated three branches in nearby villages, each with about 100 employees. Production expanded quickly, and knitwear made here was supplied across the Soviet Union. Around 95 percent of the workforce were women. The main products included children’s clothing, as well as military socks and gloves. Today, visitors walk through halls filled with rows of silent machines, many covered in spider webs. Among them is a German sewing machine from the 1930s, which was used after World War II in Moscow and Yerevan before reaching this knitting factory. Most of the machinery is still functional. It was last used in 2020 during the 44-day war, when the factory briefly resumed work to produce military supplies. The director’s office feels like a small museum: the table is covered with products once made at the factory, with a single example from each model. Around the room are gas masks, an old TV, tools—including radiation detectors for emergency situations—vintage sewing machines, telephones, maps, typewriters, and, of course, a portrait of the leader of the world proletariat. Photographs of award-winning workers remind visitors of the strong community that once existed. After the collapse of the Soviet Union, many factories in Armenia were dismantled and sold as scrap. Iranian and Turkish traders were especially active, buying entire facilities and transporting the machinery abroad. Hayk Isakhanyan, the current owner, chose a different path. For him, preserving the factory was a matter of principle. The walls are lined with original Soviet posters, while desk drawers still hold magazine cutouts of actresses, models, and singers from over 30 years ago. Despite decades of inactivity, plans for revival remain. Hayk speaks of acquiring modern equipment through leasing, restarting production, buying wool from local farmers, creating new jobs, and contributing to the future of his hometown. For urbex explorers, this factory is more than an abandoned site—it is a powerful window into a closed chapter of history. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next