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Following the 2020 Second Nagorno-Karabakh War and subsequent escalations, many visitors planning a trip to Armenia have questioned the safety of traveling to the country. This brief article aims to shed light on this topic. < Back Armenia is among top 10 safest countries Following the 2020 Second Nagorno-Karabakh War and subsequent escalations, many visitors planning a trip to Armenia have questioned the safety of traveling to the country. This brief article aims to shed light on this topic. According to the World Population Review in 2023, Armenia boasts the ninth-lowest crime rate globally, measuring at 22.79 per 100,000 citizens. The Crime Index categorizes this as a very low crime rate. The country maintains a relatively low level of crime, with an even lower impact on tourists. (By the way, the Crime Index is an estimate of the overall crime rate in a given city or country. The organization considers crime rates below 20 to be very low, crime rates from 20 to 40 as low, crime rates from 40 to 60 as moderate, crime rates from 60 to 80 as high, and finally crime rates above 80 as very high.) Addressing the recent escalations with Azerbaijan, it's crucial to note that areas of armed conflict are primarily near the border. However, popular tourist destinations, including sightseeing spots and hiking trails, are situated far from these regions. The likelihood of endangering your trip due to such incidents is very low. Overall, travelers have reported positive experiences exploring Armenia's rich cultural heritage. As in any other country, it is advisable to follow safety instructions: remain vigilant when crossing streets, especially during late hours and in restricted areas, avoid large crowds and demonstrations, and adhere to the advice and instructions of local authorities. Gallery You May Also Like Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Guide in Armenia

Explore Armenia’s top railway stations, both active and abandoned, each showcasing remarkable architectural design and rich history. From Yerevan’s elegant mid-20th-century hub to Gyumri’s stunning Soviet modernist masterpiece, Vanadzor’s museum-like interior, Alaverdi’s unique frescoes, and the abandoned Meghri station with its eery atmosphere, these stations tell the story of Armenia’s railways and cultural heritage. Perfect for travelers and history enthusiasts, this guide highlights the beauty, artistry, and significance behind each remarkable station. < Back Top Railway Stations to See in Armenia Explore Armenia’s top railway stations, both active and abandoned, each showcasing remarkable architectural design and rich history. From Yerevan’s elegant mid-20th-century hub to Gyumri’s stunning Soviet modernist masterpiece, Vanadzor’s museum-like interior, Alaverdi’s unique frescoes, and the abandoned Meghri station with its eery atmosphere, these stations tell the story of Armenia’s railways and cultural heritage. Perfect for travelers and history enthusiasts, this guide highlights the beauty, artistry, and significance behind each remarkable station. Yerevan Railway Station Construction of the current Yerevan Railway Station on David of Sasun Square began in 1952 and was completed in 1955. The station opened on July 22, 1956, designed by architect Edmond Tigranyan. Inside Yerevan Railway Station Originally, the building was meant to feature a gilded dome, but it opened without one. The dome was added years later, completing the architect’s original vision. The railway station is an architectural marvel, impressing visitors both inside and out. Gyumri Railway Station Gyumri Railway Station is the oldest railway station in Armenia and serves as the main transport hub of the city of Gyumri. Established in 1897, the first train journeyed from Tbilisi to Alexandrapol (now Gyumri) on February 7, 1899, at 12:00 PM, linking the largest city of the Yerevan province to the wider region. The current station building, constructed between 1974 and 1979, was designed by architect Rafik Yeghoyan. The station stands as one of Gyumri’s finest examples of Soviet modernist architecture, distinguished by its striking design and artistic details. The façade is decorated with a monumental bas-relief, while the central dome, measuring 18 meters in diameter, is adorned with intricate stained glass in vivid colors, supported by intersecting arches designed by the renowned artist Hovhannes Madoyan. A 30-meter-high tower on the left side houses a clock decorated with gilded zodiac signs, adding to the building’s unique and iconic presence. Vanadzor Railway Station Vanadzor Railway Station is another important transport hub located on the strategic Gyumri–Ayrum electrified single-track line. About 20 years ago, there were plans to build a branch line from Vanadzor to Fioletovo Station, but the project was never realized. Inside Vanadzor Railway Station Architecturally, the station is impressive, with an interior that resembles a museum, featuring a map of Soviet railroads and an authentic historical atmosphere. The station was built in 1976 based on a design by Kabgiprotrans . Construction was carried out by Assembly Train No. 307 of the Armtransstroy trust. The project architect was G. D. Modzminashvili , and the site engineer in charge was G. B. Dodoryan . Alaverdi Railway Station Located on the left bank of the Debed River in Lori Province, Alaverdi Railway Station opened in 1899. The current building dates from the 1940s–1950s and comprises a three-story main hall, two platforms, and five tracks. Passenger trains no longer stop here since 2011, though access can be arranged with the on-duty staff. Inside Alaverdi Railway Station The station is renowned for its frescoes in the waiting hall, painted in the early 1960s by Rudolf Khachatryan (1937–2007). These are his only known monumental works, depicting characters from Hovhannes Tumanyan’s stories, the miners’ revolt during the Bolshevik Revolution, and a proud foundry worker against the backdrop of Alaverdi copper factory and surrounding mountains. The abandoned Meghri Railway Station The Meghri–Nakhichevan-Yerevan railway line, including the Meghri station, was opened in the autumn of 1943, during World War II. It was built to support industrial freight transport and to connect southern parts of Armenia with the wider Soviet rail network. It soon became a vital alternative to the long and difficult highway connecting Yerevan and Meghri. The Yerevan–Baku line ran from Yerevan through Nakhichevan, Meghri, and Kapan to Baku, with about 40 kilometers along Armenia’s southern border near Iran. Meghri station was rebuilt in the 1960s, and by the 1970s, 20–23 trains with over 50 wagons each passed daily. After the Soviet Union collapsed and the Artsakh liberation war began, freight wagons from Meghri via Nakhichevan could no longer reach Yerevan. The station ceased operations, with the last train passing on the night of April 23, 1992. Yerevan Children's Railwa y Until now, I had only recommended train stations that are operational or were once in use. But I couldn’t resist adding one more — not a transportation hub, but a children’s attraction: the Yerevan Children’s Railway. Nestled in Yerevan’s Hrazdan Gorge, this abandoned railway is a poignant reminder of Soviet-era Armenia. Built in 1937, it once delighted generations with its charming trains and stations named Motherland , Pioneer , and Happiness . The chief architect of the children’s railway park was Mikael Mazmanyan. The original wooden station building was replaced in the late 1940s by a stone structure designed by Babken S. Hakobyan, with the final tower designed by Gohar Grigoryan. Although now privatized and quiet, echoes of its past glory linger everywhere. For those who appreciate forgotten sites rich in history and atmosphere, this location comes highly recommended. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . 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Earlier, I dedicated several articles to destroyed bas-reliefs and statues in Armenia. These articles still attract strong interest, drive steady traffic to my website, and help bring forgotten masterpieces back into public view. Today’s article focuses on another crucial layer of Soviet monumental art: the destroyed mosaics and frescoes of Armenia. < Back Destroyed Soviet Mosaics and Frescoes in Armenia Earlier, I dedicated several articles to destroyed bas-reliefs and statues in Armenia. These articles still attract strong interest, drive steady traffic to my website, and help bring forgotten masterpieces back into public view. Today’s article focuses on another crucial layer of Soviet monumental art: the destroyed mosaics and frescoes of Armenia. Soviet mosaics, frescoes, and bas-reliefs are among the most striking visual legacies of the USSR. They transformed grey, industrial environments into open-air galleries. Their widespread presence was not accidental but the result of a deliberate state policy that combined ideological messaging with a practical solution to monotonous blank walls. Here, we must again refer to the 1955 decree “On the Elimination of Excesses in Design and Construction” (Об устранении излишеств в проектировании и строительстве), initiated by Nikita Khrushchev. Like bus stops and bas-reliefs, mosaics and frescoes became a kind of aesthetic loophole and were not classified as “architectural excess. One of the largest and finest mosaics was created in 1977 by Karapet Yeghiazaryan, Hrayr Karapetyan, Khachatur Gyulamiryán, Vaghinak Mandakuni, Aleksandr Azatyan. The architects of the building were Grigori Grigoryan and Armen Aghalyan. It decorated the façade of the USSR Institute of Telecommunications Research (ՀՍՍՀ Կապի Գիտահետազոտական ինստիտուտ). In the first half of 2023, the building was demolished and the mosaic dismantled, reportedly with plans to reinstall it after the new building is constructed. At the time of its destruction, the Beeline office was located inside the building. Photo Credits: Damien Hewetson BIG UPDATE I’m happy to share some good news and update this article. As of February 2026, the mosaic is being reinstalled on the newly built skyscraper, on the site of the previously demolished building. I have already visited the location twice to document the restoration work and take new photos. One of the key reasons for the sheer number of mosaics was a formal state requirement: 2–5% of the construction budget for any public building—factories, schools, institutes, hospitals, and even bus stops—had to be allocated to “artistic and decorative elements.” In Soviet planning, this was officially known as “Artistic-Decorative Finishing” (Художественно-декоративное оформление). The “Anahit” resort in Stepanavan once featured an impressive mosaic on the wall of its swimming pool. Although the resort still operates today, the mosaic is long gone. The Art Fund acted as a mandatory intermediary in this process. When a factory or public building was under construction, the building authority transferred the allocated “artistic percentage” to the Art Fund, which then: assigned an artist to the project; approved the sketch, ensuring ideological compliance; supplied materials such as smalt, ceramics, and cement. In Russian art history, this system is often described by the term “Sintez Iskusstv” (Синтез искусств — Synthesis of Arts): the idea that architecture and fine art should not exist separately, but merge into a single, unified expression of Soviet life. Before the modern Cascade was built, a mosaic adorned the Old Cascade Waterfall. The artist was the Armenian sculptor and Honored Artist of the Armenian SSR (1967), Derenik Danielyan. This policy created a vast and guaranteed market for artists. The Union of Artists of the USSR (Союз художников СССР) controlled the distribution of these commissions. For many artists, state orders became their main source of income, resulting in the creation of thousands of works across the Soviet Union, from Moscow to remote Siberian villages. Unlike murals, mosaics made of smalt (special colored glass) or ceramic tiles do not fade in the sun and can withstand harsh winters. Soviet authorities viewed mosaics as “art for eternity.” Yet even art meant to last forever is gradually disappearing. About frescoes... Soviet frescoes, while sharing the same ideological DNA as mosaics, occupied a different niche. If mosaics ruled the exterior, frescoes and other mural techniques dominated interiors. They adorned the foyers of Culture Houses, Culture Palaces, Pioneer Palaces, university lecture halls, and factory meeting halls. Their tone was academic and historical, focused on Soviet ideology and on the country’s history stretching back centuries, depicting key moments in its past. In Armenia, many frescoes have survived, perhaps thanks to the fact that they were created by renowned artists such as Minas Avetisyan or Hakob Hakobyan. Others, however—especially works by lesser-known or anonymous artists—have already vanished or are slowly fading away. The First Class (“Պեռվի կլաս”) restaurant at Gyumri Railway Station once featured a remarkable fresco named "Old Gyumri" by Eduard Edigaryan. A few low-quality images offer a glimpse of its original appearance. The central section of the mural portrays men dressed in traditional national costumes. In the background, the city of Leninakan is depicted, while the left and right panels of the triptych feature Armenian women turned toward the center. The door is usually kept closed; about a year ago, I asked a staff member to open it to check if the mural might be hidden behind a mirror or panel, but it appears the artwork is lost forever. From left a guest from Philadelphia, in the center Khachatur Vardparonyan, on the right Hakob Hakobyan. Image credits: Khachatur Vardparonyan (Խաչատուր Վարդպարոնյան), Facebook page. One of the finest frescoes that has not survived was painted by Khachatur Vardaparonyan and titled Rebirth («Վերածնունդ», 1979). It was located in Leninakan (present-day Gyumri) at the Sock Factory (գուլպա-նասկեղենի ֆաբրիկա), now the Millennium Restaurant. The fresco was not preserved and was destroyed in the early 2000s during renovations. The fresco discovered in Artik’s former Youth Palace in 2018 during reconstruction works. Photo credits: SHANTNEWS Initially, the fresco was thought to be the work of Khachatur Vardparonyan, but this attribution was later rejected by his grandson. It was eventually established that the author of the rediscovered fresco was Misha Sargsyan. The work was identified by his wife, Azatuhi Tadevosyan, for whom the discovery came as a complete surprise. According to her, the fresco had been painted more than 45 years earlier and had long faded from her husband’s memory. When I visited the site in 2024, I was shocked to see that the mural was gone and the building had been turned into a store selling toilets, sinks, and other plumbing fixtures. “The painting was created in 1967–1968. At that time, we had just gotten married. I suggested that he leave his signature beneath the work, but back then artists were not allowed to sign their paintings,” Azatuhi Tadevosyan told the SHANTNEWS correspondent. The Culture Palace in Vayk also featured a notable fresco, which was destroyed a few years ago. When I visited the site in 2022, the fresco was already gone, but fortunately, a local worker had a photo of it and kindly shared it with me. 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While exploring abandoned buildings in Armenia, we discovered a looted institute with two striking bas-reliefs and remnants of research on livestock and animal nutrition. This site once played a vital role in advancing Armenia's livestock industry, focusing on animal quality and forage production. < Back Exploring the Abandoned Armenian Scientific Institute of Livestock Breeding and Forage Production While exploring abandoned buildings in Armenia, we discovered a looted institute with two striking bas-reliefs and remnants of research on livestock and animal nutrition. This site once played a vital role in advancing Armenia's livestock industry, focusing on animal quality and forage production. While exploring abandoned buildings in Armenia with G. Mattu, we spotted a large bas-relief in the distance. I had previously seen this bas-relief online but had no idea of its location. Access to the building was straightforward, so we decided to enter. Inside, we encountered an impressive bas-relief featuring thematic images that aligned with the institution's activities. The facade of the building was decorating a nice bas-relief The site had been looted; the library was devoid of books, and most rooms were nearly empty of furniture. However, some bulletin boards remained, showcasing photographs and informational texts related to pigs, poultry farming, animal nutrition, forage, and sheep breeding. These remnants provided insight into the research fields once pursued at the institute. An old educational display related to a specific breed of sheep I believe the institute likely played a crucial role in enhancing Armenia's livestock industry, focusing on both the quality of the animals and the availability of their feed. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Previous Next

This abandoned pioneer camp in Armenia is among the best-preserved I’ve ever seen. As you wander through its grounds, now overgrown with trees and vegetation, you’ll come across striking relics of the past — from grand mosaics to statues of iconic figures like Buratino and Medz Mher. The true centerpiece, however, is the swimming pool — remarkably intact and decorated with mesmerizing Soviet-era mosaics. Join me on this urbex journey as we step into the forgotten world of Armenia’s Soviet past. < Back I Explored the Abandoned Soviet Pioneer Camp “Fairy-Tale” This abandoned pioneer camp in Armenia is among the best-preserved I’ve ever seen. As you wander through its grounds, now overgrown with trees and vegetation, you’ll come across striking relics of the past — from grand mosaics to statues of iconic figures like Buratino and Medz Mher. The true centerpiece, however, is the swimming pool — remarkably intact and decorated with mesmerizing Soviet-era mosaics. Join me on this urbex journey as we step into the forgotten world of Armenia’s Soviet past. In Soviet times, there were 200 pioneer camps in Armenia, but after the collapse of the Soviet Union, only about 10 of them managed to survive. These pioneer camps were mainly located outside the cities, nestled in the woods. Today, these once vibrant places have become abandoned, with thick bushes overgrown around them, making them perfect for urban explorations. As you approach the pioneer camp, an old sign catches your eye, bearing the inscription: «Պիոներ ճամբար Հեքիաթ / пионер лагер Сказка». As you can see in the photo, the old asphalt road is in poor condition. Driving there in a sedan is highly not recommended! Use a vehicle with higher clearance for a smoother ride. The “Fairy-Tale” camp was one of Armenia’s finest pioneer camps. Its official opening ceremony took place in 1985, and it operated until around 1993. The camp’s life was cut short by the 1988 earthquake, which partially destroyed its buildings and delayed renovations. By the time it reopened, the Soviet Union had collapsed, marking the end of its era. Then a huge bas-relief reveals itself, hidden behind the tree branches. Armenia, finding itself in a deep economic and energy crisis, began to suffocate. The First Karabakh War added an extra burden on the people. Locals, who had barely recovered from the 1988 earthquake, were in desperate need of firewood during the harsh winter days. The place was soon looted—windows, doors, even their frames were stripped away—leaving behind only the skeletons of once-glorious buildings. In the territory of the pioneer camp, I stumbled upon a stone hidden among the bushes with the following inscription in Armenian. I value it highly, because thanks to this inscription I was at least able to learn the date of the opening ceremony: Այստեղ 1985 թվականի հունիսի 16-ին տեղի է ունեցել «Հեքիաթ» պիոներական ճամբար-պանսիոնատի հանդիսավոր բացումը — ‘On June 16, 1985, the ceremonial opening of the ‘Fairy Tale’ Pioneer Camp-Resort took place here.’” The statues of Buratino and Malvina Thanks to a historical photo, I learned that there used to be more statues here. Now, only Buratino and Malvina remain. Buratino, as you may know, is the main character of Aleksey Nikolayevich Tolstoy’s 1936 book The Golden Key, or the Adventures of Buratino, which was inspired by Carlo Collodi’s 1883 Italian novel The Adventures of Pinocchio. A 1959 animated feature film by Soyuzmultfilm made these characters especially popular in the Soviet Union. The statue of Medz Mher, one of the central figures from the Armenian epic “Daredevils of Sassoun”, stands proudly here. Known for his extraordinary strength, Medz Mher killed the lion with his bare hands that was blocking the road to Sassoun, preventing the inhabitants from starving. The statue immortalizes that legendary battle. After entering the territory through the building next to the main gates, the statue of the famous Bolshevik revolutionary can be seen in the distance. His role as a leader of the Russian Revolution in the Caucasus earned him the nickname “the Caucasian Lenin,” a reference to Vladimir Lenin himself. Today, Armenia still highly reveres his compatriot, with streets and schools continuing to bear his name. Shahumyan proudly stands atop the stairs, holding a note in his hand as if delivering a speech. The pearl of this pioneer camp is definitely the swimming pool the walls of which are covered with well preserved mosaics. It was the end of June 2020 when I went on my first urbex mission. Psychologically, going alone was challenging, but I managed to overcome my fear. I took a marshrutka (a shared minibus taxi) from Yerevan to a nearby city to begin my hike. About an hour later, I reached the camp and started exploring. I even made a detailed video—check it out! https://www.youtube.com/watch?v=KFiSI6XygIk Today, “Fairy-Tale” has become a well-known urbex destination for travelers from all over the world. Its surrounding landscape, flower-covered fields, statues, and the mosaic-covered swimming pool act like a magnet for visitors. The time has come—you should also see this beauty for yourself and take home unforgettable photos. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . 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Explore the rich history of Armenia with cultural tours that take you to Saghmosavank Monastery, a stunning 13th-century Armenian Apostolic complex located in the picturesque Aragatsotn region. Built by Vache A Vachutyan, Saghmosavank stands as a testament to medieval Armenian architecture with its remarkable gavit, library, and acoustics that once filled the air with psalms. Nestled on the scenic cliffs overlooking the Kasakh River, this monastery is a must-visit destination for those who wish to travel Armenia and discover its spiritual heritage. < Back Saghmosavank: A Must-Visit Monastery on Your Armenian Cultural Tour Explore the rich history of Armenia with cultural tours that take you to Saghmosavank Monastery, a stunning 13th-century Armenian Apostolic complex located in the picturesque Aragatsotn region. Built by Vache A Vachutyan, Saghmosavank stands as a testament to medieval Armenian architecture with its remarkable gavit, library, and acoustics that once filled the air with psalms. Nestled on the scenic cliffs overlooking the Kasakh River, this monastery is a must-visit destination for those who wish to travel Armenia and discover its spiritual heritage. Saghmosavank is an Armenian Apostolic monastery complex located in the village of Saghmosavan in the Aragatsotn region, perched on a scenic elevated site overlooking the Kasakh River, just 37 km from Yerevan. Built in the 13th century by Vache A Vachutyan, the monastery’s name derives from "saghmos," meaning "psalm," reflecting its unique distinction as the only monastery named after the spiritual songs sung within its walls, renowned for its exceptional acoustics. Following the liberation of Eastern Armenia by the Zakarian princes, the Vachutian dynasty established its presence here. Originally from Lori, the Vachutians connected their legacy with Aragatsotn, which they ruled. Prince Vache Vachutyan, a prominent figure of the dynasty, was known for his contributions to both military victories and monumental construction, including the open courtyard of Sanahin, the Church of the Holy Nshan of Kecharis, the gavit of Makaravank, and other notable secular and spiritual structures. Saghmosavank In 1215, Vache Vachutyan and his wife, Mamakhatun, built the main church of Saghmosavank, Saint Sion, designed by architect Momik. The church is rectangular on the outside, cross-domed on the inside, and features two-story vaults in all corners. South of Saint Sion is the Saint Astvatsatsin Church, built in 1235 by Kurd Vachutyan, son of Vache Vachutyan. This vaulted church features a rectangular plan with a distinctive altar in the eastern part, adorned with a bas-relief depicting the rising sun, an angel, and the royal coat of arms with an eagle clawing a lamb. The architecture also includes colorful designs with red, black, white, yellow, and red-painted stones, enhancing its visual appeal. In 1255, Prince Kurd Vachutyan, alongside his wife Khorishah, built the library-church known as Gratun in memory of their daughter Mamakhatun. This structure stands out for its unique design, featuring a tabernacle in the east and a rare two-story depository in the southeast corner. Gratun offers access to both the vestibule and the Saint Astvatsatsin Church, which can only be entered from the library. The library once housed 120 manuscripts in the 13th century, highlighting its significance as a center of learning. Saghmosavank Monastery was one of the most prosperous and renowned spiritual centers of the medieval period, preserving a rich legacy of Armenian architecture, history, and culture. The gavit and library of Saghmosavank, with their intricate architectural and engineering designs, are among the most remarkable examples of medieval secular buildings. Gallery You May Also Like Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Guide in Armenia

The "Mother Armenia" monument in Gyumri is a prominent Soviet-era landmark located in the southwestern part of the city, adjacent to the historic Black Fortress. Installed in 1975, this monument is a must-visit for those interested in Soviet monuments and art, making it an essential addition to any tour package in Armenia. < Back Mother Armenia in Gyumri The "Mother Armenia" monument in Gyumri is a prominent Soviet-era landmark located in the southwestern part of the city, adjacent to the historic Black Fortress. Installed in 1975, this monument is a must-visit for those interested in Soviet monuments and art, making it an essential addition to any tour package in Armenia. The statue was officially unveiled on May 9, 1975, to commemorate the 30th anniversary of the victory in the Great Patriotic War and to honor the memory of the many residents of Gyumri who participated in the war. The monument, designed by architect Rafael Yeghoyan and sculpted by Ara Sargsyan, is a harmonious blend of architecture and sculpture, featuring a 21-meter-high pedestal and a 20-meter-high statue. Mother Armenia in Gyumri and the Black fortress as seen by my drone The pedestal, constructed from dark tuff, ascends steeply on a hill, merging with the sky, with its vertical lines accentuating its height. The statue, made of tempered copper, depicts a young woman in a serene and epic pose. She holds a capital of Zvartnots Cathedral in one hand, symbolizing the Armenian people's peaceful creativity and architectural genius, while the other hand holds a palm branch. The figure, standing proud and half-clothed, is a work of classical beauty, characterized by its graceful posture, flowing silhouette, and the plasticity of the folds in her clothing. The back of the monument features an image of Nemesis, the winged goddess of Greek retribution, adding a layer of depth to its symbolic meaning. In front of the monument lies the grave of the unknown soldier, marked by an eternal flame and a raised clenched fist. This monument is not only a regional version of Yerevan's Victory Monument but also serves a dual purpose: to celebrate the victory with grand architectural and sculptural expressions, to honor the fallen, and to extol the virtues of peaceful creation. Gallery You May Also Like Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Guide in Armenia

This article attempts to shed light on the remarkable world of the Armenian Gampr, also known as the Armenian Wolfhound. Let’s delve into their impressive characteristics, from their strength and agility to their protective nature. Uncover details about their size, bite force, lifespan, temperament, and the factors influencing their cost. Let’s discover the unique and striking appearance of this rare and loyal breed. < Back Armenian Gampr - The Best Shepherd Dog This article attempts to shed light on the remarkable world of the Armenian Gampr, also known as the Armenian Wolfhound. Let’s delve into their impressive characteristics, from their strength and agility to their protective nature. Uncover details about their size, bite force, lifespan, temperament, and the factors influencing their cost. Let’s discover the unique and striking appearance of this rare and loyal breed. Armenian Gampr: An Overview The Armenian Gampr, also known as the Armenian Wolfhound, is a breed of flock guardian dog native to the Armenian Highlands. This breed is known for its strength, agility, and endurance. Despite their relative rarity outside their homeland, there is much to admire about these affectionate and fearless dogs. They are large, strong, and headstrong with a commanding presence. There is even a statue in Yerevan's Circular Park erected in honor of Armenian Gampr (Sculptor Levon Tokmajyan, 2018) Armenian Gampr Weight and Size Armenian Gamprs are large dogs. Males typically weigh an average of 55 kg (120 lb), while females average around 50 kg (110 lb)1. However, some sources suggest that the weight can range from 60-100 lbs (27-45 kg) 3 or even up to 135 pounds. In terms of size, males typically stand between 25 to 28 inches (64 to 72 cm) at the shoulder, while females are slightly smaller, ranging from 24 to 26 inches (61 to 66 cm) in height. https://video.wixstatic.com/video/103e0a_4c9a02324ff54121a7b39bcc3417a36e/1080p/mp4/file.mp4 Like all dogs, Gamprs can exhibit unusually aggressive behavior during breeding periods. I encountered some of them on my solo hiking trip to Tirinkatar Sacred Valley, but fortunately, I kept my cold-heartedness and managed to distance myself from their aggressive attacks! Armenian Gampr Bite Force The bite force of an Armenian Gampr is considered ordinary when compared to other dog breeds, but it is still quite powerful. The bite force measurements typically fall within the range of 200 to 400 PSI. However, some sources suggest that the bite force could be as high as 650 PSI. (PSI stands for pounds per square inch. In the context of the bite force of animals, including dogs, it represents the amount of force exerted over one square inch. So, when referring to the bite force of an Armenian Gampr, it means the pressure applied by the dog's bite over a specific area.) Armenian Gampr Lifespan The average lifespan of an Armenian Gampr is typically around 10 to 14 years. However, some sources suggest that they can live between 12 and 15 years. Armenian Gampr Temperament Despite their size and strength, Armenian Gamprs are not inherently aggressive. They are known for their aloof, intelligent, gentle, and protective nature4. They can be fiercely protective of their charges and have unwavering loyalty to their owners2. They are not the kind of dog that will enjoy playing games but the Gampr will stop at nothing to defend its family. Armenian Gampr Cost The cost of an Armenian Gampr can vary depending on various factors such as the breeder, the pedigree of the puppy, and its overall health. On average, an Armenian Gampr has an initial cost of about $1000 to $1500. However, some sources suggest that the price can range between $1600 and $1900. Armenian Gampr Colors The coat of an Armenian Gampr may be of any color. Common coat colors include white, black, brown, gray, or brindle. https://video.wixstatic.com/video/103e0a_cc5b952fbd0a43a28d36033e384136d2/1080p/mp4/file.mp4 These gamprs whom I met on the shore of Lake Nazeli (Geghama mountains) were very friendly and a little bit shy... kept a distance from me! In conclusion, the Armenian Gampr is a remarkable breed known for its strength, loyalty, and endurance. As a devoted companion and guardian, these dogs form close bonds with their families and are fiercely protective of their charges. Despite their size and strength, they are not inherently aggressive and are known for their gentle and protective nature. They are large, strong, and headstrong with a commanding presence. Their cost can vary, but they are generally quite expensive due to their rarity. Their coat can be of any color, adding to their unique and striking appearance. Gallery You May Also Like Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Guide in Armenia

Within the ruins of this Soviet factory lie hidden artworks, which you will discover in this article as we embark on an exploration! < Back This abandoned factory once produced electrical components Within the ruins of this Soviet factory lie hidden artworks, which you will discover in this article as we embark on an exploration! Unfortunately, there is no information available online about this Soviet-era factory, now left in decay. Even locals seemed reluctant to share details, perhaps due to their youth or lack of knowledge. However, I did learn that during Soviet times, the factory manufactured electrical components. Deep exploration uncovered remnants of the past, including numerous boxes of resistors, now rendered obsolete by advancements in technology. A bas-relief by postwar & contemporary artist Benik Petrosyan Adorning the facade of the building is a marvelous bas-relief by Armenian sculptor Benik Petrosyan. Unfortunately, it is now obscured by vegetation, making it difficult to appreciate. Capturing a clear photo proved to be quite a challenge. Inside the building, I discovered two more bas-reliefs. Резистор - Сделано в СССР. Resistor Made in USSR Another striking piece of art within this abandoned factory is a stained glass window, particularly impressive when viewed from outside. The name of the author is unknown. I’m Suren, a professional urban explorer in Armenia. I offer unique urbex tours to abandoned, hidden, and off-the-map places you won’t find in guidebooks. Want a custom itinerary? Contact me on WhatsApp or Telegram . Project Gallery You May Also Like Inside the Eerie Corridors of an Abandoned Russian Fortress Soviet Bus Stops in Armenia Urbex Tours in Armenia – Photo Gallery The 53 cm Schmidt Telescope at Byurakan Astrophysical Observatory Exploring an Abandoned Rest House with Impressive Bas-Reliefs A Spaceship on Earth: The Soviet-Armenian Echo of the Futuro House Destroyed Soviet Mosaics and Frescoes in Armenia The Chayka Monument That Angered Nikita Khrushchev During His 1961 Visit to Armenia Previous Next

This short article attempts to provide brief information about the Armenian Genocide Memorial complex. By visiting this place, you will not only commemorate the victims but also delve into historical documents, aiming to prevent future tragedies by remembering the past. < Back The Armenian Genocide Memorial and Museum This short article attempts to provide brief information about the Armenian Genocide Memorial complex. By visiting this place, you will not only commemorate the victims but also delve into historical documents, aiming to prevent future tragedies by remembering the past. The Armenian Genocide Memorial complex or Tsitsernakaberd is Armenia's official memorial dedicated to the victims of the Armenian genocide, built in 1967 on the hill of Tsitsernakaberd Yerevan, while the Genocide Museum-Institute was opened in 1995. Every year on 24 April, the Armenian Genocide Remembrance Day, thousands of Armenians gather at the memorial lay flowers and commemorate the victims of the genocide. The construction of the monument began in 1966, during Soviet times, in the aftermath of the 1965 Yerevan demonstrations. During these demonstrations, one hundred thousand people gathered in Yerevan for 24 hours to commemorate the 50th anniversary of the genocide. They demanded that the Soviet authorities officially recognize it as a genocide. The memorial is designed by architects Arthur Tarkhanyan, Sashur Kalashyan and artist Hovhannes Khachatryan and was completed in November 1967. The construction of the Genocide Memorial Complex The memorial has twelve slabs in a circle, representing the twelve lost provinces in present-day Turkey. In the middle, there's an eternal flame for the 1.5 million people killed during the Armenian genocide. The 44-meter tall stele symbolizes the national rebirth of Armenians. There's also a 100-meter wall listing names of towns and villages where massacres and deportations took place. Entrance to the museum The museum opened in 1995 for the 80th genocide anniversary. The structure, designed by architects Sashur Kalashian, Lyudmila Mkrtchyan, and sculptor F. Araqelyan, is unique. It's a two-story building built into a hill not to take away from the Genocide Monument. The roof is flat, overlooking the Ararat Valley and Mount Ararat. The first floor has offices and Komitas Hall, seating 170 people. The museum exhibit on the second floor is just over 1,000 square meters. Documents and photos concerning Armenian Genocide Visiting the museum is part of the state protocol in Armenia. Many official foreign delegations, including Pope John Paul II, Pope Francis, President Vladimir Putin, Presidents Jacques Chirac and Francois Hollande, have visited. The museum has historical documents and offers guided tours in Armenian, Russian, English, French, and German. The theme of the Armenian genocide in the visual arts The Genocide Museum's mission is to show that remembering the Armenian Genocide is important to prevent similar future tragedies. Gallery You May Also Like Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Guide in Armenia

The word “Pantheon” comes from Greek and literally means “a sanctuary of all gods.” The name was passed down from the famous temple in Rome dedicated to the Roman gods. Over time, the meaning evolved. Today, a pantheon is understood as a special burial place reserved for a nation’s most respected figures. This article is dedicated to Armenia’s main cultural pantheon — the Komitas Pantheon. < Back Komitas Pantheon in Yerevan The word “Pantheon” comes from Greek and literally means “a sanctuary of all gods.” The name was passed down from the famous temple in Rome dedicated to the Roman gods. Over time, the meaning evolved. Today, a pantheon is understood as a special burial place reserved for a nation’s most respected figures. This article is dedicated to Armenia’s main cultural pantheon — the Komitas Pantheon. Famous Pantheons Around the World Almost every country has its own pantheon or an equivalent memorial cemetery — places where national memory, history, and identity come together. The Roman Pantheon (Rome, Italy) Originally built as a temple dedicated to all Roman gods, the Pantheon later became a burial place for outstanding figures. Among them is the renowned Italian painter Raphael, as well as the first kings of united Italy. Père Lachaise Cemetery (Paris, France) Founded in 1804 on the initiative of Napoleon Bonaparte, it is Europe’s most famous cemetery. Many iconic writers, artists, and musicians are buried here, making it both a memorial site and a major cultural landmark. Arlington National Cemetery (USA) Established in 1864 in the state of Virginia, Arlington is one of the most important military cemeteries in the United States. It is home to the Tomb of the Unknown Soldier, where the US President lays a wreath every year on Memorial Day and Veterans Day. Around 300,000 fallen soldiers and military veterans are buried here. The Kremlin Wall Necropolis (Moscow, Russia) One of Russia’s most symbolic burial sites, located along the Kremlin wall on Red Square. Prominent political leaders, military commanders, and public figures of the Soviet era are buried here. Pantheons in Armenia Armenia has two major pantheons that hold deep historical and emotional significance. Yerbablur Pantheon Located in Yerevan , Yerbablur is Armenia’s main military pantheon. Yerbablur is not only a cemetery but also a powerful national symbol of sacrifice, remembrance, and independence. It is the final resting place of: Fighters who died in the Artsakh War Military and political figures who passed away after the war Komitas Pantheon (Komitas Park Pantheon) The Komitas Pantheon , located within Komitas Park in Yerevan, has a unique history. Until the mid-1930s, this area was known as the Mler Cemetery , along with its chapel. Today, only a small section of the original stone wall has survived. In the 1930s, by decision of the Yerevan City Council, the cemetery was closed and replaced by a public park. On the initiative of Agasi Khanjyan , one corner of the park was designated as a burial ground for cultural figures. The entrance to Komitas Park In 1936 , one year after his death, the remains of Komitas , the great Armenian composer and ethnomusicologist, were reburied here, giving the pantheon its name. In 1969 , with the support of Stepan and Ruzan Kyurkchyan , a tuff-stone northern wall and decorative divider were constructed. The pantheon underwent major renovation in 2005 . Today, the Komitas Pantheon is the resting place of outstanding Armenian figures from many fields, including: Cinema and theater Music Literature and poetry Painting and architecture Science Politics Sports More Than Cemeteries Pantheons are not ordinary burial grounds. They are places of memory, respect, and identity. In Armenia, both Yerablur and the Komitas Pantheon reflect the country’s struggle, culture, and creative spirit — silent yet powerful witnesses of national history. Gallery You May Also Like Grigor Khanjyan’s Monumental Fresco at the Yerevan Cascade From Stendhal Syndrome to Suren Syndrome Tirinkatar Sacred Valley: Armenia’s High-Altitude Valley of Dragon Stones How to Choose a Local Guide in Armenia Komitas Pantheon in Yerevan Gallery of Mineral Waters in Jermuk Shvanidzor’s 17th-Century Aqueduct: Armenia’s Ancient Engineering Marvel Guide in Armenia

Discover the breathtaking beauty of Armenia’s Lori Region on this 2-day hiking and sightseeing adventure. Designed for beginners and those seeking to combine exploration with light physical activity, this tour features easy trails and visits to some of Armenia’s most renowned cultural and historical landmarks. < Back 2-Day Hiking and Sightseeing Tour in Armenia's Lori Region Discover the breathtaking beauty of Armenia’s Lori Region on this 2-day hiking and sightseeing adventure. Designed for beginners and those seeking to combine exploration with light physical activity, this tour features easy trails and visits to some of Armenia’s most renowned cultural and historical landmarks. Day 1: Journey to Kayan Fortress, Haghpat, and Sanahin Monasteries Starting Point: Yerevan (170 km to Lori Region) Highlights: Kayan Fortress, Haghpat and Sanahin Monasteries (UNESCO World Heritage Sites) We begin our journey from Yerevan with a scenic drive to Lori Region. After covering a distance of 170 km, we’ll pause for a coffee break before starting our hike to the historic Kayan Fortress. Kayan fortress from the top of adjacent cliff Kayan Fortress Trail Kayan Fortress is a historic site strategically located between the Haghpat and Sanahin monasteries. This imposing structure is perched on a ridge between two canyons overlooking the Debed River. Spanning approximately 120 meters in length, the fortress features 15 semi-circular defensive towers. Camping in the territory of Kayan Fortress The trail to Kayan Fortress is about 1.5 km one way and takes less than an hour to complete. Within its boundaries lies the Dsevank Monastery, referred to by the historian Arakel Davrizhetsi as “Tes yev ants” (“See and pass by”). Aerial photo of Haghpat Monastery After the hike, we’ll visit the architectural marvels of Haghpat and Sanahin monasteries, both UNESCO World Heritage Sites, dating back to the 10th century. Accommodation: Overnight stay in a cozy hotel in the Lori Region. Personal recommendations are available, but alternative options are always welcome. Day 2 we will start with a visit to Odzun church Day 2: Odzun Church and Horomayr Monastery Hike Starting Point: Hotel in Lori Region Highlights: Odzun Church, Horomayr Monastery We start the day with a visit to the beautiful Odzun Church, a gem of early medieval Armenian architecture. Following this, we embark on a hike through the captivating Lori Gorge, offering some of the most stunning views in Armenia. Enjoying the breathtaking views of the Lori Gorge! Lower Horomayr Monastery is nestled at the base of the cliffs Horomayr Monastery Trail Horomayr Monastery is a remarkable medieval complex located 1.5 km southeast of Odzun village. Built during the 12th and 13th centuries, the monastery consists of two distinct groups of monuments: Lower Horomayr Complex: Nestled on the left bank of the Debed River, under a dramatic hanging rock. Upper Horomayr Complex (Dzoraezri Monastery): Perched on the edge of the valley. In the right corner of the image, you can see the Lower Horomayr Complex The trail to the lower complex spans 2km and takes approximately 1 hour one way. The hike is an out-and-back route, offering awe-inspiring views of the gorge and surrounding landscapes. After completing the hike, we will begin our return journey to Yerevan, stopping at a cozy food court for a lunch break. We expect to arrive in Yerevan around 6:00 PM. Alternatively, we can take the Yerevan-Sevan highway and include a visit to the Sevanavank Monastery on the way back. Tour Details Included in the Price: Pick-up and drop-off in Yerevan Transportation in an air-conditioned vehicle Professional guide service Not Included: Airport transfers Insurance Lunch (Lunchboxes can be arranged for an additional fee) Hotel stay; the tourists are also covering the cost of my one-night hotel stay Tour Price: Group of 1–4 people — 190,000 AMD (≈ 430 Euro). Hotel accommodation is not included in the price. For larger groups, please contact us for customized pricing. Project Gallery You May Also Like Suren, the hiking guide in Armenia 1-Day Hiking Tour to Lastiver from Yerevan Best One-Day Hiking Tours from Yerevan A Hiking Adventure to Mount Tesilk and its Mysterious Cave 2-Day Hiking and Sightseeing Tour in Armenia's Lori Region Aparan Reservoir Loop Trail 1-Day Hike to Mount Ara Hiking tour to mount Yeranos