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Armenia, a country with a rich history and diverse cultural heritage, boasts an intriguing blend of architectural styles. Among these, the Soviet modernist buildings stand out as bold expressions of a unique period in the nation's architectural and political history. Constructed primarily during the second half of 20th century, these structures reflect the ideals and aesthetics of Soviet modernism, which sought to combine functionality with innovative design. < Back Soviet modernist buildings in Armenia Armenia, a country with a rich history and diverse cultural heritage, boasts an intriguing blend of architectural styles. Among these, the Soviet modernist buildings stand out as bold expressions of a unique period in the nation's architectural and political history. Constructed primarily during the second half of 20th century, these structures reflect the ideals and aesthetics of Soviet modernism, which sought to combine functionality with innovative design. The Rise of Soviet Modernism in Armenia Soviet modernism emerged as a dominant architectural style across the Soviet Union from the 1950s to the 1980s. It sought to depart from the heavy, colonnaded, ornate, and elaborate styles of the past, embracing simplicity, geometric forms, and innovative construction technologies. These buildings, appearing to hang in the air, defied gravity and created an impression of precariousness, as if they might collapse at any moment. Key Characteristics Soviet modernist buildings in Armenia are characterized by their clean lines, minimalist aesthetics, and innovative use of materials like concrete, steel and glass. These structures often feature: Geometric Shapes: Buildings are designed with bold, geometric forms that create a striking visual impact. Functional Design: Emphasis is placed on practicality and functionality, with spaces designed to serve specific purposes efficiently. Use of Concrete: Concrete is a predominant material, allowing for large-scale constructions and intricate designs. Use of glass: Large windows, often round in shape, began to be used extensively, leading some detractors to derisively refer to them as "aquariums." Sevan Writers’ House Located on the Sevan Peninsula by Lake Sevan, the Sevan Writers' House is a notable example of Soviet-era modernist architecture that continues to captivate tourists from around the world. Constructed from concrete, it comprises two separate structures: the Residence Hall and the Lounge Building, both built at different times during the Soviet period. The Residence Hall, designed by Gevorg Kochar and Mikayel Mazmanyan, was initially conceptualized in 1932 and completed in 1935. In 1963, Kochar was tasked with reconstructing and extending the resort. He added an additional floor and a wide terrace to the Residence Hall, enhancing the original design. During the reconstruction, Kochar also designed the new Lounge Building. Though stylistically different from the Residence Hall, the two buildings form a harmonious ensemble with the natural landscape and the medieval Sevan Monastery churches on the peninsula. Together, they represent an iconic example of post-Stalin modernist Soviet architecture. Yeritasardakan Metro Station Yeritasardakan ("Youth") Metro Station opened its doors on March 7, 1981. Strategically located with an exit on Isahakyan Street, the station provides convenient access to Teryan and Abovyan Streets, several of Yerevan's higher education institutions, and the Circular Park. The architect is Stepan Kyurkchyan, the designer is I. Manucharyan. The station's above-ground structure is renowned for its unique design. A wide, glass-covered tube extends from the building at an angle, resembling an object emerging from the ground especially when viewed from behind. This architectural feature allows passengers ascending the escalator to see sunlight and sky, enhancing the travel experience. Yeritasardakan Metro Station's distinctive design is unparalleled in Armenia. Yerevan Polytechnic Institute (now National Polytechnic University of Armenia) The National Polytechnic University of Armenia, designed by Armen Aghalyan and built in 1975, exemplifies notable elements of modernized traditional motifs. The building features a striking white façade characterized by a repetitive pattern of circular and floral motifs set within a grid-like structure, constructed from prefabricated modules. Prominently featured circular windows enhance the building's unique appearance. The lower and upper portions of the structure are constructed of tuff stone, with a significant bas-relief decorating the entrance, adding to the building's architectural and cultural significance. 'VDNKh' Complex, the Pavilion of Industry, Yerevan The pavilion at the VDNKh (Exhibition of Achievements of National Economy) in Yerevan, designed by Jim Torosyan, Levon Gevorgyan, and R. Manukyan in 1960. The building features a large, curved roof that resembles a dome, creating a spacious and open interior. The front of the pavilion is characterized by extensive glass walls, allowing natural light to flood the space and providing a clear view of the interior from the outside. This architectural style is emblematic of the modernist movement of the mid-20th century, emphasizing functionality, openness, and the use of innovative materials and construction techniques. The pavilion is set in a landscaped area, adding to its aesthetic appeal and integrating it with the surrounding environment. “Zvartnots” Airport "Zvartnots Airport, particularly Terminal 1, also known today as the Old Terminal, stands as a prestigious asset of the Soviet era with its futuristic appearance reminiscent of a monolithic space-city from science fiction. In 1970, an open competition for architectural projects was held, awarding first prize to a group of architects including Artur Tarkhanyan, Spartak Khachikyan, Zhorzh Shkhiyan, Sergey Baghdasaryan, and Levon Cherkezyan. The project was later modified with the participation of architects A. Tigranyan and A. Meschyan. The airport was built in a remarkably short period and opened with great ceremony on February 10, 1982. Recognized for its architectural ingenuity, the airport's creative team received the ASSR State Prize in 1985. Its establishment marked a significant milestone for Armenia, providing a robust transportation hub that connected the republic with the global community through internationally compliant runways. At the time, only Moscow and Kiev in the Soviet Union boasted runways comparable to Zvartnots Airport. The building is circular in design, resembling a truncated cone with a 200-meter diameter base. At its center, a restaurant building rises in the form of a mushroom-shaped tower. Surrounding the structure are seven mini-carriers capable of handling 300 passengers per hour, along with 14 aircraft stands suitable for TU-154 aircraft or 7 stands for Airbus IL-82 aircraft. In 2004, construction began on a new terminal, a $100 million endeavor spanning 19,200 m² with a capacity to accommodate 2 million passengers annually. This modern facility, managed under a new airport administration contract, saw the opening of an arrivals hall on September 14, 2006, and an international departures hall on June 1, 2007. Terminal 1 ceased operations in 2011. Tigran Petrosian Chess House The Chess House stands as a prominent sports facility in the capital, designed by architects Zhanna Meshcheryakova and R. Manukyan, with artistic contributions from H. Bdeyan and D. Babayan in 1970. Its cornerstone was laid by Tigran Petrosyan. Noteworthy for its distinctive triangular shape reminiscent of a chess Rook, the building features a facade adorned with seven stylized chess pieces crafted from tempered copper. Rossia Cinema Rossia Cinema, commissioned in Yerevan in 1974, stands out as a prominent example of Soviet-era modernist architecture in the city. Architects Artur Tarkhanyan, Spartak Khachikyan, and Hrachya Poghosyan received the Council of Ministers of the USSR prize for their design in 1979. The suspended ceiling of the "Rossia" cinema, called "вантовое перекрытие (cable-stayed ceiling)” was the first of its kind in Armenia. The cinema's roof, facing Tigran Mets Street, spans 40 meters wide and 60 meters long, hanging without any support. The multifunctional complex featured two halls of equal shape but differing sizes—1,600 and 1,000 seats—above an open area housing exhibition halls, a cafe, a bar, and ticket offices. This design facilitated seamless interaction between the street and interior, showcasing the building's innovative architectural solutions. The cinema underwent privatization in 2004, and by 2006, part of the structure was repurposed into the trade and cultural center "Rossia," now primarily operating as a commercial venue. Karen Demirchyan Sports and Concerts Complex The complex was opened in 1983 but was forced to close within a year and a half after a fire in 1985, A renovation process took place until the end of 1987 when it was ready again to host concerts and sports events. this multi-purpose complex is one of the most ambitious Soviet-era constructions in Armenia. Its futuristic design features sweeping curves, expansive spaces, and innovative engineering. The complex was designed by a group of Armenian architects: A. Tarkhanian, S. Khachikyan, G. Pogosyan, and G. Mushegyan. The construction process was supervised by engineers Hamlet Badalyan (chief engineer), I. Tsaturian, A. Azizian, and M. Aharonian. Komitas Chamber Music House Komitas Chamber Music House, designed by artist Stepan Kyurkchyan and constructed under the supervision of engineer Eduard Khzmalyan, opened its doors in October 1977. The facility features a 300-seat music hall renowned for hosting concerts, festivals, anniversaries, meetings, exhibitions, and presentations. Vanadzor Bus Station Vanadzor Bus Station is a prominent example of Soviet-era modernist architecture in Armenia, designed by architect Konstantin Ter-Ohanjanyan. The structure is notable for its distinctively angular, zigzagged roofline, which gives it a dynamic and industrial appearance. The facade features large glass windows that provide a sense of openness and light. The middle part of the building includes signage in Armenian and Russian script: "ԱՎՏՈԿԱՅԱՆ" and "АВТОВОКЗАЛ," which translate to "Bus Station." Today, various commercial advertisements spoil the look of this once striking view. The use of concrete and glass, along with the sharp, geometric design, reflects the utilitarian yet bold architectural style typical of Soviet modernist constructions. The station's design is both functional and visually striking, serving as an important transportation hub in Vanadzor. The Institute of Communication The Institute of Communication is a 10-story building designed in 1971 by architects Armen Aghalyan and Grigori Grigoryan. The building was put into operation seven years after the start of construction. It met the highest seismic standards, boasting an 8-point earthquake resistance rating. Hrazdan Bus Station This building is a striking example of Soviet modernist architecture, designed by architect Henrich Arakelyan and constructed in 1971. It features a series of large, wing-like elements that curve outward from the central structure, creating a dramatic and almost futuristic appearance. These concrete elements appear to support the building, serving both structural and aesthetic purposes. The central part of the building consists of large glass windows that allow light to flood the interior, emphasizing transparency and openness. The unadorned concrete surfaces highlight the raw material, giving the building a sense of robustness. Despite signs of wear and rusting, the building's unique design remains impressive, showcasing the creativity and ambition characteristic of mid-20th-century Soviet architecture. Viewing Platform on the Sevan highway This viewing platform on the Sevan highway is an iconic example of Soviet modernism, designed by Makabe Manuelian and built in 1978. It is known for its unique design, resembling a fish tail, which rises dramatically from the ground and narrows to a sharp point that juts into the sky. A large circular opening is cut through the base, adding a geometric element and making it more attractive. Two narrow staircases along the sides of the platform lead to the viewing deck, which offers expansive views of the surrounding landscape. Vanadzor Department Store The Vanadzor Department Store, located in Vanadzor (formerly known as Kirovakan during the Soviet era), was constructed in 1972 by architects S. Asoyan and R. Abrahamyan. This iconic, round, multi-story building features a cylindrical design with expansive glass walls framed in metal, giving it a distinct and modernist appearance. The upper part of the structure is accented with vertical concrete panels, adding a sense of solidity that contrasts with the transparency of the glass below. During the Soviet period and in the years that followed, a large sign in Armenian and Cyrillic adorned the top of the building, reading ԿԵՆՏՐՈՆԱԿԱՆ ՀԱՆՐԱԽԱՆՈՒԹ and ЦЕНТРАЛЬНЫЙ УНИВЕРМАГ ("Central Department Store"). Today, the building has been repurposed and now houses Ideal System, the region's largest chain of building material stores. The design of the Vanadzor Department Store is a prime example of Soviet modernist architecture, characterized by its unconventional round shape, extensive use of glass, metal, and concrete, and a focus on functionality. The large, open glass areas were intended to allow natural light to fill the interior, a hallmark of Soviet architectural innovation aimed at creating accessible and inviting public spaces. Today, many Soviet modernist buildings in Armenia face challenges related to preservation and adaptation. The preservation of Soviet modernist architecture is crucial not only for maintaining Armenia's architectural heritage but also for understanding the social and historical contexts in which these buildings were constructed. By valuing and conserving these structures, Armenia can retain a tangible link to its recent past, while also providing inspiration for future architectural endeavors. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

While on an urbex mission in the Aragatsotn region, Armenia, we visited this village to see their culture house! It didn’t disappoint, as inside, we saw a huge fresco! < Back We saw a huge fresco inside this culture house While on an urbex mission in the Aragatsotn region, Armenia, we visited this village to see their culture house! It didn’t disappoint, as inside, we saw a huge fresco! Despite the bad weather, I drove my sedan along the old asphalt road, carefully avoiding deep bumps at every turn, until I reached the village at 1,720 meters above sea level. The door of the culture house was locked, but through the glass we caught a glimpse of a huge fresco. The facade of the building Nearby, at a small shop owned by Sasun, he kindly called a villager to bring the keys. We entered with excitement, and there it was — a giant fresco right before our eyes. Its scale and presence were striking, and I could feel the energy it radiated. The central part of the fresco depicts military commander Andranik Ozanian with his small group of militants. Although one should read the fresco from left to right, I guess... In the right corner, we see an Armenian church, a symbol of Christianity and belief. Next to it, we see Armenian girls, one of them with a newly born child. New life… Then, a child with a dagger hanging from his waist looks at Andranik and his friends with an inspired look. Following that, we see women and men dancing, while musicians playing. Behind them, Armenian landscapes and Mount Ararat are depicted. Luckily, the artists left their names and the date of creation on the fresco: A. Grigoryan and G. Azizyan, 1978. The library, though in poor condition and badly in need of renovation, had its books neatly arranged according to the catalog, thanks to the two women who worked there. Local kids had access not only to Armenian authors but also to foreign classics. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

This cultural house in Armenia serves as a portal to the Soviet past, unveiling a rich architectural and cultural heritage. Remaining unrenovated, it has retained its original appearance, becoming a unique relic from the past that attracts urban explorers worldwide. < Back A Soviet Culture House in High Modernist Style This cultural house in Armenia serves as a portal to the Soviet past, unveiling a rich architectural and cultural heritage. Remaining unrenovated, it has retained its original appearance, becoming a unique relic from the past that attracts urban explorers worldwide. The Palace of Culture of Metsamor, founded between 1975 and 1986, later took on the name of Vazgen Sargsyan. Architects Martin Mikayelyan and Fred Africyan designed it in the high modernist style, characterized by aesthetic monotony, including large undecorated buildings with minimalist interiors, reaching its peak during the Cold War decades of 1950-1990. The facade of the culture house Since its opening in 1986, the Palace of Culture has never closed its doors to the audience and students. Unlike other buildings damaged or destroyed in the 90s, preservation efforts by the Metsamor House of Culture staff have kept everything intact, hosting theater performances and cultural events. The ceiling had a unique style and I liked it a lot. The House of Culture encompasses three groups: fine arts, needlework, and dance. Additionally, the Metsamor public library, housing over 32,000 pieces of literature, is located here. Presently, around 100 students engage in studies at the 694-seat Palace of Culture, participating in groups focused on ethnography, folk dances, and fine arts. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

When I visited the institute, I saw a room filled with crystal growth furnaces. To me, they looked more like forgotten artworks than old scientific machines. Rows of cylindrical chambers with heavy bolts and pipes stood in place, humming softly as water trickled through their cooling systems. This article aims to shed light on these marvelous machines which, thanks to their high quality, are still operating and producing crystals < Back Inside a Soviet-Era Crystal Growth Lab When I visited the institute, I saw a room filled with crystal growth furnaces. To me, they looked more like forgotten artworks than old scientific machines. Rows of cylindrical chambers with heavy bolts and pipes stood in place, humming softly as water trickled through their cooling systems. This article aims to shed light on these marvelous machines which, thanks to their high quality, are still operating and producing crystals An elderly scientist welcomed us and began to explain how the machines work. The terminology was too dense for me to follow in real time, but thankfully my friend recorded the lecture. Later, with some research, I managed to reconstruct what was happening here. These were Czochralski crystal growth machines, also called crystal pullers. Seeing them for the first time was something new for me. I am usually drawn to Soviet monumental art, but in that moment, these machines impressed me just as much. They looked like sculptures from an industrial age when science and technology had their own aesthetic power. The Czochralski Method The Czochralski method is the most widely used process for growing large single crystals. It was first developed in 1916 by Polish scientist Jan Czochralski, but it reached its peak during the Cold War, when both the Soviet Union and the West needed perfect crystals for semiconductors and lasers. Here’s how it works: Melting the material – A crucible, usually made of quartz, is filled with extremely pure raw material, like silicon or aluminum oxide, and heated until it melts. The heaters are often made of molybdenum or graphite, materials that can withstand enormous temperatures. Creating an inert atmosphere – The chamber is filled with an inert gas, most often argon, so that the molten material does not oxidize or react with air. Pulling the crystal – A small “seed crystal” is dipped into the molten material. The seed is then slowly pulled upward and rotated. As it rises, atoms from the melt attach themselves to the seed’s atomic lattice, gradually building a single crystal, called a boule. Shaping and control – By carefully controlling the pulling speed and rotation, the scientist can determine the crystal’s diameter and quality. The result is a large, perfect crystal that can later be sliced and polished for use in electronics, optics, or lasers. Other Techniques Not every furnace in the room was a vertical puller. Some appeared to be horizontal multi-zone tube furnaces, which are used in the Bridgman–Stockbarger method or in zone refining. In this approach, the material in a crucible is slowly moved through different heating zones inside a horizontal tube. The gradual temperature change allows crystals to form. This technique was widely used in Soviet laboratories during the 1960s–1970s to produce high-purity semiconductors like silicon and germanium. The control panels, with their teal-blue dials, gauges, and switches, gave the room an almost retro-futuristic look. Voltmeters and ammeters measured the power going to the heaters. Timers tracked the process. Rows of round indicator lights showed the status of different heating zones. The whole setup looked both old-fashioned and incredibly advanced for its time. The scientist even showed us pipe-shaped ruby crystals. Holding them felt like touching a piece of history. Ruby crystals were central to the invention of the laser. In 1964, Soviet physicists Aleksandr Prokhorov and Nikolay Basov shared the Nobel Prize in Physics with American Charles Townes for their theoretical work on masers and lasers — the principle of producing coherent light by stimulated emission. While the first working ruby laser was actually built in the United States by Theodore Maiman in 1960, it was Prokhorov and Basov who laid the theoretical foundation and developed many of the techniques that made such breakthroughs possible. The furnaces in this institute are not only for semiconductors like silicon wafers. They also produce a range of crystals used in optics and laser technology: Garnets (YAG, Y₃Al₅O₁₂): Widely used in solid-state lasers. Fluorides (CaF₂, LiF, BaF₂): Essential for UV lenses, infrared windows, and as laser host materials. Ruby (Al₂O₃ doped with chromium): The first solid-state laser crystal, still used for research and education. Sapphire (pure Al₂O₃): Valued for its hardness, optical clarity, and use as a substrate in electronics. Walking out of the lab, I felt as if I had stepped back in time. The machines, the smell of heated metal, the sound of water cooling pipes — everything reminded me of the Soviet tradition of merging science, industry, and vision. For me, someone more used to admiring monumental Soviet mosaics and sculptures, these crystal growth machines carried the same sense of power and beauty. They are not relics. They are still at work, producing crystals for optics and lasers, keeping alive a legacy of scientific craftsmanship that began decades ago and still shines today. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Inside an abandoned textile factory in Armenia, I stumbled upon something unexpected: rows of old computers, a large auditorium, and a Soviet mosaic. While I'm usually drawn to monumental Soviet art, this time the computers completely stole the show. They looked like nothing I'd ever seen before—and strangely, even a Google image search didn’t turn up anything similar. < Back The Forgotten Computers of a Soviet-Era Factory Inside an abandoned textile factory in Armenia, I stumbled upon something unexpected: rows of old computers, a large auditorium, and a Soviet mosaic. While I'm usually drawn to monumental Soviet art, this time the computers completely stole the show. They looked like nothing I'd ever seen before—and strangely, even a Google image search didn’t turn up anything similar. Curious, I dug deeper. I ran a DeepSearch with Grok and asked around in the Reddit community r/vintagecomputers. Here’s what I found out: What Were These Mysterious Computers? The machines are labeled "AM-5" and were likely produced by Gerber Technology , a U.S. company known for CAD (Computer-Aided Design) and CAM (Computer-Aided Manufacturing) systems, especially for the garment industry . They were used from the late 1980s for tasks like pattern design , grading , and automated fabric cutting . Since the factory they were found in used to produce textiles, the match fits perfectly. Evidence points to the computers being manufactured in Germany , at Gerber's European branch— Gerber Technology GmbH in Ismaning, Germany. Why It Matters In the 1980s, companies like Gerber were revolutionizing how clothes were made. Their computers streamlined the process—digitally creating patterns, optimizing fabric usage, and even controlling cutting machines. These “AM-5” systems were likely part of that wave of innovation, quietly sitting in Armenia, forgotten by history. After stepping out of the computer room one can see a wonderful mosaic by Vanik Manukyan These machines, echoes of the past, are part of a larger narrative—where fashion and automation converged during the final years of the Soviet Union. Final Thoughts It’s frustrating how few people recognize the value of preserving relics like these. Old computers, military bunkers, carpet-weaving machines, thread spinners, watch-making tools—they’re all part of our industrial and cultural heritage. With the right approach, they could fuel niche tourism and spark real curiosity. But sadly, most are being looted or scrapped long before anyone realizes their worth. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

The Northern Bus Station, located on the outskirts of Yerevan towards Abovyan, is a masterpiece of regional modernism designed by Armen Aghalyan and Vardan Avetisyan. Despite its damaged roof and half-empty state, this 1988 architectural gem continues to attract architecture and photography enthusiasts. Discover its unique blend of historical and modern design. < Back A Visit to the Northern Bus Station The Northern Bus Station, located on the outskirts of Yerevan towards Abovyan, is a masterpiece of regional modernism designed by Armen Aghalyan and Vardan Avetisyan. Despite its damaged roof and half-empty state, this 1988 architectural gem continues to attract architecture and photography enthusiasts. Discover its unique blend of historical and modern design. The Northern Bus Station is located on the outskirts of Yerevan, towards Abovyan. Minivans depart from here to Sevan, Dilijan, Ijevan, and Noyemberyan. Tickets are sold at the station's ticket office. The station was designed by Armenian architects Armen Aghalyan and Vardan Avetisyan in the style of regional modernism. It opened in 1988, but the subsequent earthquake, the collapse of the Soviet Union, and the war in Karabakh diminished the building's charm and importance. The facade of the building Today, despite the damaged roof, which leaks water, and the half-empty building, it still attracts those interested in architecture and photography. The façade features a prominent tower that immediately catches the eye and has become a characteristic feature of the building, reminiscent of ancient Armenian fortresses. This is a beautiful example of combining historical architecture with modernism. I fell in love with the interior design The most beautiful part of the building is, of course, the interior. Large windows allow natural light to flood in, giving the building a modern design. The well-designed stairs add extra charm to the structure. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Soviet-era mosaics in Armenia are remarkable relics that offer a vivid glimpse into the country’s artistic and cultural heritage. Created mostly in the second half of the mid-20th century, these intricate works of art reflect the social, political, and ideological narratives of the time. Today, they stand as vibrant testimonies to a complex past, blending traditional Armenian motifs with Soviet symbolism. < Back Soviet mosaics in Armenia Soviet-era mosaics in Armenia are remarkable relics that offer a vivid glimpse into the country’s artistic and cultural heritage. Created mostly in the second half of the mid-20th century, these intricate works of art reflect the social, political, and ideological narratives of the time. Today, they stand as vibrant testimonies to a complex past, blending traditional Armenian motifs with Soviet symbolism. Armenian Soviet mosaics are distinguished by their unique blend of local and Soviet styles. Artists employed traditional Armenian patterns and themes, often featuring folkloric elements and historical references. These were interwoven with Soviet iconography, including depictions of workers, farmers, scientists, and cosmonauts, symbolizing the progress and industrial prowess of the USSR. Here are several mosaics, the coordinates of which I won't disclose on purpose, to awaken the explorer inside you and encourage your own discovery! Here is a mosaic in an abandoned hotel in Armenia. The Birth of Astghik by Garnik Smbatyan (1982) Astghik was the goddess of water, love, and beauty in ancient Armenian mythology. The creation of these mosaics involved meticulous craftsmanship. Artists used a variety of materials, including colored glass, ceramic tiles, and stones. The vibrant colors and durability of these materials ensured that the mosaics would withstand the test of time, maintaining their splendor for decades. Karen Aghamyan's "Progress", 1983 Karen Aghamyan's "Progress" mosaic, created in 1983, is another uniquely futuristic piece that I adore. It features an astronaut in a spacesuit floating in space. The second figure resembles Leonardo da Vinci's Vitruvian Man, blending human anatomy with geometric perfection. The third part portrays a naked male figure with arms and wings outstretched, seemingly levitating in the air. A mosaic on the facade of fomer "Vaspurakan" restaurant The mosaics were often large-scale, covering the walls of public buildings, factories, and cultural institutions. Their grand size and prominent placement were intended to inspire and educate the public, serving as daily reminders of the Soviet ideals and the collective Armenian identity. Mosaics or frescoes with cosmic themes are my favorite, though! In this case, it is really difficult to take a proper photo since, when you stand in front of the building, the trees block the view. This mosaic artwork, titled "Flight," was created by Zohrap Mirzoyan in collaboration with Edvard Karsyan and Karapet Shekhian between 1984 and 1986 Along the Yerevan–Sevan highway stands a magnificent mosaic, but passengers speeding past rarely pay it any attention. The mosaic depicts the statue of David of Sassoun by Ervand Kochar and the Government Building designed by Alexander Tamanyan. Once, a metal key stood to the right of the mosaic, but it didn’t withstand the test of time. Today, the mosaic is in a depressing state and is gradually fading away. In modern days, with the rapidly growing urbex community and the influence of social networks, these mosaics are experiencing a resurgence, attracting photographers from around the world. Their vibrant colors and historical significance make them perfect subjects for capturing the interplay of art and history. Exploring these mosaics not only provides a visual feast but also connects us to the rich cultural and political tapestry of the past. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Are you someone who has seen photos or videos of abandoned buildings on the internet and wishes to witness them firsthand? Then welcome to the urbex community! This article can serve as a useful guide to those who want to start urbexing! Here we jump over the wall. < Back How to Urbex – A Beginner’s Guide Are you someone who has seen photos or videos of abandoned buildings on the internet and wishes to witness them firsthand? Then welcome to the urbex community! This article can serve as a useful guide to those who want to start urbexing! Here we jump over the wall. Urban exploration, commonly known as "urbex," is a thrilling yet controversial pastime centered around exploring abandoned or restricted buildings and areas. It's an activity that delves into the mystery of the unknown, uncovering hidden stories and overlooked spaces. For beginners eager to start an urbex journey, here are some basic tips to get you started. I am exploring an abandoned culture house with wonderful frescoes Research and Plan Your Exploration Before embarking on your urbex journey, conduct thorough research on potential locations. Look through online forums, social media groups, and urbex websites where enthusiasts share information about accessible sites. Pay attention to the legal status of locations and any potential hazards. Create a plan detailing how to reach the site, which entry points to use, the site's history, and the best times to visit. Next step: Google Earth! Google Earth is an excellent tool for locating and exploring buildings. It requires time and careful research. For instance, if we know that Village X once housed top sanatoriums, we open Google Earth and begin searching through buildings. Compared to regular houses, large sanatoriums are easily spotted. Pay attention to nearby parked cars. No cars? It's likely abandoned! A rusty and damaged roof can also indicate the building's condition. Via Google Earth, you can determine if any windows are intact. Recently, I stumbled upon this building (see image below) situated high on a hill. Exploring an abandoned building via Google Earth No nearby cars, no windows! Though it appeared spacious, upon exploration, I found it looted, devoid of artworks, with only bare walls. Sometimes, things don't go as planned. At least the hilltop view was picturesque! Via Google Earth, you can also identify entry points and plan your route. Simply copy the coordinates (I prefer researching on desktop), paste them into your preferred mapping application (like Yandex Maps or Mapsme), and you're ready to go! 2. Choose the right location For beginners, it is advisable to start exploring easy and accessible locations. Common starting points include abandoned culture houses, hotels, or hospitals. Avoid high-security or dangerous areas initially. As you gain experience, you can gradually explore more challenging sites like abandoned factories or abandoned military bases. However, be cautious as these locations may still be guarded or off-limits. Prioritize safety and legality in your choices. When approaching a building, conduct thorough research if you're unsure about how to enter. Drones can be helpful, providing a better view of the surroundings and ongoing activities. Only enter a building after careful consideration and assessing potential risks. My Panasonic Lumix G7. It's not good for low light conditions but that's all I have for now 3. Safety First Safety should be your top priority during urbex adventures. Be aware of potential hazards, especially unstable structures and treacherous stairs. Avoid stepping on stairs with a group. Always inform someone about your whereabouts and explore with a buddy when possible. Carry a charged phone for emergencies or better have a power bank with you! 4. Be Mindful of Legalities Respect the law and private property. Urbex exists in a legal gray area, and trespassing can lead to fines or legal consequences. Seek permission whenever possible or explore sites where access is allowed. Remember that preserving the location's integrity is crucial for the urbex community's reputation. The stun gun helps to scare off the dogs 5. Right Gear Urbex requires some essential gear to ensure a safe and enjoyable experience. These may include: Flashlights: Flashlights are crucial as buildings often lack natural light. Consider using a headlamp or camera light for better shots. Camera: Capture the beauty of abandoned places. Be respectful and avoid vandalism. Comfortable Clothing: Wear comfortable clothing, including sturdy shoes and gloves. Avoid wearing colorful clothing to avoid drawing attention. First Aid Kit: Accidents can happen, so it's wise to be prepared with a basic first aid kit. Food: You never know how long your exploration will take. Take enough food and water with you. Tools: Consider carrying a multitool and an electric shocker to scare off dogs. My GoPro Hero 9 with a head strap 6. Follow the Urbex Code of Ethics Respect for the places you explore is paramount. Follow the urbex code of ethics, which generally includes: "Take only photos, leave only footprints." Leave everything as you found it. Do not take or disturb items. Avoid any form of graffiti or destruction. Preserve the site's authenticity. 7. Develop Navigation Skills Many urbex locations are vast and maze-like, and it's easy to get disoriented. Improve your navigation skills by marking key points, taking note of landmarks, and having a reliable map or GPS device. This will help you navigate through complex structures and ensure a safe return. 8. Stay Stealthy While urbex is legal in some places, it's not universally accepted. Stay unnoticed to avoid unwanted attention. Avoid colorful clothing, park your vehicle away from the site, and enter and exit quietly. Whenever I see a local looking at me from afar, I always greet and initiate a friendly chat! This makes me approachable and avoids raising suspicions that I might be a thief or something else. I always keep my camera hanging from my neck to give the impression that I am a photographer and do not have bad intentions. Greetings from an abandoned sanatorium built by German war prisoners 9. Document Your Experience Responsibly Documenting your urbex adventures is part of the thrill. However, do so responsibly and without compromising the site's integrity. Share your experiences through photography or blogging, but avoid revealing specific locations to prevent unwanted visitors or vandals. 10. Learn from Experienced Urbexers Connect with experienced urbexers to gain insights and tips. Join online forums, attend meet-ups, and learn from the community's collective knowledge. Experienced explorers can provide valuable advice on safety, locations, and ethical urbex practices. Embarking on your urbex journey as a beginner is an exciting yet daunting step into the unknown. Remember, any initial anxiety will likely fade once you jump over the wall! With careful planning, safety measures, and respect for the locations you visit, you can revel in the excitement of urban exploration while also preserving the integrity of these abandoned treasures. Safe and memorable explorations await! I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

This is a culture house from Soviet period which every urban explorer should see! A great relic for those who want to explore the "abandoned side of Armenia" and love artworks! < Back An abandoned culture house in Armenia with wonderful frescoes This is a culture house from Soviet period which every urban explorer should see! A great relic for those who want to explore the "abandoned side of Armenia" and love artworks! There are urban explorers who are interested in machinery, some even hunt ghosts, lol! But I am different, I love art! Thanks to avarathewanderer I learned about this place (should definitely write a separate post about him) and it was he who guided me there! Unfortunately there is not much information about the building, failed even learn the artist’s name, but at least I got a huge aesthetic pleasure and took lots of photos to share with you! Enjoy... I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Together with G. Mattu, with this article, we aimed to compile and document the destroyed bas-reliefs in Armenia, created by monumental artists during the Soviet era. Once integral parts of the country's cultural and architectural landscape, these works of art have been lost to time, metal scavengers, vandalism and neglect. Through this collection, we hope to preserve their memory and reflect on their historical and artistic significance. < Back Destroyed Bas-Reliefs of Armenia Together with G. Mattu, with this article, we aimed to compile and document the destroyed bas-reliefs in Armenia, created by monumental artists during the Soviet era. Once integral parts of the country's cultural and architectural landscape, these works of art have been lost to time, metal scavengers, vandalism and neglect. Through this collection, we hope to preserve their memory and reflect on their historical and artistic significance. Bas-reliefs in the Soviet Union were used both as a powerful artistic form and as a tool for ideological expression. They served as a means to communicate Soviet values, promote political ideals, and glorify historical figures and events. These artworks were often integrated into public buildings, monuments, and institutions, reinforcing the narrative of the Soviet state and its achievements. This metal bas-relief once adorned the walls of the Automatics Plant in Vanadzor, a significant site in Armenia’s industrial heritage. Sadly, it vanished a few years ago, and its fate remains unknown. Notably, it was one of the rare bas-reliefs dedicated to a cosmic theme. Founded in 1956, the Automatics Plant played a crucial role in the instrument-making industry of both the USSR and Armenia, releasing its first products in 1959. Specializing in electrical measuring instruments for monitoring and regulating technological processes, the plant supplied its products across the Soviet Union and exported them to 25 countries worldwide. An identical bas-relief featuring two cosmonauts once decorated the entrance of the former Kosmos Kindergarten. The fate of this artwork remains unknown. This bas-relief once graced the lobby of the Central Post Office in Vanadzor, created between 1977 and 1978. Vahagn’s Battle with the Dragon – Kapan, 1966 Chiseled aluminum | Height: 1100 cm Sculptor: A. Harutyunyan | Architect: R. Israelyan Ara Harutyunyan’s Spring – 1963 Material: Aluminum | Location: Sayat-Nova Avenue Harutyunyan’s daughter, Susanna, recounts the fate of this monument: It was installed on Sayat-Nova Avenue, on the sidewalk in front of the old Academy (that building was later demolished), where his parental home once stood. However, the monument was destroyed in a car accident and was never restored. "Masquerade" Ceramic Bas-Relief 1983 – Inside the restaurant of the former actor's house, now the French Embassy. Sculptor: Eduard Beroyan After the building was repurposed and renovated, the bas-relief was destroyed. Another bas-relief by the prolific ceramist Eduard Beroyan once adorned the interior of the ArmElectro factory. Unfortunately, it no longer exists. The nursery of the Spitak textile factory once featured a bas-relief on the wall of its swimming pool, depicting what appeared to be a fairy. The building and the artwork were destroyed during the 1988 earthquake. Installed in 1968 at the entrance of Charentsavan, in Armenia’s Kotayk Province, this bas relief (front side) was created by renowned Armenian sculptor Tereza Mirzoyan (1922–2016) in collaboration with sculptor Suren Nazaryan (1929–1999). The back side of the same monument at the Entrance to Charentsavan city. Vladimir Atanyan was one of the artists whose bas-reliefs suffered the most, two of which were located inside the Dvin Hotel and disappeared after its renovation. Ceramic Bas-Relief – "Dvin – Old Town" (1979) Size: 3m × 6m × 75cm Location: Restaurant of the Dvin Hotel Artist: Vladimir Atanyan "Eternity" Bas-Relief – 1979 Dimensions: 4 x 2 meters Location: First floor, Dvin Hotel Interior, Yerevan Created by: Vladimir Atanyan “Generation” 1983/84 by Vladamir Atanyan. A large ceramic relief framed by mosaics, Generation once adorned the lobby of the Scientific Institute of Avan. Sometime between 2005 and 2010, the entire building was demolished, and the fate of the artwork remains unknown. Presumably, it was destroyed along with the building. A rare photo of the bas-relief "Generation", as seen in an old magazine Another work by Vladimir Atanyan decorated the wall of the restaurant in Ani Hotel. Created in 1986, it was later destroyed. Another artist whose works were significantly lost over time is Hmayak Bdeyan. Below are several examples. Institute of Winemaking – Bas-relief (Destroyed) – Artist Hmayak Bdeyan, 1967 (Size: 240 cm × 600 cm) On November 11, 2006, the first building of the "Rossia" commercial and cultural center was turned into a cafe and shopping halls. Unfortunately, the sculptures and paintings by Yervand Gojabashyan, Henry Elibekyan, Ohan Petrosyan, and Hmayak Bdeyan were later removed and up to this day their fate is unknown. The partition walls by Hmayak Bdeyan adorned the interior spaces of the Rossiya cinema. In total, they were 10 meters long and 3.5 meters high. This is how Bdeyan describes the creation of partitions inside the Rossiya cinema: “I faced a rather challenging task: to create partition walls that would separate one functional space from another without, as much as possible, dissecting the interior volumes of the building. I proposed assembling them from openwork cubic cells coated with glaze. These partitions, in my opinion, do not disrupt the scale of the space and are perceived as movable grids. I embedded large theatrical masks into them.” This photo shows the destroyed partition wall by Hmayak Bdeyan, lying on the ground. The fate of the sculptures remains unknown. In this old image, one can see a bas-relief inside the Rossiya Cinema. The artist remains unidentified, though it is believed to be Hmayak Bdeyan. Further verification is required. Hmayak Bdeyan's ceramic compositions adorned the Argishti Cafe on Mashtots Avenue, formerly Lenin Avenue. Their fate is unknown. Armenfilm, also known as Hayfilm, is an Armenian film studio located in Yerevan. The facade of Armenfilm’s main entrance once featured a metal bas-relief inspired by Yervand Kochar’s iconic Sasuntsi Davit statue. It disappeared long ago, and its fate is still a mystery. The image of Sasuntsi Davit also served as the studio’s production logo, appearing at the beginning of every film — much like the iconic studio logos seen in other film industries. In this old photo, two bas-reliefs are visible on the wall of the “Vahagn” Teahouse. Their fate remains unknown. Special thanks to Gurdeep Mattu for co-authoring this article. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Following the collapse of the Soviet Union, numerous industrial plants, hotels, pioneer camps, cultural centers, and other establishments fell victim to looting and the ravages of time. Over the years, these sites have acquired an air of mystery and allure, making them increasingly appealing to tourists. In this article, I have selected the top abandoned places in Armenia that I have personally explored and documented, now awaiting your discovery. < Back Top Abandoned Places in Armenia Following the collapse of the Soviet Union, numerous industrial plants, hotels, pioneer camps, cultural centers, and other establishments fell victim to looting and the ravages of time. Over the years, these sites have acquired an air of mystery and allure, making them increasingly appealing to tourists. In this article, I have selected the top abandoned places in Armenia that I have personally explored and documented, now awaiting your discovery. Herouni's Radio-Optical Telescope Herouni’s Radio-Optical Telescope stands abandoned yet majestic, a marvel of Soviet engineering. This impressive structure was once pivotal in astronomical research, symbolizing the Soviet Union’s advancements in science and technology. Although no longer in use, the massive dish and surrounding facilities continue to inspire awe, serving as a poignant reminder of Armenia’s contributions to scientific exploration during the Soviet era. An aerial photo of ROT54 telescope Abandoned Hotel This abandoned hotel, located on the shore of Lake Sevan, was once a luxurious accommodation for travelers and dignitaries. Now in ruins, this hotel was part of the Soviet initiative to promote tourism and showcase Armenia’s natural beauty. Its grand halls are now decayed and overgrown, while the foyer features a giant mosaic of the goddess Astghik by Garnik Smbatyan. Walking through its deserted corridors, one can almost hear the echoes of its former guests and envision the staff who once maintained its elegance. The Birth of Astghik by Garnik Smbatyan (1982) Abandoned School The abandoned school stands as a testament to Soviet emphasis on education, featuring well-decorated classrooms, marvelous architecture, and vintage posters. These institutions played a pivotal role in shaping the minds of young Armenians, instilling a sense of Soviet identity and pride. Today, the dilapidated buildings and overgrown grounds reflect the passage of time and changing educational norms. Exploring this site evokes nostalgia for the past and contemplation of future generations. Ready to sneak inside Abandoned Soviet Pioneer Camp Once a vibrant center for youth activities, the abandoned Soviet Pioneer Camp now stands as a relic of youth and idealism. These camps were designed to instill Soviet values and foster camaraderie among young pioneers. The camp’s decaying statues, playgrounds, and an impressive swimming pool are silent reminders of Soviet social engineering efforts. Visiting this site offers a poignant glimpse into the cultural and social fabric of the Soviet era. Thanks to its charming swimming pool this place attracts urbexers from around the world Abandoned Sanatorium Built by German Prisoners of War Nestled in a serene landscape, the abandoned sanatorium built by German prisoners of war during World War II holds significant historical value. Initially intended as a health retreat, this facility reflects the Soviet Union's use of prisoner labor for construction. The sanatorium’s architecture, blending utilitarian Soviet design with traditional elements, starkly contrasts with its current state of disrepair. The overgrown grounds and crumbling walls now exude an eerie tranquility, providing a unique exploration experience. This building is huge and it takes hours to explore it Abandoned Carpet Factory The abandoned Carpet Factory stands as a testament to Armenia's industrial past under Soviet influence. Known for its intricate designs and high-quality carpets, this factory was once vital to the local economy. Now, its empty weaving halls and rusting machinery evoke a sense of lost grandeur. The remnants of unfinished carpets and decaying equipment vividly illustrate the decline of a once-thriving industry. This machinery in the carpet factory was performing the preliminary threading Giant Thread Factory Once a bustling hub of textile production, the Giant Thread Factory now lies in desolation, its rusting machinery and crumbling walls a testament to Armenia's industrial heritage. During the Soviet era, this factory played a crucial role in producing thread for various industries. Today, exploring its vast halls offers a stark contrast between its industrious past and silent present. This is another giant factory that few have seen Old Khot or the Armenian Machu Picchu Old Khot, also known as Hin Khot, is often referred to as the Armenian Machu Picchu due to its resemblance to the Inca citadel in the Eastern Cordillera of southern Peru. Social changes in the 20th century led to the abandonment of Old Khot. Instead of improving infrastructure with a proper road, new pipeline, and enhanced electricity facilities, authorities decided to relocate the village to a new settlement on a plateau. In the 1960s and 1970s, inhabitants were moved to higher ground closer to the main road and utility lines on flatter land, a trend observed in many villages, including Khndzoresk. Me exploring Old Khot Abandoned Cable Car Station This cable car station opened on June 16, 1977, as a crucial transport hub for a city of over 23,000, handling up to 900 passengers daily. As the population declined, ridership fell to 450. Operating from 7:30 am to 12:30 am, it was reliable for decades but faced challenges. A lightning strike on May 24, 2014, damaged the motor and generator, leading to an 11-month closure. Although it reopened on April 22, 2015, travel time doubled. The station permanently ceased operations on March 1, 2016. These abandoned Soviet sites in Armenia provide a glimpse into the country's Soviet past. Each location, whether an industrial complex or educational institution, tells a unique story of Armenia's journey through the Soviet era. Exploring these places not only offers an adventure into the unknown but also deepens one's understanding of Armenia’s complex history and rich cultural heritage. Abandoned Refractory Brick Factory Built in 1951, the factory was strategically positioned near a rich clay deposit, crucial for producing high-quality fire-resistant bricks. At its peak, it employed over 600 workers, forming the backbone of the local economy and sustaining nearby villages and towns. Every day, seven to eight railway wagons carried bricks to Russia, fueling the Soviet Union’s vast industrial demand. Stepping inside today feels like entering a time capsule. Rusting machinery, heavy-duty tools, and even Soviet trucks remain scattered across the vast production halls. Strange metal devices — their purpose now forgotten — lie untouched, frozen in time as industrial relics of a vanished era. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next

Inside this cultural house, we discovered busts of Lenin and Shahumyan, along with a huge fresco created in 1965 by the Armenian artist R.S. Mnatsakanyan. < Back This Culture House Hides Busts of Lenin and Shahumyan and a Gorgeous Fresco Inside this cultural house, we discovered busts of Lenin and Shahumyan, along with a huge fresco created in 1965 by the Armenian artist R.S. Mnatsakanyan. The culture house was built in a modernist style, featuring large windows that adorn the facade and allow ample light to enter. The interior was neat and freshly renovated. One of the locals graciously gave us a tour. The event hall The concert hall appeared well-maintained and recently restored. Despite the modern updates, they have preserved busts of Lenin and Shahumyan, which were lying forgotten somewhere in a corner. The fresco of R.S. Mnatsakanyan, year 1965 The highlights of our visit were two frescoes depicting girls harvesting grapes and a magnificent fresco by R.S. Mnatsakanyan, inspired by the Armenian epic poem "Daredevils of Sasoun" or "Sasuntsi Davit" (Սասունցի Դավիթ), as it is known in Armenian. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Soviet Bus Stops in Armenia Armenia’s Abandoned Orbita Antenna Previous Next