Heinz Stucke, born on January 11, 1940, is a remarkable German cyclist whose extraordinary journey has taken him across the globe on a three-speed bicycle. Embarking on his epic adventure in August 1962 from his hometown, Hövelhof, Stucke has traversed an awe-inspiring 196 countries, covering a staggering distance of over 600,000 kilometers. This cycling odyssey has not only set records but also defined Stucke's life in a way that few can fathom. < Back Heinz Stucke - The Man Who Wanted to See It All Heinz Stucke, born on January 11, 1940, is a remarkable German cyclist whose extraordinary journey has taken him across the globe on a three-speed bicycle. Embarking on his epic adventure in August 1962 from his hometown, Hövelhof, Stucke has traversed an awe-inspiring 196 countries, covering a staggering distance of over 600,000 kilometers. This cycling odyssey has not only set records but also defined Stucke's life in a way that few can fathom. In November 1962, at the age of 22, Stucke resigned from his position as a tool and die maker. He embarked on a journey, riding out of his hometown on a three-speed bicycle with a determined plan to see the world. Stucke asserts that his exceptional urge to travel was, in part, motivated by his strong reluctance to return to factory work. In the early 1980s, after two decades on the road, Stucke decided to attempt to visit every country in the world. He believed he had accomplished his goal when he reached Seychelles in 1996, but to him, it felt anticlimactic. He had spent too little time in some countries, and there was still much to experience; so he continued on. Between 1962 and 2010, he cycled more than 609,000 kilometers (378,000 mi) and visited 195 countries and 78 territories. From 1995 through 1999, the Guinness Book of Records described him as having traveled more widely by bicycle than anyone in history. At the age of 20, he went on his first small holiday tours from Hövelhof in Westphalia A Life of Perils and Triumphs Stucke's global sojourn wasn't without its challenges. He encountered adversities ranging from being hit by a truck in the Atacama Desert of Chile to being chased by an angry mob in Haiti. In Egypt, he faced a brutal beating by soldiers, and in Cameroon, he was detained by the military under accusations of slandering the state. His journey through Alaska included a car accident that left him in a freezing river, while in Zambia, he endured a gunshot wound to the big toe by Nkomo's "Freedom Fighters." Bees attacked him in Mozambique in 1995, and in Siberia 1997, his bicycle was stolen for the fifth time. Notably, in England 2006, the same bicycle was stolen again, emphasizing the challenges faced by this intrepid traveler. Heinz Stucke visited China in 1989 Documenting the Journey Stucke's journey is not just about cycling; it's a visual documentation of the world. Since 1962, he has captured over 100,000 photographs, funding his expeditions through licensing revenue from his photo catalog, donations, and sales of travel writing, postcards, and booklets featuring his photographs and illustrations. In 1995, Stucke self-published a memoir titled "Mit dem Fahrrad um die Welt" ("Cycling Around the World"). Dutch travel writer Eric van den Berg published a biography in 2015, commemorating Stucke's remarkable career. A documentary film, "The Man Who Wanted to See It All" by Spanish filmmaker Albert Albacete, explores Stucke's life, motivations, philosophy, and legacy. In China in 1989 he experienced difficult weather conditions - it was minus 20 degrees The End of the Journey and a New Beginning By 2014, Stucke had traveled a staggering 648,000 kilometers. That year marked the end of his journey, as increasing hip pain led him to return to Hövelhof, where the community provided him with a small apartment. The planned museum to commemorate his travels is yet to be realized. The documentary "The Man Who Wanted to See It All," released in 2021, captures the essence of Stucke's extraordinary life. His experiences, challenges, and triumphs contribute to a legacy that goes beyond the mere act of cycling. A Conversation with Heinz Stucke In a candid conversation, Heinz Stucke reflects on his life's journey. Settling back into his hometown in 2014, he embarked on archiving his experiences, delving into a treasure trove of memories spanning over four decades. He speaks about the physical toll the journey took on his hips, leading to osteoarthritis. Lacking health insurance, he faced the financial hurdle of hip surgery. However, he remains content, focusing on the positive aspect of being able to dedicate time to his image archive. The archiving process involves sorting over 100,000 photos according to the 240 countries and territories he visited. Stucke acknowledges the generosity of people worldwide, emphasizing the reciprocity he feels toward those who supported him on his journey. On this world map, Stucke has marked all the trips he has taken around the world up to 2012 He reveals that he never experienced homesickness but, rather, a fear of returning home. Stucke's insatiable curiosity and a constant pursuit of new experiences kept him on the road for over five decades. In his reflections on fear during the journey, Stucke acknowledges moments of uncertainty, particularly when navigating challenging terrains. His ability to capture the beauty around him through the lens of his camera served as a source of solace and distraction during strenuous climbs. Stucke's journey was often solitary, as he preferred to travel alone, allowing for more profound connections with people he encountered. His unique approach of distributing brochures about his travels not only served as a means of storytelling but also provided a modest income, sustaining his onward journey. While Heinz Stucke may have retired from the saddle, his spirit of exploration remains undiminished. As he archives his vast collection of photographs, he leaves behind a legacy of resilience, curiosity, and an unyielding passion for embracing the world, one pedal stroke at a time. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

The "Mother Armenia" monument in Ijevan is one of Armenia's most iconic Soviet-era landmarks, celebrated for its historical significance and striking design. For those interested in Soviet-era monuments or Soviet art, this site is a must-visit and should be included in any tour itinerary in Armenia. < Back Mother Armenia in Ijevan city The "Mother Armenia" monument in Ijevan is one of Armenia's most iconic Soviet-era landmarks, celebrated for its historical significance and striking design. For those interested in Soviet-era monuments or Soviet art, this site is a must-visit and should be included in any tour itinerary in Armenia. The "Mother Armenia" monument, located in Ijevan, Tavush region, Armenia, is a significant historical and cultural landmark created in 1971 by sculptor Serzh Mehrabyan. Mother Armenia in Ijevan city as seen by my drone Recognized as part of the immovable cultural heritage of Ijevan, it stands as a symbol of the city, prominently situated on a hill at the northern entrance, near the Ijevan-Tbilisi highway. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

Discover some of Armenia’s most scenic and culturally rich destinations on this full-day guided tour from Yerevan. This tour combines breathtaking lake views, medieval monasteries, forest trails, and authentic Armenian charm — perfect for travelers who want to see both culture and nature in one day. < Back Day Tour to Sevanavank, Dilijan & Parz Lake Discover some of Armenia’s most scenic and culturally rich destinations on this full-day guided tour from Yerevan. This tour combines breathtaking lake views, medieval monasteries, forest trails, and authentic Armenian charm — perfect for travelers who want to see both culture and nature in one day. Itinerary: 07:50 AM – Departure from Yerevan Our ride will take us to Lake Sevan, located at an altitude of 1,900 meters. This high-altitude freshwater lake spans approximately 1,240 square kilometers, making it the largest lake in the Caucasus region. Arrival at Sevanavank Monastery (approximately 70 km, about 1 hour drive) We’ll explore the iconic 9th century Sevanavank Monastery on the Sevan Peninsula, offering panoramic views of one of the largest alpine lakes in the world. Next is a coffee break at Tsovagyugh Food Court (8.6km and 10 minutes ride) before heading deeper into the forests of Dilijan. Next we will visit Old Dilijan Tufenkian Complex (23km, about 25 minute ride). Stroll through the charming Old Dilijan Complex to get a taste of 19th-century Armenian architecture and craftsmanship. Our next stop will be Parz Lake, located 14 km away—a short 20-minute drive. We’ll enjoy the peaceful nature surrounding this small forest lake, perfect for light walks or an optional boat ride. Optional Activity: Choose between: A short 1-hour hike on the scenic loop trail to Matosavank and Jukhtak Monasteries, (6 km or 15 minute drive ) or A visit to Parz Lake. The choice is yours! Khachkars inside Matosavank monastery Matosavank - Jukhtak Loop, situated in Dilijan National Park, Tavush, is an easy 4.5 km trail. The path takes you to the 13th-century Jukhtak Monastery and then proceeds to Matosavank, another 13th-century monastery. The trail winds through dense forests, offering fresh air and a quick nature walk for those seeking a relaxing stroll. The tour is conducted in a Mitsubishi Pajero IV Tour Price: 90,000 AMD for a private group of 1–4 people. Pickup and drop-off at your location in Yerevan are included. Return to Yerevan: Approximately 5:00–6:00 PM Project Gallery Previous Next

During an urbex exploration in the Ararat region of Armenia, we spotted this intriguing house in the distance and couldn't resist the urge to explore its mysteries! < Back Inside Abandoned House During an urbex exploration in the Ararat region of Armenia, we spotted this intriguing house in the distance and couldn't resist the urge to explore its mysteries! Situated in Verin Artashat, along the route to the Dvin Archaeological Site, this two-story building reflects the architectural style of Armenian houses from the early 20th century. Despite its current state of decay, the house carries a unique charm, serving as a rare relic from that era. Although time has taken its toll, the remnants hint at the former grandeur of this historic dwelling. Imagine in spring when these trees blossom one can witness a fairy-tale scene! Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Inside this cultural house, we discovered busts of Lenin and Shahumyan, along with a huge fresco created in 1965 by the Armenian artist R.S. Mnatsakanyan. < Back This Culture House Hides Busts of Lenin and Shahumyan and a Gorgeous Fresco Inside this cultural house, we discovered busts of Lenin and Shahumyan, along with a huge fresco created in 1965 by the Armenian artist R.S. Mnatsakanyan. The culture house was built in a modernist style, featuring large windows that adorn the facade and allow ample light to enter. The interior was neat and freshly renovated. One of the locals graciously gave us a tour. The event hall The concert hall appeared well-maintained and recently restored. Despite the modern updates, they have preserved busts of Lenin and Shahumyan, which were lying forgotten somewhere in a corner. The fresco of R.S. Mnatsakanyan, year 1965 The highlights of our visit were two frescoes depicting girls harvesting grapes and a magnificent fresco by R.S. Mnatsakanyan, inspired by the Armenian epic poem "Daredevils of Sasoun" or "Sasuntsi Davit" (Սասունցի Դավիթ), as it is known in Armenian. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Explore the Jermuk Drinking Gallery, one of Armenia’s most recognizable landmarks. Built in 1956, this open-air arcade lets visitors taste mineral waters flowing from five natural springs, each with its own temperature and mineral composition. Learn about the gallery’s architecture, health benefits, and why it remains a must-see stop for anyone traveling to Jermuk. < Back Gallery of Mineral Waters in Jermuk Explore the Jermuk Drinking Gallery, one of Armenia’s most recognizable landmarks. Built in 1956, this open-air arcade lets visitors taste mineral waters flowing from five natural springs, each with its own temperature and mineral composition. Learn about the gallery’s architecture, health benefits, and why it remains a must-see stop for anyone traveling to Jermuk. The drinking gallery is one of the most iconic landmarks of Jermuk. Located in the heart of the town, it’s a popular spot for both visitors and locals. The gallery was built in 1956, designed by Gevorg Tamanyan, the son of the renowned Armenian architect Alexander Tamanyan. The structure sits under an open canopy supported by elegant arches and columns, giving it a distinctive architectural style. Its total area is 395 square meters. This open design allows visitors to enjoy the fresh mountain air and the surrounding landscape while staying inside the gallery. A charming feature of the gallery is the row of small taps that continuously pour mineral water. Large decorative jars placed beneath them add a sense of tradition and warmth to the space. Behind the wall runs a main pipe that delivers the mineral water directly from the natural springs. Jermuk’s gallery offers water from five mineral springs, each with its own temperature — ranging from 30°C to 53°C. The waters also differ in composition: one is rich in sodium, another contains more calcium and chlorine. Best of all, sampling the water is completely free. Doctors often recommend visitors in Jermuk to drink this mineral water three times a day, 20–30 minutes before meals. Proper use of the water is believed to improve digestion, support treatment of gastrointestinal conditions, enhance metabolism, and promote overall well-being. In 2003, the drinking gallery was officially included in Armenia’s State List of Immovable Historical and Cultural Monuments, recognizing its cultural and architectural value. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

Explore Levon’s Divine Underground in Arinj, Armenia — a mysterious hand-carved cave created over 23 years by one man, Levon Arakelyan. Discover his incredible story, the cave’s intricate chambers, and how his legacy continues through his family today. < Back Inside Levon’s Divine Underground Explore Levon’s Divine Underground in Arinj, Armenia — a mysterious hand-carved cave created over 23 years by one man, Levon Arakelyan. Discover his incredible story, the cave’s intricate chambers, and how his legacy continues through his family today. In the quiet village of Arinj, just outside Yerevan, lies one of Armenia’s most unusual landmarks — Levon’s Divine Underground , a vast hand-carved cave created by a single man over more than two decades. This extraordinary site was built by Levon Arakelyan , who began digging in 1985 after his wife, Tosya , asked him to make a small cellar for storing potatoes. What started as a simple household project turned into a lifelong mission. Levon claimed that soon after he began digging, he experienced a vision — a voice from a mist urging him to keep going. Master Levon at work Armed only with a hammer and chisel, Levon continued to excavate tirelessly for 23 years , refusing to use power tools even as he dug through hard volcanic rock. The result is a 21-meter-deep network of seven rooms , connected by winding stairways and tunnels that cover about 300 square meters . Each chamber, he said, was inspired by new visions that guided his work. Levon even installed lights and wiring himself, envisioning a total of 74 unique rooms — a project left unfinished when he passed away in 2009. After his death, Mrs. Tosya turned the site into a museum to preserve her husband’s legacy. The cave maintains a constant temperature of around 10°C year-round. The museum’s first floor displays Levon’s personal belongings, tools, press articles, and guestbooks filled with visitors’ impressions. Outside in the courtyard, flower pots crafted from leftover stones and two wall murals — one depicting Levon with his hammer and chisel, and another showing Tosya holding a potato — serve as touching reminders of how a simple domestic request grew into a national curiosity. This is “Levon’s Eye.” At one point, Levon’s daughter asked me to look up — and my heart sank. It felt as if a vigilant eye was watching from above. This was one of the most striking moments of the visit. The ventilation shaft, carved in the shape of an eye, never fails to give visitors goosebumps. Today, Levon’s Divine Underground stands among Armenia’s most fascinating attractions, drawing travelers who come to witness the result of one man’s unwavering devotion and vision. The ticket sales, still managed by his family, continue to support them — keeping Levon’s story alive beneath the surface of Arinj. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Explore the intriguing story of a sports complex frozen in time, constructed over a decade from 1975 to 1986 with the ambition of becoming the largest sports structure in the region. < Back A Soviet sports complex frozen in time Explore the intriguing story of a sports complex frozen in time, constructed over a decade from 1975 to 1986 with the ambition of becoming the largest sports structure in the region. This sports complex was built over approximately a decade, from 1975 to 1986, with the vision of becoming the largest sports structure in the region. It consists of three blocks, each equipped with separate halls for various sports. The complex boasts two swimming pools – one large and one small – along with an expansive backyard pool designed for kayaking. The basketball and futsal court However, the swimming pool constructed in 1986 has never been used. The primary reasons for its abandonment were water shortages and the subsequent collapse of the Soviet Union. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Vesna Vulović's incredible tale unfolds on January 26, 1972, when a Yugoslav Airlines flight tragically exploded mid-air. As the sole survivor of the highest fall without a parachute, Vulović's journey of resilience captivates the world. Despite severe injuries, her remarkable recovery defied medical predictions. Recognized by Guinness World Records, her legacy continues to inspire, emphasizing the unwavering strength of the human spirit. Vulović's story stands as a testament to survival against all odds and the enduring power of hope. < Back Vesna Vulovic – she survived the highest fall without a parachute Vesna Vulović's incredible tale unfolds on January 26, 1972, when a Yugoslav Airlines flight tragically exploded mid-air. As the sole survivor of the highest fall without a parachute, Vulović's journey of resilience captivates the world. Despite severe injuries, her remarkable recovery defied medical predictions. Recognized by Guinness World Records, her legacy continues to inspire, emphasizing the unwavering strength of the human spirit. Vulović's story stands as a testament to survival against all odds and the enduring power of hope. On January 26, 1972, a Yugoslav Airlines Douglas DC-9 aircraft carrying 28 passengers and crew members embarked on a seemingly routine flight from Zagreb, Croatia, to Belgrade, Serbia. However, tragedy struck near Srbská Kamenice, Czechoslovakia, when a bomb ripped through the fuselage, tearing the plane apart at 33,000 feet (10km). Miraculously, amidst the debris and despair, one life defied the odds: Vesna Vulović, a 23-year-old flight attendant, survived a fall that would forever etch her name in aviation history. A JAT Airways McDonnell Douglas DC-9 like the one destroyed by the explosion Vulović's exact position during the explosion remains unclear, but she is believed to have been strapped into her jump seat in the tail section, which remained relatively intact after the fuselage disintegrated. This, combined with the fortuitous landing in a snow-covered forest, cushioned the impact, absorbing some of the devastating force. However, her injuries were horrific: a fractured skull, broken legs and vertebrae, and internal bleeding. Vesna Vulovic in hospital Local villager Bruno Honke, a former World War II medic, discovered Vulović still breathing amidst the wreckage. Despite the remoteness and harsh conditions, he administered crucial first aid, paving the way for her eventual rescue. She spent 27 days in a coma, defying medical predictions of her inevitable demise. When she finally awakened, she had no memory of the accident or the month that followed. According to Vesna Vulovich herself, the first thing she asked, when she regained consciousness, was to smoke. Paul McCartney and Vesna Vulovic The treatment took 16 months, of which during 10 months the girl was paralyzed in the lower part of the body (from the waist to the legs). Vulović's remarkable recovery surprised both medical professionals and the world. Though she sustained permanent injuries, including partial paralysis and limited mobility, she eventually relearned to walk. Her story captured international attention, becoming a symbol of human resilience and defying the perceived limits of survival. The cause of the explosion remains officially undetermined, leaving room for speculation and conspiracy theories. Nevertheless, Vulović's survival stands as a testament to the extraordinary tenacity of human life and the unpredictable twists of fate. Vesna Vulović's story continues to inspire awe and curiosity. Despite shying away from the limelight, she embraced her unique place in history. She went on to work for JAT Yugoslav Airlines for another 27 years, eventually retiring as a supervisor. In 2009, she was officially recognized by the Guinness World Records as the person who survived the highest fall without a parachute. While Vulović passed away in 2016 at the age of 66, her story serves as a poignant reminder of the human spirit's capacity to overcome seemingly insurmountable odds. It is a testament to the power of chance, the importance of timely intervention, and the sheer strength of the will to live. Vesna Vulović's miracle serves as a beacon of hope, reminding us that even in the face of immense adversity, survival can sometimes defy all expectations. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk

Earlier, I dedicated several articles to destroyed bas-reliefs and statues in Armenia. These articles still attract strong interest, drive steady traffic to my website, and help bring forgotten masterpieces back into public view. Today’s article focuses on another crucial layer of Soviet monumental art: the destroyed mosaics and frescoes of Armenia. < Back Destroyed Soviet Mosaics and Frescoes in Armenia Earlier, I dedicated several articles to destroyed bas-reliefs and statues in Armenia. These articles still attract strong interest, drive steady traffic to my website, and help bring forgotten masterpieces back into public view. Today’s article focuses on another crucial layer of Soviet monumental art: the destroyed mosaics and frescoes of Armenia. Soviet mosaics, frescoes, and bas-reliefs are among the most striking visual legacies of the USSR. They transformed grey, industrial environments into open-air galleries. Their widespread presence was not accidental but the result of a deliberate state policy that combined ideological messaging with a practical solution to monotonous blank walls. Here, we must again refer to the 1955 decree “On the Elimination of Excesses in Design and Construction” (Об устранении излишеств в проектировании и строительстве), initiated by Nikita Khrushchev. Like bus stops and bas-reliefs, mosaics and frescoes became a kind of aesthetic loophole and were not classified as “architectural excess. One of the largest and finest mosaics was created in 1977 by Karapet Yeghiazaryan, Hrayr Karapetyan, Khachatur Gyulamiryán, Vaghinak Mandakuni, Aleksandr Azatyan. The architects of the building were Grigori Grigoryan and Armen Aghalyan. It decorated the façade of the USSR Institute of Telecommunications Research (ՀՍՍՀ Կապի Գիտահետազոտական ինստիտուտ). In the first half of 2023, the building was demolished and the mosaic dismantled, reportedly with plans to reinstall it after the new building is constructed. At the time of its destruction, the Beeline office was located inside the building. Photo Credits: Damien Hewetson BIG UPDATE I’m happy to share some good news and update this article. As of February 2026, the mosaic is being reinstalled on the newly built skyscraper, on the site of the previously demolished building. I have already visited the location twice to document the restoration work and take new photos. One of the key reasons for the sheer number of mosaics was a formal state requirement: 2–5% of the construction budget for any public building—factories, schools, institutes, hospitals, and even bus stops—had to be allocated to “artistic and decorative elements.” In Soviet planning, this was officially known as “Artistic-Decorative Finishing” (Художественно-декоративное оформление). The “Anahit” resort in Stepanavan once featured an impressive mosaic on the wall of its swimming pool. Although the resort still operates today, the mosaic is long gone. The Art Fund acted as a mandatory intermediary in this process. When a factory or public building was under construction, the building authority transferred the allocated “artistic percentage” to the Art Fund, which then: assigned an artist to the project; approved the sketch, ensuring ideological compliance; supplied materials such as smalt, ceramics, and cement. In Russian art history, this system is often described by the term “Sintez Iskusstv” (Синтез искусств — Synthesis of Arts): the idea that architecture and fine art should not exist separately, but merge into a single, unified expression of Soviet life. Before the modern Cascade was built, a mosaic adorned the Old Cascade Waterfall. The artist was the Armenian sculptor and Honored Artist of the Armenian SSR (1967), Derenik Danielyan. This policy created a vast and guaranteed market for artists. The Union of Artists of the USSR (Союз художников СССР) controlled the distribution of these commissions. For many artists, state orders became their main source of income, resulting in the creation of thousands of works across the Soviet Union, from Moscow to remote Siberian villages. Unlike murals, mosaics made of smalt (special colored glass) or ceramic tiles do not fade in the sun and can withstand harsh winters. Soviet authorities viewed mosaics as “art for eternity.” Yet even art meant to last forever is gradually disappearing. About frescoes... Soviet frescoes, while sharing the same ideological DNA as mosaics, occupied a different niche. If mosaics ruled the exterior, frescoes and other mural techniques dominated interiors. They adorned the foyers of Culture Houses, Culture Palaces, Pioneer Palaces, university lecture halls, and factory meeting halls. Their tone was academic and historical, focused on Soviet ideology and on the country’s history stretching back centuries, depicting key moments in its past. In Armenia, many frescoes have survived, perhaps thanks to the fact that they were created by renowned artists such as Minas Avetisyan or Hakob Hakobyan. Others, however—especially works by lesser-known or anonymous artists—have already vanished or are slowly fading away. The First Class (“Պեռվի կլաս”) restaurant at Gyumri Railway Station once featured a remarkable fresco named "Old Gyumri" by Eduard Edigaryan. A few low-quality images offer a glimpse of its original appearance. The central section of the mural portrays men dressed in traditional national costumes. In the background, the city of Leninakan is depicted, while the left and right panels of the triptych feature Armenian women turned toward the center. The door is usually kept closed; about a year ago, I asked a staff member to open it to check if the mural might be hidden behind a mirror or panel, but it appears the artwork is lost forever. From left a guest from Philadelphia, in the center Khachatur Vardparonyan, on the right Hakob Hakobyan. Image credits: Khachatur Vardparonyan (Խաչատուր Վարդպարոնյան), Facebook page. One of the finest frescoes that has not survived was painted by Khachatur Vardaparonyan and titled Rebirth («Վերածնունդ», 1979). It was located in Leninakan (present-day Gyumri) at the Sock Factory (գուլպա-նասկեղենի ֆաբրիկա), now the Millennium Restaurant. The fresco was not preserved and was destroyed in the early 2000s during renovations. The fresco discovered in Artik’s former Youth Palace in 2018 during reconstruction works. Photo credits: SHANTNEWS Initially, the fresco was thought to be the work of Khachatur Vardparonyan, but this attribution was later rejected by his grandson. It was eventually established that the author of the rediscovered fresco was Misha Sargsyan. The work was identified by his wife, Azatuhi Tadevosyan, for whom the discovery came as a complete surprise. According to her, the fresco had been painted more than 45 years earlier and had long faded from her husband’s memory. When I visited the site in 2024, I was shocked to see that the mural was gone and the building had been turned into a store selling toilets, sinks, and other plumbing fixtures. “The painting was created in 1967–1968. At that time, we had just gotten married. I suggested that he leave his signature beneath the work, but back then artists were not allowed to sign their paintings,” Azatuhi Tadevosyan told the SHANTNEWS correspondent. The Culture Palace in Vayk also featured a notable fresco, which was destroyed a few years ago. When I visited the site in 2022, the fresco was already gone, but fortunately, a local worker had a photo of it and kindly shared it with me. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

In this article, I want to introduce another abandoned sanatorium that conceals beautiful ceramic bas-reliefs and a mesmerizing interior design. Out of caution, I won’t share exterior photos — not because I don’t have them, but because I don’t want to make the location too easy to find. In recent years, several heritage sites have suffered vandalism after being popularized online, often by attention-seeking TikTokers. A small request to fellow explorers: if you discover new places, share them responsibly. Publish photos in a way that doesn’t reveal exact locations, so that future urbexers can also experience these treasures. < Back A Soviet-era sanatorium with forgotten masterpieces In this article, I want to introduce another abandoned sanatorium that conceals beautiful ceramic bas-reliefs and a mesmerizing interior design. Out of caution, I won’t share exterior photos — not because I don’t have them, but because I don’t want to make the location too easy to find. In recent years, several heritage sites have suffered vandalism after being popularized online, often by attention-seeking TikTokers. A small request to fellow explorers: if you discover new places, share them responsibly. Publish photos in a way that doesn’t reveal exact locations, so that future urbexers can also experience these treasures. This sanatorium was specifically built for the workers of a cable-producing factory. Architecturally, it resembles a fortress, featuring bold geometric forms, tower-like structures, striking staircases, and an overall sense of solidity and permanence. The interior, however, is no less striking. Despite being out of use for decades, the building has remained in relatively good condition thanks to security on site. Inside, the ceilings, chandeliers, and ceramic bas-reliefs leave a lasting impression. Among these, two ceramic bas-reliefs stood out to me as true masterpieces This one depicts a plough pulled by oxen beneath a shining sun. Below, a bundle of wheat and a goat’s head appear — ancient symbols deeply rooted in Armenian tradition. The goat’s head, in particular, has been revered for centuries and is one of the most frequently encountered motifs in Armenian petroglyphs. In the right corner of the panel, ears of wheat and a jar add to the agricultural theme, while at the center a decorative ornament recalls the intricate patterns of Armenian stone carving. The other ceramic bas-relief also left a strong impression on me. At its center is the Armenian eternity symbol, while the sun shines at the top. In the upper left corner, a fisherman is casting his net, and in the upper right corner stands an Armenian church. The lower left panel depicts a ship, whereas the lower right panel shows a fish with a star above its head. For me, these bas-reliefs were more than mere decorations; they served as a reminder of how art, history, and daily life were once intertwined — even in a sanatorium originally built for factory workers. Very often I refrain from mentioning the architect’s name in my articles, since it makes the location too easy to identify. This time as well, I won’t publish it. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like The Forgotten 50 cm Cassegrain Telescope of Byurakan Observatory Destroyed Soviet Mosaics and Frescoes in Armenia Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Previous Next

Explore the hidden beauty of Horomayr Monastery, a medieval architectural wonder in Armenia's Lori region. Perfect for those seeking outdoor adventure, this site offers stunning views of the Lori Gorge and is a must-visit on your tours in Armenia. Hike in Armenia along the scenic trails that lead to this captivating destination and discover the ancient treasures of Horomayr Monastery. < Back Horomayr Monastery: A Hidden Medieval Treasure in Armenia's Lori Region Explore the hidden beauty of Horomayr Monastery, a medieval architectural wonder in Armenia's Lori region. Perfect for those seeking outdoor adventure, this site offers stunning views of the Lori Gorge and is a must-visit on your tours in Armenia. Hike in Armenia along the scenic trails that lead to this captivating destination and discover the ancient treasures of Horomayr Monastery. Horomayr Monastery is a stunning medieval architectural complex located 1.5 km southeast of Odzun village in the Lori region of Armenia. Built in the 12th and 13th centuries, this complex consists of two distinct groups of monuments. The lower Horomayr complex is situated on the left bank slope of the Debed River, nestled under a vertically hanging rock, while the upper Horomayr complex is perched higher on the valley's edge. The upper complex is also known as Dzoraezri Monastery, and the lower group of monuments was historically referred to as Surb Nshan or Dzoramiji Monastery. The upper Horomayr complex known as Dzoraezri Monastery Dzoraezri Monastery features two churches, a vestibule, and a medieval cemetery on its western side. The Dzoramiji Monastery includes a small church-bell tower, a separate hall, chapels, khachkars, and rock carvings, all arranged in a harmonious row. From the upper complex, a breathtaking view of the Lori Gorge and the lower complex unfolds, captivating tourists who often find themselves sitting on the edge of the cliff, soaking in the majestic scenery. The lower Horomayr complex known as Dzoramiji Monastery The lower Horomayr complex is also a popular hiking destination, with a trail that starts in the center of Odzun village, winds through the Horomayr complex, and ends at Kobayr Monastery. Gallery You May Also Like How to Visit ROT54 (Aragats Scientific Center) – Full Guide Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk