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If you're visiting Armenia, you might notice that people tend to stare a bit more than you're used to. As a guide, this is one of the most common questions I get from tourists: "Why do Armenians stare?" It's a valid observation and one that opens a window into the nuances of Armenian culture and the human tendency to observe the unfamiliar. < Back Staring in Armenia: Cultural Curiosity and Interest If you're visiting Armenia, you might notice that people tend to stare a bit more than you're used to. As a guide, this is one of the most common questions I get from tourists: "Why do Armenians stare?" It's a valid observation and one that opens a window into the nuances of Armenian culture and the human tendency to observe the unfamiliar. The Universal Habit of Staring Staring isn't unique to Armenia; it's a global phenomenon that varies in intensity depending on where you are. Studies have shown that the average duration of a stare varies significantly across cultures. In many Western countries, a direct gaze lasting longer than a few seconds can be considered intrusive or even confrontational. However, in other parts of the world, including Armenia, staring is not necessarily seen in a negative light. In fact, a study conducted in different countries revealed that the average stare time in the United States is about 2.9 seconds, while in more socially reserved cultures like Japan, it's around 2.2 seconds. On the other hand, in Mediterranean countries like Italy or Greece, the average gaze can extend up to 3.3 seconds, reflecting a more open and curious approach to social interactions. Armenia, situated at a crossroads of cultures, tends to align more with Mediterranean norms. Curiosity and Cultural Differences So, why do Armenians stare? One of the most straightforward reasons is curiosity. Armenia, while increasingly popular with tourists, is still a relatively small and homogeneous country. The sight of someone who looks or dresses differently can naturally pique interest. Consider this: the more extravagant your appearance—such as colorful hair, tattoos, or revealing clothing—the longer the staring time may be. For many Armenians, especially those in rural areas or smaller towns, encountering foreigners is not a daily occurrence. This makes them more likely to stare, not out of rudeness, but out of genuine curiosity and interest. In Armenia, hospitality is deeply ingrained in the culture, and staring is often a precursor to initiating conversation or offering help. Many Armenians are eager to learn about different cultures and see tourists as an opportunity to broaden their horizons. The Influence of the Soviet Past Armenia's recent history also plays a role in this behavior. Under Soviet rule, the country was relatively closed off from the rest of the world. Contact with foreigners was limited, and as a result, people are still adjusting to the influx of tourists. This background makes the presence of visitors a novelty, especially for the older generation who grew up during the Soviet era. Breaking the Ice: How to Respond If you find yourself the subject of a curious gaze in Armenia, there's no need to feel uncomfortable. A simple smile or a friendly nod can go a long way in bridging the gap. More often than not, this will lead to a warm exchange, perhaps even an invitation for a coffee or a deeper conversation about your experiences and their culture. Embracing the Experience While it might feel unusual at first, understanding the cultural context behind why Armenians stare can transform your experience from one of discomfort to one of connection. It's a reminder that travel is not just about seeing new places but also about understanding different ways of life. So, the next time you notice someone staring at you during your travels in Armenia, take it as a sign of welcome and interest. It's their way of saying, "We're curious about you, and we're glad you're here." And who knows? That initial stare might just lead to a memorable encounter that enriches your journey. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

If you have taken the Tatev ropeway, you have undoubtedly seen a monastic complex nestled in the gorge, hidden deep in the woods. That's the mysterious Big Desert of Tatev, and a visit promises unforgettable memories! < Back The Big Desert of Tatev If you have taken the Tatev ropeway, you have undoubtedly seen a monastic complex nestled in the gorge, hidden deep in the woods. That's the mysterious Big Desert of Tatev, and a visit promises unforgettable memories! The Big Desert of Tatev is a 17th-century Armenian monastery located on the right bank of the river Vorotan, where it meets its tributary Tatev. It was built in the 1660s after an earthquake destroyed the nearby Harants (Fathers') Hermitage of Halidzor in 1658. The Great Hermitage of Tatev has the same layout as the older hermitage but is larger. It's a valuable example of medieval Armenian architecture with a unique design This is how you see the monastic complex when hiking down the gorge! The main part is surrounded by walls with towers, and there's an additional structure with a table-shaped plan on the southern side. It was of a military significance in the 18th century, during the liberation struggle organized by Davit Bek. In 1663, Saint Astvatsatsin, a 3-naved basilica church, was constructed in the south-western part of the desert using smoothly hewn basalt stone. It's an architectural marvel and when you step inside you can feel a rush of positive energy inside you! In 1743, Meliq Yeghan added a vaulted church-porch hall and a small chapel-mausoleum adjacent to the western part of the church. The dining hall in the southern part is a vaulted long structure with a kitchen, small windows, and stone tables. There are 64 vaulted cells for cenobites along the western and northern walls, some with two or three stories, doors, and windows. The desert once had gardens, threshing floors, a wine press, cellars, and a water mill (now broken). The climate here was suitable for viticulture. The Big Desert of Tatev served as a significant educational, religious, and cultural center. Around 700 monks dedicated themselves to spiritual service here, and the Catհolicos of All Armenians, Movses Khorenaci (Syuneci), received education in this spiritual and cultural hub. The Big Desert of Tatev played a vital role in the formation of manuscript centers, where many manuscripts were written in various monasteries and deserts. How to get to the Big Desert of Tatev? First of all, note that there is no road for cars to reach the location. You will need to take a short hike. You can hike to the Big Desert of Tatev by either starting from Tatev Monastery, descending all the way down towards the gorge and concluding your trip on Satan Bridge. Alternatively, you can park your car on Satan Bridge and commence your hike from that point. Inside the monastic complex, you may encounter a hermit who has been living there for several years and prefers not to be photographed, although he is very friendly! Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Explore the mysterious history of Armenian Vishaps also known as Dragons or Dragonstones scattered across the breathtaking landscapes of the Geghama Mountains. Nestled at high altitudes near natural and artificial ponds, these monoliths hold a profound connection to the worship of water. < Back Dragons of Azhdahak - Armenia's Megalithic Marvels Explore the mysterious history of Armenian Vishaps also known as Dragons or Dragonstones scattered across the breathtaking landscapes of the Geghama Mountains. Nestled at high altitudes near natural and artificial ponds, these monoliths hold a profound connection to the worship of water. Vishapakar (also known as dragon, dragon-stone, megalithic monument, menhirs) are monoliths found in abundance in the Armenian Highland, situated at high altitudes, near natural and artificial ponds, as well as other water sources in proximity to high-altitude lakes, and are intricately linked to the worship of water. The dragon-stones of Geghama mountains, located near Dragon Lake! Photo is taken in 1970s and as you can see they are still lying horizontally! Notably, there are four dragon stones; two of them were subsequently transported to Yerevan and are currently showcased in Tigran Mets Park. Photo credits: Vladimir Saroyan's Facebook account. There are approximately 150 known Vishaps discovered in the Armenian Highland, with 90 of them located in Armenia. Dragonstones or Vishaps mostly appear in groups at altitudes of about 2300-3200 m above sea level, situated in well-defined concave meadow environments, which significantly reduces their visibility. There are also isolated examples at altitudes ranging from 1200 to 2300 m above sea level. Commonly carved from a single piece of stone, they take the form of cigar-like shapes with fish heads or serpents. Made of basalt, they are 150-550 cm high, and, based on their shape and iconography, they are divided into three types: Bull-shaped (with four sides, in the form of a thick slab, featuring the image of a bull's head and hanging limbs on the front side). Fish-shaped (round in cross-section, carved to resemble a fish with anatomical details). Hybrid type combining characteristics of the previous two. Most of the Vishaps found were lying horizontally, having fallen from their original standing positions. A photo of Nikolai Marr posing for a photo while standing near a gigantic dragon-stone! Geghama mountains, 1909 The concept of Vishaps was introduced by the Armenian writer Atrpet in 1880, with his work being published in 1926. In 1909, during excavations at Armenia's Pagan Temple of Garni by Nicholas Marr and Yakov Smirnov, local residents shared stories about Vishaps dwelling in the mountains. This prompted a scientific expedition to Geghama mountains to confirm the existence of Vishaps and assess their scientific significance. The findings from the Geghama mountains were published in 1931. The Dragon guards... 😅 Due to Mount Azhdahak's popularity as a tourist destination, two notable Vishaps are recognized, situated on the shore of the Dragon Lake (Vishapalich). These are among the best-known examples. Type: Bull-shaped Stone: Red basalt Size of the big Vishap: 400×150×65 Size of the small Vishap: 205×76×24 A sketch of the dragonstone from Boris Piotrovsky’s book "Vishaps, Stone Monuments in Armenian Monuments." Both are located at an altitude of 2700 meters near the high-altitude lake Dragon Lake. They were installed in a vertical position by the "Vishap" tour agency. During subsequent works, the large Vishap was split into two parts and then carefully rejoined. Hrach Hayrapetyan sitting on the dragonstone which is currently showcased in front of Government Building 3 This dragonstone was discovered in 1986 in the Geghama Mountains on the way from Geghard to Geghama mountains in a location called Chairasi. The father of Hrach Hayrapetyan, a resident of Goght village, Karabala Hayrapetyan, asked his son to place that stone on his grave after his death. Hayrapetyan dies in 1992, and Hrach, along with two dozen fellow villagers, loads the dragon stone onto a car and brings it to the Goght cemetery in 1993. Priest Ter Petros of Geghard learns that they want to place a dragon stone as a khachkar on the grave and prevents this step by prohibiting the reuse of the historical monument. Father Petros informs the architect Stepan Nalbandyan about it. The latter visits Goght, after which their actions were stopped. Until 2001, the stone remained in the Goght cemetery. Then, Stepan Nalbandian moved it to Yerevan, to the yard of the National Museum-Institute of Architecture (Government Building 3). It was erected in the same year by the director of the institute, Ashot Grigoryan. Vazgen Poghosyan operated the crane and also prepared the concrete mixture. Despite constant transfers, the monument is in good condition, although the left part of the headpiece is broken. The monument still stands in front of Government Building 3. This Vishap, shaped like a fish and a bull, was discovered in 1909 by N. Marr and Y. Smirnov in the Geghama Mountains at a site called Sakhurak. In 1970, it was relocated to Yerevan, where it is currently on display in Circular Park. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Explore Levon’s Divine Underground in Arinj, Armenia — a mysterious hand-carved cave created over 23 years by one man, Levon Arakelyan. Discover his incredible story, the cave’s intricate chambers, and how his legacy continues through his family today. < Back Inside Levon’s Divine Underground Explore Levon’s Divine Underground in Arinj, Armenia — a mysterious hand-carved cave created over 23 years by one man, Levon Arakelyan. Discover his incredible story, the cave’s intricate chambers, and how his legacy continues through his family today. In the quiet village of Arinj, just outside Yerevan, lies one of Armenia’s most unusual landmarks — Levon’s Divine Underground , a vast hand-carved cave created by a single man over more than two decades. This extraordinary site was built by Levon Arakelyan , who began digging in 1985 after his wife, Tosya , asked him to make a small cellar for storing potatoes. What started as a simple household project turned into a lifelong mission. Levon claimed that soon after he began digging, he experienced a vision — a voice from a mist urging him to keep going. Master Levon at work Armed only with a hammer and chisel, Levon continued to excavate tirelessly for 23 years , refusing to use power tools even as he dug through hard volcanic rock. The result is a 21-meter-deep network of seven rooms , connected by winding stairways and tunnels that cover about 300 square meters . Each chamber, he said, was inspired by new visions that guided his work. Levon even installed lights and wiring himself, envisioning a total of 74 unique rooms — a project left unfinished when he passed away in 2009. After his death, Mrs. Tosya turned the site into a museum to preserve her husband’s legacy. The cave maintains a constant temperature of around 10°C year-round. The museum’s first floor displays Levon’s personal belongings, tools, press articles, and guestbooks filled with visitors’ impressions. Outside in the courtyard, flower pots crafted from leftover stones and two wall murals — one depicting Levon with his hammer and chisel, and another showing Tosya holding a potato — serve as touching reminders of how a simple domestic request grew into a national curiosity. This is “Levon’s Eye.” At one point, Levon’s daughter asked me to look up — and my heart sank. It felt as if a vigilant eye was watching from above. This was one of the most striking moments of the visit. The ventilation shaft, carved in the shape of an eye, never fails to give visitors goosebumps. Today, Levon’s Divine Underground stands among Armenia’s most fascinating attractions, drawing travelers who come to witness the result of one man’s unwavering devotion and vision. The ticket sales, still managed by his family, continue to support them — keeping Levon’s story alive beneath the surface of Arinj. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next

Soviet-era mosaics in Armenia are remarkable relics that offer a vivid glimpse into the country’s artistic and cultural heritage. Created mostly in the second half of the mid-20th century, these intricate works of art reflect the social, political, and ideological narratives of the time. Today, they stand as vibrant testimonies to a complex past, blending traditional Armenian motifs with Soviet symbolism. < Back Soviet mosaics in Armenia Soviet-era mosaics in Armenia are remarkable relics that offer a vivid glimpse into the country’s artistic and cultural heritage. Created mostly in the second half of the mid-20th century, these intricate works of art reflect the social, political, and ideological narratives of the time. Today, they stand as vibrant testimonies to a complex past, blending traditional Armenian motifs with Soviet symbolism. Armenian Soviet mosaics are distinguished by their unique blend of local and Soviet styles. Artists employed traditional Armenian patterns and themes, often featuring folkloric elements and historical references. These were interwoven with Soviet iconography, including depictions of workers, farmers, scientists, and cosmonauts, symbolizing the progress and industrial prowess of the USSR. Here are several mosaics, the coordinates of which I won't disclose on purpose, to awaken the explorer inside you and encourage your own discovery! Here is a mosaic in an abandoned hotel in Armenia. The Birth of Astghik by Garnik Smbatyan (1982) Astghik was the goddess of water, love, and beauty in ancient Armenian mythology. The creation of these mosaics involved meticulous craftsmanship. Artists used a variety of materials, including colored glass, ceramic tiles, and stones. The vibrant colors and durability of these materials ensured that the mosaics would withstand the test of time, maintaining their splendor for decades. Karen Aghamyan's "Progress", 1983 Karen Aghamyan's "Progress" mosaic, created in 1983, is another uniquely futuristic piece that I adore. It features an astronaut in a spacesuit floating in space. The second figure resembles Leonardo da Vinci's Vitruvian Man, blending human anatomy with geometric perfection. The third part portrays a naked male figure with arms and wings outstretched, seemingly levitating in the air. A mosaic on the facade of fomer "Vaspurakan" restaurant The mosaics were often large-scale, covering the walls of public buildings, factories, and cultural institutions. Their grand size and prominent placement were intended to inspire and educate the public, serving as daily reminders of the Soviet ideals and the collective Armenian identity. Mosaics or frescoes with cosmic themes are my favorite, though! In this case, it is really difficult to take a proper photo since, when you stand in front of the building, the trees block the view. This mosaic artwork, titled "Flight," was created by Zohrap Mirzoyan in collaboration with Edvard Karsyan and Karapet Shekhian between 1984 and 1986 Along the Yerevan–Sevan highway stands a magnificent mosaic, but passengers speeding past rarely pay it any attention. The mosaic depicts the statue of David of Sassoun by Ervand Kochar and the Government Building designed by Alexander Tamanyan. Once, a metal key stood to the right of the mosaic, but it didn’t withstand the test of time. Today, the mosaic is in a depressing state and is gradually fading away. In modern days, with the rapidly growing urbex community and the influence of social networks, these mosaics are experiencing a resurgence, attracting photographers from around the world. Their vibrant colors and historical significance make them perfect subjects for capturing the interplay of art and history. Exploring these mosaics not only provides a visual feast but also connects us to the rich cultural and political tapestry of the past. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next

This abandoned Soviet-era factory in Armenia had a lot to offer! Two notable things we discovered during this urbex tour were a unique fresco and a 'Lenin, Engels, Marx' mosaic. < Back Exploring an abandoned chemical factory in Armenia This abandoned Soviet-era factory in Armenia had a lot to offer! Two notable things we discovered during this urbex tour were a unique fresco and a 'Lenin, Engels, Marx' mosaic. I wanted to get inside this abandoned factory in Armenia for a long time, and the time finally came! We had a vague information that there is a fresco in this factory and went to check it out. After wandering around for a while we finally spotted the fresco from outside and got inside the building! Glory to the Komsomol! My heart started to beat happily… the fresco was amazing! So far it is the only Soviet fresco that I found in Armenia with a Russian inscription on it: Слава комсомолу! Glory to the Komsomol! DETEKCNI TRUBICE We went on exploring further and got inside a room with lots of boxes called “Detekcni Trubice”! A quick google research said that: “Detekcni Trubice - UH - V detection tubes are intended for the determination of hydrocarbons and the lower explosive limit of solvent vapors in the air. The detection tube KT - 1 serves to determine the direction of air flow. Detection tubes are intended for single use.” We moved forward… suddenly my friend called “Hurry up! Look what I found”. With a smile on my face I am posing for a photo ... I entered a large room and saw on the wall a big mosaic of Lenin, Engels and Marx! It left a strong impression on me—a piece of history that may soon vanish… Needless to say that we also saw countless warning posters on the walls … For more check out the gallery below... Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next

Inside an abandoned textile factory in Armenia, I stumbled upon something unexpected: rows of old computers, a large auditorium, and a Soviet mosaic. While I'm usually drawn to monumental Soviet art, this time the computers completely stole the show. They looked like nothing I'd ever seen before—and strangely, even a Google image search didn’t turn up anything similar. < Back The Forgotten Computers of a Soviet-Era Factory Inside an abandoned textile factory in Armenia, I stumbled upon something unexpected: rows of old computers, a large auditorium, and a Soviet mosaic. While I'm usually drawn to monumental Soviet art, this time the computers completely stole the show. They looked like nothing I'd ever seen before—and strangely, even a Google image search didn’t turn up anything similar. Curious, I dug deeper. I ran a DeepSearch with Grok and asked around in the Reddit community r/vintagecomputers. Here’s what I found out: What Were These Mysterious Computers? The machines are labeled "AM-5" and were likely produced by Gerber Technology , a U.S. company known for CAD (Computer-Aided Design) and CAM (Computer-Aided Manufacturing) systems, especially for the garment industry . They were used from the late 1980s for tasks like pattern design , grading , and automated fabric cutting . Since the factory they were found in used to produce textiles, the match fits perfectly. Evidence points to the computers being manufactured in Germany , at Gerber's European branch— Gerber Technology GmbH in Ismaning, Germany. Why It Matters In the 1980s, companies like Gerber were revolutionizing how clothes were made. Their computers streamlined the process—digitally creating patterns, optimizing fabric usage, and even controlling cutting machines. These “AM-5” systems were likely part of that wave of innovation, quietly sitting in Armenia, forgotten by history. After stepping out of the computer room one can see a wonderful mosaic by Vanik Manukyan These machines, echoes of the past, are part of a larger narrative—where fashion and automation converged during the final years of the Soviet Union. Final Thoughts It’s frustrating how few people recognize the value of preserving relics like these. Old computers, military bunkers, carpet-weaving machines, thread spinners, watch-making tools—they’re all part of our industrial and cultural heritage. With the right approach, they could fuel niche tourism and spark real curiosity. But sadly, most are being looted or scrapped long before anyone realizes their worth. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next

In 1982, a group of climbers from Soviet Union embarked on a daring expedition to conquer Mount Everest, the world’s highest mountain. This was the first acknowledged Soviet expedition to the Himalayas! < Back 1982 Soviet Everest Expedition In 1982, a group of climbers from Soviet Union embarked on a daring expedition to conquer Mount Everest, the world’s highest mountain. This was the first acknowledged Soviet expedition to the Himalayas! The 1982 Soviet Himalayan Expedition was a significant event in the history of mountaineering. It marked the first time that Soviet climbers embarked on an expedition to the Himalayas. The expedition took place in the spring of 1982, following a lengthy period of preparation. The expedition was dedicated to the 60th anniversary of the formation of the USSR. The members of the 1982 Soviet Himalayan Expedition were selected from one and a half hundred candidates, and the final team consisted of 25 people. The selection process involved a series of training camps during which the organizing committee and the Federation of Mountaineering paid attention to the preparation of athletes, their health, and psychological compatibility. The candidates participated in both sports (who will climb faster to the peak of Communism) and medical tests (testing in a baro-chamber at altitudes up to 10,000 m). The expedition leader was Evgeny Tamm, the senior coach was Anatoly Ovchinnikov, the coach was Boris Romanov, and the team captain was Valentin Ivanov. For the assault on the mountain, the climbers were divided into four sports teams: Eduard Myslovsky, Nikolay Cherny, Vladimir Balyberdin, Vladimir Shoppin Valentin Ivanov, Sergey Efimov, Mikhail Turkevich, Sergey Bershov Yervand Ilyinsky, Sergey Chepchev, Kazbek Valiev, Valery Khristchaty Vyacheslav Onishchenko, Valery Khomutov, Vladimir Puchkov, Alexey Moskaltsov, Yuri Golodov The fourth team was initially intended to be a support team, assisting with the organization of high-altitude camps and the delivery of supplies, as there was uncertainty about the assistance of Sherpa porters on the chosen route. However, once in the Himalayas, the coaching council decided that the team would participate in the ascent on equal terms. Despite the fact that prior to the expedition, Soviet climbers had not ascended peaks higher than 7600 meters (the height of the highest peak in the USSR, Peak Communism, is 7495 meters), the ascent was made via a route on the southwest wall that had not been used by anyone before. This route was more complex than all the routes on Everest that had been passed before. The expedition team established seven camps at various altitudes on Everest for the direct preparation of the ascent: Base camp (21.03., 5340m) — slightly below the Khumbu Icefall Intermediate camp (21.03, 6100m) Camp 1 (22.03., 6500m) Camp 2 (31.03., 7350m) Camp 3 (12.04., 7850m) Camp 4 (18.04., 8250m) Assault camp (03.05., 8500m) Eleven Soviet climbers managed to reach the summit of Everest, mostly in pairs. Some climbers reached the summit at night. Several athletes received injuries; later, one of them had four frostbitten phalanges on both hands amputated. The ascents were stopped due to severely deteriorating weather. The ascent of eleven climbers to the summit of Everest without fatal cases was considered a success. The climbers who reached the summit of Everest were: Vladimir Balyberdin and Eduard Myslovsky on May 4, 1982 Sergey Bershov and Mikhail Turkevich on the night of May 4-5, 1982 Valentin Ivanov and Sergey Efimov on May 5, 1982 Kazbek Valiev and Valery Khristchaty on the night of May 7-8, 1982 Valery Khomutov, Vladimir Puchkov, and Yuri Golodov on May 9, 1982 After the ascent: After the ascentall participants of the expedition were awarded the title of Honored Masters of Sports. At the time of the ascent, seven out of eleven members of the expedition were already champions of the USSR in mountaineering, including all three Almaty residents who were two-time champions, and Ural resident Sergey Efimov, who was a three-time champion. On December 20, 1982, a special postal block (CFA [AO “Marka”] No. 5356) was issued in the USSR with a circulation of 800,000 copies. The work of Yu. Levinovsky, it featured the State Flag of the USSR, a scheme of the route of the First Soviet Himalayan Expedition, Soviet climbers making the ascent, and a commemorative text. As of the early 2010s, the route of the expedition had not been passed by any other climber. In the future, some of those who failed to conquer Everest during this expedition were able to reach the summit. However, it remained unconquered for Vyacheslav Onishchenko, Vladimir Shoppin, Sergey Chepchev, and Alexey Moskaltsov. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

Adopted by the Armenian Supreme Soviet in 1990, and regulated by the Law on the National Flag passed by the National Assembly in 2006, the flag embodies the nation's history and values. Discover the rich symbolism behind the national flag of Armenia, known as the Tricolour. < Back Flag of Armenia Adopted by the Armenian Supreme Soviet in 1990, and regulated by the Law on the National Flag passed by the National Assembly in 2006, the flag embodies the nation's history and values. Discover the rich symbolism behind the national flag of Armenia, known as the Tricolour. The national flag of Armenia, also known as the Tricolour, consists of three horizontal bands of equal width: red on the top, blue in the middle, and orange on the bottom. The current flag was adopted by the Armenian Supreme Soviet on 24 August 1990. On 15 June 2006, the National Assembly of Armenia passed the Law on the National Flag of Armenia, governing its usage. It is the repetition of the flag of the First Republic of Armenia (1918-1920) in size and color. The national flag of Armenia, also known as the Tricolour, consists of three horizontal bands of equal width: red on the top, blue in the middle, and orange on the bottom. What does the flag of Armenia represent? The meanings of the colors are interpreted in various ways. Red symbolizes the Armenian Highlands, reflecting the Armenian people's ongoing struggle for survival, the preservation of the Christian faith, and Armenia's commitment to independence and freedom. Blue represents the peaceful skies over Armenia, while orange symbolizes the nation's talent and hard work. Me at the summit of mount Ararat (5165) with Armenian flag Like every national flag, the Armenian flag serves as a symbol of inspiration and pride for Armenians. Raising the Armenian flag is a powerful expression of love and solidarity towards Armenia. Athletes, artists, politicians, and ordinary individuals alike demonstrate their affection by hoisting the Armenian flag, not only in times of victory or joy but also during challenging moments to signify hope and a resilient spirit in the face of adversity. The Armenian flag is prominently featured in the music video for System Of A Down's Chop Suey Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

During this urbex tour, I'm exploring a 14-story building, once a bustling sanatorium during Soviet times. Today, it stands abandoned, stripped of windows and doors. Only a handful of artworks adorn the walls, serving as poignant reminders of its former glory. < Back Exploring an abandoned sanatorium During this urbex tour, I'm exploring a 14-story building, once a bustling sanatorium during Soviet times. Today, it stands abandoned, stripped of windows and doors. Only a handful of artworks adorn the walls, serving as poignant reminders of its former glory. Located 23 kilometers north of Yerevan, in a scenic village celebrated for its exceptional mineral water, this destination was once home to Armenia's most prestigious sanatoriums. Visitors from across the Soviet Union flocked here to relax, rejuvenate, and enhance their well-being. The sanatorium In the Soviet Union and post-Soviet countries, a sanatorium is a combined resort and medical facility offering short-term rest and medical services, akin to a spa resort. The history of these health resorts dates back to 1920s when the construction of the first sanatoriums started! Inside, one can come across this wonderful fresco, seemingly created by a professional artist, still resisting the destructive forces of water and time. Construction of the third sanatorium’s 14-story building began in 1975 and was completed nine years later. Architect : Martin Mikayelyan Engineer: Karlen Ghazaryan The accommodations were luxurious, featuring numerous recreation rooms, a swimming pool, cinema, and a cozy restaurant accessible through a covered ground passage. Adjacent to the building was a funicular connecting it to the first and third buildings. Join my urban explorer tours to uncover the hidden marvels of Armenia! For a personalized itinerary, please contact me. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next

The Red Bridge, built in the 12th century, connected the Yerevan fortress to the Ararat Valley. After being damaged by an earthquake in 1679, it was restored in 1680 and underwent further reconstructions over the centuries. Currently being rebuilt, the bridge has the potential to become a major tourist attraction, offering a glimpse into Yerevan's rich historical and cultural heritage once completed. < Back The Red Bridge - The Oldest Bridge In Yerevan The Red Bridge, built in the 12th century, connected the Yerevan fortress to the Ararat Valley. After being damaged by an earthquake in 1679, it was restored in 1680 and underwent further reconstructions over the centuries. Currently being rebuilt, the bridge has the potential to become a major tourist attraction, offering a glimpse into Yerevan's rich historical and cultural heritage once completed. The construction of the Red Bridge dates back to the 12th century. It served as a crucial route for caravans heading to the city, connecting the Erevan fortress and the Ararat valley. In 1679, the bridge succumbed to an earthquake and was subsequently restored in 1680. In 1850, Russian engineers undertook repairs, ensuring the bridge retained its original appearance. Red Bridge at the beginning of the 20th century The bridge was a two-span stone arch. The span sizes were 14 + 14.1 m. Openings were made in the abutments for the passage of irrigation water. The total length of the bridge was 87.5 m, the width of the roadway was 6.5 m, and the height above the water level was 11 m. Before the construction of the Victory Bridge, it was the Red Bridge that connected Yerevan with the right bank of Hrazdan river. The main Yerevan-Echmiadzin highway used to pass through this bridge. This chamber has emerged in recent years due to the collapse of the wall. The architects are planning to turn this part into a museum after the reconstruction. In the mid-1980s, the northern arch of the bridge was dismantled for reconstruction purposes. However, the 1988 earthquake forced all construction efforts to focus on Spitak and Gyumri to rebuild the cities, and the Red Bridge was subsequently forgotten. When I visited this site in December 2023, I was pleased to see that the bridge is undergoing reconstruction. Soon, this important historical landmark will rise from the ruins, regaining its former grandeur. Gallery You May Also Like Guide in Armenia Modernist architecture in the Soviet Union A Visit to the Mikhail Khergiani Museum The Tallest Stalin Statue Ever Erected A Hike to the Chalaadi Glacier The Real Story Behind the Movie The Lost City of Z Khash – One of the Most Unusual Armenian Dishes Hiking Guide to Climbing Mount Azhdahak

I traced the iconic Raketa boats of Lake Sevan to find out where they are resting now. This article sheds light on their story and final resting places. Once highly popular among visitors, these hydrofoils became one of the true symbols of Lake Sevan. < Back The Soviet “Raketa” boats of Lake Sevan I traced the iconic Raketa boats of Lake Sevan to find out where they are resting now. This article sheds light on their story and final resting places. Once highly popular among visitors, these hydrofoils became one of the true symbols of Lake Sevan. The Raketa (Russian: Раке́та, meaning “Rocket” ) was the first type of hydrofoil boat produced commercially in the Soviet Union. Originally conceived in the late 1940s as Project 340 by chief designer Rostislav Alexeyev , the vessels were manufactured from 1957 until the midst 1970s. The "Raketa" boats of lake Sevan In total, around 400 hydrofoils were built. The first experimental vessel, Raketa-1 , was constructed at the Krasnoye Sormovo shipyard. Serial production was later established at the Feodosiya shipyard “More.” Between 1959 and 1976, 389 Raketas were built, more than thirty of which were exported abroad — to countries such as Austria, Cambodia, England, Finland, China, the Netherlands, and Poland. Their high-speed diesel engines were supplied by the Zvezda factory in Leningrad. One of the 2 "Raketa" boats that is now a restaurant The Raketa quickly became a symbol of Soviet engineering and modernity. They entered commercial service along the Volga River and other waterways across the USSR. One was even operated by the almighty KGB . Armenia also had its share of these iconic vessels. Two Raketas were brought to Lake Sevan , where they became highly popular among locals and tourists. Sleek, fast, and prestigious, they were in service until around 1985 . Today, they survive only as silent relics of a bygone era. Curious about their fate, I decided to track them down. What I found was a story of two very different destinies. One of the Raketas has been transformed into a restaurant on the way to the Artanish Peninsula. Fittingly, it still carries the name Raketa . The second, however, met a far grimmer fate. It sits abandoned on the other side of Sevan, near the road to Hayravank Monastery . Rusting quietly on the lakeshore within the grounds of an unfinished hotel, it is still visible from the highway. Earlier this year, I attempted to get closer for a photo. I parked near a garage — a mistake, as it turned out. The garage belonged to one of the site’s guards. With reconstruction of the hotel now underway, the territory is closely watched. By the time I realized I had taken the wrong path and tried to circle back, the guards had already found me. They were not happy with my presence, and despite my attempts to explain, I was not allowed near the abandoned Raketa. In the territory of the unfinished hotel I saw a swimming pool shaped like lake Sevan For now, the Raketa remains off-limits, a rusting monument to Soviet engineering slowly fading away on the shores of Sevan. But my search isn’t over. I plan to try again — and when I do, I’ll update this story. Project Gallery You May Also Like Inside Levon’s Divine Underground The Soviet “Raketa” boats of Lake Sevan Top Railway Stations to See in Armenia The Soviet-Era Sanatorium in Armenia Built by German Prisoners of War A Soviet-era sanatorium with forgotten masterpieces The ZTA-2.6 Telescope at Byurakan Observatory Inside a Soviet-Era Crystal Growth Lab Exploring a Soviet-era abandoned driving school in Armenia Previous Next